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From Deer Hunter to Bridesmaids 2: Judd Apatow and Robert De Niro Toast Universal at Tribeca

The first full day of Tribeca 2012 yielded at least one major highlight, as festival co-founder Robert De Niro and comedy mogul Judd Apatow joined Deadline’s Mike Fleming for a discussion commemorating the 100th anniversary of Universal Pictures. (Fellow Universal blockbustress Meryl Streep, alas, backed out at the last minute due to illness.) At least, that was the plan ; what ensued was a wide-ranging, freewheeling chat about the pair’s work for the studio, the natures of their comedy, varying sequel statuses, and much more. As per Tribeca custom , read on for this years revelations from from De Niro and Co. Without De Niro’s Cape Fear remake, Apatow might not be who he is today “One of first important milestones of my career was [when] I created The Ben Stiller Show with Ben,” Apatow said. “And the sketch that got us picked up was the Cape Fear parody. Have you ever seen that?” “No, I didn’t know that,” De Niro said dryly. “Do you have a lot of friends who want to show you parodies of you, or are they afraid to?” Apatow asked. “Sometimes,” De Niro replied. “So we studied that movie shot-for-shot, and then Ben was dressed up like Eddie Munster,” Apatow explained. ” Cape Munster . That’s how we got the how picked up.” The filmmaker gestured back to the screen, invoking the epic Universal clip reel that opened the event. “The rest I didn’t care for.” De Niro didn’t like The Deer Hunter ‘s poster And according to him, there’s even a better design somewhere out there. “I was given the script by Michael Cimino, and I liked it very much,” De Niro recounted of his first experience on a Universal film. “I even liked the way it was presented. The cover of the script read ‘ The Deer Hunter ,’ and it was a character against a white Cadillac with a deer strapped on to the hood, and he had a shotgun hung over his arm. And I felt it would have been great for the actual poster of the movie instead of the more complicated kind of poster that I didn’t think worked very well.” (Apatow later chimed in: “When The Deer Hunter came out, I was 10 years old. We had the VHS of it, I watched it, and that’s how I became this.”) Neither Apatow nor Universal are about to apologize for Funny People Fleming asked Apatow about the tonal change of pace — and commercial downshift of fortune — that the director experienced with his 2009 film. “I think it’s important for people to make movies that are deeply personal,” Apatow said. “I think you have to be willing to push it, and when you do things that are intimate, there are some people who are like, ‘I was at work all day today, and I don’t give a shit what you’re upset about in your life.’ And there are the people who really want to feel other emotions than just pain or watching the bad guy get beaten. So you’re always going into more difficult territory when the move isn’t about making you happy, but it’s about why comedians are in pain — much like…” Apatow turned to De Niro and paused for dramatic effect. ” The King of Comedy . I’m bringing you into it!” Fleming followed up by asking Apatow what the conversations with Universal were like as the film came together as the challenging piece it was. “In all honesty,” Apatow said, “they loved the movie and were supportive through the entire creative process and when it came out. It’s been an amazing experience for me working with them. They want me to grow and get better at what I do, and part of that is for me to take risks and try new things. And it was never weird. I’ve had weird. I’ve been on planes coming back from the test screening of The Cable Guy . I know what it’s like when people are like, ‘Oh my God. What are we going to do?’ I’m like, ‘It’s great , isn’t it?'” The Bridesmaids sequel is still in limbo “You know, I don’t know,” Apatow said when asked about the status of a follow-up to last year’s Oscar-nominated blockbuster, which he produced. “It took five years to make it; I think there’s some exhaustion from having made it. I think down the line we’ll see if people are reinvigorated to want do it or not. I would like to see a sequel to…” Again, Apatow faced De Niro and hesitated. ” The Deer Hunter .” The Midnight Run sequel may be writing around Charles Grodin The development of the recently announced Midnight Run 2 was thought to hinge heavily on the participation of Grodin, who brilliantly played De Niro’s foil in the 1987 comedy classic. But to hear De Niro tell it, the writers might have an answer for that. “Somebody had approached me — a young writer — and he had said how much he liked it. And he said, ‘What about writing a sequel if you want?’ I said, ‘Fine, sure.’ So it’s been going through these kind of changes. [… De iro’s character Jack Walsh] is helping the son of Charles Grodin. He’s gotten himself in trouble. That’s where we are. The script is being reworked again. But I hope to do it. It was a lot of fun to do.” De Niro always had a feeling he could do comedy Asked about how he transitioned to comic roles from his celebrated dramatic roles of the ’70s, De Niro cited those very same roles as his comedic inspiration. “You know, Taxi Driver had a few funny things in it. Mean Streets , King of Comedy … They weren’t obvious ‘comedies,’ but they were funny. The comedy was out of situations, the irony or whatever.” ” Goodfellas is hilarious!” Apatow half-joked. “I saw it in the movie theater and it just rocked the house!” “Joe Pesci’s scene with Ray Liotta is a hysterical scene, yeah,” De Niro said. ” Analyze This came from Billy Crystal, who had the idea. Billy had a script and thought it’d be fun if I did that. And somebody tod me about it but said they didn’t know. I said, ‘No, it sounds interesting. Let me see. Let’s get together and talk about it. And then we had a reading of it and so on, and figured it out. But I never had a problem thinking I could be funny — especially that kind of character, since he’s bigger than life anyway.” Apatow is all for seeing movies on your phone Surprised? Don’t be: “Anything that allows me to watch a film while going to the bathroom is awesome.” De Niro isn’t totally averse to Raging Bull 2 ” I don’t know about it,” he said to a laugh from the crowd. “I mean… Maybe if it’s a great, great script? Have you read it?” “It’s great,” Fleming said. “Oh,” De Niro replied, tongue mostly in cheek. “Then I’d consider it. Sure.” Apatow’s only acting experience is a… Jack in the Box commercial Asked if he would consider starring in a film, Apatow didn’t hesitate. “I am a bad actor,” he said. “I learned that in a Jack in the Box commercial when I was 20. I was reading the lines, which were about how good the burger was, and I kept pointing to it. I couldn’t stop pointing . And the director of the commercial taped my hands to my legs, and I never acted again.” “But he did hire you?” De Niro asked. “Yes, I got work from here up,” Apatow said, waving his hand above his neck. “Well, that’ll give you something,” De Niro said. “If I was in it for his own amusement, it would have been like a scene from Fame .” Pronto! Someone get it on YouTube! Read all of Movieline’s Tribeca 2012 coverage here . Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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From Deer Hunter to Bridesmaids 2: Judd Apatow and Robert De Niro Toast Universal at Tribeca

