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Morgan Page’s In The Air Aims ‘Square At Dance Floor’

Fifth album, released Tuesday, features Tegan and Sara on ‘Body Work.’ By Akshay Bhansali Morgan Page Photo: Rukes.com With two Grammy nominations under his belt and having sold out 35 of the 45 shows on his last tour, American DJ/producer Morgan Page went into the recent Miami Music Week on a high. The title track of his fifth album, “In the Air” featuring Angela McCluskey (a co-production with BT, Sultan and Ned Shepard), went to #1 on Billboard ‘s Hot Dance Airplay Chart and spent 25 weeks in the top 10 last year. “Body Work,” featuring MTV family indie darlings Tegan and Sara , followed as the album’s second single, with an ’80s-inspired video set in an auto shop that premiered on MTV’s Buzzworthy in February. This year, Miami proved fruitful. While he didn’t come away with any International Dance Music Awards (he was nominated for “Best American DJ” and “Best Progressive Track”), MMW provided a fan-galvanizing series of gigs, underscored by his own “Morgan Page Presents” night at Mokai. He showcased his latest remixes and coveted gems from In the Air, which was released Tuesday via Nettwerk Records. According to Page, the fans in Miami clearly had their favorite songs. “The singles ‘In the Air’ with Angela McCluskey and ‘Body Work’ with Tegan and Sara are doing well,” Page told MTV News. “Right now, ‘In the Air’ is the biggest track. It gets the biggest response when I play it. It was a really cool collaboration.” “Body Work” occupies its own unique place in Page’s heart. What began as a White Label remix endeavor in 2005 culminated in Page creating three songs with Tegan and Sara, of which “Video” and “Body Work” made it onto ITA . “They are the coolest,” Page said of the pair. “They are the most professional, put together duo I’ve ever worked with. They just know what they want, and they don’t mess around. [‘Body Work’] is very ’80s and has this very ’80s throwback synth vibe that I love. I wanted a track to be out there that was different. It wasn’t a dubstep track or a progressive house track.” Page says Air is a project for the masses — an effort that, with the help of additional vocalists Nadia Ali , Greg Laswell, Shelley Harland and Richard Walters (to name a few), is aimed to hit the nightclubs hard. “The last album, Believe, was more melancholy and chill,” Page explained. “And this is aiming a little more square at the dance floor. The next single is right around the corner, called ‘Where Did You Go.’ Jonathan Mendelsohn’s on that. He’s done a lot of cool stuff with Dash Berlin and Laidback Luke . It’s a little more aggressive. It’s something I can play in the middle of my set, peak time, guns blazing. Jonathan is just an amazing, dynamic singer.” For his next album, Page revealed he’s planning to continue keeping the spirits high. “I think the next one is going to be even more big-room,” Page shared. “A little more triumph, a little more energy, more peak time. That’s kind of what the crowds want.” Share your review of Morgan Page’s new album in the comments below! Related Artists Morgan Page

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Morgan Page’s In The Air Aims ‘Square At Dance Floor’

‘Dark Shadows’ Score A Far Cry From Slapstick Trailer

Is Tim Burton’s vampire flick darker than the campy trailer had us believe? By John Mitchell Johnny Depp in “Dark Shadows” Photo: Warner Bros So we’ve been talking a lot about that gonzo first trailer for “Dark Shadows.” It’s got its defenders and its detractors and that’s all pretty well documented , so we’re not going to spill any more ink on it. But now Warner Bros. has muddied the waters a bit by releasing Danny Elfman’s full score for the film — and it’s definitely not the score to a slapstick comedy. First things first, the trailer unquestionably makes “Dark Shadows” seem like a farce. We’ve argued that’s not necessarily a bad thing — sometimes a radical overhaul is what it takes to reinvent something old for modern audiences (see: “Charlie’s Angels,” “Mission Impossible”) — but the tone set in the trailer is a complete departure from what everyone expected, while Elfman’s score, which can be heard in its entirety on WB’s Watertower Music , seems perfect for the film that fans of the TV show thought they were getting. Strange, right? Elfan’s score is rich, deep and dark. It is heavy on strings, ambient sounds and atmosphere. The drama factor is high and there’s little evidence of slapstick. Tracks like “Killing Dr. Hoffman,” “Deadly Handshake” and “Barnabas Collins Comes Home” have an almost menacing and methodic feel, and “Dumping the Body” and “Widow’s Hill” are rife with shadowy action. The music for the film is kind of amazing, actually. (Should Danny Elfman begin readying for his fifth Oscar nomination?) But what is most exceptional about it is how little it fits the film Burton had us expecting. There’s been some indication from sources close to the film that the comedic elements were dialed up for the trailer. After its initial arrival and ensuing fan backlash, co-star Chlo

