Tag Archives: coen brothers

Obama Calls Innocence Of Muslims ‘Crude’ While Defending Free Speech At U.N.; Coens’ Fargo Set For T.V.: Biz Break

Also in Tuesday afternoon’s round-up of news briefs, The Collection is set to open an L.A. horror fest. And a slew of films find U.S. homes and are headed to theater. The Collection Set for Screamfest Opener Marcus Dunstan’s horror The Collection will open the 12th annual Screamfest, taking place October 12 – 21 in Los Angeles. Starring Josh Stewart, Emma Fitzpatrick and Christopher McDonald, the film centers on a traumatized man forced to help rescue a beautiful woman who has become the latest obsession of a crazed killer who “collects” humans in a booby-trapped house of horrors. Both Dunstan and Melton will be in attendance for the opening night screening . Ginger & Rosa Heads to U.S. Theaters New distribution outfit A24 picked up Telluride and Toronto festivals’ Ginger & Rosa , starring Elle Fanning. Set in 1960s London, the film centers on two teen girls who rebel against their mothers against the backdrop of the Cuban missile crisis and nuclear fear. A24 will do a 2012 qualifying run for awards season, followed by a theatrical release in 2013. It will screen at the upcoming New York Film Festival. Alain Resnais’ You Aint Seen Nothin’ Yet Heads to Theaters U.S. rights to the film have been picked up by Kino Lorber and will have its North American premiere October 2nd at the 50th New York Film Festival. The film opens with a who’s-who of French acting royalty being summoned to the reading of a late playwright’s last will and testament. There, the playwright (Denis Podalydès) appears on a TV screen from beyond the grave and asks his erstwhile collaborators to evaluate a recording of an experimental theater company performing his Eurydice. But as the video unspools, instead of watching passively, these seasoned thespians begin acting out the text alongside their youthful avatars, looking back into the past rather like mythic Orpheus himself. The film will open in early 2013. Michael Walker’s Price Check Heads to North American Theaters IFC Films will open the comedy starring Parker Posey will open on VOD October 11th and theatrically on November 16th. The film revolves around Pete Cozy, who is having trouble with rising debt and hates his job. His new boss comes along and pulls Pete into a maelstrom and is made to work harder than before. He suddenly is finding opportunities, but may pay a price. Around the ‘net… President Obama Calls Innocence of Muslims a ‘Crude and Disgusting Video’ at U.N. Speaking at the General Assembly Tuesday, Obama said that while the video was reprehensible, it is not possible to ban the pic which has inflamed Muslims around the world. “Like me, the majority of Americans are Christian, and yet we do not ban blasphemy against our most sacred beliefs,” he said. “Moreover as President of our country…I accept that people are going to call me awful things every day, and I will always defend their right to do so…,” Deadline reports . Coen Brothers’ Fargo Set for Television Adaptation The filmmaking siblings will develop a television version of their hit Fargo . The 1996 film noir won two Oscars for best script and best actress. The original crime thriller starred Frances McDormand as a policewoman on the trail of two bumbling criminals, BBC reports .

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Obama Calls Innocence Of Muslims ‘Crude’ While Defending Free Speech At U.N.; Coens’ Fargo Set For T.V.: Biz Break

CANNES REVIEW: Satiny Black-and-White Silent The Artist Emerges as a Palme d’Or Frontrunner

In a curious but pleasant development, a latecomer to the Cannes competition lineup, announced just a week before the festival began, has suddenly become a possible front-runner for the Palme d’Or. Michel Hazanavicius’ The Artist, a silent film shot in Hollywood in black-and-white, screened this morning, and its sly charms seemed to win over a sizable portion of the audience — including me.

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CANNES REVIEW: Satiny Black-and-White Silent The Artist Emerges as a Palme d’Or Frontrunner

Take A First Look At Cameron Diaz & Colin Firth In Gambit

Could the upcoming Gambit be the most talent-stuffed movie since Inception ? Written by the Coen Brothers, starring Cameron Diaz, Alan Rickman and Colin Firth and co-starring Stanley Tucci and Cloris Leachman, it’s like the Expendables for the NPR set. Firth stars as an art curator who plans to con England’s wealthiest man (Rickman) into buying a fake Monet with the help of Diaz as a Texas rodeo queen. Sounds awesome, so it’s a pity the first picture looks like Diaz and Firth are posing for their Senior Superlatives yearbook photo (Most Uncomfortable, perhaps?) Take a look!

