Tag Archives: fox searchlight

Lola Versus: Drool Over Greta Gerwig As She Cries Over Your New RoboCop, Joel Kinnaman

Maybe it’s because I’ve been obsessing more than usual over Joel Kinnaman since rolling through all of Season 1 of AMC’s The Killing in a matter of days (I know, late to the party), but I dare any other Kinnaman-lover out there to watch the new trailer for Lola Versus and not fixate on the future RoboCop ‘s 10 seconds of trailer screen time. Phew. That said, it’s quite winning on its own, thanks to Greta Gerwig ‘s charm and the hazy-golden gleam of the New York City streets she’s traipsing along as she tries to figure out what to do after fiance Kinnaman calls off their engagement. In the span of two minutes I was hooked by Gerwig’s adorable moping, Zoe Lister-Jones’ spunk, the relatable crisis that is turning 30, single or otherwise, and those fleeting moments of beautiful Joel Kinnaman. Oh, did I mention Joel Kinnaman is in this? What, may I not covet Kinnaman like you covet your wispy WASP-y dream girl (whom I also adore because Gerwig is irresistibly appealing even when chattering about weddings and boys)? Anyhow! After many a micro-indie outing for Gerwig ( LOL , Hannah Takes the Stairs ), bigger indies ( Greenberg ) and a few mainstream toe-dips ( Arthur , No Strings Attached ), Lola Versus might be the charming vehicle that shows mainstream audiences why we love her so. Co-scripted by director Daryl Wein and co-star Lister-Jones (who both acted in and wrote 2009’s break-up indie Breaking Upwards ), Lola Versus will be distributed by Fox Searchlight, who’s pushing the film’s similarities with 2009’s hit (500) Days of Summer . Head to Apple for HD. Synopsis: Greta Gerwig plays Lola, a 29-year-old woman dumped by her longtime boyfriend Luke (Joel Kinnaman) just three weeks before their wedding. With the help of her close friends Henry (Hamish Linklater) and Alice (Zoe Lister-Jones), Lola embarks on a series of desperate encounters in an attempt to find her place in the world as a single woman approaching 30. What do you think — is Lola Versus the new (500) Days of Summer ? (500) Days of Kinnaman , perhaps? Lola Versus will premiere at Tribeca before opening in limited release on June 8.

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Lola Versus: Drool Over Greta Gerwig As She Cries Over Your New RoboCop, Joel Kinnaman

WonderCon: Fox Searchlight Wants You to Join the Cult of Sound of My Voice

Screening the first 12 minutes of Sound of My Voice and a dynamic new trailer, Fox Searchlight opened WonderCon 2012 with everything they’ve got — footage, star/co-writer Brit Marling and director Zal Batmanglij, that viral secret handshake, and an in-character appearance by the film’s cult members Klaus and Mel, who addressed the Anaheim Convention Center crowd with a pitch to join them on a spiritual journey. Their invitation: Join them at Booth #348 today, where they’ll be happy to meet you, discuss their beloved leader from the year 2054, and “answer any questions and help you with your future.” Fox Searchlight has a lot more to work with here than they did with Marling’s previous film, Another Earth … will the cult viral elements and the played up sci-fi angle they’re working here today at WonderCon help entice audiences? Follow Movieline on Twitter today for updates from WonderCon.

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WonderCon: Fox Searchlight Wants You to Join the Cult of Sound of My Voice

Mark Romanek Pairs Never Let Me Go with Fahrenheit 451 in Los Angeles

Director Mark Romanek ‘s dystopian sci-fi romance Never Let Me Go never seemed to quite receive its due when it was released in 2010 and subsequently written off as a commercial disappointment. But many found the restrained Kazuo Ishiguro novel adaptation gorgeous and hauntingly heartbreaking, among them New Beverly Cinema programmer Julia Marchese, who recently wrote about her quest to bring Romanek and his film to screen in Los Angeles for a two-night engagement that starts Wednesday, January 11. For Marchese and fans of the film, the booking is more of a coup than it may seem at first glance; deemed an underperformer weeks into its original domestic limited run, Never Let Me Go wound up floundering in subsequent weeks despite its built-in literary audience and roster or rising stars (Andrew Garfield, Carey Mulligan, and Keira Knightley), to the dismay of distributor Fox Searchlight. (The film exited theaters with a $2.4M domestic total, though it tallied another $7M worldwide.) Still, it’s a bit of a shock to hear of the difficulties Marchese encountered when she tried to book a print of the film for the New Beverly (which, recall, remains dedicated to screening 35mm ) only a little over a year after its initial release. From Marchese’s blog : I have been championing the film since its release, begging friends and neighbors to see it. I wanted to play it at the New Beverly as soon as possible, but Fox Searchlight told me that out of all of the hundreds of prints made, only two remained. One was irreparably damaged, and the other on long-term loan to a cruise ship. Whether they were telling the truth or not, I can’t say, but I will say that I am completely overjoyed that we will finally be showing it at the New Bev on January 11th and 12th with (schedule permitting) director Mark Romanek in attendance both nights. Fox at large is one of the studios pioneering the obsolescence of film prints in favor of digital, but the reality is still startling. Two remaining prints, and one damaged beyond repair, for a film shot deliberately on film that possesses such a romantic visual world, even in its careful austerity. Luckily, it seems that only intact print has finally departed its cruise ship confines and will screen Wednesday and Thursday (Jan. 11-12) with Romanek in person. Romanek, meanwhile, has chosen another ascetic but moving sci-fi romance to play in a double feature with his film: François Truffaut’s 1966 film Fahrenheit 451 . A great pairing if you ask me, and with Romanek in person there should be ample opportunity to ask how much he sees in the juxtaposition of not only the films’ surface commonalities but in the idea that to some devotees, the phasing out of celluloid might be only a few shades removed from the burning of books. Visit the New Beverly website for more information; for Julia Marchese’s full blog entry, head here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter . [ Julia Marchese’s Blog , New Beverly Cinema ]