Drake And Rihanna’s ‘Take Care’ Video: Frozen Planet

After years in the wilderness, Drake finally makes a video for the ages. By James Montgomery Drake and Rihanna in “Take Care” video Photo: Universal Over the past three years, Drake has risen from mixtape maestro to genuine superstar; the kind of enigmatic talent who can proudly embrace his “emotional” side one minute, then release the “Practice” video the next. And in doing so, he has carved out a rather unique niche in the world of hip-hop and R&B — and we’re not just talking about his sweaters. Often duplicated, but never replicated, there truly is no one making music quite like him. And yet, despite all that (and no offense to the wobbly, wonderful “Practice” clip), Drake has never made a truly great music video, or at least one that fits neatly into his maudlin, monochromatic world. Until now, that is. On Friday (April 6), Drake finally premiered his long-in-the-works “Take Care” clip. And yes, it was worth the wait. Full of massively icy landscapes, achingly tense slow-motion footage, artfully framed animals and, uh, Rihanna, it is basically Drake personified. Morose and masterful, slow-burning and incredibly sexual (even when it’s not supposed to be), it exudes both an incredible level of restraint and an over-the-top amount of pomp. It is very serious, very cold, very pained. Nothing much really happens, but at its conclusion, you feel like you’ve been through an awful lot (maybe a journey through the mind of Damien Hirst?). None of his contemporaries — not even the ever-obtuse Kanye — make videos like this, mostly because no one else can get away with it. Directed by Yoann Lemoine — who described the video to MTV News back in February as “very minimal” (he wasn’t kidding) — “Take Care” smolders with an underlying tension. You feel it in the sinewy slo-mo shots of bulls charging and birds taking flight, the gradual crumbling of icons, the shower of arrows and even the tender, charged embrace Drake and Rihanna share. And in that regard, the clip is also a perfect accompaniment to the track’s main bit of source material: Jamie XX’s lovely, languorous remix of Gil Scott-Heron’s cover of “I’ll Take Care of You,” which practically burns with want. And when the drums finally do break through, and Heron’s voice is echoing around the room, there is, mercifully, a release — one Lemoine shows with footage of burning trees and smoking earth. All the iciness melts away, and we’re left with something even more, something elemental. And you sort of feel like you need a cold shower. And because of all that, “Take Care” stands head and shoulders above most other videos, regardless of genre. Full of bold imagery and a tugging sense of regret and doubt, it isn’t merely art for art’s sake (though it’s easy to see Drake’s detractors dismissing it as such); it’s actual art. Welcome to the club, Drizzy; you’ve finally made one for the ages. Who cares if it’s been six months since Take Care was released? In the words of another misunderstood genius — the immortal Jack Horner — ” This is the film I want them to remember me by.” What did you think of Drake’s “Take Care” video? Share your reviews in the comments!

