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Watch: ‘Looper’ Director’s Exclusive Trailer Commentary

‘Joe had a lot of fun working with Bruce on the action scenes,’ Rian Johnson tells MTV News of Joseph Gordon-Levitt playing a young Bruce Willis. By Kara Warner Joseph Gordon-Levitt in “Looper” Photo: Sony Thanks to the highly anticipated debut of the “Looper” teaser trailer Thursday, there is almost two minutes of brand-new, action-packed footage to overanalyze and dissect. We’ve already highlighted five key scenes to watch out for in the teaser, and now, MTV News is proud to bring you exclusive expert commentary from the film’s writer/director, Rian Johnson. Johnson was visibly excited for fans to see the teaser, particularly the first glimpses of the gritty future reality of the film’s setting and star Joseph Gordon-Levitt in action as a young Bruce Willis . “The beginning here is just setting up the premise of the Loopers and what they do, which is the same in the movie,” Johnson explained. “We take some time to get you into the world. You can kind of tell from the look of it that the world is a very grounded science-fiction world; it’s not a big CG world. We did lots of practical stuff and tried to keep it feeling very real and near-future.” With regard to Gordon-Levitt’s makeup to look like Willis, Johnson said, although he looks impressive in the teaser, he can’t wait for fans to see the “Dark Knight Rises” actor’s physical performance in the finished film. “What I’m really excited about is for people to see Joe’s performance in it, because if you just see a photo or quick clips in a teaser like this, the likeness doesn’t come across as well, but when you see Joe’s performance, I think it really hits.” Johnson also hinted that, despite the blink-and-you-miss-it appearance of co-star Emily Blunt, there is more to her role than you think. “You see a quick clip of Emily Blunt, [but] there’s a whole sequence where she had to do some action work and she just kinda kicked ass. I’m excited for people to see it,” Johnson said. “Emily really held her own when it was time to get out the shotgun and do some blasting.” The “Brick” director went on to say that he just had a plain old good time making the film, particularly the action sequences, for which veteran star Willis proved to be a very key component. “It was fun for me. You see flashes of a lot of action in the movie, and this is the first time I’ve been able to do it on that scale, which is really fun, especially working with a veteran like Bruce,” Johnson said. “Joe had a lot of fun working with Bruce on the action scenes. Bruce kind of showed us the ropes. It was pretty awesome.” Check out everything we’ve got on “Looper.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Get Ready For ‘Looper’ Related Photos Looper Trailer: Five Key Scenes

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Watch: ‘Looper’ Director’s Exclusive Trailer Commentary

‘American Idol’ Voters ‘Were Wrong’ On Jessica Sanchez, Steven Tyler Says

‘I think they thought she was safe,’ Randy Jackson adds, speaking to MTV News. By Kelly Marino “American Idol” Judges Randy Jackson and Steven Tyler Photo: MTV News Thursday night’s “American Idol” turned out to be the most shocking episode of the season thus far, proving one sure thing: America got it all wrong this week. The judges were quick to point that out when they unanimously decided to save 16-year-old singing prodigy Jessica Sanchez before she could even finish her last-chance performance song after receiving the lowest votes. Sanchez, who has impressed the judges week after week with renditions of songs well beyond her years, “slayed the biggest fish of the night,” according to Randy Jackson, with her performance of “Stuttering” by Jazmine Sullivan on Wednesday night. She even had guest mentor Akon predicting legend status one day, only fueling the fire that the singer, a.k.a. Bebe Chez, was well on her way to becoming a title hopeful. So what went wrong? “Well, I think [America] thought she was safe,” explained Jackson, who stopped by backstage to speak on Sanchez’s behalf. “I think they thought she was safe, I’m sure, and I think they thought Joshua was safe because those two alone, with Colton and some of the others, have been the most consistent. So, you know, yeah, I think they just forgot.” Probably the most inconsistent of the final seven who was a sure bet to be the one sent packing last night was Hollie Cavanagh. Despite her strong vocals, her nerves and stiff stage presence have led the little English southern belle to the bottom three for weeks now. But after her less than perfect performance of “Perfect” Wednesday night, she dodged the bullet completely this time around thanks to her devoted fans. “She’s got a lot of fans out there. A lot of people love her. I mean, look, all of these kids are very talented, and you just said it a minute ago,” Jackson said, turning to judge Steven Tyler. “They’re all individual, they’re all different.” “I mean, the proof is that one sings great, the other one’s style is crazy great,” added Tyler, comparing Cavanagh and Sanchez. “And then you got Elise, who just laughs all the time and just takes it just so effortlessly free. And there’s just so many different singers out there. That’s why it’s hard for me now. I like to let America judge. Tonight they were wrong.” So with the panel deciding to rescue San Diego’s savvy young diva, all seven contestants will return to the stage Wednesday night to continue to fight for the crown. But there’s one catch: Next week two finalists will be given the boot. Will Sanchez be one of the two to go, or will she take Jennifer Lopez’s advice and take the audience on a ride like they’ve never seen before? Who knows? Let’s see if America gets it right this time. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 11 Performances Related Artists Aerosmith

