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MSNBC’s Wolffe Repeats Debunked Newsweek Claim of Koran Flushed Down Toilet by Guantanamo Interrogators

Appearing as a guest on Friday’s Countdown show, MSNBC political analyst Richard Wolffe – formerly of Newsweek – referred to the debunked story that was retracted by Newsweek in May 2005 which had incorrectly claimed that American interrogators at Guantanamo Bay had flushed a Koran down a toilet to intimidate Muslim prisoners. But Wolffe did not inform viewers that the story was untrue as he accused conservatives of a double standard for criticizing Newsweek’s inaccurate Koran desecration story from 2005 while not being aggressive enough in condemning Pastor Terry Jones’s declaration that he would burn the Koran on September 11. Wolffe: I’m struck all the time with this story about the experience of those of us who worked in Newsweek – not the least of whom is Mike Isikoff now at NBC News who wrote a story about the abuse of the Koran in Guantanamo Bay , and there were riots and people died and the overwhelming torrent of abuse from conservative, the echo chamber, more than elected officials I think, certainly from conservative media, was that Newsweek had lied and people died. That’s what they said. Newsweek’s erroneous story inspired riots and a significant number of deaths in 2005 before it was retracted by the magazine, although, as previously documented by the MRC, Newsweek buried its retraction. Below is a transcript of the relevant portion of the Friday, September 10, Countdown show on MSNBC: KEITH OLBERMANN: The Republicans, on the other hand, are sounding like almost nothing. We reported Tuesday on the deafening silence of the leaders who previously told us, “Listen to General Petraeus,” and this time they had nothing to say, and obviously some have broken their silence since, but even then most have been tentative or brief or even offensive at the analysis that, or the analogy I made to Captain Chowdhury, equating the book burning to building buildings. Do you have a perception of what Republicans are trying to do or not do about this issue? RICHARD WOLFFE: Republicans are in a strange situation now, as well. The politics is weird for them. Remember that, for all the confidence about taking about Congress, there’s a certain amount of fear in the Republican party. They’re worried about the challenge from the right from the Tea Party, which in the first incident has been directed at fellow Republicans, not at Democrats. But, you know, if you’re going to equate something with Koran burning, you know, I’m struck all the time with this story about the experience of those of us who worked in Newsweek – not the least of whom is Mike Isikoff now at NBC News who wrote a story about the abuse of the Koran in Guantanamo Bay, and there were riots and people died and the overwhelming torrent of abuse from conservative, the echo chamber, more than elected officials I think, certainly from conservative media, was that Newsweek had lied and people died. That’s what they said. And I don’t hear similar things now about someone who’s abusing, threatening to abuse the Koran and the kinds of impact that the generals, the commander in chief is saying is going to happen. So if you’re going to equate things, let’s treat apples with apples.

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MSNBC’s Wolffe Repeats Debunked Newsweek Claim of Koran Flushed Down Toilet by Guantanamo Interrogators

Taylor Swift’s New Song Lyrics: What Do You Think?

Pop/country superstar debuts yet-untitled song at the VMAs. By James Dinh Taylor Swift performs at the 2010 MTV Video Music Awards Photo: Kevin Mazur/WireImage Taylor Swift debuted a new song at the 2010 MTV Video Music Awards on Sunday (September 12), and we want to know what you think of the yet-untitled track’s personal lyrics. The song is said to be from Taylor’s upcoming Speak Now album and will seemingly be titled “Innocent” or “Still an Innocent.” Below are the lyrics as far as we could gather. If you know the missing words, help us out. And share your thoughts in the comments! I guess you really did it this time Left yourself in your war path Lost your balance on a tightrope Lost your mind trying to get it back Wasn’t it easier in your lunch box days? Always a bigger bed to crawl into Wasn’t it beautiful when you believed in everything And everybody believed in you? It’s all right, just wait and see You’re streaming lights are still bright to me oh Who you are is not what you’ve been You’re still an innocent You’re still an innocent There’s some things you can’t speak of But tonight you’ll leave it all again You wouldn’t be shattered on the floor now If only you would sing only what you know … Wasn’t it easy you’re in your … catching days? And everything out of reach … brought down to you? Wasn’t it beautiful running wild till you fell asleep Before the monsters caught up to you? It’s all right, just wait and see Your streaming lights are still bright to me oh Who you are you are is not who you’ve been You’re still an innocent It’s OK, life is a tough crowd 32 and still growing up now Who you are is not what you did You’re still an innocent Time turns flames to ambers You’ll have new Septembers Everyone of us has messed up too Mind change like the weather I hope you remember today is never too late To be brave (ohh) It’s all right, just wait and see Your streaming lights are bright to me oh Who you are is not where you’ve been You’re still an innocent It’s OK, life is a tough crowd 32 and still growing up now Who you are is not what you did You’re still an innocent Lost your balance on a tight rope It’s never too late to get it back What did you think of Taylor’s new song? Share your thoughts, and correct our lyrics, in the comments below! The Moonmen have all been handed out and the stars have gone home, but there’s plenty of 2010 MTV Video Music Awards news, interviews, behind-the-scenes scoop, party reports and more still to come, so keep it locked on MTVNews.com. Related Videos VMA 2010: Most Talked About Moments Related Photos VMA 2010: Winners In The Press Room Related Artists Taylor Swift