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Drake And Rihanna’s ‘Take Care’ Video: Frozen Planet

Nicki Minaj Turns Good Friday To Pink Friday At Secret Show

Young Money MC rocks her hometown with a surprise concert in the middle of New York’s Times Square. By Rob Markman Nicki Minaj performs at Times Square Photo: Theo Wargo/ Getty Images NEW YORK — Good Friday all of a sudden became Pink Friday when Nicki Minaj (and alter ego Roman) took the stage in Times Square to promote her new album, Pink Friday: Roman Reloaded, and the release of the remixed “Starships” video with DJ Doorly. The clip doesn’t hit YouTube until Saturday, but on Friday (April 6), Nicki riled up more than 1,000 fans who gathered to see the reigning rap queen rock an unannounced show, sponsored by Nokia . It was 7:30 p.m. ET when the counter on the stage clock hit zero and the blue curtain revealed the Female Weezy in all her glory. Dressed in a blond wig, white collared shirt and black one-piece with tiger-striped stockings, Nicki set things off properly with her current top-five single “Starships.” Fans threw their hands up and danced, releasing all their anxiety from the hours that they waited. “Who’s in love? Is anybody in love?” the Young Money star asked before launching into her Chris Brown-assisted midtempo “Right By My Side.” There was no Breezy, but Nicki made sure to bring that boom-ba-boom-boom with her when the beat for the infectious “Super Bass” dropped. The Harajuku Barbie danced and rapped, encouraging all her Barbz to sing along. “It’s an honor for me to be here tonight. I’m from New York,” she said before announcing to the crowd that they will be filmed and that the footage will be used in her new “Starships” DJ Doorly remix video. With only three songs performed, the show sure was short, but Nicki made sure everyone had a sweet time. What’s your favorite Nicki Minaj song? Let us know in the comments! Related Artists Nicki Minaj

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Nicki Minaj Turns Good Friday To Pink Friday At Secret Show

The Wanted Tease Guest MC, Video For ‘Chasing The Sun’

‘There’s an American rapper, potentially, and he’s very good and I can’t mention who he is,’ Tom Parker hints to MTV News. By Jocelyn Vena, with reporting by Kelly Marino The Wanted Photo: MTV News The Wanted dropped their swagged-out party track “Chasing the Sun” this week, and despite any literal interpretations one might expect from a video for a song with that title, the guys say they want to go a bit more fun and less obvious. “We’re gonna be flying through space, literally, running after the sun the whole three minutes,” Nathan Sykes joked to MTV News after they stepped off the “American Idol” stage Thursday night. But bandmate Jay McGuiness quickly clarified that’s not the case at all. “We saw a lot of treatments and a lot of them took it literally, somewhere chasing the sun,” he said. “But we decided we weren’t into that. We worked with a director called Director X, so we know it’s going to be a good party. But we’ll leave the details until we release it.” Director X has already hooked up with the guys on two of their videos, the sun-drenched “Glad You Came” and the darker clip for “Warzone.” “Chasing the Sun” is the lead single from the Wanted’s forthcoming U.S. debut , set for release later this month, and Max George is counting down the days until it drops. “We’ve got an EP coming out in the 24th of April that’s all ready to go. I wish it was out now, really,” he said. “We’re really excited for it to come out. Hopefully all our fans will love the other songs. We’ve got some singles we’ve done in the U.K. We’ve got some new songs we’ve written. I think they’ll like it, I hope.” And while the album is done, Tom Parker noted there could be a last-minute guest on it. “For ‘Chasing the Sun’ there’s an American rapper, potentially, and he’s very good and I can’t mention who he is,” he teased. The guys added he’s someone who loves cats but noted it’s not Cee Lo Green, who frequently chills with his cat Purrfect on “The Voice.” Sykes said the rapper would appear on “just the single version; the full version of the track will be on the EP. Potentially the single version is with this unnamed rapper. He’s very talented.” What is your favorite song by the Wanted? Let us know in the comments! Related Artists The Wanted

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The Wanted Tease Guest MC, Video For ‘Chasing The Sun’