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‘American Idol’ Voters ‘Were Wrong’ On Jessica Sanchez, Steven Tyler Says

Swizz Beatz, A$AP Rocky ‘Make History’ On ‘Street Knock’

Allen Iverson joins duo for first video from Swizz’s upcoming Limitless mixtape, featuring Nas, Rick Ross, DMX and the Lox. By Sowmya Krishnamurthy Swizz Beatz on the set of “Street Knock” Photo: MTV News Swizz Beatz is getting some assistance from newcomer A$AP Rocky on “Street Knock,” the first single from his upcoming Limitless mixtape. The super producer and Harlem’s pretty boy invited MTV News to the music video set of the bouncy AraabMuzik-produced number in New York City. “Right now, I’m here at the shoot with the homey Swizz, about to make history,” Rocky shared. The two were joined by basketball veteran Allen Iverson, who showed off his crossover skills in one of the scenes. “Music is a form of expression,” Swizz said. “I just love to be here and being able to share that expression with the world.” Slated for debut later this year, Limitless is set to include a slew of additional features including Rick Ross, Nas, DMX and the Lox. “When the Rick Ross mixtape [ Rich Forever ] came out, that inspired me to do a mixtape, because sometimes people need to get back into the element of what you do, since they see you doing so many different ventures,” Swizz explained to MTV News in early March. “People have to know that you can take it back to the basics and keep it hip-hop and keep it fun and just do what made you the person that you are,” he continued. “That’s why I think this mixtape is important. I’m vibing with Nas on it, Rick Ross, DMX, the Lox — people that everybody asks, ‘Man, when are you guys gonna do a track together?’ and ‘When is this happening?’ I thought the mixtape was a great way to bring that to life.” Many fans were expecting the “On to the Next One” producer’s next musical project to be the LP Haute Living , but Swizz is opting for perfection over expediency. “I know that everybody was looking for a whole album,” he added. “But I’m a perfectionist, and I felt like I just wanted to put some more finishing touches on it and figured I don’t have to rush anything.” Related Videos ‘RapFix Live’ Gets A New Point Of View Related Artists Swizz Beatz A$AP Rocky

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Swizz Beatz, A$AP Rocky ‘Make History’ On ‘Street Knock’

‘Looper’ Trailer: Five Key Scenes

Joseph Gordon-Levitt stares down his older self (Bruce Willis) in sneak peek of the time-traveling thriller. By Kara Warner Joseph Gordon-Levitt in “Looper” Photo: Sony Pictures Entertainment We’ve been dying to see the “Looper” trailer for the past few days, and now it’s finally here, in all its time-traveling, gun-fighting, trained assassin-vs.-himself glory. Here are five key scenes from the sneak peek: Loopers Explained Thanks to the expository voice-over from star Joseph Gordon-Levitt , we learn that Loopers are time-traveling assassins hired by Mafioso types to kill other criminals in the past, so they don’t become problems in the future. We see Gordon-Levitt’s character “at work” in several different ways in the teaser — including one in which his assignment turns out to be his older self. A Realistic Futuristic Setting At the beginning of the trailer, it appears as if the film is set in present day. The characters’ style of dress, cars and guns are not exactly current, but they look familiar. All that changes when we see Gordon-Levitt’s character flying through a modern-looking city on a not-of-this-world motorcycle. The brief glimpses at advanced technology are paired with quick shots of what Gordon-Levitt’s character experiences when he travels through time, a sort of mind-bending distorted reality that tells us we’re in a not-too-distant future. Joseph Gordon-Levitt as Bruce Willis From the moment it was announced that Gordon-Levitt would be playing a younger version of Bruce Willis , we’ve been very curious to see how that might look onscreen. Thanks to this new teaser, we finally get a glimpse of Gordon-Levitt-as-Willis, via a close-up shot of their bright green eyes and a few hints at their similar body movements — before they start trying to kill each other, that is. Gordon-Levitt admitted that he spent three hours in a makeup chair every morning in order to step into Willis, as it were. Emily Blunt in Action Emily Blunt’s appearance in the trailer is almost of the blink-and-you-miss-it variety. We see Blunt wielding a shotgun, possibly in an attempt to off the young version of Gordon-Levitt and in several states of strife. Her scenes are almost a combination of action from the film’s present settings and its flashbacks. Why is she upset? Is she related to Gordon-Levitt and Willis’ character or romantically linked to them? Maybe she is also a Looper? So many questions that need answering! Gunfights Galore This movie is very much a science-fiction thriller and yet, contrary to what a lot of people believe to be true about gun battles in sci-fi movies, there are no laser beams or space guns in sight. The weapons we see in the trailer look like new versions of handguns and shotguns that are powered by regular bullets. And because this is a movie about time-traveling hitmen who off their assignments with guns, we see a lot of gunfight action in this spot, along with some hand-to-hand combat, that only adds to the gritty, futuristic-yet-realistic feel. Check out everything we’ve got on “Looper.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Photos Looper Trailer: Five Key Scenes