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Take A First Look At Cameron Diaz & Colin Firth In Gambit

What If We Reinvented Awards Season As a Playoff Tournament?

Has awards season become a tad repetitive for your tastes? Sure, the recent surge by The King’s Speech over The Social Network is exciting, I suppose, but at this point how many awards can we see Natalie Portman and Colin Firth win against basically the same competition before we all collectively throw up our hands and say, “OK, we get it. Can we just move on to the Oscars now? Or at least try something different ?” Here’s an idea: What if every single awards ceremony were important?

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What If We Reinvented Awards Season As a Playoff Tournament?

Was Whoopi Goldberg’s Oscar Win Snubbed in the New York Times?

The View has a bimonthly tradition (approximately) of making headlines, and the latest “controversy” is a wee one: Whoopi Goldberg claims The New York Times didn’t mention her in an article called ” Hollywood Whiteout ” about this year’s rather Caucasian field of Oscar nominees. It touches on Oscar history too, and Whoopi said that the failure to mention her Oscar win for Ghost hurt her “terribly.” Is Goldberg’s outrage warranted?

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Was Whoopi Goldberg’s Oscar Win Snubbed in the New York Times?

Was Whoopi Goldberg’s Oscar Win Snubbed in the New York Times?

The View has a bimonthly tradition (approximately) of making headlines, and the latest “controversy” is a wee one: Whoopi Goldberg claims The New York Times didn’t mention her in an article called ” Hollywood Whiteout ” about this year’s rather Caucasian field of Oscar nominees. It touches on Oscar history too, and Whoopi said that the failure to mention her Oscar win for Ghost hurt her “terribly.” Is Goldberg’s outrage warranted?

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Was Whoopi Goldberg’s Oscar Win Snubbed in the New York Times?

Roger Deakins on His True Grit Oscar Nod and the End of Film: ‘Next Year Will Be It’

The startling beauty of Joel and Ethan Coen’s Oscar-nominated True Grit — and in most Coen brothers films, for that matter — owes to frequent collaborator and award-winning cinematographer Roger Deakins, who’s lensed all but one of their films since 1991’s Barton Fink . But as much as the nostalgic Western serves as a throwback to simpler times, simpler heroes (and heroines), and a yearning to stick to one’s principles in the face of obsolescence, True Grit could also mark a wistful point in Deakins career — his last film shot on film.

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Roger Deakins on His True Grit Oscar Nod and the End of Film: ‘Next Year Will Be It’

Roger Deakins on His True Grit Oscar Nod and the End of Film: ‘Next Year Will Be It’

The startling beauty of Joel and Ethan Coen’s Oscar-nominated True Grit — and in most Coen brothers films, for that matter — owes to frequent collaborator and award-winning cinematographer Roger Deakins, who’s lensed all but one of their films since 1991’s Barton Fink . But as much as the nostalgic Western serves as a throwback to simpler times, simpler heroes (and heroines), and a yearning to stick to one’s principles in the face of obsolescence, True Grit could also mark a wistful point in Deakins career — his last film shot on film.

Read more:
Roger Deakins on His True Grit Oscar Nod and the End of Film: ‘Next Year Will Be It’

Roger Deakins on His True Grit Oscar Nod and the End of Film: ‘Next Year Will Be It’

The startling beauty of Joel and Ethan Coen’s Oscar-nominated True Grit — and in most Coen brothers films, for that matter — owes to frequent collaborator and award-winning cinematographer Roger Deakins, who’s lensed all but one of their films since 1991’s Barton Fink . But as much as the nostalgic Western serves as a throwback to simpler times, simpler heroes (and heroines), and a yearning to stick to one’s principles in the face of obsolescence, True Grit could also mark a wistful point in Deakins career — his last film shot on film.

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Roger Deakins on His True Grit Oscar Nod and the End of Film: ‘Next Year Will Be It’

True Grit’s Hailee Steinfeld on Nerves, Stunts and Her Coen Brothers Crash Course

Barely a week past her 14th birthday, Hailee Steinfeld has accomplished a fistful of feats most of her Hollywood contemporaries would kill for. Starting with this week’s True Grit , she makes in her feature-film debut as the female lead of a Coen Brothers movie. Grit ‘s studio Paramount, meanwhile, has Steinfeld at the front of the Oscar pack in the Best Supporting Actress category. And then there’s the little matter of whom she’s supporting — and whom Steinfeld matches scene for scene, tone for tone, line for dense line.

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True Grit’s Hailee Steinfeld on Nerves, Stunts and Her Coen Brothers Crash Course