Nicki Minaj ‘Blacked Out’ On Hit-Boy’s Reloaded Tracks

Producer talks to MTV News about ‘Come on a Cone’ and ‘I Am Your Leader,’ the two songs he did for Pink Friday: Roman Reloaded. By Rob Markman Hit-Boy Photo: MTV News Make no mistake: Nicki Minaj is an MC through and through. For as many chart-toppers as the femme fatale has in her catalog, she has the rap bars to match it. On her latest LP, Pink Friday: Roman Reloaded, the Queens, New York, spitter balances pop tunes with some gritty-sounding tracks, thanks to producers like G.O.O.D. Music’s in-house weapon Hit-Boy. By contributing both “Come on a Cone” and the Rick Ross and Cam’ron-assisted “I Am Your Leader,” Hit-Boy provided the perfect sound beds for Nicki to spew her venom. Without ever having a conversation with Nick about a specific vibe, somehow Hit-Boy knew just what she needed for her bipolar Roman Reloaded. Landing the kinetic “Come on a Cone” on the LP was pretty simple, if you let the West Coast hitmaker tell it. “I kind of did these records [and] just blindly sent her some beats. It was out of the first batch of beats that I sent,” Hit-Boy told MTV News on Thursday of “Cone.” Initially, the bass-heavy, space-age track didn’t suit Nicki’s needs, but it was an easy fix. “The tempo was a bit slower so she was like, ‘Can you speed this up?’ I sped it up, and she hit me back like, ‘Yo, this is crazy, I’m writing to it,’ and [she] just kept having me send beats,” he said. It’s been an eventful week for Hit-Boy, who saw both Roman Reloaded and his and Kanye West’s “Theraflu” released this week. On the new Pink Friday, both Hit-Boy-produced tracks land in sequential order, so right after “Come On a Cone” comes “I Am Your Leader.” Rapping alongside Ross and Cam’ron, Nicki once again proves she can go toe-to-toe with hip-hop’s big boys. She would not be outdone. “Nunchuck her, no time to duck her/ Sign of the cross ’cause this is her last supper,” she spits to an unnamed competitor. The “N—as in Paris” producer wasn’t in the studio when the reigning rap queen recorded to his selections, but after hearing the finished product, he was impressed with her performance. “I just went in blindly, I just sent beats, which is like the stars aligning,” he said. “She picked the right joints and blacked out on them.” To celebrate the release of Pink Friday: Roman Reloaded, we’re examining the “Evolution of Nicki Minaj” throughout the week. Check MTV News every day to see how the Southside Jamaica, Queens, Barbie went from a promising mixtape standout to rap’s reigning queen. Related Videos The Evolution Of Nicki Minaj Related Artists Nicki Minaj

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Nicki Minaj ‘Blacked Out’ On Hit-Boy’s Reloaded Tracks

Jennifer Lopez Has History Of Flaunting Her Men In Videos

Following J. Lo’s ‘Dance Again’ video with boyfriend Casper Smart, MTV News looks back at the singer’s habit of enlisting real-life loves for videos. By John Mitchell Jennifer Lopez and Casper Smart in the “Dance Again” music video Photo: Island If Jennifer Lopez ‘s stylish video for “Dance Again” proves anything, it’s that the diva must not be a fan of photo albums. We know what you’re thinking: How did he get that out of J.Lo’s glittery new clip? Well, it’s the only explanation for why she has time and time again recruited her current boyfriend for a video. It’s a trend that dates back 16 years, to her appearance in Diddy’s “Been Around the World.” In the years since, ex-husband Chris Judd, former-fianc