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Taylor Swift’s New Song Lyrics: What Do You Think?

Kanye West Debuts New Song At VMAs

MC toasts ‘scumbags’ and ‘douche bags’ in new song from forthcoming album. By Mawuse Ziegbe Kanye West performs during the 2010 MTV Video Music Awards Photo: Kevin Mazur/EM/WireImage As MTV Video Music Awards host Chelsea Handler put it, Kanye West was the “big, black elephant in the room” at this year’s show. Following a long and well-documented history of awards-show rants, Kanye’s return to the VMAs was a much-buzzed-about event. And West knew it. Instead of completely avoiding the controversy of last year’s VMAs, Yeezy turned the event into fodder for his new track, which he debuted at the close of the show. Funnyman Aziz Ansari sent up the “I’mma let you finish” debacle by yukking it up on a phone call from “Jersey Shore” castmember Ronnie but tossing to West’s performance. The MC walked to the middle of the stage alone, sporting a fire-engine-red suit and gold chains, to a white MPC on a pedestal. West then punched out a few notes from his new song , the companion film for which viewers got a peek at during the pre-show, in the center of the black-and-white stage. A trio of dancers dashed onstage carrying beige scarves before West picked up the mic and began to spit. “I always find something wrong/ You been putting up with my sh– way too long,” the MC rhymed, presumably referring to his various headline-hogging outbursts. “I’m so gifted at finding what I don’t like the most.” Then ‘Ye, who has weathered an outsize amount of criticism, dedicated the performance to his mother and let loose. “Let’s have a toast for the douchebags/ Let’s have a toast for the a–holes/ Let’s have a toast for scumbags,” West sang. The MC then dished out advice to listeners who may be dealing with the aforementioned “bags.” “I got a plan/ Run away as fast as you can.” West collaborator and Clipse MC Pusha T then hit the stage, channeling “Miami Vice”-cool in a mauve blazer as the trio of dancers posed on the side. “I’m just young, rich and tasteless,” Push spit. For many, the performance can be seen as major turning point in ‘Ye’s career. The producer and lyricist has spent the past year grappling with the downward turn of his public persona and retreated from the spotlight. Yeezy returned with the epic track “Power,” got back into the awards-show game at the link BET Awards and previewed new music for tech tastemakers in intimate workplace performances. And of course, he joined Twitter, typing out an entertaining and candid stream of missives, including an apology to Taylor Swift ( Swift, for her part, also referenced the mic-grabbing business in her own VMA performance). After rhyming the chorus once again, switching up his vocals with a reverb effect, West closed the performance on a triumphant note. The crowd chanted “Kanye!” as a curtain of pyro rained down onto the stage. What did you think of Kanye West’s VMA performance? Sound off in the comments below! The Moonmen have all been handed out and the stars have gone home, but there’s plenty of 2010 MTV Video Music Awards news, interviews, behind-the-scenes scoop, party reports and more still to come, so keep it locked on MTVNews.com. Related Videos VMA 2010: Performances VMA 2010: Most Talked About Moments Related Photos VMA 2010: Performers VMA 2010: Show Highlights Related Artists Kanye West

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Kanye West Debuts New Song At VMAs

Saudi diplomat seeking asylum: ‘My life is in danger’