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‘Looper’ Trailer: Five Key Scenes

Justin Bieber Goes Country? Taylor Swift Joins JB In Studio

‘You know, the whole album is just so different, there’s so many different people collaborating,’ Bieber says of Believe. By James Dinh Justin Bieber and Taylor Swift Photo: Getty Images Justin Bieber has added yet another A-list chart-topper to the collaboration roster for his new album Believe. Speaking with Capital FM earlier this week, the Biebster announced that he’s hit the studio with his very own “Punk’d” victim Taylor Swift . “You know, the whole album is just so different, there’s so many different people collaborating,” the 18-year-old pop star said of the upcoming release. Aside from name-dropping a few hip-hop heavyweights like Kanye West and Drake, the singer revealed that he penned a tune with Swift, admitting the cut will have a country vibe. “It’s crazy,” Bieber explained. “I mean I even wrote a song with Taylor Swift, so the whole album ranges differently.” With the string of features, JB emphasized that the LP will have a mix of sounds, saying, “With my music, it doesn’t only stay in a box. It’s so out there. Everything is so different and that’s why I’m so happy with this album.” No word on whether Swift’s vocals will appear on the tune in addition to her writing credit. Bieber’s collabo with the singer/songwriter shouldn’t be too much of a shock for fans. Late last year, the duo hit the stage together for Swift’s L.A. gig on her Speak Now trek. Most recently, Swift was the subject of one of Bieber’s “Punk’d” shenanigans when he convinced the singer she ruined a wedding. Who else would you like to see Justin collaborate with on Believe ? Tell us your suggestions below! Related Artists Justin Bieber Taylor Swift

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Justin Bieber Goes Country? Taylor Swift Joins JB In Studio

Nicki Minaj’s Roman Reloaded Was Initially Hard-Core Rap

But the pop-heavy LP is ‘a lot better than how we planned,’ Nicki’s pal-turned-co-executive producer Safaree ‘SB’ Samuels tells MTV News. By Sowmya Krishnamurthy, with reporting by Rob Markman Nicki Minaj’s Pink Friday: Roman Reloaded Photo: Universal Nicki Minaj ‘s right-hand man Safaree “SB” Samuels took on another role for his longtime friend when he signed on as a co-executive producer on her sophomore album, Pink Friday: Roman Reloaded. When MTV News caught up with SB, he explained how he made sure everything from “A to Z was done.” Samuels said his tasks on the project included scouting for beats and keeping in touch with producers to make sure deadlines were met. When asked how he helped Nicki to strike a balance between hip-hop and pop, SB revealed that the album was initially skewed toward rap. “In the beginning, we was gonna make it some rap spittin’ sh– and it was going to have a couple of songs that were going to be the ‘Super Bass’-es and joints like that,” he revealed. “But it ended up working out a lot better than how we planned.” SB went on to gush about working with Hit Boy, whose production highlights include Jay-Z and Kanye West’s “N—as in Paris.” After hearing just one beat, both Nicki and SB thought “We need more!” Hit Boy sent around six great beats, and they decided on two for the songs “Come on a Cone” and “I Am Your Leader,” which features Cam’ron and Rick Ross. (Incidentally, those are both SB’s favorites on the album.) But on the topic of crossover appeal and whether Nicki has deserted her rap roots , SB couldn’t disagree more. “She’s still doing her rap sh–, she’s still doing her crossover sh–,” he said. “When you a star, you a star. You can’t deny it.” Pink Friday: Roman Reloaded debuted at #1 this week, selling 253,000 copies in its first week on the Billboard albums chart. Nicki’s debut, Pink Friday, debuted at #2 in December 2010 on sales of 375,000. Do you think Nicki has gone too pop? Sound off in the comments below! Related Videos ‘RapFix Live’ Gets A New Point Of View Related Artists Nicki Minaj