DeAndre Brackensick: ‘Idol’ Viewers Love Or Hate My Voice

‘Back in the day, everybody was a falsetto singer; it’s just so unappreciated now,’ latest castoff tells MTV News. By James Montgomery, with reporting by Kelly Marino DeAndre Brackensick Photo: MTV News On Thursday night, “American Idol” bid adieu to its most follicly accomplished contestant, DeAndre Brackensick (no offense, Colton), who was given the boot following his performance of DeBarge’s “I Like It.” After his exit, Brackensick spoke to MTV News , expressing “no regrets” about anything he did during his run on “Idol” and remaining adamant that his falsetto — which somewhat mystified mentor Jimmy Iovine — wasn’t the reason for his departure. “Everyone has their opinion; my voice is one of the voices where either you love it or you can’t stand it, and I think Jimmy didn’t really have a feel for my voice,” he said. “But it’s fine, because I take everything he does say to me to heart, and I try to put it toward the next performance. I have much love for Jimmy.” And in keeping with both the “no regrets” sentiment and his belief in doing things his way, Brackensick said that he didn’t take his ouster — or the judges’ refusal to save him (no matter how hard Jennifer Lopez protested) — personally. After all, he feels he can leave the show with his head held high. “You always hope for the save, because [you] want to be with each other for another week,” he sighed. “But the saves happen for a reason; I’d already been saved once, so I can’t really be saved again. You only get so many chances in life. I’m just proud of myself and the accomplishments I’ve made already.” He’s hoping he’ll keep accomplishing things post-“Idol.” Like, for example, bringing back the sweet falsetto sounds of classic R&B and the genuine emotion of music — both of which he said are sorely missed in today’s music. “That R&B soul is just lacking nowadays in music. Back in the day, everybody was a falsetto singer; it’s just so unappreciated now,” he said. “That was one of the reasons why I wanted to sing an Eric Benet song. There’s so many talented people that are not getting the love they should, and I want to bring that old sound back. I don’t even want to be a huge star. I just want music to be known, and I want messages to be getting through, like it was back in the day.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 11 Top 13 Contestants

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DeAndre Brackensick: ‘Idol’ Viewers Love Or Hate My Voice

One Direction List Justin Timberlake As ‘SNL’ Favorite

‘This is our kind of show,’ Niall Horan tells MTV News in between rehearsals for band’s appearance on show. By Jocelyn Vena One Direction Photo: MTV News New York — Live from New York, it’s One Direction ! The British boy banders are set to storm the stage in Studio 8H Saturday night when “Saturday Night Live” goes live with “Modern Family” star Sofia Vergara as host. While viewers will have to shuffle their way through all those accents, One Directioners will be tuning in to see what the mop-topped fivesome will do. MTV News was on hand as the guys, who recently topped the charts with their U.S. debut album, Up All Night, were rehearsing and shooting promos for “SNL” with Vergara for their big late-night debut . “This is our kind of show,” Niall Horan told us on set, in between rehearsals and photo shoots. “You know, we like to have a bit of a laugh. This is our perfect kind of show [and] we get involved as much as we can.” Does that mean the guys might turn up in a skit? Well, fans will have to tune in to find out. “[Fans should expect] just us having a lot of fun on ‘Saturday Night Live,’ ” Liam Payne said before adding, “We might be making an appearance after performing as well. Who knows?” So are the guys funny? Harry Styles joked, “We think we are,” with Payne continuing, “We’re just those guys who think we’re funny.” With the possibility that the guys might be appearing on the show in a skit, they listed off some of their favorite bits from years past. Making the list? A rapping Natalie Portman, for one. “I like all the stuff Justin Timberlake’s done,” Zayn Malik added. What stands as Styles’ favorite? “I like the Beyonc

Is ‘American Idol’ Judges’ Advice Sabotaging The Finalists?