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Mark Romanek Pairs Never Let Me Go with Fahrenheit 451 in Los Angeles

Brett Ratner ‘Banged’ Olivia Munn, and Other Stories You’ll Be Talking About Today

Happy Friday! Also in Today’s edition of The Broadsheet: Darren Aronofsky to team with Lou Reed and Metallica… the hits keep on coming for Hilary Swank… Melissa McCarthy looks ahead… Errol Morris gets sued… and more.

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Brett Ratner ‘Banged’ Olivia Munn, and Other Stories You’ll Be Talking About Today

See Transfixing and Bizarre Motion Poster for Martha Marcy May Marlene

Another day, another inventive bit of marketing for the indie drama Martha Marcy May Marlene . On the heels of the QR-coded trailers for the Sundance sensation that debuted online Monday, the Fox Searchlight team has released a motion poster of MMMM that is subtle, affecting and totally creepy. Awesome! If star Elizabeth Olsen is the next Jennifer Lawrence, she already has her predecessor beat; you didn’t see a motion poster for Winter’s Bone , did you? (Lawrence didn’t get her first motion poster until The Hunger Games .) Click through for a look.

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See Transfixing and Bizarre Motion Poster for Martha Marcy May Marlene

Latest Green Lantern Stills: Ryan Reynolds Kicks Ass in Kelly Green

I can’t help but thinking these new Green Lantern stills look like poorly greenscreened music videos from precisely 2001-02. Shakira’s “Whenever, Wherever”? Brandy’s “What About Us”? Janet Jackson’s “All for You”? What a terrible time for pop starlets. You had to dance alongside CGI horses on Crayola mountaintops if you wanted a pop hit. Anyway, Ryan Reynolds looks silly here, but whatever! Enjoy.

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Latest Green Lantern Stills: Ryan Reynolds Kicks Ass in Kelly Green

TRAILER: Emma Roberts is a Muse in The Art of Getting By

The Sundance hit Homework , the Emma Roberts/Freddie Highmore film that Fox Searchlight snatched up the day of its premiere, is now retitled The Art of Getting By . Is the trailer worth analyzing? Ish. But you know what deserves more scrutiny? The fact that these stars look 11 and 8 respectively.

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TRAILER: Emma Roberts is a Muse in The Art of Getting By

Is There an Emoticon For Sponsor Love?

Because if there were, Movieline would be loading up a post full of them aimed at Fox Searchlight’s 127 Hours — our valiant sponsor, and your weekend viewing. At the very least, click on one of their ads. It’s the least we can all do to keep the lights on around here. Thanks, Searchlight!

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Is There an Emoticon For Sponsor Love?

Is There an Emoticon For Sponsor Love?

Because if there were, Movieline would be loading up a post full of them aimed at Fox Searchlight’s 127 Hours — our valiant sponsor, and your weekend viewing. At the very least, click on one of their ads. It’s the least we can all do to keep the lights on around here. Thanks, Searchlight!

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Is There an Emoticon For Sponsor Love?

So Why is Black Swan a Huge Hit, Anyway? (Hint: Lesbians)

As alluded to in this morning’s edition of The Broadsheet, everyone in Hollywood seems stunned by the success story that is Black Swan . Even filmmaker Darren Aronofsky says he can’t make heads or tails of the phenomenon, which has earned recognition everywhere from manic-comic Saturday Night Live segments to the supermarket-tabloid media obsessed with star Natalie Portman (now pregnant by and engaged to marry on-screen dance partner Benjamin Millipied). “I get the teenage-girl part of the audience because it’s a coming-of-age story about a girl becoming a woman. But older people are seeing it too,” he told the LA Times . “I don’t know if even I understand it.” Oh, Darren — don’t start being modest now : Let’s hear it for lesbians!

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So Why is Black Swan a Huge Hit, Anyway? (Hint: Lesbians)