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Get to Know the Characters of True Grit with 4 New Clips

These four clips from the Coen Brothers’ True Grit are a welcome departure from the numerous “advanced clips” these days, which often turn out to be variations on scenes that played out more economically in the trailer. Here, we get a nice sense of the style of the movie as well as an engaging introduction to each of the major characters. My personal favorite is the first argument between Matt Damon and Jeff Bridges, which honestly doesn’t do much to back up the Coens’ claim that the film is departure in tone . But that’s not necessarily a bad thing…

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Get to Know the Characters of True Grit with 4 New Clips

REVIEW: Noodle Shop Stays Close to Coen Brothers Source, But Not Close Enough

An unlikely, unwieldy transplant of the Coen brothers classic Blood Simple to an indeterminate, dynastic domain of China, Zhang Yimou’s A Woman, A Gun and A Noodle Shop follows its master with the tumbling, untroubled constancy of a puppy. There is novelty in Zhang’s fidelity to the blackly circumstantial clockwork of the Coens’ neo-noir plotting, set here in the phantasmagoric realm of a wuxia opera. There also emerges a nagging glibness that regularly gets the best of some inspired filmmaking. In its most tiresome moments, Noodle Shop overestimates the wit of its formal exertions, and feels less like a film than an exercise that will leave fans of the original comparatively cold.

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REVIEW: Noodle Shop Stays Close to Coen Brothers Source, But Not Close Enough

‘True-ish Grit?’ Hollywood Libs Attempt Remaking a Classic

Hollywood westerns don’t sell very well anymore. Remakes of westerns don’t sell and they tend to remind those who do see them of the superiority of the originals. So remaking the iconic 1969 western, “True Grit,” for which John Wayne received his only Best Actor Oscar, seems an odd choice for the Coen brothers. But the extremely successful directors of “Fargo,” “Oh Brother Where Art Thou?” and “No Country for Old Men,” are indeed remaking “True Grit.” They stress that their effort is based more on the 1968 novel by Charles Portis than the original movie. Still, The Duke’s portrayal of hard-drinking, one-eyed Marshall Rooster Cogburn has been a TV staple for decades. Portis’ novel – not so much. The Coens’ quirky, often dark and sometimes absurd portraits of America couldn’t be much more different from any flick in John Wayne’s legendary career. And maybe that’s the point. After all, any movie with America-bashing lefty Matt Damon in an important supporting role is bound to be at odds with traditional takes on the American frontier. All the more-so because Damon admitted, “I’ve never even seen the original John Wayne movie.” The Coens cast 2010 Best Actor Oscar-winner Jeff Bridges as Cogburn. Bridges will have to be a heck of an actor to do the character justice, because in real life, he couldn’t be more different than Wayne, a traditional conservative. Bridges is an admitted pot-smoker and marijuana legalization advocate. On his website , Bridges has a page dedicated to the End Hunger Network, a charity he helped establish. While Bridges work with this charity is admirable, he downplays the role of charities on the page, and advocates for massive government intervention. We can never end hunger through the wonderful work of local charities – like other western democracies, we must end hunger through governmental leadership. Charity is nice for some things, but not as a way to feed a nation. We don’t protect our national security through charities and we shouldn’t protect our families that way either.  Included in the cast are Josh Brolin, son of James Brolin and stepson of actress and liberal activist Barbara Streisand. Brolin and Damon, who play’s Glenn Campbell’s old role as LeBeuf, have collaborated before. They participated (along with Hugo Chavez pal Danny Glover) in a History Channel Miniseries based around the 1980 anti-American revisionist book, “A People’s History of the United States,” written by communist historian Howard Zinn . And of course, there’s Damon, fresh from his failed anti-American agit-prop thriller, “The Green Zone.” So maybe the Coens know what they’re doing, and we can all look forward to “A People’s History of True Grit.”

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‘True-ish Grit?’ Hollywood Libs Attempt Remaking a Classic