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‘Underworld: Awakening’: The Reviews Are In!

Critics aren’t too impressed with the latest entry in the series. By Kevin P. Sullivan Kate Beckinsale in “Underworld: Awakening” Photo: Columbia Pictures After taking a movie off, Kate Beckinsale slips back into her impractically tight leather unitard to battle werewolves — excuse me, Lycans — once again in “Underworld: Awakening.” The film didn’t screen in advance for critics, but some reports from midnight showings have trickled in, and the consensus is pretty bad. Some critics dismissed the film entirely, while others complained it’s just more of the same from the series. Here is our roundup of reviews for “Underworld: Awakening”: The Story “This film begins with vampiress Selene waking up after being in a cryogenically frozen state for 12 years, a convincing plot element since the 38-year-old actress doesn’t seem to have aged a day. Apparently we humans have gotten hip to the preponderance of Lycans — werewolves, to the uninitiated — and bloodsuckers in our midst and have made determined efforts to eradicate them.” — Frank Scheck, The Hollywood Reporter Kate Beckinsale “Kate Beckinsale is still in her prime as a gorgeous action starlet, and there was a lot of room for her character to experience some real development across the course of the story. Unfortunately, Selene reacts to her new circumstances with such unflinching stoicism that it’s hard to become invested in anything that’s happening. In one scene, Eve actually confronts Selene about how ‘cold’ she is, offering Beckinsale an opportunity to display some true emotion — which she does in such monotone, deadpan delivery that it is hilariously ironic (and not in a good way).” — Kofi Outlaw, Screen Rant The Outfit “Oh, and Beckinsale’s outfit. A word, please, on the outfit. Ever since the very first poster for the very first movie, which had her leathered figure looming atop a grim futuristic cityscape, these films have known which side their bread has been buttered on: They’re selling Selene’s suggestive, fanboy-friendly poses as much as they’re selling action or plot or anything else.” — Bilge Ebiri, New York The Look “The Swedish director duo of M

‘Footloose’: The Reviews Are In!

Critics can’t help but compare the Kenny Wormald dance flick to Kevin Bacon’s 1984 original. By Kevin P. Sullivan Kenny Wormald and Julianne Hough in “Footloose” Photo: Paramount Pictures Let’s dance! The remake of “Footloose” hit theaters on Friday (October 14), and the critics have weighed in. The dance flick revisits the 1984 original’s story about a teen (played by newcomer Ken Wormald ) who moves to a conservative town that has outlawed dancing; the new kid shakes things up in more ways than one. “Footloose” seems to be holding on with a 74 percent fresh rating at the review-aggregator site Rotten Tomatoes and, overall, the verdict is a resounding “better than we thought it would be.” We rounded up a sampling of some of the reviews to give you an idea of what to expect if you decide to bust a move and hit the theater. The Story “After his mother dies, Boston kid Renn (Wormald) comes to live with his aunt (Kim Dickens) and uncle (Ray McKinnon) in Bomont, Ga., which three years before banned ‘vulgar, demeaning amplified music’ and ‘lewd and lascivious dancing’ in the wake of a car crash that killed five high-schoolers. One of the dead kids came from the family of Rev. Shaw Moore (Dennis Quaid), his wife Vi (Andie MacDowell) and their daughter Ariel (Julianne Hough). The boy’s death has launched pretty Ariel into a territory somewhere between damaged and deranged. She stands on railroad tracks as a train speeds toward her, and flirts dangerously with surly local outlaw Chuck (Patrick Flueger), whose biker gang seems sanitized enough to be called Heck’s Angels. Ariel also comes on to Renn — who, though he sports a Back Bay accent and a greasy coif, isn’t that kind of boy.” — Richard Corliss, Time The Leads “Unlike Bacon, who had a double, Wormald does Ren’s angry dance himself in an abandoned warehouse. But Wormald is not the actor Bacon is. This crimps his chemistry with Hough, who has the indefinable spark that indicates star potential.” — Peter Travers, Rolling Stone The Direction “If you remember the first ‘Footloose,’ you know more or less what happens, and you may find some of the alterations amusing. Instead of a game of chicken on tractors, for instance, there is a dirt-track race involving modified school buses. [Director Craig] Mr. Brewer films this lumbering action sequence, and several brawls and fights, with more verve and relish than he brings to the dance numbers, which are, in the age of ‘Glee,’ the ‘High School Musical’ movies and the mighty ‘Step Up’ franchise, woefully inadequate.” — A.O. Scott, The New York Times The Remake “There’s one thing to be said for a remake of a 1984 movie that uses the original’s screenplay. This 2011 version is so similar — sometimes song for song and line for line — that I was wickedly tempted to reprint my 1984 review, word for word. But That Would be Wrong. I think I could have gotten away with it, though. The movies differ in such tiny details (the hero now moves to Tennessee from Massachusetts, not Chicago) that few would have noticed.” — Roger Ebert, Chicago Sun-Times The Verdict “The remake of ‘Footloose’ is sappy, squeaky clean and far-fetched. But thanks to the obvious love director and co-writer Craig Brewer has for the 1984 original, its heart is in the right place.” — Bill Goodykoontz, Arizona Republic Check out everything we’ve got on “Footloose.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com .

