Tag Archives: Movies

6 Snapshots of the Superheroes Who Stormed City Hall

They did it, everyone! Or, they did something. As promised , a motley crew of Hollywood Blvd superheroes stormed City Hall in Los Angeles yesterday, including Superman, Darth Vader, the Hulk, and the White Power Ranger (still don’t get that one). Will their efforts keep future Batmen out of jail for setting up illegal tourist traps ? Who knows, but at least our costumed crusaders got some press, and that may be the greatest victory of all.

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6 Snapshots of the Superheroes Who Stormed City Hall

VIDEO: Sean Penn Glowers, Threatens Zach Galifianakis’ Twin Brother in Latest Between Two Ferns

Movieline’s favorite botanical web series , Zach Galifianakis’ Between Two Ferns , has issued a new episode that is unfortunately without its hirsute mischief maker doing the MC’ ing. Instead it’s Zach’s twin brother, “Seth,” who gets to interview a very sullen Sean Penn and ask the Oscar winner about famous actors like Ryan Reynolds and “Jack Nicklaus.” It’s all perfectly amusing — one wonders how it’s possible for Penn to stay in irritable character for three minutes! — and brought to you by Speed Stick. Of course. Click ahead to watch the funny.

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VIDEO: Sean Penn Glowers, Threatens Zach Galifianakis’ Twin Brother in Latest Between Two Ferns

REVIEW: Machete Cuts Just Deep Enough to Leave a Mark

Within the first five minutes of Robert Rodriguez’s Machete , his cheeky, freewheeling return to exploitation homage, there’s a car crash, a mutilation, a decapitation, a baker’s dozen deaths by blade, a naked lady, and a Steven Seagal sighting. And that’s not even mentioning the clamshell cell tucked up the naked lady’s hoo-ha. Then the film ramps right up to a pseudo-vintage, sprocket-skipping title sequence that promises the most deliciously random cast in recent memory: Jessica Alba AND Lindsay Lohan, Seagal AND Robert De Niro, a Nash Bridges reunion AND a Danny Trejo leading-man coronation. Though the film can’t reasonably maintain this 10-gags-a-minute trajectory, it sure does try. Forget modulation, nuance or storytelling, this is a movie that hits hard from first to last, no questions asked or logic followed.

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REVIEW: Machete Cuts Just Deep Enough to Leave a Mark

What’s On: To the Moon, Padma!

Let’s talk about how wacky tonight’s Top Chef challenge is: It’s so bizarre that the show may lose the dignity it accrued by winning the Best Reality Competition Series Emmy. You might even call the challenge “out of this world.” And you would be correct. Literally.

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What’s On: To the Moon, Padma!

‘Machete’ Director Robert Rodriguez Reveals Trick To Onscreen Nudity

He front-loads his movies with nakedness, then ‘in your mind, everyone is naked the rest of the movie.’ By Kara Warner Robert Rodriguez Photo: MTV News “Machete” was originally conceived as a fake trailer in “Grindhouse,” but fan demand convinced director Robert Rodriguez to make the story into a full-length feature, which opens Friday. The film, which revolves around the titular character and his attempt to clear his sullied name, is full of blood, action, crazy weaponry and beautiful naked and half-naked women. When we caught up with the “Sin City” and “Spy Kids” filmmaker recently, we asked how he decides when to play the naked card and when to avoid it. “Ask my sister. She tells me, ‘You need to have more hot chicks in this movie!’ ” Rodriguez said, playfully deferring to his co-editor and co-writer, Alvaro Rodriguez. “I have a trick,” he admitted. “I did this in ‘Sin City’ too. People say, ‘There’s so much nudity in “Sin City.” ‘ I say, ‘No, if you look close, there’s only [some] at the very beginning.’ ” Rodriguez said showing a lot of skin from the get-go makes people think they’re seeing more than they do. “If you do it at the beginning of the movie, in your mind, everyone is naked the rest of the movie if they’re scantily clad — because that’s how the comics are drawn,” he said. “[‘Machete’] was the same way.” Rodriguez cited a particular scene at the beginning of the film, in which Machete tries to save a beautiful (and naked) woman, as his prime example. He said the decision to have the actress appear sans clothing throughout the entire scene helps enable extra tricks in the plot that wouldn’t work otherwise. “That was the first scene I wrote. There’s got to be a girl that he goes to save and she’s naked and he’s having to run out with this naked girl over his shoulder, but then you put a twist on it,” Rodriguez explained, continuing with a pseudo-spoiler . “She ends up working for the other side and tricking him by being nude. That way he doesn’t see it coming. Everything else, he’d be able to see a trick coming,” he said, adding that there isn’t much more skin in the rest of the film (save for a topless scene in a pool). “It’s really just that trick.” “Machete,” starring Danny Trejo, Jessica Alba, Michelle Rodriguez, Robert De Niro and Don Johnson, opens Friday. What do you think of Rodriguez’s trick? Will it affect how you watch the film now? Let us know in the comments! Check out everything we’ve got on “Machete.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Machete’ Director Robert Rodriguez Reveals Trick To Onscreen Nudity

