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Weekend Release Roundup: Crowded Indie Field Competes With Dark Shadows

Johnny Depp likely has a lock on the weekend’s new releases with Tim Burton’s Dark Shadows . The movie is set for 3,700 screens. No other new release comes close, but there are nevertheless plenty of other limited roll-outs that may make their way in a theater near you. Check a few of them out in this weekend’s new-release roundup. Dark Shadows (Opening Wide) Director Tim Burton Writers: Seth Grahame-Smith (screenplay), John August & Seth Grahame-Smith (story), Dan Curtis (television series) Cast: Johnny Depp, Michelle Pfeiffer, Eva Green, Helena Bonham Carter, Chloe Grace Moretz, Bella Heathcote Comedy/Fantasy/Thriller Distributor: Warner Bros In 1750 parents Joshua and Naomi Collins set sail to start a new life in America from England with their young son Barnabas. There they build a fishing empire in coastal Maine. Two decades later, Barnabas (Johnny Depp) is a rich, powerful playboy with the world at his feet. But things unravel when he falls for Josette DuPress (Bella Heathcote) and breaks the heart of Angelique Bouchard (Eva Green) – a witch who dooms him to become a vampire and then buries him alive. Two centuries later, Barnabas is freed from his tomb and emerges in 1972 to meet his descendants. The Cup (Limited Release) Director: Simon Wincer Writers: Simon Wincer, Eric O’Keefe Cast: Bryan Martin, Stephen Curry, Jodi Gordon Drama Distributor: Myriad Pictures The film centers on horse race, the Melbourne Cup, described as a “race that stops a nation.” Held the first Tuesday in November, no other Melbourne Cup had as much significance as the 2002 edition. Australians sought refuge in the race held three weeks after terrorist bombings in Bali killed scores of their countrymen. And a grieving jockey’s courage in the face of his own loss gave Australians a lot more than a race. (Based on a true story). Girl in Progress (Limited Release) Director: Patricia Riggen Writer: Hiram Martinez Cast: Eva Mendes, Cierra Ramirez Comedy/Drama Distributor: Lionsgate, Pantelion Films A single mom, Grace is busy juggling work, bills and a certain Dr. Hartford to give her daughter Ansiedad enough attention. The young girl gets introduced to classic coming-of-age stories by her English teacher and she decides to forget adolescence and get on with life without her mother. While mom is consumed by the affections of her co-worker, Ansiedad gets help from her friend to segue her to ‘adulthood.’ God Bless America (Limited Release) Director: Bobcat Goldthwait Writer: Bobcat Goldthwait Cast: Joel Murray, Tara Lynne Barr, Mackenzie Brooke Smith Comedy/Thriller Distributor: Magnolia Pictures/Magnet On a mission to rid society of its most repellent citizens, terminally ill Frank makes an unlikely accomplice in 16-year-old Roxy. ” It’s wild and over the top but has a big heart as well,” Magnet releasing exec Matt Cowal commented about the film. “There’s a lot of viewers that are going to have a really good time indulging in their own pet peeves which [director] Bobcat revels in.” Viewers will get a better look at actor Joel Murray said Cowell who noted, “One of the strong aspects of the movie is Joel Murray. He’s a strong actor and I think he’s under-utilized. He’s what gives the film grounded. He gives it heart as he’s on a killing spree.” In Alison Wilmore’s Movieline review of the film , however, she notes: “Goldthwait’s latest effort, an overly bleak film ready to write off the world and go down in a blaze of gunfire, both middle fingers raised.” Nobody Else But You (Limited Release) Director: Gérald Hustache-Mathieu Writers: Gérald Hustache-Mathieu, Juliette Sales Cast: Jean-Paul Rouve, Sophie Quinton, Guillaume Gouix Foreign Distributor: First Run Features The film centers on a crime novelist who travels to the countryside to investigate the mysterious “suicide” of a woman who thought she was the reincarnation of Marilyn Monroe. “It’s not a thriller, but I would describe in in the vein of a Coen Bros. film in that it’s offbeat and clever,” said First Run exec Marc Mauceri. “It’s not rocket science. [The film] harkens back to Marilyn Monroe and [its promotional material] is reminiscent of Marilyn calendars of the ’50s.” Portrait of Wally (Limited Release) Director: Andrew Shea Documentary Distributor: Seventh Art Releasing Director Andrew Shea relays the tortured history of Egon Schiele’s celebrated painting (pictured at top), which was stolen by the Nazis in 1939 and spent more than a decade in legal limbo after it turned up “on loan” to the Museum of Modern Art in 1997. ” Portrait of Wally isn’t just about stolen art,” wrote critic John Anderson in Variety . “It’s about cultural skulduggery, political sleaze, institutional hypocrisy and the virtues of persistence.” Wally recently premiered to a sold-out crowd as a special presentation at the Tribeca Film Festival . The Road (Limited Release) Director: Yam Laranas Writers: Aloy Adlawan, Yam Laranas Foreign/Horror Distributor: Freestyle Releasing A 12 year-old case is re-opened when three teens become missing somewhere on an abandoned road. During the course of the investigation, more and more gruesome stories of abduction and murder are unearthed. And after 20 years, the secret of the haunted road may finally be revealed. Tonight You’re Mine (Limited Release) Tonight You’re Mine Director: David Mackenzie Writers: Thomas Leveritt Cast: Luke Treadaway, Natalia Tena, Mathew Baynton Comedy Distributor: Roadside Attractions (theatrical) Set at Scotland’s music festival “T in the Park,” two feuding rock stars get handcuffed together for 24 hours where they’re supposed to perform. Originally titled You Instead , U.S. distributor Roadside Attractions head Howard Cohen called the film actually a “love story set against the Coachella of Scotland.” Cohen said the film is ripe for both cinephile and music fans in the 20s to 30s range. The film opens in New York and Los Angeles. Where Do We Go Now? (Limited Release) Director: Nadine Labaki Writers: Thomas Bidegain, Nadine Labaki, Jihad Hojeily, Sam Mounier Cast: Claude Baz Moussawbaa, Leyla Hakim, Nadine Labaki Foreign Distributor: Sony Pictures Classics The feature revolves around a group of Lebanese women determined to protect their isolated mine-encircled community from outside forces that threaten to destroy it from within. United by a common cause, the women unite across religious lines against the religious fault lines that have torn apart their society and hatch some inventive and even comical plans to keep the men in their village from tearing along religious lines. “Nadine Labaki is a force of nature,” Sony Classics head Michael Barker said about the film’s director and star. “Women of all ages will adore this film. It’s one of those well-made films that’s also so vastly entertaining.” In her Movieline review , Stephanie Zacherek notes: “…its occasional entertainment value aside, the picture is also blithe to the point of being flimsy.” [Comments and other portions of this article were previously published in Brian Brooks’ weekly specialty preview article on Deadline .]