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‘Footloose’: The Reviews Are In!

Kid Cudi Calls ‘Marijuana’ Video An ‘R.I.P. To My Smoking Career’

‘It’s the last time you will ever see me smoking,’ Cudi tells MTV News of Shia LaBeouf-directed clip. By Rob Markman Kid Cudi Photo: MTV News The lonely stoner may have quit smoking herb, but Kid Cudi’s latest video, “Marijuana,” will always serve as a reminder of his high times. The clip, which was shot and directed by Cudder’s actor pal Shia LaBeouf, was filmed in Amsterdam back in 2010 when Cudi served as a judge for the Cannabis Cup. LaBeouf originally reached out to Cudi through their mutual friend Cage because he wanted to shoot a short film centered around “MANIAC,” a song on Cudi’s second album, Man on the Moon II: The Legend of Mr. Rager. “While we were brainstorming that, I had the gig to perform in Amsterdam. I was thinking about ways to do a video for ‘Marijuana’ because I knew I wanted to do something and I wanted to do the right thing,” Cudi told MTV News from the set of his HBO series “How to Make It in America.” “And it just hit me one day, like, ‘Yo, I can have Shia come with me and film the whole trip and we could do it like a real vintage documentary style of the entire trip.’ What could be iller than that?” The video shows Cudi and Cage arriving in Amsterdam, moving through a restaurant, their hotel and the famed red-light district smoking exotic strains of weed. Aesthetically, the “Marijuana” video comes off like old home footage thanks to LaBeouf’s 8 mm and 16 mm cameras. “That’s why it looks real vintage; that’s not an effect,” Cudi said. Some fans were confused by the video , however, given that on April 1, Kid Cudi announced on his Tumblr page that he had given up smoking weed. The singer/actor assures us that nothing has changed. “It’s something I did before I decided to quit smoking marijuana,” Cudders explained of the video. “However, I didn’t want to deprive people of the footage, deprive people of the video because of my personal decisions. It was almost like an R.I.P. video to my whole smoking career.” For Mr. Solo Dolo, there is no turning back; he insists that he is done with herb. “That was a big, big, memorable moment for me and watching it reminds me of those good times we had,” he said. “It’s kinda like the last hoorah, the last time you will ever see me smoking.” Related Artists Kid Cudi

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Kid Cudi Calls ‘Marijuana’ Video An ‘R.I.P. To My Smoking Career’

‘X-Men: First Class’: The Reviews Are In!