‘Fix Edukation Now’ — A Plea for Education Reform From the Movies

This country’s public education system has been in dire need of a boost for years — just look at the evidence collected by the diligent folks at Next Movie ; they’ve created a PSA from all your favorite movie student/slackers (because not all of America’s bright young stars of tomorrow can argue their way from a C+ to an A-). Ah, the classroom movie. So ripe a setting for tales of crap teachers learning to lead and crap students learning to learn. For some reason the ultimate movie about teaching and teachers is absent from the above honor roll — yes, I speak of 1995’s Dangerous Minds , the movie that taught us the most important lesson of all: That even a two-hit wonder like Coolio could make one of the best (according to Billboard ) ditties of all time. Seriously, kids. If Coolio can make it, so can you. [via Next Movie ]

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‘Fix Edukation Now’ — A Plea for Education Reform From the Movies

Tribeca 2012: Redefining a Festival of Range and Diversity — and a ‘Wild Ride’

Ahead of tonight’s official kick-off of the Tribeca Film Festival with the world premiere of Universal’s The Five-Year Engagement , festival brass reflected on the event’s 10 years — and its upcoming second decade — at a pre-launch mimosa (and bloody mary) breakfast event downtown where it all began in 2002. “It’s been many things since we started, but it’s always come back to community, discovery and innovation, which are our core values,” said TFF co-founder Jane Rosenthal. Her partner Robert De Niro — one of Tribeca’s biggest trump cards in terms of public exposure — made a salutary drive-by today as well, quickly introducing the festival’s revamped programming team before shuffling off. “It’s best to let the programmers speak,” he said. “We’re excited for this year’s festival and ready for our next decade,” Tribeca Enterprises creative director Geoff Gilmore said to the gathering of about 100 people. “The biggest change here has been the programmers, but you’ll see major range and diversity in this year’s lineup.” Range and Diversity and a ‘Wild Ride’… Though the festival has become more streamlined compared to five years ago — when it screened about 120 features compared to this year’s 90 or so — Tribeca’s programmers describe this year’s lineup as a “balance” that showcases American and foreign work, reflected in the festival’s seven sections. “The competition is a snapshot of the range of the program,” said Genna Terranova, TFF Director of Programming. “And that competition points to the diversity of the other sections of the festival.” She went on to cite examples including Morgan Spurlock’s Spotlight section world-premiere Mansome , a documentary exploration of the rise of ‘man-scaping,’ and directing duo Ricki Stern and Annie Sundberg’s Knuckleball! , another debut doc that deconstructs the erratic pitching style of the film’s title. Terranova then continued on to another festival section: “Tribeca’s Viewpoints includes films that push the boundaries of storytelling, including [world premiere] Resolution , which infuses genre elements. And the Cinemania section is a wild ride where most of our genre movies can be found, including Graceland from the Philippines to Jackpot from Norway.” What is a “Tribeca film”? Tribeca’s identity has dogged the festival almost since its start. Its earliest incarnation kept the bulk of the festival’s programs in the Tribeca neighborhood, and Hollywood fare didn’t figure as prominently as it will in 2012, when Five-Year Engagement and The Avengers open and close the festival, respectively. After the festival lost some key venues in the downtown area, it moved north to theaters in the East Village, Chelsea and beyond. (Like past openers, tonight’s premiere will take place at midtown Manhattan’s Ziegfeld Theater.) But organizers say Tribeca is less about where it is than what it says it hopes to reflect. “What is a Tribeca Film?” Gilmore asked rhetorically, perhaps hoping to head off a question some journalist inevitably brings up every year. “That is not an easy answer. We’re born of a diverse community, and we want to showcase quality and discovery for that audience, and we have no geographical limits.” “Not Pandering” to World Premiere Status… “We don’t have the same pressures to program only world premieres here,” said Tribeca’s new Artistic Director Frédéric Boyer, adding that programming an event where world debut