Envoy says he fears persecution if he leaves the U.S. and returns home By Michael Isikoff – National Investigative Correspondent NBC News A ranking Saudi diplomat told NBC News that he has asked for political asylum in the United States, saying he fears for his life if he is forced to return to his native country. The diplomat, Ali Ahmad Asseri, the first secretary of the Saudi consulate in Los Angeles, has informed U.S. Department of Homeland Security officials that Saudi officials have refused to renew his diplomatic passport and effectively terminated his job after discovering he was gay and was close friends with a Jewish woman. In a recent letter that he posted on a Saudi website, Asseri angrily criticized his country’s “backwardness” as well as the role of “militant imams” in Saudi society who have “defaced the tolerance of Islam.” Perhaps most provocatively of all, he has threatened to expose what he describes as politically embarrassing information about members of the Saudi royal family living in luxury in the U.S. If he is forced to go back to Saudi Arabia — as Saudi officials are demanding — Asseri says he could face political persecution and even death. “My life is in a great danger here and if I go back to Saudi Arabia, they will kill me openly in broad daylight,” Asseri said Saturday in an email to NBC. In a recent interview, Asseri and his lawyer said that the Saudi diplomat was questioned by a Department of Homeland Security official in Los Angeles on Aug. 30 after formally applying for asylum on the grounds that he is a member of a “particular social group” — gays — that would subject him to persecution if he returns to his home country. Officials at DHS in Washington as well as the Saudi Embassy in Washington and the Saudi consulate in Los Angeles did not respond to requests for comment. A Homeland Security spokesman said the department is precluded by law from commenting on an individual's asylum request. Asseri’s bid for asylum is highly unusual: No Saudi diplomat is known to have taken such a step since 1994 when Mohammed al-Khilewi, then first secretary for the Saudi mission to the United Nations, was granted asylum after publicly criticizing his country’s human rights record and alleged support for terrorism. Asseri’s application could present an especially awkward dilemma for the Obama administration, which has actively sought Saudi support for the Mideast peace process and for sanctions against Iran. The Saudi government has long been one of the United States’ closest allies in the Middle East and its ruler, King Abdullah, was warmly greeted by President Obama at the White House last June. But the Saudis have also been sharply condemned by the U.S. State Department and human rights groups for religious and political intolerance, including the treatment of gay people. The most recent State Department human rights report on Saudi Arabia notes that, in addition to denying political and religious rights to minorities, “under Sharia (Islamic law) sexual activity between two persons of the same gender is punishable by death or flogging.” While the report stated there was no “official discrimination” on the basis of sexual orientation in employment and housing, “sexual orientation could constitute the basis for harassment, blackmail, or other actions.” It noted that in one case reported in a Saudi newspaper three years ago, two men in the Saudi city of Al-Bahah were publicly lashed 7,000 times after being found guilty of sodomy. 'Challenge to their policies' Ali Ahmed, a prominent Saudi dissident in the U.S., told NBC that Asseri’s fears for his safety are well-founded because of his open criticism of members of the Saudi royal family. In the letter that he posted on a Saudi website, Ahmed noted, Asseri referred to “four princes” — who he did not identify by name — “who are paid salaries and allowances from the consulate and do not work” and yet stay in the United States “spending their time (on) tourism and relaxation as if they were created from light.” “This passage alone is considered an insult to the king and his family, and a challenge to their policies,” Ahmed stated in a declaration filed in support of Asseri’s asylum application, which he shared with NBC. “This statement is enough to put Mr. Asseri in danger if he returns to Saudi Arabia.” Asseri, in a recent telephone interview, said that has been assigned to the Saudi consulate in Los Angeles for the past five years. His problems began some months ago, he said, when Saudi consulate employees who suspected he was gay began following him to gay bars. They also discovered his close friendship with a Jewish woman from Israel. It was some time after these discoveries, Asseri said, that consulate officials began harassing him, refusing to renew his diplomatic passport or provide him with badly needed medical treatment for a painful back ailment. They also continued to monitor his private life and have demanded that he return to Saudi Arabia. In recent months, he said, he has been living “in hiding” in the Los Angeles area. “Words cannot express the anger I feel about how I have been treated,” Asseri said. Ally Bolour, Asseri’s lawyer, who specializes in asylum cases for gays and lesbians, said that other Saudis have been granted asylum by the Department of Homeland Security on the basis of sexual orientation. But he acknowledged that Asseri’s case was unusual because he was a diplomat, thereby raising other political issues that might not be present for other Saudis living in the U.S. added by: putdownmypants