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Nicki Minaj’s Roman Reloaded Was Initially Hard-Core Rap

An Open Letter To Axl Rose And Guns N’ Roses Fans Everywhere

Our columnist comes out in support of the last remaining rock star after Axl’s Rock and Roll Hall of Fame kiss-off. By James Montgomery Axl Rose Photo: Jeff Kravitz/ FilmMagic To: W. Axl Rose, Guns N’ Roses Fans and Whom It May Concern, Greetings from New York City, which is approximately 490 miles from Cleveland, site of this weekend’s Rock and Roll Hall of Fame induction ceremony and roughly 50 bazillion miles from whatever Bedouin caravan Mr. Rose is currently encamped with — though, to be honest, it feels much farther removed from both. Especially given the reaction most GN’R fans have had to Rose’s open letter to the Hall of Fame , which he published Wednesday and which has subsequently turned him into the most hated man on the Internet. Here’s the thing (and, really, the reason I’m writing this letter): Despite the thousands of comments his letter has generated — which largely run the gamut from “YOU SUCK” to “Axl Rose is a freaking whiny-ass bitch” — I’m happy to be in the minority of people who seemingly have no problem with it whatsoever. In fact, I think it’s pretty awesome. Another boy-band explosion? James Montgomery takes a closer look at One Direction and the Wanted and what their popularity means for music. Because I support Axl Rose. And yes, I am aware that, in the past , I have called him “the creepy old guy with the Raiders jersey who lives on top of the hill” and compared him to Lil Wayne . And sure, I realize his recent, uh, output might not be on par with Guns’ previous efforts (anyone can have a bad 20 years). But after reading his letter, none of those things matter. Or, if anything, they actually made it better for me. Because Axl Rose is a rock star. Maybe the last one standing. He is an anachronism and an enigma. There will never be another like him, and really, his missive to the Rock Hall is just further proof of all those points. To wit: There are a lot of words in Rose’s letter (more than 1,000 of them), none of which are “apology.” This is because Axl never apologizes. Because he doesn’t have to, and he doesn’t care if that offends you. He also never allows himself to be backed into a corner — and everything from his unrelenting blood feud with Slash to the 15-year wait for Chinese Democracy is basically proof of this — and he intimates at several points in his letter that everyone from the HOF committee to his former bandmates was basically attempting to do just that. So rather than be intimidated, Rose just decided to walk away from the whole thing. As he writes, “No one’s taking the ball and going home. … From my perspective … the ball’s never been in our court.” It’s easy to call Rose a jerk for doing this, but, really, he is a jerk. It’s what makes him who he is and why he’s still able to sell out arenas around the world. We’ve come to expect nothing less, and yet we’re willing to vilify him for acting the way he always has. Katy Perry, beneath the crown: James Montgomery takes us inside his interview with the pop princess to see what she’s really like off-camera. In some bizarre way, by skipping the induction (and asking his name not be mentioned in absentia), Rose displays a supreme level of actual integrity. Unlike, say, Ozzy Osbourne, who previously asked that his band Black Sabbath no longer be considered for the Hall only to show up at the 2006 induction and call it an “achievement,” Axl won’t come crawling back. And unlike fellow 2006 inductees Blondie, he spared anyone the ugly onstage feud that surely would’ve erupted by simply saying, “No thanks.” He does what he wants and only what he wants. And the same goes for that much-discussed GN’R reunion, which he shuts down in the letter because, really, it’s “time to move on.” And that last quote should be taken to heart by all the Guns fans out there raging against Rose today. Because, really, it is time to move on. Move on from your misguided beliefs that Rose is ever going to change or suddenly have a moment of clarity. It’s been, like, 20 years now, and he’s never wavered from his original point: No reunion, not ever. Guns N’ Roses are still a band and they still tour, and if you don’t like it, then don’t come out to the shows. Even though you probably still will. So, sure, be angry with Axl today. Make claims of never listening to his music again (which would suppose he’s ever going to make music again) and accuse him of putting himself before his fans. But don’t take him to task for being the same person he’s been for 25 years now, because, really, you wouldn’t want him to change. Not for a reunion tour, not for an induction ceremony, not for anything. He will continue to blaze his own path whether you follow him or not. And I applaud him for doing so. He is Axl Rose, after all. He is rock and roll in an era where that phrase has increasingly less clout. We want him on that wall. We need him on that wall. It’s about the only way we can sleep at night, knowing somewhere, Axl is watching over us all. And writing open letters to let us know he still cares. Sincerely, James Montgomery Is Axl a jerk, the last real rock star or all of the above? Let us know in the comments or hit me up on Twitter @positivnegativ! Related Artists Guns N’ Roses

