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Will ‘Snow White’ Beat Out ‘Men In Black,’ ‘Avengers’ At Weekend Box Office?

Experts weigh in on whether Kristen Stewart’s star power can overtake current box-office champs leading up to the MTV Movie Awards on Sunday, June 3. By Ryan J. Downey Kristen Stewart as “Snow White” Photo: Universal Last weekend, “Men in Black 3” finally ended the box-office domination of “The Avengers,” which saw the superhero team-up movie smashing world records with the combined might of Thor’s hammer, Captain America’s shield, Iron Man’s snarky wit and the Hulk’s green fists. During this MTV Movie Awards weekend, “Snow White and the Huntsman” will do battle against them both, with “Thor” himself, Chris Hemsworth, in one of the title roles alongside Kristen Stewart, best-known for a little franchise called “Twilight.” Will Stewart’s vampire fanatic fanbase focus their attention on “Snow White”? Will Thor’s Asgardian thunder rain down more box-office coin in this role? Keep in mind this isn’t the first “Snow White”-centered movie to hit multiplexes this year. Julia Roberts flopped in “Mirror, Mirror” just two months ago. “Huntsman” is headed to theaters with similar reviews (50 percent on Rotten Tomatoes’ “Tomatometer” at press time). So how will it do? “It’s going to be close, but ‘Snow White’ should edge out ‘Men in Black 3,’ ” HitFix ‘s Gregory Ellwood told MTV News. MTV Next Movie Executive Editor Kevin Polowy concurred. “Its competition isn’t that daunting. ‘Men in Black’ did well last weekend but hardly gangbusters. ‘The Avengers,’ which is still hanging ridiculously tough a month after opening, might actually be more of a threat than last week’s big winner. But ‘Snow White’ has an alluring cast, the potential to draw all demographics, and most importantly for a summer blockbuster, a whole lotta action.” Jeff Bock, Exhibitor Relations Senior Box Office Analyst, gave the edge to “Huntsman” over “Mirror, Mirror,” which opened at #3 at the box office with just $18.1 million. He credited the newer film’s stronger chances to its tone, likening its style to box-office juggernaut “Alice in Wonderland.” “Universal’s ‘Snow White’ is the one everyone was waiting for; [this one is] done on a much grander scale, more akin to ‘Alice’ and very dark, like the Brothers Grimm fairy tale it spawned from.” ” ‘Snow White’ very clearly wants to be a ‘Lord of the Rings’-like swashbuckling epic, which should draw a bigger, more enticed audience,” agreed Polowy.” “The Avengers” is now the fourth-biggest movie ever, in terms of gross, domestically. The power of “Twilight,” of course, continues. But what will the success or failure of “Snow White” mean for the careers of its respective stars outside of their tried-and-true franchises? “This movie has been sold as Charlize Theron as the evil queen,” Ellwood pointed out. “You could argue that Universal hasn’t done enough to showcase Hemsworth in the movie, especially after the success of ‘The Avengers.’ ” Bock was quick to note talk of a possible “Huntsman”-centered sequel. “Hollywood is pretty smitten with Hemsworth. In the end though, as an ensemble piece, this has very little risk involved for him. If it were to tank, the blame would likely fall on Kristen Stewart, with critics jumping on the ‘she can’t carry a film other than ‘Twilight’ bandwagon. It is quite apparent when watching the movie that the real stars are Hemsworth and Theron, who both give powerhouse performances.” “[The movie’s success or failure] will be very important for Kristen Stewart,” Polowy said. “This is Stewart’s first high-profile starring role outside of ‘Twilight,’ and it’s loaded with variables. Can she open a summer blockbuster? Can she do action? Can she do accents? Can she refrain from biting her lip so much?” “Any opening over $30 million outside of ‘Twilight’ is good for Stewart,” offered Ellwood. “If ‘Snow White’ has legs, it’s a sign she’s can easily transition as a leading lady in tentpole films once her days as Bella are over.” Speaking of “biting” and “legs,” there is another film swimming toward the box office: “Piranha 3DD.” It’s 2010 predecessor, “Piranha 3-D,” was a surprise hit with critics (73 percent on the Tomatometer, which is like an Oscar for that type of horror flick). It didn’t collect huge amounts of cash, but it certainly did well enough for the Weinstein Company/ Dimension Films to warrant a follow-up, for which director John Gulager (“Feast”) took over for Alexandre Aja (“High Tension”). However, despite the critical love for the last one, “Piranha 3DD” sat at a lowly 20 percent on the Tomatometer at press time. “Critics loved the first Piranha because it exploited everything cheesy about campy horror films — and 3-D flicks — in tongue-in-cheek style. The sequel is merely exploitation of that success,” Bock said. “Based on the theater count of 75 theaters, you can see that this one will go belly up quick and flushed down the drain.” Flesh-eating fish and “Snow White” aside, the $600 million question, as Polowy put it, is whether anything will beat “The Avengers” in 2012. All three of the experts we contacted agreed that only one film stands a chance. Which film is that? Let’s just say it involves a cape, a cowl and maybe a broken back. “There’s only one candidate who could come close, and its name is ‘The Dark Knight Rises,’ ” Polowy said of the forthcoming flick, for which an exclusive clip will premiere at Sunday’s MTV Movie Awards. “Assuming [filmmaker] Christopher Nolan recaptures the magic of his last Batman blockbuster, and Tom Hardy’s Bane proves a viable replacement for Heath Ledger’s Joker, it will be close.” “It will have to be as strong critically as ‘The Dark Knight,’ ” said Ellwood. “That may be the only way to pull in [people who visit the movies four to six times per year]. Besides the added benefit of higher 3-D ticket prices, ‘The Avengers’ became a de facto family film, something ‘The Dark Knight Rises’ clearly isn’t, which helped fuel its coffers. Warner Bros. will need strong repeat business and massive adoration for ‘Rises’ to overtake ‘The Avengers.’ It’s arguably Batman’s toughest challenge yet.” Bock agreed it’s a huge challenge for Bats, one that may prove more defeating than anything Bane could cook up. “Even considering ‘The Dark Knight Rises’ is probably the most anticipated threequel since ‘Return of the Jedi,’ ‘The Avengers’ is playing like Earth’s mightiest sequel. And that’s exactly what it is.” “Sorry Batman, you’ve been busted by Hollywood’s box-office brigade,” he concluded. Head over to MovieAwards.MTV.com to vote for your favorite flicks now! The 21st annual MTV Movie Awards air live this Sunday, June 3, at 9 p.m. Related Photos ‘Snow White And The Huntsman’ World Premiere