Toast of the London Stage: Play With Laura Bush Reading to Dead Iraqi Children

George W. Bush may be almost two years removed from his White House tenure, but the haters are still at work. Gay Marxist playwright Tony Kushner is the toast of London theatre right now for his series of five small plays called “Tiny Kushner.” Included in the set is a reprise of his piece titled “Only We Who Guard the Mystery Shall Be Unhappy,” featuring Laura Bush reading Dostoyevsky to the ghosts of dead Iraqi children. (Byron York offered enough of a summary here .) In an interview with the leftist U.K. Guardian newspaper, Kushner demonstrated his hatred is undiminished: “I wrote it after I was arrested at the big anti-invasion rally outside the United Nations in 2003,” he says. “I left feeling immensely depressed because I knew we had left it too late to make a difference. And then a couple of days later, Bush said that he was grateful to us, because we had offered him a ‘focus group’ . I hate that motherf—er , but for once the man incapable of using the English language had hit on something apt: that’s what the progressive left in America was reduced to, a focus group.” By contrast, Kushner expressed patience with Barack Obama, even as he proclaimed that the insights of Karl Marx are proven in America daily: ” Marxism is alive ,” he says. “What happened under Stalin was horrendous, but in point of fact, Marx never really worked out a solution, it was not his doing. But he was an absolutely astonishing reader of history, and of class. His analysis of capitalism is being proved in America every day .” It takes a confident man to say such a thing in public in America, even today. And Kushner has become confident enough to blow his own horn. His latest stand is a refusal to go along with the disillusionment in Barack Obama; instead, he accuses his Democrat detractors of political narcissism. It is a bit surprising to hear Kushner declare himself “very happy” with Obama’s efforts. “The left is shooting itself in the foot,” he argues. “I don’t want to sound contemptuous, but there is a tendency to see politics as an expression of your own personal purity, a character test. It’s not. It’s about learning to advance a progressive agenda by under-standing the working of a democracy.” That pragmatic understanding is, after all, what got Obama elected. The thought that makes Kushner angry – and makes him talk even faster, more urgently – is of his “community” damaging the Democrats’ chances of fending off a rightwing resurrection in the form of Sarah Palin, or worse. That might send gay rights, his core issue, back to the Reagan era. Ambivalence isn’t really in Kushner’s toolbox when it comes to conservative leaders. Kushner told another interviewer (for the U.K. Prospect magazine ) about the Laura Bush piece: “I’ve always thought of it as a struggle between two characters for developing an internal tolerance of ambivalence. People who don’t have it, like George W. Bush, are very dangerous people.” That interviewer, John Nathan, praised him as a prophet, including how “Kushner’s first play A Bright Room Called Day (1984) made a comparison between Reagan and Hitler (he once told me he was being deliberately irresponsible)—and then what happens? The morning after the play opened, the papers carried pictures of Reagan in Germany placing a wreath at the graves of SS soldiers.” Nathan added that Kushner’s next project “is what he once described to me as his ‘next big gay play,'” titled  The Intelligent Homosexual’s Guide To Capitalism and Socialism With A Key To The Scriptures. The Guardian’s review delighted in the Laura Bush play as the best part of “Tiny Kushner,” which “reveals his gift for blending the hallucinatory and the political…even here Kushner’s polemical fury at the Iraq invasion is qualified by his residual sympathy for Mrs Bush. Having mouthed the conventional platitudes in defence of the war, she is shocked into a guilty awareness, telling the imagined children ‘we will pay for your deaths one way or another’.” Ian Shuttleworth in the Financial Times raved: “The strongest piece of all is Only We Who Guard The Mystery Shall Be Unhappy , in which First Lady Laura Bush in her literacy-campaigner guise prepares to read Dostoevsky’s Grand Inquisitor episode to the ghosts of dead Iraqi children. As is typical of Kushner at his best, the piece’s attitudes may be obvious but their expression is richly complex and insightful.” Brent Bozell had a different take on Kushner’s work Angels in America : “the theatrical version of one of those crazy letters to the editor that never end and have too many capital letters.”