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An Open Letter To Axl Rose And Guns N’ Roses Fans Everywhere

An Open Letter To Axl Rose And Guns N’ Roses Fans Everywhere

Our columnist comes out in support of the last remaining rock star after Axl’s Rock and Roll Hall of Fame kiss-off. By James Montgomery Axl Rose Photo: Jeff Kravitz/ FilmMagic To: W. Axl Rose, Guns N’ Roses Fans and Whom It May Concern, Greetings from New York City, which is approximately 490 miles from Cleveland, site of this weekend’s Rock and Roll Hall of Fame induction ceremony and roughly 50 bazillion miles from whatever Bedouin caravan Mr. Rose is currently encamped with — though, to be honest, it feels much farther removed from both. Especially given the reaction most GN’R fans have had to Rose’s open letter to the Hall of Fame , which he published Wednesday and which has subsequently turned him into the most hated man on the Internet. Here’s the thing (and, really, the reason I’m writing this letter): Despite the thousands of comments his letter has generated — which largely run the gamut from “YOU SUCK” to “Axl Rose is a freaking whiny-ass bitch” — I’m happy to be in the minority of people who seemingly have no problem with it whatsoever. In fact, I think it’s pretty awesome. Another boy-band explosion? James Montgomery takes a closer look at One Direction and the Wanted and what their popularity means for music. Because I support Axl Rose. And yes, I am aware that, in the past , I have called him “the creepy old guy with the Raiders jersey who lives on top of the hill” and compared him to Lil Wayne . And sure, I realize his recent, uh, output might not be on par with Guns’ previous efforts (anyone can have a bad 20 years). But after reading his letter, none of those things matter. Or, if anything, they actually made it better for me. Because Axl Rose is a rock star. Maybe the last one standing. He is an anachronism and an enigma. There will never be another like him, and really, his missive to the Rock Hall is just further proof of all those points. To wit: There are a lot of words in Rose’s letter (more than 1,000 of them), none of which are “apology.” This is because Axl never apologizes. Because he doesn’t have to, and he doesn’t care if that offends you. He also never allows himself to be backed into a corner — and everything from his unrelenting blood feud with Slash to the 15-year wait for Chinese Democracy is basically proof of this — and he intimates at several points in his letter that everyone from the HOF committee to his former bandmates was basically attempting to do just that. So rather than be intimidated, Rose just decided to walk away from the whole thing. As he writes, “No one’s taking the ball and going home. … From my perspective … the ball’s never been in our court.” It’s easy to call Rose a jerk for doing this, but, really, he is a jerk. It’s what makes him who he is and why he’s still able to sell out arenas around the world. We’ve come to expect nothing less, and yet we’re willing to vilify him for acting the way he always has. Katy Perry, beneath the crown: James Montgomery takes us inside his interview with the pop princess to see what she’s really like off-camera. In some bizarre way, by skipping the induction (and asking his name not be mentioned in absentia), Rose displays a supreme level of actual integrity. Unlike, say, Ozzy Osbourne, who previously asked that his band Black Sabbath no longer be considered for the Hall only to show up at the 2006 induction and call it an “achievement,” Axl won’t come crawling back. And unlike fellow 2006 inductees Blondie, he spared anyone the ugly onstage feud that surely would’ve erupted by simply saying, “No thanks.” He does what he wants and only what he wants. And the same goes for that much-discussed GN’R reunion, which he shuts down in the letter because, really, it’s “time to move on.” And that last quote should be taken to heart by all the Guns fans out there raging against Rose today. Because, really, it is time to move on. Move on from your misguided beliefs that Rose is ever going to change or suddenly have a moment of clarity. It’s been, like, 20 years now, and he’s never wavered from his original point: No reunion, not ever. Guns N’ Roses are still a band and they still tour, and if you don’t like it, then don’t come out to the shows. Even though you probably still will. So, sure, be angry with Axl today. Make claims of never listening to his music again (which would suppose he’s ever going to make music again) and accuse him of putting himself before his fans. But don’t take him to task for being the same person he’s been for 25 years now, because, really, you wouldn’t want him to change. Not for a reunion tour, not for an induction ceremony, not for anything. He will continue to blaze his own path whether you follow him or not. And I applaud him for doing so. He is Axl Rose, after all. He is rock and roll in an era where that phrase has increasingly less clout. We want him on that wall. We need him on that wall. It’s about the only way we can sleep at night, knowing somewhere, Axl is watching over us all. And writing open letters to let us know he still cares. Sincerely, James Montgomery Is Axl a jerk, the last real rock star or all of the above? Let us know in the comments or hit me up on Twitter @positivnegativ! Related Artists Guns N’ Roses