‘She seems to lose confidence by the week,’ said ‘Idol’ blogger MJ Santilli about Hollie Cavanagh. By Gil Kaufman DeAndre Brackensick and judges Randy Jackson, Steven Tyler and Jennifer Lopez on “American Idol” on Thursday Photo: Fox In years past, booted contestants offered bland platitudes about the helpful judges and their “amazing journey” on “American Idol” and how they’ve grown and learned so much from the show. But this season the gloves appear to have come off, with some singers flat out accusing Randy, Steven and Jennifer of messing with their heads by offering head-spinning advice that sends them sprinting in one direction one week only to turn around and jet the other way the next. “They are hurting the contestants with confusing advice,” said MJ Santilli, founder of the popular “Idol’ blog MJsbigblog . “What makes it worse are the ‘battles’ between the panel and mentor Jimmy Iovine. The finalists are often hearing one thing in the studio with Jimmy and his guest mentors, and something entirely different from the judges.” Aside from the seemingly horrible sartorial advice they’re also getting from fashion mentor Tommy Hilfiger, MJ said the mixed career messages are impacting the singers in widely different ways. They don’t appear to be messing with the head of self-assured growly rocker Phil Phillips, who she said may actually be hurting his own chances by arrogantly ignoring every note he gets from the show’s experts. But they’ve definitely made for some up-and-down weeks for the likes of potential R&B star rocker Elise Testone, country belter Skylar Laine and they are clearly hurting the teenage girl contestants. “Hollie Cavanagh is obviously not growing from her ‘Idol’ experience,” Santilli said of the 18-year-old who has a powerful voice, but a shaky stage presence that appears to be on increasingly rockier ground after weeks of confusing notes. “She seems to lose confidence by the week. And [just eliminated contestant] DeAndre Brackensick 
 had potential, but the advice he was getting wasn’t focused enough to really help him.” The contestants themselves have even said it. “I felt confused every week, I’ll be honest,” Erika Van Pelt told MTV News after she was booted two weeks ago. “I felt there was a lot of contradiction, and as an artist and someone who takes their singing very seriously, it’s hard for me to take critique of my work, period , and then when you feel like you sorta have people telling you one thing and then telling you something completely different the week after, it’s hard.” EVP had plenty of experience singing in front of audiences, but her frustration with the mixed messages from the trio behind the judge’s table, not to mention often contradictory words of wisdom from mentor Jimmy Iovine, was unabashed. “Because constructive criticism to me is something I can go home, work on, fix and come back and say, ‘Here, I fixed it,'” she said. “I feel what happened to me in this competition was I would take all the advice, I’d work on things, I’d bring something different to the table, and they’d tell me the complete opposite. It’s been really hard for me, I can admit that.” Brackensick appeared to have solved that problem by taking Phillips’ path and ignoring all the competing voices. “I’m just following what I want to do, not listening to what someone’s telling me to do,” he told MTV News after his elimination about his up-and-down ride on the show. Hollywood Reporter music editor Shirley Halperin said she’s definitely noticed some mixed signals from the judges, but she doesn’t necessarily put the blame on them. “In a way, the judges are not as connected with developing an artist as Jimmy Iovine is,” she said of the legendary Interscope label head who has helped guide the careers of Eminem, Lady Gaga and 50 Cent and whose opinion she often finds herself agreeing with. “Maybe they [the judges] can’t be that critical because they’ve never been in that position of developing an artist. That’s what Jimmy does for a living.” The judges, she said, have to face the camera (and the in-studio audience), while Iovine doesn’t, which is why his rougher criticism rings more true. She pointed to Iovine’s harsh predictions about Brackensick’s fate on Thursday’s elimination show as an example of how Jimmy can smell the career potential and talent of an artist in a way Steven, Jennifer and Randy can’t, and then pull no punches in evaluating their chances. The advisory disconnect is clearest for those who might also be tuning in to NBC’s rival show, “The Voice.” Instead of bland platitudes, Christina Aguilera, Adam Levine, Cee Lo Green and Blake Shelton are busy giving their charges good, constructive, specific advice on how to be better, more effective singers. And you see it in their performances from week-to-week, as the singers take the building blocks and incorporate them into their routines. “Idol” has gotten plenty of flack this season for the everyone-gets-a-trophy comments from the judges and the B-list talent in the finals. But considering that so many of its contestants are less seasoned that those on shows such as “The Voice” and “X Factor,” if “Idol” wants to keep pace with the competition nipping at its heels it needs to up the mentoring and spend more time shaping its charges instead of spinning them around like a prime-time game of pin-the-tail-on-the-donkey. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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Is ‘American Idol’ Judges’ Advice Sabotaging The Finalists?