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Will ‘Snow White’ Beat Out ‘Men In Black,’ ‘Avengers’ At Weekend Box Office?

How Battleship Bust Dodged the John Carter Treatment

“Even though the media exhibit enormous sophistication and historical perspective in a thousand different ways — not that I can think of a specific example right now — they are far too often bedazzled by the sheer novelty of a story. If you watch cable news, for example, you know all too well that if there are two child kidnappings in the same month, the first one gets far more attention than the second. This same law applies to box-office bombs. With Battleship , the fascination with Hollywood flop sweat had already worn off. When I asked a veteran showbiz reporter why his publication had spent so little time covering the demise of Battleship , he joked: ‘I guess we all had the same reaction — didn’t we just write that story already?'” [LAT]

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How Battleship Bust Dodged the John Carter Treatment

Anyone Wanna Buy the Scout Costume From Moonrise Kingdom?

It’s not quite Willy Wonka’s suit , and it should probably belong to the young actor who wore it onscreen, but it’s a good cause, so hey: “Focus Features is donating an original costume from its acclaimed new movie Moonrise Kingdom , directed by Wes Anderson, to Variety the Children’s Charity of New York for Variety New York’s online auction.” Read on for more from Focus’s announcement and the auction site CharityBuzz. First came the specifics from the studio [via press release]: The costume is the Khaki Scouts of North America uniform worn by 12-year-old Sam Shakusky (played by Jared Gilman) in Moonrise Kingdom . After consulting with the director, costume designer Kasia Walicka Maimone and her department created every single element of the uniform, including activity buttons and hand-sewn insignia patches. The gift from Mr. Anderson and the worldwide film company will help Variety New York raise funds to support its work in the tri-state area transforming the lives of children through the arts. And here’s exactly what you’d be bidding on, via CharityBuzz : This includes the Green Scout Shorts with Yellow Piping; Green Scout Shirt w/ Patches, Button, and Yellow Piping, and a Yellow Neckerchief. Terms : In condition as donated. Bidding commenced today and will continue through noon ET on June 13; the current high bidder has opted in at $125. A steal! For now. Good luck! [ CharityBuzz ]

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Anyone Wanna Buy the Scout Costume From Moonrise Kingdom?

New Bourne Legacy Trailer: It’s Renner Time

The first trailer for the Tony Gilroy-helmed spy sequel The Bourne Legacy has arrived, and it’s got everything you want: Bone-crunching action, fire extinguisher guns, Rachel Weisz as a hot lady doctor, and Jeremy Renner banging around doing his sensitive-strong mooney-eyed thing (and leaping out of rivers half-naked) as secret agent Aaron Cross. Okay, those are all the things I want from The Bourne Legacy , but the trailer gives us one more essential bit: Explanation as to how and why Renner’s been retconned into Bourne lore at all. Renner’s turn at the Bourne wheel isn’t a conventional sequel or reboot but a universe-expanding parallel storyline that seems to take place simultaneous to the events of the previous Bournes, with Matt Damon ‘s face popping up here and there — via photograph, a la Natalie Portman in The Avengers , or Robin Harris in House Party 2 — as the fugitive spy who upturned the Treadstone apple cart and set the spy world a’scramblin way back in 2002’s The Bourne Identity . So Renner’s Aaron Cross — and the comely agency doctor (Weisz) who patches him up between missions, then goes on the run with him — are freed from the singular mission that Jason Bourne was on. They can flee for their own lives, together. He can use his medically-enhanced super soldier skills to leap from buildings into tight alleyways when she calls his name. So romantic! And, also importantly, Renner’s Cross already seems like a much different man-spy than Bourne was. Damon played the tortured amnesiac thing well, but Cross doesn’t seem to be flailing about in some existential crisis; he knows what he is. That confident self-possession is magnetic. HE JUST WANTS TO LIVE, DAMMIT! At least, that’s what I got from these two minutes and change of trailer footage. And let’s not forget what else the trailer promises: Oscar Isaac. Ed Norton. No more shaky-cam! Verdict: In, obviously. From Universal: The narrative architect behind the Bourne film series, Tony Gilroy, takes the helm in the next chapter of the hugely popular espionage franchise that has earned almost $1 billion at the global box office: The Bourne Legacy. The writer/director expands the Bourne universe created by Robert Ludlum with an original story that introduces us to a new hero (Jeremy Renner) whose life-or-death stakes have been triggered by the events of the first three films. For The Bourne Legacy, Renner joins fellow series newcomers Rachel Weisz, Edward Norton, Stacy Keach and Oscar Isaac, while franchise veterans Albert Finney, Joan Allen, David Strathairn and Scott Glenn reprise their roles. The Bourne Legacy is in theaters August 3.