‘McAvoy and Fassbender are a casting triumph,’ EW ‘s Lisa Schwarzbaum writes. By Terri Schwartz Michael Fassbender in “X-Men: First Class” Photo: Murray Close Now that we’ve introduced you to the mutants of “X-Men: First Class,” movie reviewers are saying you might want to take that relationship to the next level. Heralded as the best installment in the franchise since the Bryan Singer-directed “X2,” Matthew Vaughn’s take on the “X-Men” story is said to be both smart and action-packed. At the top of the pile of praise are leads James McAvoy and Michael Fassbender, whom reviewers are commending for their roles whether they liked the film or not. The rest of the supporting cast, from Jennifer Lawrence to Kevin Bacon, are receiving plenty of love as well. Dissenters might find flaws with the movie’s pacing or the way it strays from the previous films’ and comics’ mythology, but the underlying message is that this is the summer blockbuster that fans have been waiting for. The Story “Fortunately for the film, the missile crisis puts an end to the dramatic lull. As soon as war threatens, ‘X-Men: First Class’ regains its momentum, and then some, with Strangelovian twists — a circular war room, a rogue vessel that can’t be reached — and a climax that uses newsreel clips of President Kennedy on TV to lend credibility to an exuberant rearrangement of history. This fifth episode in the series isn’t a masterpiece — one puzzlement is the uneven cinematography — but it’s summer entertainment of a very high grade that leaves you with an appetite for more of the same with the same core cast. And a couple of uncredited cameos turn the neat trick of being revenants from the future.” — Joe Morgenstern, The Wall Street Journal The Leads “To get to the headline immediately, McAvoy and Fassbender are a casting triumph. These two have, yes, real star magnetism, both individually and together: They’re both cool and intense, suave and unaffected, playful and dead serious about their grand comic-book work. I hope movie-studio telepaths reteam the two in the future.” — Lisa Schwarzbaum, Entertainment Weekly The Legacy “In fact, roughly the first half of this massive and very well-cast origins extravaganza is arguably the best hour of Marvel Comics-derived filmmaking among the torrent of it that’s cascaded across screens in recent years. Audacious, confident and fueled by youthful energy, this is a surefire summer winner for a wide global audience.” — Todd McCarthy, The Hollywood Reporter The “Bond” Connection “In all but name, ‘First Class’ is a Bond movie, from the Cold War scheming of rival superpowers to the script’s plethora of glamorous or treacherous locations — right up to the end, with an animated credits sequence very much in the spirit of Maurice Binder’s work on the Bonds. Above all, it [features] a handsome, platinum-jawed agent: Erik [Lehnsherr, portrayed by Fassbender], with Sean Connery’s aplomb and Daniel Craig’s ruthless determination. (In this context, the more thoughtful, sedentary Charles Xavier [McAvoy] is M to Erik’s Bond.)” — Richard Corliss, Time The Final Word “It’s remarkable how many things ‘First Class’ gets right, whether it’s the decision to have characters speak different languages as the film’s frequent globe-trotting dictates, or the casting of Fassbender and McAvoy, who bear no resemblance to their respective older counterparts (Ian McKellan and Patrick Stewart) but perfectly capture Charles and Erik’s symbolic might-vs.-right dynamic.” — Justin Chang, Variety Check out everything we’ve got on “X-Men: First Class.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos MTV Rough Cut: ‘X-Men: First Class’ Exclusive ‘X-Men: First Class’ Character Bio Clips Related Photos ‘X-Men: First Class’ Premieres In NYC ‘X-Men: First Class’

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‘X-Men: First Class’: The Reviews Are In!

The 9 Most Scathing Critical Responses to James Cameron’s Sanctum

Our own Stephanie Zacharek warned you away from the waterlogged cave-bound 3D cheese that is James Cameron’s (executive-produced Avatar technology-wasting favor-to-a-friend) Sanctum , and she’s not alone: many more esteemed critics made it through the Aussie survival adventure with their spirits, eyeballs, and attention spans barely intact. Some saw Sanctum ‘s terrible B-movie dialogue as amusing unintentional camp; will you be so lucky? Rappel down to the depths of Sanctum ‘s most scathing critiques and survey the rocky terrain ahead.

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The 9 Most Scathing Critical Responses to James Cameron’s Sanctum