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Toast of the London Stage: Play With Laura Bush Reading to Dead Iraqi Children

Florence And The Machine’s VMA Performance Will Be ‘Otherworldly’

‘We want viewers to watch it and say, ‘That was spectacular,’ ‘ awards-show exec producer says. By James Montgomery Florence Welch at her VMA rehearsal on Friday Photo: John Shearer/Wireimage.com LOS ANGELES — Florence and the Machine have performed at award shows in the past, but they’ve mostly been back at home in the U.K., and they’ve definitely never been as eye-catching, ambitious and downright exuberant as her upcoming performance at Sunday’s MTV Video Music Awards . It’s a matter of necessity. After all, around the rest of the world, Florence Welch is a very big deal, a critical and commercial darling with an armload of hits and a devoted fanbase. But here in the U.S., she’s just starting to break through, thanks in no small part to “Dog Days Are Over,” a triumphant tune that’s recently become the soundtrack to many a TV show and commercial (most recently, it appeared in trailers for Julia Roberts’ “Eat Pray Love”). So her VMA performance is clearly a big deal, another (rather large) steppingstone on her way to Stateside success. And, somewhat accordingly, everyone involved with the show is aiming high. “People have heard the song on television, but maybe those people haven’t made the connection to Florence the artist, so that’s part of what her performance is going to be about,” Dave Sirulnick, VMA executive producer, told MTV News. “It’s going to be beautiful, breathtakingly done and otherworldly. And maybe it will help launch her here in the States. We want viewers to watch it and say, ‘That was spectacular.’ ” Judging from what we saw in rehearsals Friday (September 9), that may very well be the reaction. Part classic revue, part joyous sing-along, part kinetic, hippie-esque freakout, it’s a strangely perfect summation of Welch herself, not to mention a rather fitting tribute to her VMA-nominated “Dog Days” clip. There may not have been any explosions (or floral arrangements) — like Welch promised when we spoke to her Thursday — it hardly mattered. This is definitely going to be a big performance, one people are going to be talking about. And yes, they’ll probably be saying, “That was spectacular.” The 27th annual MTV Video Music Awards will be broadcast live from the Nokia Theatre in Los Angeles on Sunday. The party starts with MTV News’ VMA Pre-Show at 8 p.m., followed by the main event at 9 p.m. ET/PT. Fans can go to VMA.MTV.com (or text VMA to 97979 if they are Verizon subscribers) to vote for Best New Artist from now through Sunday. Related Videos VMA 2010 Exposed Related Photos VMA 2010: Rehearsals Related Artists Florence and the Machine

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Florence And The Machine’s VMA Performance Will Be ‘Otherworldly’

it’s Not Human Rights, It’s Sharia Law. So Butt Out!

Iran says foreign countries should not make the case of a woman sentenced to death by stoning for adultery into a human rights issue. Foreign Ministry spokesman Ramin Mehmanparast said Tuesday that if releasing murderers is a human rights issue, then those nations should release all of their murderers from jail. He said the case is still being reviewed, but friends and family of Sakineh Mohammadi Ashtiani said Monday they feared authorities could carry out her execution soon. http://www.voanews.com/english/news/Iran-Stoning-Case-Not-Human-Rights-Issue-102… added by: congoboy

‘World Of Jenks’ Documents ‘Different Subcultures In America’