status is obligatory usually spells doom in terms of quality for most festivals outside Cannes (where Boyer programmed Directors Fortnight) or Sundance. Still, the festival will be a launching pad for 54 titles this year — in addition to other North American and U.S. premieres. It’s the economy, stupid… Four years after the first wave of the financial crisis, Movieline asked if the after-effects of the meltdown were reflected in this year’s crop of films, since many have been conceivably in production in the last two or more years. “It’s not as popular a theme as you might think,” Gilmore said, though Terranova and Tribeca Film Festival executive director Nancy Schafer contended that the “great recession’s” aftermath can be found in a number of films in the festival. “[Competition drama] Nancy, Please is a product of economic anxiety that is born out of the crisis,” said Schafer, who added that the budgets of American filmmakers overall are significantly lower compared to pre-crisis levels. Looking forward, Tribeca’s programmers touted the festival’s evolution into the online space reflected in its ongoing Tribeca Online Film Festival component and are looking beyond, teasing a broader agenda to re-evaluate or even redefine what it is to be a film festival. “I think the Tribeca Film Festival has come into its own over the decade,” said Gilmore, who served 19 years as director of the Sundance Film Festival before joining Tribeca in 2009. “We are advancing strategies online, and we’re going to expand that going forward. We’re looking at how Tribeca can be on the cutting edge of how film festivals will be in the future. That’s our agenda right now.” Read all of Movieline’s Tribeca 2012 coverage here . [Top photo of [L-R] Frédéric Boyer, Geoffrey Gilmore, Genna Terranova, Nancy Shafer: Getty Images; middle photo of Jane Rosenthal and Robert De Niro: Movieline]

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Tribeca 2012: Redefining a Festival of Range and Diversity — and a ‘Wild Ride’

Robert De Niro, Billy Crystal, Dakota Fanning, and more at the Tribeca Festival Vanity Fair Party

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Facebook.com – Become a Fan! Twitter.com – Follow Us! Robert De Niro, Billy Crystal, Catherine Zeta-Jones, Dakota Fanning, Diane Von Furstenberg, Ivanka Trump, Judge Judy, and Mayor Michael Bloomberg toasted the Tribeca Film Festival at the Vanity Fair Party at the State Courthouse In Lower Manhattan.

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Robert De Niro, Billy Crystal, Dakota Fanning, and more at the Tribeca Festival Vanity Fair Party

It’s About Time Someone Mashed Up The Muppets and Goldman Sachs

What if kamikaze NYT op-edder Greg Smith were a chicken from the Henson Workshop? What else? “My proudest moments in life — laying a plastic egg in Johannesberg, my LGTB teen awareness work with Bert, becoming Gonzo’s 539th domestic partner — have all come through hard work, with no shortcuts. With its cheap efforts to turn Gen X parents misty with sentimentality, the Muppets just doesn’t feel right to me anymore. I’m no Chicken Little — if things don’t change soon, the sky will indeed be falling.” [ The Awl ]

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It’s About Time Someone Mashed Up The Muppets and Goldman Sachs

VIDEO: Well, Cosmopolis Looks Pretty Much Amazing [NSFW]

Move over, Prometheus : David Cronenberg and Robert Pattinson are here with a 30-second foreign teaser for Cosmopolis , their adaptation of the Don DeLillo novel about a young billionaire’s dark, demented and all-around catastrophic 24-hour Manhattan odyssey. And it looks amazing. In fairness, it’s basically only 30 NSFW seconds of hyper-edited visuals, but what visuals: Times Square overrun with dinosaurs, Pattinson’s Eric Packer shooting a hole through his hand, limousine trysts and pee breaks, and all the quintessentially Cronenbergian glimpses of the perverse in the quotidian. Niftier still is the dialogue introducing the teaser, clipped in DeLillo’s own trademark staccato, hinting at a spiritual fidelity to the flawed but sui generis source material. It just looks and feels right . We’ll see how the other 100 minutes or so can compare later this spring, when Cosmopolis presumably debuts (and lands an American distributor) at Cannes. [via Movies.com ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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VIDEO: Well, Cosmopolis Looks Pretty Much Amazing [NSFW]

