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‘Breaking Dawn’ Screenwriter Invited Herself To Wedding

‘I was [Bella’s mom] Renee’s friend from California,’ Melissa Rosenberg says of scripting backstory for her ‘Part 1’ cameo. By Terri Schwartz, with reporting by Josh Horowitz The wedding scene from “Breaking Dawn – Part 1” Photo: Summit The first “Breaking Dawn – Part 1” teaser trailer , released back in June, gave fans a look at the wedding of Bella Swan and Edward Cullens. But equally interesting were the guests of honor featured in the wedding sequence, which introduced new characters like the Denali clan of vampires. But with the movie in theaters on Friday (November 18), one attendee in particular will likely have Twilighters geeking out. “The Twilight Saga” author Stephenie Meyer made her first cameo in the series back in 2008’s “Twilight,” playing a restaurant patron. But the author-turned-executive producer on parts 1 and 2 of “Breaking Dawn” couldn’t resist returning to the big screen so she could attend the wedding ceremony she inspired. In a blink-and-you-miss it moment, Meyer can be spotted sitting in the pews on Bella and Edward’s big day. But she’s not the only behind-the-scenes figure who makes a sneak appearance. “I’m right next to her!” “Breaking Dawn” screenwriter Melissa Rosenberg recently told MTV News. Rosenberg understands, however, if fans don’t recognize her on the first viewing, because even she couldn’t find her cameo at first. She admitted to jokingly telling director Bill Condon that “there’s one guest at the wedding who’s not seen enough,” until Condon added a few more frames in the movie. But when Rosenberg still couldn’t spot herself among the guests, Condon took matters into his own hands. “Finally, during one screening, he stopped and said, ‘See! There you are!’ ” she said with a laugh. “It was Stephenie and then [producer] Wyck Godfrey and then myself and then [producer] Bill Bannerman, we were all in the same row at the wedding.” And as Meyer and Rosenberg are behind the “Twilight Saga” screenplays, it only makes sense that they took the time to come up with a backstory for their respective characters at the wedding. “Stephenie was married to Wyck, and I was [Bella’s mom] Renee’s friend from California,” Rosenberg explained. It sounds like there’s a fan-fiction to be written about the time between Meyer’s diner dinner and when she got invited to the Cullen wedding!” Did you spot the screenwriters in “Breaking Dawn – Part”? Share your sightings and reviews in the comments! Check out everything we’ve got on “The Twilight Saga: Breaking Dawn – Part 1.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Videos MTV Rough Cut: ‘Breaking Dawn Part -1’ Director And Screenwriter Related Photos ‘Twilight Saga: Breaking Dawn – Part 1’ Premiere Twilight: Breaking Dawn

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‘Breaking Dawn’ Screenwriter Invited Herself To Wedding

‘Breaking Dawn’ Screenwriter Invited Herself To Wedding

‘I was [Bella’s mom] Renee’s friend from California,’ Melissa Rosenberg says of scripting backstory for her ‘Part 1’ cameo. By Terri Schwartz, with reporting by Josh Horowitz The wedding scene from “Breaking Dawn – Part 1” Photo: Summit The first “Breaking Dawn – Part 1” teaser trailer , released back in June, gave fans a look at the wedding of Bella Swan and Edward Cullens. But equally interesting were the guests of honor featured in the wedding sequence, which introduced new characters like the Denali clan of vampires. But with the movie in theaters on Friday (November 18), one attendee in particular will likely have Twilighters geeking out. “The Twilight Saga” author Stephenie Meyer made her first cameo in the series back in 2008’s “Twilight,” playing a restaurant patron. But the author-turned-executive producer on parts 1 and 2 of “Breaking Dawn” couldn’t resist returning to the big screen so she could attend the wedding ceremony she inspired. In a blink-and-you-miss it moment, Meyer can be spotted sitting in the pews on Bella and Edward’s big day. But she’s not the only behind-the-scenes figure who makes a sneak appearance. “I’m right next to her!” “Breaking Dawn” screenwriter Melissa Rosenberg recently told MTV News. Rosenberg understands, however, if fans don’t recognize her on the first viewing, because even she couldn’t find her cameo at first. She admitted to jokingly telling director Bill Condon that “there’s one guest at the wedding who’s not seen enough,” until Condon added a few more frames in the movie. But when Rosenberg still couldn’t spot herself among the guests, Condon took matters into his own hands. “Finally, during one screening, he stopped and said, ‘See! There you are!’ ” she said with a laugh. “It was Stephenie and then [producer] Wyck Godfrey and then myself and then [producer] Bill Bannerman, we were all in the same row at the wedding.” And as Meyer and Rosenberg are behind the “Twilight Saga” screenplays, it only makes sense that they took the time to come up with a backstory for their respective characters at the wedding. “Stephenie was married to Wyck, and I was [Bella’s mom] Renee’s friend from California,” Rosenberg explained. It sounds like there’s a fan-fiction to be written about the time between Meyer’s diner dinner and when she got invited to the Cullen wedding!” Did you spot the screenwriters in “Breaking Dawn – Part”? Share your sightings and reviews in the comments! Check out everything we’ve got on “The Twilight Saga: Breaking Dawn – Part 1.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Videos MTV Rough Cut: ‘Breaking Dawn Part -1’ Director And Screenwriter Related Photos ‘Twilight Saga: Breaking Dawn – Part 1’ Premiere Twilight: Breaking Dawn