Angelina Jolie And Johnny Depp Have ‘Incredible Chemistry,’ ‘Tourist’ Director Says

‘Johnny and Angie just got along so well,’ Florian Henckel von Donnersmarck tells MTV News. By Kara Warner Angelina Jolie and Johnny Depp in “The Tourist” Photo: Sony Pictures What does an up-and-coming director do after winning the Oscar for Best Foreign Language Film? If you’re the talented Florian Henckel von Donnersmarck, you do not go to Disneyland; you go out and secure the talents of megawatt actors Johnny Depp and Angelina Jolie for your next feature. The already heavily-hyped film in question is “The Tourist,” loosely based on the French thriller “Anthony Zimmer.” When MTV News caught up with von Donnersmarck, we talked international intrigue, the challenges of shooting in Venice and why everyone falls in love with Johnny Depp (including his co-star Paul Bettany , who confessed his feelings to us last month). MTV : Given the story’s twists and turns, what can you reveal about the plot? Florian Henckel von Donnersmarck : I can see already that you were trying to wrangle some information out of Paul. [Incredibly enough, the busy director somehow found time to read our Bettany interview.] It’s a love story, that’s for sure. Imagine a woman who is just so elegant and sophisticated and educated and has lived in that world and now, through a whole set of circumstances, suddenly falls in love with a guy who is not any of those things, and it just somehow confuses her whole world because that was not meant to happen. She had it all worked out, she had this grand master plan, and neither he nor she had thought it possible that they would fall in love with each other. I have to keep the real details a secret otherwise you won’t have any fun seeing it. MTV : Is the film a remake of “Anthony Zimmer” or an interpretation? Von Donnersmarck : I’d say, in a way, the film is inspired by a whole set of films. There’s a lot of “Anthony Zimmer” in it, which is the French screenplay that they optioned the rights for, there’s a lot of “North by Northwest,” “To Catch a Thief,” “The Thomas Crown Affair,” the “Thin Man” series, “The Pink Panther” — there’s just a whole sweep of films that we used as inspiration and, certainly, there’s quite a few films that informed the film. MTV : How did you assemble such a spectacular cast? Von Donnersmarck : I think if you create a part in the screenplay and what you describe to actors where they can show some of their acting muscle, then great actors will be attracted to those parts and will be game for it. I think what people forget often when they talk about such great stars as Angelina and Johnny, they forget that what they are, really, are actors. They’re actors with a capital “A,” but they’re much more actors than they are stars, and I think that these parts were just right for them as actors. They can really show what they can do. Angelina is so charming and delicate and feminine and strong and everything at the same time that I think when I talked to her about that part and when we worked on the screenplay together, she saw that she could really be able to do something with that part, and the same for Johnny. He shows so much of his own complexity in this part. He’s so winning, so charming, so funny, like he is in real life. I think in many ways, this part is quite close to who he is in real life. He is the most funny and charming person you’ll have ever met. MTV : Well, we already know Paul fell in love with him … Von Donnersmarck : It’s impossible not to. Everybody does. Same with Angelina. She is so much fun. Also, Johnny and Angie just got along so well, that was something I could sense straight from the first meeting that we had, the three of us. Believe it or not, Angie and Johnny had never met. Through all the years that they’ve been king and queen of Hollywood, they had never actually physically met, so I was the first person to ever bring them together. So if nothing else, that was a really historical moment. They just got along so well from the first moment they met that I knew it was going to be a lot of fun making this film. I probably have hours worth of bloopers where they were just laughing because they had so much fun inventing stuff on the fly and letting their incredible creativity run free. MTV : How difficult was shooting in Venice? Von Donnersmarck : It was difficult, and that’s why most films they do all the interior stuff in studio and go to Venice for maybe three weeks to shoot all the exteriors. We really shot the entirety of the picture — except the scenes that take place in Paris — we shot them in Venice. There’s a chance that we would have captured more of Venice than has been captured before; that was certainly our aim. When Angie and I first talked about it, we said, “Let’s really make Venice a character. Let’s have it be about Johnny’s character, about her character, but also about Venice. Let’s really shoot it there.” Luckily, our producer was game for this, Graham King, so before we knew it, we were all in Venice and lived there for half a year, and in some of the most fantastic places along the Grand Canal, and I never set foot in a car or a truck for half a year. MTV : Going from “The Lives of Others” to this film, was there any added pressure in having such big-name actors attached? Von Donnersmarck : I always feel, at the end of the day, the director is one of those many people hiding behind the cameras. I think the spotlight always should be on the actors. The actors I had on “The Lives of Others” were, maybe not so known so much in America, but in Europe and in Germany they were very well-known. I don’t feel that it was that different in that aspect. It was very different genre-wise and just the feel of the film, but that was part of the fun for me. I feel it’s more fun to try out something completely different, and after you’ve done something more heavy, to do something light and breezy, it was almost a kind of self-therapy there. MTV : What do you think will resonate most with audiences? Von Donnersmarck : I think that they’ll love just seeing a world where somehow everything is beautiful, not so much in a way that seems unrealistic. All of the things we show in the film could happen like they do in the film and could look the way they do, but even if there’s a scene with 500 extras, every single extra will have been designed and sculpted by the most fantastic designers that Hollywood and Italy have to offer, so I hope people will feel transported into a world that is as beautiful as it could be, that’s what I was aiming for. Most of all, I just hope they will be transformed by — as I was on the set — by the incredible chemistry and the joy and love between our marvelous actors, between Angie and Johnny, and Paul and Timothy Dalton and Steven Berkhoff, all the incredible actors that we had. From the saucy Jessica Alba in “Little Fockers” to James Franco’s grueling journey in “127 Hours,” the MTV Movies team is delving into the hottest flicks of fall 2010. Check back daily for exclusive clips, photos and interviews with the films’ biggest stars. Check out everything we’ve got on “The Tourist.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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Angelina Jolie And Johnny Depp Have ‘Incredible Chemistry,’ ‘Tourist’ Director Says