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An Open Letter To Axl Rose And Guns N’ Roses Fans Everywhere

Cee Lo Green Confirms Christina Aguilera Duet

‘Voice’ coaches recording track for Aguilera’s upcoming album. By John Mitchell Christina Aguilera and Cee Lo Photo: Gregg DeGuire/ Getty Images We already know Christina Aguilera is hard at work on her upcoming album, and now we have confirmation that at least one of her fellow “The Voice” coaches will appear on the still-untitled set, due out later this year. Talking to Billboard , Cee Lo Green revealed that he is working on a track with Aguilera, but declined to give much information about the song itself — other than it is happening and it is at least partly recorded. “It’s a song for her album. I won’t disclose the title, because it could possibly be a working title,” Green said. “We’ve talked about it amongst ourselves, and I’m gonna go in on it and work it out. It’ll be the second song we’ve done.” The first song they recorded together was the demo “Nasty,” which was recorded for but ultimately not included on the soundtrack to Aguilera’s film “Burlesque.” “I just gotta get in there and … splash,” Green continued, implying that Aguilera already recorded her vocal for the unnamed track. After a recent “Voice” taping, Aguilera told the show’s social-media correspondent Christina Milian that she has been hitting the studio in whatever free time she can find in her busy schedule with the TV hit. “I started [the album] whenever I started this show, and then [the show] kind of took off into this big thing,” Aguilera explained. “So, the show used to be a side project and kind of turned into a bigger time-fulfilling, dedicated project for me.” The pop star, who appeared on Maroon 5’s #1 hit “Moves Like Jagger” last year, is working with a variety of producers and songwriters on the effort. “It’s just filled with fun and excitement, and it’s gonna come out later this year,” Aguilera added. “I’m very, very excited to share it with my fans, finally.” Who would you like to hear Christina collaborate with on her new album? Tell us below! Related Artists Christina Aguilera Cee Lo Green

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Cee Lo Green Confirms Christina Aguilera Duet

Adele Is England’s Richest Young Singer

Daniel Radcliffe, Robert Pattinson and Florence Welch also on Sunday Times Rich List. By Gil Kaufman Adele Photo: Getty Images He’s the star of one of the biggest movie franchises in history and she’s the best-selling musician of the past year. Together “Harry Potter” star Daniel Radcliffe and Adele top the Sunday Times Rich List of England’s youngest stars. Just how big a year did Adele, 23, have thanks to the global smash success of her 21 album? Consider that in 2012 her fortune has risen to more than $31.8 million from $9.5 million just a year before, according to the list, which will be published at month’s end. She placed well ahead of Girls Aloud singer Cheryl Cole, whose fortune was estimated at $19.1 million on the list of the richest British musicians under 30. Among the other notable music makers on the list were Florence and the Machine singer Florence Welch, whose worth rose to more than $11.1 million, Taio Cruz ($7.9 million) and a new entry on the chart in a 10-way tie for 14th place, Adele’s former BRIT School mate Jessie J ($7.9 million). The top 10 was dominated by women, with only two fellas, Craig David (#6, $12.7 million) and Paolo Nutini (#6, $12.7 million) making the cut among top earning ladies Leona Lewis, Katie Melua, Joss Stone, Charlotte Church, Lily Allen, Natasha Bedingfield and Duffy. On the acting side, “Potter” star Radcliffe is still far-and-away the richest British actor under 30, with a fortune estimated at $86.1 million, up from $76.6 million last year. Well behind is “Twilight” actor Robert Pattinson (#2, $63.6 million), Keira Knightley (#3, $47.7 million) and, in fifth place, “Potter” co-star Emma Watson ($41.4 million). Yet another “Potter” alum, Rupert Grint, landed in the #6 position with a war chest of $38.2 million. Related Artists Adele

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Adele Is England’s Richest Young Singer