Tag Archives: norman-bates

Holy Hoarders, Batman! Elderly Lady Lived 20 Years Or More With Son’s Decaying Skeleton

Elderly Mother Found Living With The Skeletal Remains Of Her Son How the hell don’t you smell your son’s body rotting?!? Via NYPost The elderly Brooklyn woman found this month living with the skeletal remains of her son, possibly for as long as 20 years, is a legally blind hoarder who may not have even known he was there, NYPD sources said. The chilling discovery of the skeleton was made Sept. 15 when a relative showed up at Rita Wolfensohn’s Midwood home to fetch her belongings and take them to her in the hospital. In a debris-choked second-floor bedroom, sister-in-law Josette Buchman found a “completely intact” skeleton, dressed in jeans, socks and a shirt, lying on its back on a thin mattress on the floor, police sources told The Post. “It’s like some reverse ‘Psycho’ scene,” a law enforcement source said at the time, referring to Hitchcock’s 1960 horror flick in which a son, Norman Bates, keeps his dead mother’s remains in a basement. *big-eye emoji* Authorities have not officially identified the body but believe the man was Wolfensohn’s son and that he died of natural causes. They would not provide a name. According to public rec­ords, Wolfensohn had two sons, Michael and Louis. Relatives said they had not seen Louis — who today would be 49 years old — in 20 years. R.I.P. to Louis, but damn… Image via Shutterstock

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Holy Hoarders, Batman! Elderly Lady Lived 20 Years Or More With Son’s Decaying Skeleton

Scarlett Johansson Gives Good Scream In Hitchcock

Scarlett Johansson is channeling screen legend Janet Leigh in this depiction of the cult movie Psycho ‘s famous (or infamous) shower scene. Johansson is, of course, portraying Leigh’s character Marion Crane in the upcoming Oscar contender Hitchcock , which will have its world premiere as the opening night film at AFI Fest November 1st. Alfred Hitchcock (Anthony Hopkins) and his wife Alma Reville (Helen Mirren) are the focus in the Sacha Gervasi-directed feature, which is set against the backdrop of filming Hitchcock’s Psycho in 1959. Click for more images from Hitchcock Scarlett Johansson as Janet Leigh Johansson as well as Jessica Biel, Vera Miles, James D’Arcy, Danny Huston and Toni Collette also star in the film, which spans from the time of Wisconsin murderer Ed Gein, who was the inspiration for Psycho ‘s Norman Bates character, to the release of the acclaimed film in 1960. Hitchcock and Reville’s marriage comes under strain due to the filmmaker’s determination to complete the film. It is hard to completely tell if Johansson is wearing a bit of lipstick to show off her pillowy lips, given the color vs. black and white comparison with the original, but a little creative license will always be at play nevertheless. Psycho became a big success despite the fact that horror was often dismissed by the Hollywood elite of the time. Janet Leigh’s scream is easily one of the most recognizable images in Hollywood history. Leigh died in October 2004 at 77. Alfred Hitchcock passed away in 1980 at age 80. Fox Searchlight, which will release Hitchcock beginning November 23rd and it will likely be an Academy Award power-house this year. [ Source: The Sun ]

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Scarlett Johansson Gives Good Scream In Hitchcock

Good Idea/Bad Idea: A&E Making a Psycho Prequel Series

TCA events bring news that A&E is developing a prequel series to Alfred Hitchcock ‘s Psycho , to revolve around the early life of one Norman Bates and his beloved mother at the infamous Bates Motel. While intriguing, it prompts more than a few questions… like, who wants to watch teenage Norman devolve into filmdom’s most notorious creep on a weekly basis? What gives writer Anthony Cipriano the authority to explore Hitch’s iconic killer? And, most depressing of all to ponder — do people these days even care about Psycho anymore? Granted, the A&E audience is more sophisticated than your average Jersey Shore -obsessed dilettante, and Hitchcock has plenty of fans, even in the age of reality TV. In fact, the sordid melodramatics we’re used to seeing in mainstream television coupled with the elevated profile of dramas on cable TV might actually prepare audiences for such a series; it can’t be any more twisted than, say, American Horror Story , or as grisly as an episode of CSI . The idea of exploring a fictional character’s story in further detail is always intriguing, and often works in surprisingly great ways; see Wicked , for example, which imagined a tenacious but vulnerable humanity for The Wizard of Oz ‘s Wicked Witch, decades after L. Frank Baum wrote her. But there’s a degree to which, as with remakes and adaptations and sequels, it sometimes seems wise to leave good enough (or great, in Psycho’s case) alone. Psycho revealed just enough of Norman Bates’s demented interior to make that film a classic; do we need to see exactly what Mother did to young Norman to mess him up for life? Maybe we do, or maybe we already saw what comes of taking liberties with Hitchcock’s work, without Hitch: of the 1983 and 1986 Psycho sequels, the subsequent 1990 prequel, the abysmal made-for-TV spin-off, and Gus van Sant’s 1998 shot-for-shot remake, none have been especially good. What could help Cipriani’s Bates Motel to avoid repeating history? Take a gander at the unfortunate 1987 Lori Petty/Bud Cort/Jason Bateman pilot-turned-telefilm, also titled Bates Motel , and muse over the possibilities. • A&E Develops ‘Psycho’ Prequel Series: TCA [ Deadline ] Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Good Idea/Bad Idea: A&E Making a Psycho Prequel Series

Happy 50th, Psycho. You’re Not the Best Hitchcock Movie. Love, Movieline

Psycho , Alfred Hitchcock’s final black-and-white film and his most hailed overall, turns 50 today. God love the spooky thing! It’s stark, slick, and full of chilling nuances that came to define highbrow horror cinema, but the abject popularity of Psycho always had more to do with its explosive release in 1960 than its place in the Hitchcock canon. Filmgoers were famously shocked by the the early death of the marquee star, not to mention the revelation of Norman Bates’s true character at the movie’s climax, but while those qualities are fun, but they don’t make for Hitchcock’s greatest film. In fact, when you break down most of Psycho ‘s best assets, you realize that other Hitch movies did them better, smarter, and cooler. Join us as we hack at Psycho and defend the Master of Suspense’s other works for all eternity.

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Happy 50th, Psycho. You’re Not the Best Hitchcock Movie. Love, Movieline

Psycho – I Hate What She’s Become

Norman Bates tells Marion about his mother.

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Psycho – I Hate What She’s Become