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‘Breaking Dawn’ Screenwriter Invited Herself To Wedding

Beyonce/ Mary J. Blige Duet Was Meant For 4

‘She sent it through her A&R people to give to me,’ MJB says of My Life II ‘s ‘Love a Woman.’ By Rob Markman, with reporting by Vanessa White Wolf Beyonc

Heavy D’s Friends, Family Say Goodbye At Private Funeral

Jay-Z, Will Smith and Diddy among guests at Mount Vernon, New York, service. Heavy D Photo: Ron Galella / Getty Images

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Heavy D’s Friends, Family Say Goodbye At Private Funeral

Breaking Dawn Director Gave Fans ‘A Lot’ Of Sex

Bill Condon tells MTV News he tried ‘to give people the experience they had reading the book’ in ‘Part I.’ By Terri Schwartz, with reporting by Josh Horowitz Director Bill Condon on the set of “Twilight: Breaking Dawn – Part 1” with Kristen Stewart and Robert Pattinson Photo: Andrew Cooper/Summit a href=”http://www.mtv.com/movies/movie/454504/moviemain.jhtml”> “Breaking Dawn – Part 1” features two of the most hotly anticipated moments in the entire “Twilight Saga.” First, love birds Bella Swan and Edward Cullen finally get it on. And later, in a far less tender scene, Bella endures a pretty gory birth to give life to her half-human, half-vampire daughter, Renesmee. Bill Condon knew all along that those two scenes were pivotal moments that he would need to get right onscreen. But keeping in mind the PG-13 rating the studio wanted to preserve, the director also knew that he had to tackle those intense sequences without going too far over the line. When MTV News caught up with Condon, he predicted that fans will be pleased with the final product (especially the sex scene), which hit theaters on Friday (November 18). As in the novel, the honeymoon scene plays out mostly through Bella remembering the passionate night the morning after, which allowed Condon to show the event in several parts. “I think when you see the movie you’ll see, you think you get it and then you get more of it and then you get more of it, which I think was part of the intention because it’s such a big thing — everyone’s been waiting for it,” he said. “We just wanted to make sure you got a lot of it when you got it.” And Robert Pattinson and Kristen Stewart were good sports about the whole process, Condon said, though he admitted filming the steamy section got “kind of clinical.” The scene was carefully choreographed but the two lead actors were “so cool about it.” The birthing sequence, which easily could have pushed the film to an “R” rating, proved similarly challenging. Condon wanted to stay as true as possible to Stephenie Meyer’s depiction but he knew he couldn’t be too graphic. “You want to give people the experience they had reading the book, and that was incredibly powerful, the way Stephenie described it. “You can’t show everything, obviously, we have a [PG-13] rated movie,” he said. “But we did it through the point of view of Bella and what she can see as she’s giving birth. I think your imagination fills in a lot of that.” Check out everything we’ve got on “The Twilight Saga: Breaking Dawn – Part 1.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Videos MTV Rough Cut: ‘Breaking Dawn Part -1’ Director And Screenwriter Related Photos Twilight: Breaking Dawn