Filmmaker Andrew Jenks sleeps with the homeless, parties with rapper Maino in new series premiering Sunday night after the Video Music Awards. By Nuzhat Naoreen Andrew Jenks Photo: MTV News At 19, Andrew Jenks, star of MTV’s newest documentary series “World of Jenks,” wanted to know what it would be like to live in a nursing home. So, he packed up his bags, grabbed a few friends and moved in, capturing the entire experience along the way on film. The resulting documentary, “Room 335,” earned him tons of recognition and would serve as the basis for his new show, which premieres on September 12, right after the 2010 Video Music Awards . In the series, Jenks immerses himself into the lives of a variety of people. “I move into all these different subcultures in America and try to get an understanding of what is really going on,” said Jenks, who started making documentaries as a child living abroad in order to capture the culture around him. So far, his latest project has had him sleeping on the streets and partying with rap star Maino . “You know, we’ve done everything from living with a homeless girl in San Francisco to living with an animal rescuer in Miami, to living with a high school football star in West Texas,” said Jenks, who spends about a week with each individual. “I’ve been able to move into all different sorts of weird, funny, interesting, dynamic, unique, situations and really experience them firsthand, and been able to capture them with our cameras.” Of course, the experience hasn’t been without its challenges. Jenks has put his life on the line more than once while filming the show (he said going undercover with an animal rescuer was particularly risky) and has been attacked by bystanders who don’t appreciate being filmed. “When we moved into the streets of San Francisco, we thought the homeless kids might kind of be into it,” said Jenks. “But they hated it. They hated us. They didn’t want people filming them.” His subjects, however, such as a young autistic man who was initially cautious of letting Jenks into his life, have generally warmed to him rather quickly. “I think with a lot of the subjects, it’s a matter of showing that I sincerely care, and I do,” said Jenks, adding that he keeps in touch with the people he films. “I want to get to know who you are and what you stand for.” Jenks will be at the VMAs on Sunday, but said his mind will be elsewhere. “I think I’ll be kind of jittery and waiting for the episode to air,” he said. Watch “World of Jenks” Sunday night at 11 p.m. ET, right after the 2010 MTV Video Music Awards. The 27th annual MTV Video Music Awards will be broadcast live from the Nokia Theatre in Los Angeles on Sunday. The party starts with MTV News’ VMA Pre-Show at 8 p.m., followed by the main event at 9 p.m. ET. Fans can go to VMA.MTV.com (or text VMA to 97979 if they are Verizon subscribers) to vote for Best New Artist from now through Sunday. Related Artists Maino

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‘World Of Jenks’ Documents ‘Different Subcultures In America’

Watch Nikita Season 1 Episode 1 – Pilot

Watch Nikita S1E1: 2.0 – Pilot The new show Nikita is based on the French film original La Femme Nikita. This series will revolve around Nikita who is an ex-assassin and a spy for a secret US agency who have recruited and trained her but eventually have also betrayed her. And now, after three years of hiding, she is now back to seek vengeance from her old friends and teammates of the division who have continually recruited and trained new members. The pilot installment of the new show being brought to us by CW, Nikita, which is entitled “2.0 (Pilot)” is the female assassin

M. Night Shyamalan Says ‘Last Airbender’ Was ‘Enhanced’ By 3-D

Director tried to use much-maligned post-production 3-D subtly By Kara Warner, with reporting by Josh Horowitz M. Night Shyamalan Photo: Brian Jacks/ MTV News As movie studios and filmmakers rushed to capitalize on the 3-D wave, there have been plenty of successes (“Avatar,” “Toy Story 3,” “How to Train Your Dragon”) and a few flops — particularly when the post-production conversion is applied (“Clash of the Titans,” “The Last Airbender”). When MTV News caught up with “The Last Airbender” director M. Night Shyamalan to discuss his involvement in this week’s “Devil,” we asked for his thoughts on the controversy surrounding the new practice of post-production 3-D. “I knew as soon as we were deciding to do the conversion that we were going to get that [criticism] because it has a stigma to it,” Shyamalan said of the flack critics and fans heaped on “Airbender.” “I definitely do everything very minimal — the sound, the movement of the camera — and when I was doing the 3-D, I decided to do it really gently and just enhance the shot,” he explained. “If we went shot-for-shot and I showed it to you, it was just enhanced. ‘Wow, I can see the depth. Wow, it does feel more grand. Wow, it does feel more beautiful. I’m more into it.’ ” Shyamalan said his goal was to use 3-D subtly, but the format is perhaps too new to be used in that manner, versus the in-your-face, arm-reaching-into-the-audience 3-D of years past. “That’s not my aesthetic,” he said. The director said he loved the film’s 3-D team, which was very protective of the film and staying true to the artistry of it. “We would talk through the philosophy of each shot a little bit,” he said. Shyamalan said the conversion process was a complete learning experience for him. “I enjoyed learning about it a great deal,” he said. “This whole movie was about me learning things I didn’t know, and I’m glad I learned about it.” Check out everything we’ve got on “The Last Airbender.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘Devil’ Related Photos ‘The Last Airbender’

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M. Night Shyamalan Says ‘Last Airbender’ Was ‘Enhanced’ By 3-D