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Weekend Release Roundup: Crowded Indie Field Competes With Dark Shadows

Watch Gary Busey Sell Piranha 3DD With Nonsensical Outtake Reel

“See the movie so you won’t see piranha showing up at your house dressed as…however they want to dress. Just watch the damn thing.” And with those sage words, Dimension Films let Gary Busey loose to drum up press for their upcoming summer boobs ‘n’ blood-fest, Piranha 3DD . Yes, if you’ve been hiding under a rock it is a Piranha sequel… in 3-D. Spelled with a double-D. For boobs. But I digress! Gary, take it away with advice on dynamiting piranha and fart acronyms and synonyms for steak. [via Yahoo ]

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Watch Gary Busey Sell Piranha 3DD With Nonsensical Outtake Reel

The Masterful Mischief of Gremlins 2

Only in Hollywood: “In the commentary on the Gremlins 2 DVD, which has been ported over to its Blu-ray (out this week), [director Joe] Dante calls Gremlins 2 ‘one of the more unconventional studio pictures ever. And if it weren’t for the fact that the studio was in dire need of another one of these movies to put into the cans and send to the theaters, I can’t conceive of us getting away with this.’ He took advantage of that dire need by taking the piss. On that same commentary, [producer Michael] Finnell recalls Warner Bros. head Terry Semel telling them, ‘Just come up with something. Whatever you want. It doesn’t matter. Between 90 minutes and two hours, call it Gremlins 2 , and we’ll make it.'” [ Gawker ]

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The Masterful Mischief of Gremlins 2

Canadians at Cannes May Talk to Kristen Stewart For the Low, Low Price of $1,293

It’s one thing for distribution deals to precede the Cannes Film Festival. It’s another thing altogether for the actual absurdity of the annual event to commence before anyone even sets foot on a red carpet. To wit, get a load of this Canadian company trying to sell press access to their stars Kristen Stewart and Brad Pitt. Tacky! Deadline relays the tale of Alliance Films’ junkets for On the Road and Killing Them Softly , where Canadian journalists are welcome to catch up with Stewart and Pitt one-on-one — for the low, low prices of $1,293 and $3,232 (respectively). Junketing on the Croisette is expensive, you see, and since Alliance says it intends to bring both actors to North America for, er, complimentary press days later this year, the film journalists of Canada can either wait or have the first crack by helping foot the bill to welcome the more crucial international crowd. On the one hand it makes sense: These films are likely Toronto Film Festival-bound in September, where many more local and American press will flock for coverage anyway. There’s no reason to squander your talent’s precious, limited time on press they’ll likely get in four months. It’s also not unprecedented; Harvey Weinstein famously tried to usurp $1,500 from journalists wanting to cover Death Proof at Cannes in 2007. On the other hand, come on , Alliance. There are classier ways to handle this dilemma: “Alliance decided not to partake in the Cannes junkets for Killing Them Softly and On the Road , however we wanted to provide Canadian journalists the opportunity to participate directly if they so choose,” a company spokesperson told Deadline . As an insider told Deadline: “Of course it looks bad. But with the company possibly for sale, there’s a lot of pressure to keep as many costs down as possible. A pricey Cannes junket for two American movies that are already coming here later seemed an obvious place to save money.” Totally agreed! But to turn around and offer the interviews anyway for a price? Who approved that ? Velvet Jones? Oh , Canada. Stay tuned to Movieline for more from the 2012 Cannes Film Festival, which commences May 16. Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Canadians at Cannes May Talk to Kristen Stewart For the Low, Low Price of $1,293