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New Bourne Legacy Trailer: It’s Renner Time

REVIEW: High School Makes Getting High Look Less Than Fun

High School has such a winning premise that you want to send everyone involved in making it back to the drawing board for a do-over — just take it from the top, folks, and this time everyone actually have a good time. Directed by John Stalberg, who wrote the film with Erik Linthorst and Stephen Susco, this debut feature follows uptight overachiever Henry Burke (Matt Bush) as, on the eve of finals, he dabbles in pot for the first time with his childhood friend-turned-burnout king Travis Breaux (Sean Marquette) — only to be told the next day that principal Leslie Gordon (an almost unrecognizable Michael Chiklis) is instating a student body-wide zero tolerance drug test. The plan the pair come up with to salvage Travis’s years of hard work and scholarship to MIT? They’re going to get the entire school high to throw off the results. This is, as far as stoner movies go, kind of ingenious, but  High School rushes through the parts it should savor and then pads out its runtime with filler elsewhere — and, less forgivably, it doesn’t make getting high look like fun. The stoner comedy as a genre has few requirements other than summoning up a THC haze and being generally good-natured, but  High School leaves you feeling like the sober person at a party, wincing at how everyone’s acting and wondering if that’s how you look when under the influence. This may be because that’s how Henry feels all the time — he’s a tightly wound scold who belongs to that wan breed of recent high school protagonists (see It’s Kind of a Funny Story and  The Art of Getting By ) who seem on the verge of implosion thanks to some vague, self-imposed psychological distress. The hollow-eyed Henry reunites with Travis, who is leading a seemingly parentless life on a perpetual high, after nearly running into him in the parking lot and instead hitting the principal’s car and earning a detention. “You come to see how the other half lives?” sneers Travis, who’s stuck there too. It rings strange — the division between the pair isn’t due to any class difference but to a lifestyle one, and Travis hasn’t exactly been forced to smoke pot constantly. But the two feel enough nostalgia for their younger days to end up hanging out afterward, where Travis coaxes Henry in smoking his way to an unpleasant first-time high that leaves him paranoid, dazed and with a black eye from falling out of a tree house. Because this is a stoner comedy, the fact that the setup is creaky and doesn’t quite make sense shouldn’t be a problem — except that none of the ways in which the film exaggerates are all that funny. Take Chiklis’s pompous Principal Gordon, with his flop of greasy hair and secret pervert vibe. He’s in the style of an ’80s movie authority figure like Mr. Rooney in  Ferris Bueller’s Day Off , one whose sole motivation is ego and spite — except that High School isn’t stylized in the same way. It’s grounded enough to realize that parents would instantly protest the gross invasion of privacy represented by mandatory drug testing, but not enough to explain why an administrator would be eager to expel the graduating class’ likely valedictorian. Its sense of rebellion is completely phony — that of a kid who, like Henry, got high one time and still talks about it. The film’s major asset, one that’s also wasted (in both senses), is Adrien Brody hamming it up as twitchy drug dealer Psycho Ed, a tattooed law school grad (he has “BOOK WORM” across his knuckles) who lost it after smoking a laced joint and has chosen instead to apply his smarts to growing high-octane weed. Sporting cornrows, his bug eyes rolling, Brody should be funny, though Ed’s a better idea than he is in practice — you’re aggressively aware that he’s just an actor showing off the way he’s playing against type rather than a character who’s amusing in his own right. There are other side figures who don’t click: Sebastian (Adhir Kalyan), Henry’s mustache-twirlingly evil rival for the top academic slot; stoner spelling bee champ Charlyne Phuc (Julia Ling), whose last name gets used for a lame joke; well-meaning assistant principal Brandon Ellis (Colin Hanks); a loopy former Deadhead teacher (Yeardley Smith). The movie’s big event — the spiking of bake sale brownies with THC crystals — takes place early on rather than toward the end, so it doesn’t result in the kind of delirious chaotic payoff you’d expect or want from the film. Students and teachers look dazed, lose focus and say some inexplicable things, and by the time the goofiness comes along, it’s too late. It is, horror of horrors, a portrayal of a mildly realistic high, which in the context of what should be an over-the-top film is really the last thing you want. What’s the use of a stoner film if it can’t convince you that there’s at least some fun to be had in the warm embrace of cannabis? Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: High School Makes Getting High Look Less Than Fun