Brett Ratner Would Direct Midnight Run Sequel That Will Probably Never Happen

There’s no script, no budget and no confirmed Charles Grodin to complement the “buddy” part of the “buddy comedy” formula that worked so well 24 years ago, but that’s not stopping the zeitgeist from panicking over the current state of Midnight Run 2 . To wit, Brett Ratner is now linked up as the director. Like we’ve never heard that before . Everybody calm down! Not that it doesn’t get somewhat worse, as Mike Fleming reports at Deadline: The studio and [De Niro’s production company] Tribeca put the wheels in motion on the sequel early last year, when they hired Tim Dowling to write a draft. [David] Elliot & [Paul] Lovett, who were writers on G.I. Joe: The Rise of Cobra , and are working on the sequel to Four Brothers (which they also scripted) will continue the storyline of Walsh, the ex-Chicago cop who, when last seen, set free the turncoat mob accountant The Duke at LAX and walked away with a wad of cash he’d use to open a coffee shop. So, yeah: Still early. Anyway, to recap, De Niro played bounty hunter Walsh and Grodin played Jonathan “The Duke” Mardukas in the 1988 film, which was written with such profane, caustic fervor by George Gallo and directed by Martin Brest in his follow-up to Beverly Hills Cop . All of which raises a few questions: Would the retired Grodin reprise his role? (He’s said he’s open to it, but he’s also 77 next month and doesn’t exactly need the paycheck.) What is it with Ratner wanting sequels to Brest classics? (If it’s not Beverly Hills Cop 4 , then it’s Midnight Run 2 . Just give him Son of Gigli already and let’s be done with it!) And can Elliot and Lovett find a place for Yaphet Kotto to return as well? Because there is no Midnight Run 2 without perpetually vexed FBI agent Alonso Mosley delivering some serious comeuppance. [ Deadline ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Brett Ratner Would Direct Midnight Run Sequel That Will Probably Never Happen

Actor Robert De Niro Parties with T.I, Trey Songz, & More in Atlanta NightClub

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68-year-old Robert De Niro (Meet the Fockers, Casino, Heat) was seen partying at Vanquish nightclub (owned by Alex Gidewon AG Entertainment) with T.I,   Trey Songz, Fabolous, Chaka Zulu and more. “We’re told the two did NOT arrive together … De Niro originally hit the club — called Vanquish — with a friend right when the place opened. But a few hours later, T.I. rolled in … and when he heard the Oscar winner was in the house, he HAD to meet him. Sources say the two got along GREAT … and spent the rest of the night talking and “chillin’ together.” via TMZ.com Thanks to ATLpics.net for the pics

Actor Robert De Niro Parties with T.I, Trey Songz, & More in Atlanta NightClub

Robert De Niro, Paul Dano, Olivia Thirlby at "Being Flynn" screening

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Robert De Niro, Paul Dano, Olivia Thirlby, Nick Flynn, Michael Stipe, Rebecca Dayan, Jane Rosenthal, and Paul Weitz all attended the “Being Flynn” New York screening at Tribeca Grand Hotel screening room. Hollywood.TV was on the red carpet to interview all the stars as they arrived to the screening! “Like” us on Facebook @ facebook.com E58C0BF5

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Robert De Niro, Paul Dano, Olivia Thirlby at "Being Flynn" screening

The 5 Films Likeliest to Ignite a Sundance 2012 Bidding War

No matter how many gifting suites, D-list “celebrities” and/or head-splitting parties the malevolent forces of modern commerce may stuff into the wintry idyll of Park City over the next week, we’ll always have the movies. And as usual, “we” also means studios and distributors with money to burn and release slates to fill. Let the Sundance bidding wars begin! “This year’s Sundance Film Festival will be the biggest buyer’s market ever,” writes Steve Pond at TheWrap, and whether or not his prediction checks out, tires will be kicked and deals will be made — perhaps as soon as the credits roll on tonight’s openers The Queen of Versailles, Hello I Must Be Going , Wish You Were Here and Searching for Sugar Man . But with apologies to those films and other buzzy titles like Spike Lee’s Red Hook Summer , Stephen Frears’s Lay the Favorite , Julie Delpy’s 2 Days in New York and the hip anti-rom-com Save the Date — and in grand Movieline tradition — here are five others likeliest to have buyers fanning themselves with their checkbooks. [Plot descriptions reprinted from the Sundance 2012 Festival Guide ]