Robert De Niro Joins Michael Douglas in Vegas, Rachel McAdams Does Time and Zooey Deschanel is Loretta Lynn: Biz Break

Also in Friday morning’s Biz Break, the Weinsteins go for a sneak of their latest French release paired with Oscar-winner The Artist, the Time Warner chief’s recipe for how to combat movie piracy, and more. Robert De Niro and Michael Douglas Team for CBS Films’ Vegas Last Vegas is a comedy about four old friends who decide to throw a Las Vegas bachelor party for the only one of them who has remained single. De Niro will play the party-averse Paddy Connelly, who reluctantly agrees to fly to Vegas at the request of his friends. Douglas will play Billy Gerson, a lifelong bachelor, who has finally decided to take the plunge. Good Universe, which launches its global sales operation in Cannes this month led by principal Joe Drake, is handling international sales. Around the ‘net… Rachel McAdams to Star in About Time McAdams is in negotiations to star in the latest romantic comedy from British filmmaker Richard Curtis. McAdams would play the dream girl, a role Zooey Deschanel had once been attached to play, THR reports . Zooey Deschanel to Play Loretta Lynn on Broadway Lynn introduced Deschanel on the stage of the Ryman Auditorium in Nashville Thursday night. Back in 1979, Lynn introduced Sissy Spacek on stage at the Grando Ole Opry in the movie Coal Miner’s Daughter , which would eventually win Spacek an Academy Award. THR reports . Weinsteins Sneak Intouchables with The Artist Six theaters in New York, San Francisco and Los Angeles will host a sneak of French-language hit The Intouchables tied to The Weinstein Company’s re-release of The Artist on Saturday. Intouchables opens May 25th in the U.S., Variety reports . Movie Windows Must Collapse to Combat Piracy Time Warner CEO Jeff Bewkes told Charlie Rose on PBS that the days of having releases appear in theaters a few months before they’re available on home video are numbered, Deadline reports .

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Robert De Niro Joins Michael Douglas in Vegas, Rachel McAdams Does Time and Zooey Deschanel is Loretta Lynn: Biz Break

Johnny Depp on Vampires and Dark Shadows: The Anti-Twilight?

Given the kind of vampire that’s dominated pop culture in recent years – hunky, as down in Bon Temps, or sparkly, like the eternal teens of Twilight — it’s no surprise that some folks may long for the bloodsucker of olde. Well, count Johnny Depp among the ranks of the traditionalists. His latest collaboration with director Tim Burton, an adaptation of the 1970s supernatural soap Dark Shadows , sees Depp in ghostly make-up and fangs as undead hero Barnabas Collins in what he describes as a counterpoint to movies about “vampires that look like underwear models.” And underwear models are the last things Depp brings to mind as Collins: Freed after centuries of imprisonment, the 18th century New England vampire returns to his ancestral home only to find himself — pasty white (via theatrical make-up), with long pointy vampire fingers, chompers, and a wardrobe like a Goth Liberace’s – a fish out of water in the groovy ’70s. So why the reactionary vampirism? Depp and Burton were both fans of the original Dark Shadows series as kids, as they told press last week in Los Angeles. (Co-star Michelle Pfeiffer, who plays Collins family descendant and matriarch Elizabeth Collins Stoddard, was the only other cast member who was also a previous fan of the show — so much so that she called her Batman Returns director Burton to lobby for a part.) But the idea to make a film adaptation from the cult series didn’t strike until the two were on the set of another film. “I think it was during Sweeney Todd where I just blurted out in mid conversation, ‘God, we should do a vampire movie together,’” Depp recalled, “’where you actually have a vampire that looks like a vampire.’” Depp says he’s always been fascinated by monsters, and the erotic nature of bloodsuckers adds “a darkness, this mystery, this intrigue.” But of course, Dark Shadows is a family-friendly comedy-actioner to boot. “It was a real challenge, more for Tim than me, to make that guy, that vampire, fit back into this odd society and this dysfunctional family,” he said. “I think he did it seamlessly.” In addition to wearing finger-extending vampire nails that required delicate treatment between scenes, Depp donned other vampire accoutrements. “When I had the fangs, you had to be careful that you didn’t actually pierce the jugular,” he explained. “Kind of like my experience shaving Alan Rickman — which, by the way, neither of us wants to do again.” As for Barnabas Collins’s stilted, out-of-the-past mannerisms, Depp and Burton agreed: They had to include some measure of original series actor Jonathan Frid in the performance. “It just had to be this sort of classic monster, like Fangoria Magazine or that kind of thing,” Depp said. “In terms of that Jonathan did have a rigidity to him, this elegance. It was always there.” “Tim and I talked early on,” he continued. “I did believe that a vampire should look like a vampire.” He paused. “It was a kind of rebellion against vampires that look like underwear models.” Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Johnny Depp on Vampires and Dark Shadows: The Anti-Twilight?