CBGB Biopic Adds Stars, Will Shoot in Georgia, Naturally

Casting news continues to trickle out for the film based on the wild life and times of CBGB, none of which is quite as eye-opening as word that the story of one of New York City’s most legendary, lamented live-music venues will be filmed largely in… Savannah, Georgia. So it goes! We get some stuntbozo driving a sportscar into a Sbarro for Jerry Bruckheimer, and Savannah gets Malin Åkerman as Debbie Harry , Rupert Grint as Cheetah Chrome, Joel David Moore as Joey Ramone, and Alan Rickman in the aforementioned role of club proprietor Hilly Kristal, all reviving the dawn of punk and new wave in the edgy metropolis where the Girl Scouts were founded Hollywood honchos go to self-immolate . Rock on, bitches : All of the movie’s interior shots will be done at Meddin Studios, which will be transformed to look like the iconic New York club, said director Randall Miller. “We’re going to build the interior of the club on the stages here,” Miller said. “Then the plan is we’ll do some shooting on the streets of downtown Savannah — and finally a few days in New York. “We’re using both Georgia and New York for New York,” he joked. “Savannah has a kind of downtown area that could really work for so many cities,” Miller said. “That translates pretty well in what we’re doing.” Fine, do what you’ve gotta do. By which I mean cast James Franco as Richard Hell already . [ The Strut , Savannah Morning News via EV Grieve ]

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CBGB Biopic Adds Stars, Will Shoot in Georgia, Naturally

CBGB Biopic Adds Stars, Will Shoot in Georgia, Naturally

Casting news continues to trickle out for the film based on the wild life and times of CBGB, none of which is quite as eye-opening as word that the story of one of New York City’s most legendary, lamented live-music venues will be filmed largely in… Savannah, Georgia. So it goes! We get some stuntbozo driving a sportscar into a Sbarro for Jerry Bruckheimer, and Savannah gets Malin Åkerman as Debbie Harry , Rupert Grint as Cheetah Chrome, Joel David Moore as Joey Ramone, and Alan Rickman in the aforementioned role of club proprietor Hilly Kristal, all reviving the dawn of punk and new wave in the edgy metropolis where the Girl Scouts were founded Hollywood honchos go to self-immolate . Rock on, bitches : All of the movie’s interior shots will be done at Meddin Studios, which will be transformed to look like the iconic New York club, said director Randall Miller. “We’re going to build the interior of the club on the stages here,” Miller said. “Then the plan is we’ll do some shooting on the streets of downtown Savannah — and finally a few days in New York. “We’re using both Georgia and New York for New York,” he joked. “Savannah has a kind of downtown area that could really work for so many cities,” Miller said. “That translates pretty well in what we’re doing.” Fine, do what you’ve gotta do. By which I mean cast James Franco as Richard Hell already . [ The Strut , Savannah Morning News via EV Grieve ]

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CBGB Biopic Adds Stars, Will Shoot in Georgia, Naturally

CBGB Biopic Adds Stars, Will Shoot in Georgia, Naturally

Casting news continues to trickle out for the film based on the wild life and times of CBGB, none of which is quite as eye-opening as word that the story of one of New York City’s most legendary, lamented live-music venues will be filmed largely in… Savannah, Georgia. So it goes! We get some stuntbozo driving a sportscar into a Sbarro for Jerry Bruckheimer, and Savannah gets Malin Åkerman as Debbie Harry , Rupert Grint as Cheetah Chrome, Joel David Moore as Joey Ramone, and Alan Rickman in the aforementioned role of club proprietor Hilly Kristal, all reviving the dawn of punk and new wave in the edgy metropolis where the Girl Scouts were founded Hollywood honchos go to self-immolate . Rock on, bitches : All of the movie’s interior shots will be done at Meddin Studios, which will be transformed to look like the iconic New York club, said director Randall Miller. “We’re going to build the interior of the club on the stages here,” Miller said. “Then the plan is we’ll do some shooting on the streets of downtown Savannah — and finally a few days in New York. “We’re using both Georgia and New York for New York,” he joked. “Savannah has a kind of downtown area that could really work for so many cities,” Miller said. “That translates pretty well in what we’re doing.” Fine, do what you’ve gotta do. By which I mean cast James Franco as Richard Hell already . [ The Strut , Savannah Morning News via EV Grieve ]