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Breaking Dawn Director Gave Fans ‘A Lot’ Of Sex

Jay-Z Calls Watch The Throne Tour The ‘Best Party’

‘The most important thing is that the people that are coming to the concert are leaving there thrilled,’ Hov tells MTV News. By Rob Markman, with reporting by Jim Cantiello Kanye West and Jay-Z Photo: Jamie McCarthy/Getty Images The fans aren’t the only ones having a ball during Jay-Z and Kanye West ‘s Watch the Throne Tour. A hoarse Jay walked the red carpet of the GQ Men of the Year party in Hollywood on Thursday, and he could hardly contain his excitement. “We’re having a great time,” Hov told MTV News’ Jim Cantiello. “The most important thing is that the people that are coming to the concert are leaving there thrilled and we’re having an amazing time. As you see, I don’t have a voice,” he laughed. The tour, which kicked off last month in Atlanta , has been running for less than a month but has been met with rave reviews on each outing. Noted for its dual elevated stages and artsy video montages, Hov and ‘Ye’s grandiose WTT run has been one worthy of the royal rap duo. Aside from their Throne cuts, Jay and Kanye have pulled from their respective solo catalogs, performing early hits like “Where I’m From” and “Through the Wire,” as well as new favorites like “Empire State of Mind” and “Runaway.” The highlight, however, is the duo’s current single “N—as in Paris.” Toward the end of the opening show in Atlanta, the two MCs performed the song twice, the next night, three times. At recent New York and Miami concerts, the track has been performed as many as four times in a single night. The Throne are slated to hit Connecticut’s Mohegan Sun on Friday night (November 18) and Atlantic City on Saturday. “It’s like the best party you’ve ever been to every night,” Jay said. “It’s star-studded and it’s music and it’s just unbelievable.” Related Artists Jay-Z Kanye West

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Jay-Z Calls Watch The Throne Tour The ‘Best Party’

Nas In ‘Rare Form’ On New Album, Salaam Remi Says

‘All his verses on the album, it sounds like you’re getting smacked upside the head,’ producer tells Mixtape Daily. By Rob Markman Nas Photo: MTV News Behind the Beats: Salaam Remi Salaam Remi and Nas didn’t start out as buddies, but some things are just meant to be. By the time Nas was putting out his classic rap LP Illmatic, Salaam was separately making his mark, already having produced for seminal hip-hop star Kurtis Blow at the age of 14. Though they hailed from the same Queens, New York, neighborhood and ran in similar circles, Nas and Salaam didn’t hook up until 2001, when Nas requested a beat from Remi for his Stillmatic LP. Now, 10 years later, he and Nas are still at it, working on God’s Son’s upcoming 10th solo studio album. “Life is different, and at this point, life is good and dudes is looking younger now than they did when they were 25,” Remi told Mixtape Daily. “So he’s just in that rare form.” It’s surprising that they didn’t hook up sooner, but after going through a small spat with one of Nas’ mentors, Large Professor, Remi never got the chance to really get to know Nas earlier. But a 2001 chance meeting in L.A. led to one of hip-hop’s most organic partnerships. “I created the track for ‘What Goes Around (Poison),’ and I sent it to him,” Remi recalled. “And when I sent it to him, at the end of the day, we’re in the same neighborhood.” Remi’s discography is long and diverse. In 1991, he worked alongside Marley Marl on Craig G’s Now, That’s More Like It album, and three years later, he produced Ini Kamoze’s reggae hit “Here Comes the Hotstepper.” Salaam, however, is most known for producing the Fugees’ 1996 smash single “Fu-Gee-La” from their Grammy-winning The Score LP. Then, of course, there is his work with Amy Winehouse on her 2006 breakout, Back to Black. Since hooking up, Salaam has been responsible for a number of Nas bangers: 2003’s “Made You Look” was noted for its authentic New York feel, while the uplifting “I Can” sampled its drums from the Honeydrippers’ “Impeach the President,” one of the most recognizable samples in hip-hop. In 2004, Remi crafted “Thief’s Theme” and Nas’ collaboration with his dad, “Bridging the Gap” More recently, the two have come up with the gritty “Nasty,” the first single from the Queens rap legend’s upcoming album. On the boom-bap-inspired track, Nas chooses to bypass any notions of going pop, instead setting his sets on hip-hop’s underground. It’s a welcomed departure from the hip-hop that occupies top 40 radio these days, but Salaam promised that the sound on Esco’s next album will be diverse. “Musically, I have an array of records,” he said. “You got some ‘Nasty’-type stuff, you have stuff that’s in the middle, up, down. I have all types of stuff. Just at the end of the day, we have to see what feels right for that package of 10 to 12 songs, because it’s way more songs.” The expectations for this new Nas album are high, and Remi assured fans that his friend will deliver. “He sounds like he’s on his A-game writing,” he said. “All his features at this point, all his verses on the album, it sounds like you’re getting smacked upside the head. As much as ‘Nasty’ has that type of beat, it’s really him on the beat that’s making it connect all the way.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Artists Nas