Does the Virginity Hit Campaign Actually Pass for ‘Controversial’ in 2010?

So I’m shuffling down the platform last night in the subway sauna at 86th and Lexington, and there’s this big Virginity Hit billboard at the far south end: “Still A Virgin? For Help, Call 888-742-4335.” Cute , I thought to myself, and maybe a little coarse, but Sony knows its market. I might have been the only person to stop and glance at it at all — more out of professional curiosity than any prurient interest. And then, overnight, comes this headline on our sister site Deadline: “Sony Pic Billboards Offer ‘Virgin Helpline’ And Cause Nationwide Controversy.” Er, really?

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Does the Virginity Hit Campaign Actually Pass for ‘Controversial’ in 2010?

On DVD: The Epic, Rule-Breaking Masterpiece Red Riding Comes Home

It’s a British film, and it’s over five hours long all told, but The Red Riding Trilogy is a masterpiece, and there’s nothing new that’s better worth your time. In many ways it feels like more than a movie, or three movies, and more like a unified field theory of human darkness and modern social evil, splayed out in grueling, fascinating long form. It spans a full decade of fictional history in the nastiest chunk of “the North Riding” of Yorkshire, with dozens of characters, many of whom seem like neglectable supporting nobodies until they bloom later on as primary figures of malice or guilt or fermented secrets.

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On DVD: The Epic, Rule-Breaking Masterpiece Red Riding Comes Home

Photo Evidence Suggests Life Imitates Art for Emmy Afterpartier Jon Hamm

The first thing you’ll think of upon seeing these photos of Jon Hamm celebrating after Sunday night’s Emmys — besides how freakin’ meta it all is — will probably be, “Who let the photographer in there?” After that though, simple enjoyment will take over. Ahead compare Hamm’s Sunday night out with Don Draper’s. Enjoy!

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Photo Evidence Suggests Life Imitates Art for Emmy Afterpartier Jon Hamm

What’s On: Jeff Lewis Enters Hell’s Kitchen

So to speak, anyway. The star of Flipping Out will entertain a new venture for his business in tonight’s episode. Elsewhere on the tube, Melissa Joan Hart tries on a bad boy, America’s Got Talent progresses, and we revisit Julie Bowen’s finest ’90s hour.

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What’s On: Jeff Lewis Enters Hell’s Kitchen