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CBGB Biopic Adds Stars, Will Shoot in Georgia, Naturally

REVIEW: Kristen Stewart Makes a Feisty But Boring Princess in Snow White and the Huntsman

Why can’t heroines just be heroines anymore, instead of micromanaged personalities who may as well have the words “Role Model” tattooed across their foreheads? That’s the fate suffered by poor Kristen Stewart as the warrior princess athlete orphan Christ figure Snow White in Snow White and the Huntsman . She’s not just Joan of Arc — she’s Joan of Archetypes. Moviegoers who love Kristen Stewart — and they include a distinctive subgroup who avoid the Twilight pictures as a vampire eschews sunlight — have long been waiting for Snow White and the Huntsman , hoping to see this enormously appealing actress in a role that is, at last, worthy of her. I think Stewart has held her ground admirably enough in the Twilight pictures, particularly the profoundly crazy-ass Breaking Dawn – Part I , which gives her character something to do other than swan about moodily. (They don’t call her Bella Swan for nothing.) She also made a fine and fierce Joan Jett in Floria Sigismondi’s The Runaways . But Snow White and the Huntsman , the debut feature of Rupert Sanders , does her no favors. This Snow White is clearly designed to be a young woman of agency, not a girly-girl victim who waits around for a prince to save her. The problem is that she’s so admirable, so aggressively self-reliant, so beloved and respected by little forest animals as well as simple-minded villagers, that she barely has time to be a woman. Stewart is laced so tightly into her character that she can hardly breathe, let alone give a performance. Luckily, Charlize Theron — as the really, really wicked Queen Ravenna — is on hand to give us something to watch, and boy, does she. This is, of course, a “dark” version of the fairy tale, not a cheerful one, and as written by Evan Daugherty, John Lee Hancock and Hossein Amini, it at least half-delivers on that score. The picture opens with a quick backstory, revealing how the young and ravishing Ravenna tricked Snow’s father, a poor widowed king, into marrying her before murdering him on their marital bed. Along with her hapless twit of a brother, Finn (Sam Spruell) — the two have a quasi-incestuous, master-and-servant relationship — she takes over the kingdom, turning it into a place of darkness and death, as was her plan all along. She also locks away the orphaned Snow, who starts out as a little girl before morphing into the comely but feisty K Stew. Snow eventually manages to escape into the forest, which, under Ravenna’s rule, has become a wasteland in which tangled branches transform into writhing, hissing serpents and flowers that appear to be made of mussel shells glisten with venomous portent. Snow needs help, but just a little. And when a sturdy local huntsman shows up — he’s played by Chris Hemsworth, of Thor and The Avengers — the two reluctantly join forces, though Snow has not forgotten her first love, a duke’s son named William (Sam Claflin), even though we can all see how boring, if good-looking, he is. Snow White and the Huntsman isn’t as willfully hammy as that other recent entry in the Brothers Grimm source-material parade, Tarsem Singh’s Mirror, Mirror , and it’s not as enjoyable either, though admittedly it’s a completely different creature. Production designer Dominic Watkins sure knocked himself out here: One of the movie’s most fantastic backdrops is a fairy refuge inhabited by slippery, naked little creatures with pointed ears and oversized peepers; their homeland is also populated by stands of mushrooms, each sporting a single, blinking eye, and moss-covered turtles that provide handy landing pads for clouds of butterflies. Most magnificently, this forest is also home to a dignified-looking white hart with a set of antlers that spread as wide and as tall as the branches of an oak. (They resemble, in the good way, an over-the-top showgirl headdress.) The hart bows in respect to Snow, because it’s clear she has the power of healing, of leadership, of having fabulous hair even though she’s been fighting her way through an ugly forest for days on end. She’s also a great warrior, as we see during the picture’s lavish but oddly unexciting climactic battle sequence. She doesn’t even need a cadre of great English character actors disguised as dwarves to save her, but they show up anyway. (The gang includes Eddie Marsan, Ian McShane, Bob Hoskins, Ray Winstone, Nick Frost and Toby Jones, all shot to appear height-challenged.) Stewart moves through the picture looking noble and sadly dull, unwittingly setting the stage for the evil queen to steal her show. Theron is marvelous here, playing Ravenna as a cooler-than-cool customer who’ll do anything — include draining the blood from innocent young beauties — to stay young-looking. She works wonders with dum-dum dialogue along the lines of “My beauty…fades,” and struts around boldly, doing justice to Colleen Atwood’s luxurious glittering-metallic costumes. (At least one of these appears to be an obvious nod to the late British designer Alexander McQueen, featuring a collar of shiny black plumes that fan around the queen’s face like an ornithological lion’s mane.) Snow White and the Huntsman looks great. And yet even there, it’s often guilty of trying too hard. The picture was shot by Greig Fraser (the DP behind great-looking pictures like Bright Star and Let Me In ), and many of its images are arresting. But it also features a number of “what for?” visuals that have no real reason to exist other than that they look cool. At one point Ravenna submerges herself in a creamy-white milk bath (cool!) and emerges as a figurine coated in porcelain (wha…?). Clearly, this is one of her special magic beauty treatments, but it doesn’t make sense even in a fantastical way. And it’s emblematic of all the ways in which Snow White and the Huntsman works overtime to wow us, to make us shiver, to remind us that, hey, girls can be strong too! This Snow White is no wussy princess. But her tomboy nobility is no match for the imperious Ravenna and her succession of liquid-stainless-steel gowns and spiky medieval-gal-on-the-rag headgear. Don’t see Snow White and the Huntsman for its ho-hum empowerment message. See it for the killer clothes. Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .