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Nas In ‘Rare Form’ On New Album, Salaam Remi Says

Rick Ross Says Heavy D Was A True Boss

‘It was just cool to see a big dude that could still dance, get fly, put on the slick joints,’ Rozay recalls on ‘RapFix Live.’ By Rob Markman, with reporting by Sway Calloway Heavy D Photo: Prince Williams/ FilmMagic Ask Rick Ross about Heavy D’s contribution to hip-hop, and he’s likely to break out into song. “Heav’s at the door, so there’ll be no bum-rushing,” Rozay sang when MTV News asked about his thoughts on the passing of the Overweight Lover. Heavy’s verse from the 1989 anti-violence jam “Self Destruction” was clearly memorable for the Maybach Music boss, but it goes deeper than just his rhymes, according to Ross. “Man, you know, that was the Overweight Lover, and it was just cool to see a big dude that could still dance, get fly, put on the slick joints, rock the dope shades, the females screaming for him,” Rozay said on Wednesday’s “RapFix Live.” Although Heavy D’s accomplishments in rap music are sometimes overlooked, Ross said the rapper/actor’s impact is something to be noted. “Me being cool with Puff, I know the kind of impact he had on Puff at Uptown Records and we just gotta give Heavy his credit,” Rozay said. “He really impacted the game on another level, being one of the early dudes.” In October, Heavy closed out the BET Hip Hop Awards with a medley of hits, including “The Overweight Lover,” “Mr. Big Stuff,” “Is It Good to You” and “I Want Somebody.” Ross, who also performed that night, watched Mr. Big Stuff’s performance in amazement. “Just to be at the BET Awards just this past year and watch the homey close the awards out and still doin’ his thing and it’s like years later, you just really reflect on all the great memories just with hip-hop, period, especially from that era,” he said. “Heav, he was just that dude.” 1990s rap star Chubb Rock, who also appeared on “RapFix Live” this week, told host Sway that it was “hard to be happy” since his friend’s death at 44. Both Rock and Heavy D were born in Jamaica and the two men became friends before they started their respective rap careers. Heavy got his start first and paved the way for Chubb, who was also one of rap’s big men. “It was great because between him, Markie Dee of the Fat Boys — that was our lane, that big boy thing,” he said. When it comes to Heavy D and the hip-hop heavyweights he inspired, Chubb doesn’t see it as an old school versus new school thing. Instead, he sees rappers like Rick Ross and Fat Joe, as well as late MCs Big Pun and the Notorious B.I.G., as members of a fraternity. “When I heard things happened to Rick , it bothered me, too, because I was like, ‘Wait a minute, that’s one of our young brothers doin’ his thing and keeping that legacy going,” Rock said of Ross suffering two seizures in October. “But the health thing is serious, that’s why I had to drop, like, 80 lbs.” The exact cause of Heavy D’s death is still unclear as initial autopsy results came up inconclusive. He was taken to Cedars Sinai Medical Center in Beverly Hills after a 911 call was placed from the rapper’s home. Heavy had difficulty breathing and was pronounced dead after he reached the hospital. There will be a public viewing for the fallen rapper on Thursday (November 17) at Grace Baptist Church in Mount Vernon, New York, followed by a private funeral service for family and close friends on Friday. BET is planning a special tribute to Heavy D during Sunday’s “Soul Train Awards.” Veteran rappers Big Daddy Kane, Doug E. Fresh, Curtis Blow, Naughty by Nature, Whodini and Stetsasonic’s Daddy-O are all said to be taking part. Share your fondest Heavy D memory with us in the comments. Related Videos Rick Ross, Meek Mill, N.O.R.E. And More On ‘RapFix Live’ Related Photos Heavy D: Life, Music And Friends Related Artists Rick Ross Heavy D & The Boyz Heavy D

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Rick Ross Says Heavy D Was A True Boss

Occupy Wall Street Takes ‘Action’ Through New York

Protesters clash with police in Zuccotti Park on two-month anniversary of Occupy movement. By James Montgomery Protesters march in Occupy’s Day of Action in lower Manhattan Photo: AFP NEW YORK — Protesters marched en masse on the New York Stock Exchange, clashed with police officers in Zuccotti Park, and planned ambitious takeovers of the New York City Subway line Thursday (November 17), the two-month anniversary of the Occupy Wall Street movement. Dubbed the International Day of Action , it began early (around 7:30 a.m.) with a gathering in Zuccotti, the movement’s home until earlier this week, when the NYPD forcibly removed protesters from the park. They then began marching toward the Stock Exchange, holding signs, waving banners and chanting “All Day, All Week, Occupy Wall Street.” The police presence was heavy, with officers in full riot gear, and from the onset, the NYPD made it clear that the Occupiers were forbidden from marching in the street — since they didn’t have a parade permit — and barricades lined the path that led up to Wall Street. As the crowds grew closer to their intended target, they were rebuffed by officers, many clutching their clubs, and forced to separate into smaller groups, who marched up and down Broadway, looking for an unguarded entrance into the financial district, which had reportedly been dubbed “a frozen zone” by the NYPD. Click through to “Voices From Occupy Wall Street” — our interactive photo gallery — and get to know 20 young demonstrators’ motivations, hopes and goals. A mass of roughly 200 protesters headed south, attempting to cross Broadway in front of the Trinity Church, only to be blocked by police in riot gear. As tour buses passed by — with curious onlookers snapping photos for the folks back home — they chanted, “We pay your salary!” and “These are our streets!” until, peacefully, the barricade was lifted, and the march continued. As they walked, they held handmade signs that read “Castrate the Bull” and “Tear Down the Wall,” while the NYPD followed on motorcycles, leading the protesters to chant “The cops are marching with us!” The mood changed once the crowd managed to cross Broadway, moving north toward the heavily barricaded entrance to Wall Street itself. As they passed by the Chase Bank building, they were greeted by several employees (and even more police officers) who catcalled, “Why don’t you do something real ?” The protesters responded with chants of “F— Chase Bank!” and “We are the 99 percent, and so are you,” while a police officer yelled into a bullhorn for them to clear the sidewalk, or be arrested. Three Occupiers, failing to move, were taken away in handcuffs, as the crowd cheered and throngs of media jostled to photograph the action. Finding any and all entrances to Wall Street blocked, the protesters turned and headed back to Zuccotti Park, which had been fortified by police barricades and a heavy presence of officers. As the overcast skies finally opened up, many attempted to seek shelter beneath the park’s trees, only to be turned away by the NYPD. One officer shoved a man, and as protesters attempted to remove the barricades, there were several other scuffles, which led to one protester being led out of the park with a badly bloodied head and reports of an officer being cut on the hand by an Occupier wielding a piece of broken glass. At 3 p.m., with a steady rain falling, protesters began marching up Broadway once again, this time en route to Union Square, to join a student strike. At 5 p.m., they’ll board the subway — which already is heavily fortified by police officers — down to the Brooklyn Bridge, where they’ll march across carrying candles, a protest dubbed “the festival of lights.” Related Videos Inside Occupy Wall Street Related Photos Occupy’s ‘Day Of Action’ Swarms Wall Street

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Occupy Wall Street Takes ‘Action’ Through New York

Selena Gomez Felt ‘Relaxed’ In ‘Hit The Lights’ Video

‘I’m trying to explain where I’m at in my life,’ she tells MTV News of the laid-back party clip. By Jocelyn Vena Selena Gomez in her “Hit the Lights” video Photo: Hollywood Records Selena Gomez ‘s sun-drenched party video for “Hit the Lights” celebrates the joie de vivre of being young and having fun. Directed by Philip Andelman (Jonas Brothers, Beyonc