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REVIEW: Kristen Stewart Makes a Feisty But Boring Princess in Snow White and the Huntsman

Swoon for Josh Duhamel, Your Next Nicholas Sparks Hero

After zooming to fame with TV’s Las Vegas and the Transformers series (with the odd detour into Katherine Heigl rom-com territory), Josh Duhamel is coming full circle, in a way: The onetime All My Children soap star set to step into the next Nicholas Sparks romantic weepie, Safe Haven , opposite Footloose / Rock of Ages starlet Julianne Hough . The Sparks flick looks to be one-time would-be dentist Duhamel’s first straight romantic film role yet that doesn’t overlap into romantic comedy ( When in Rome , Life as We Know It ) or ensemble ( The Romantics , New Year’s Eve ). For Hough, Safe Haven will mark her first work in a non-performance-based role (as in Footloose , Burlesque , and Rock of Ages ) aside from her upcoming turn in Diablo Cody’s directorial debut . I say it’s about time Duhamel embrace his leading man status in the kind of movie that has more explosive sighs then explosions. Unleash that inner Leo du Pres, you gorgeous (and, per Sparks tradition) tortured man! Lasse Hallstrom is set to direct, with filming to begin in June for a pre-Valentine’s Week 2013 release. Soak up the synopsis and ponder: just how Sparksian will Safe Haven be? Safe Haven is an affirming and suspenseful story about a young woman’s struggle to find love again after she arrives in a small North Carolina town. Her reluctance to join the tight-knit community raises questions about her past. Slowly, she begins putting down roots, and gains the courage to start a relationship with Alex, a widowed store owner with two young children. But dark secrets intrude on her new life with such terror that she is forced to rediscover the meaning of sacrifice and rely on the power of love in this deeply moving romantic thriller. [via HitFix ]

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Swoon for Josh Duhamel, Your Next Nicholas Sparks Hero