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Janet Jackson Taps J.Cole For “No Sleep” Remix [LISTEN]

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Fewer things excite music fans more than two of the greatest in their respective genres coming together unexpectedly to make history in the studio and…

Janet Jackson Taps J.Cole For “No Sleep” Remix [LISTEN]

‘American Idol’ Judges Show Jacee Badeaux Some ‘Mercy’

The 15-year-old ‘Idol’ hopeful flubbed lyrics after being tossed from group but pluck pushes him through. By Adam Graham Jacee Badeaux at “American Idol” Hollywood Week Photo: FOX Jacee Badeaux doesn’t have typical “American Idol” looks or style, but he’s fast becoming a favorite in season 10 of the competition. Badeaux, the portly 15-year-old viewers were first introduced to when he blew the judges away with his unexpectedly soulful take on Otis Redding’s “Sittin’ on the Dock of the Bay” during the New Orleans auditions, was the center of a whirlwind drama on Wednesday’s (February 16) episode. He bounced around looking to find his place during Hollywood Week’s notorious group round, and was tossed from his original foursome (with Clint Jun Gamboa, Monique de Los Santos and Frances Coontz) when floating country crooner Scotty McCreery joined their ranks. Of course, it was Jacee who’d first given the thumbs-up to allow McCreery to link up with them. Left without a group at 1 a.m. on the night before the big group auditions, a teary-eyed Badeaux sought the comfort of his parents. “It’s OK, baby,” his mother told him. “Either way, it just wasn’t meant to be.” Mom turned out to know best, and Badeaux quickly fell in with another group, led by fellow outcast Brett Loewenstern , the mop-topped, red-haired singer whose tales of being bullied have been well-documented this season. Despite the fact that he’d never heard Duffy’s “Mercy,” which the group had been rehearsing for hours, Badeaux joined them and began learning the song. But the rehearsal time wasn’t quite enough for Badeaux, who made no secret of the fact that he didn’t know the words when he hit the rehearsal stage. So to the tune of Duffy’s 2008 hit, a smiling Badeaux sang, “I don’t wanna go home, yeah yeah/ But this is really fun, yeah yeah/ But I’m gonna do this, ’cause I know that I won’t be going home … hopefully.” When asked by the judges why he didn’t know his parts, he told his story of being kicked out of his first group late the night before and began to well up with tears. As his fellow contestants in the audience rose to their feet and gave him a standing ovation, Randy Jackson noted, “Jacee, you got some fans out there, dude.” And despite flubbing the lyrics — usually a death knell at this point in the competition — the judges let him through to the next round. But that wasn’t it for Badeaux. Next up was the group that unceremoniously dismissed Jacee, and McCreery — who had essentially replaced him in the group — came clean to the judges’ panel and to his fellow contestants. “I just wanna go on the record and say, for me personally, I wanna apologize for not sticking up for [Badeaux],” he said. ” ‘Cause I love all of y’all, but Jacee’s the best kid in this competition.” After his mea culpa, McCreery and his fellow groupmates made it through as well. But now that Badeaux is building momentum, his biggest obstacle could be himself, and learning the pesky words to those songs. What do you think of Jacee Badeaux? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10: Hollywood Week

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‘American Idol’ Judges Show Jacee Badeaux Some ‘Mercy’

‘American Idol’ Judges Show Jacee Badeux Some ‘Mercy’

The 15-year-old ‘Idol’ hopeful flubbed lyrics after being tossed from group but pluck pushes him through to next round. By Adam Graham Jacee Badeaux at “American Idol” Hollywood Week Photo: FOX Jacee Badeaux doesn’t have typical “American Idol” looks or style, but he’s fast becoming a favorite in season 10 of the competition. Badeaux, the portly 15-year-old viewers were first introduced to when he blew the judges away with his unexpectedly soulful take on Otis Redding’s “Sittin’ on the Dock of the Bay” during the New Orleans auditions, was the center of a whirlwind drama on Wednesday’s (February 16) episode. He bounced around looking to find his place during Hollywood Week’s notorious group round, and was tossed from his original foursome (with Clint Jun Gamboa, Monique de Los Santos and Frances Coontz) when floating country crooner Scotty McCreery joined their ranks. Of course, it was Jacee who’d first given the thumbs-up to allow McCreery to link up with them. Left without a group at 1 a.m. on the night before the big group auditions, a teary-eyed Badeaux sought the comfort of his parents. “It’s OK, baby,” his mother told him. “Either way, it just wasn’t meant to be.” Mom turned out to know best, and Badeaux quickly fell in with another group, led by fellow outcast Brett Loewenstern , the mop-topped, red-haired singer whose tales of being bullied have been well-documented this season. Despite the fact that he’d never heard Duffy’s “Mercy,” which the group had been rehearsing for hours, Badeaux joined them and began learning the song. But the rehearsal time wasn’t quite enough for Badeaux, who made no secret of the fact that he didn’t know the words when he hit the rehearsal stage. So to the tune of Duffy’s 2008 hit, a smiling Badeaux sang, “I don’t wanna go home, yeah yeah/ But this is really fun, yeah yeah/ But I’m gonna do this, ’cause I know that I won’t be going home … hopefully.” When asked by the judges why he didn’t know his parts, he told his story of being kicked out of his first group late the night before and began to well up with tears. As his fellow contestants in the audience rose to their feet and gave him a standing ovation, Randy Jackson noted, “Jacee, you got some fans out there, dude.” And despite flubbing the lyrics — usually a death knell at this point in the competition — the judges let him through to the next round. But that wasn’t it for Badeaux. Next up was the group that unceremoniously dismissed Jacee, and McCreery — who had essentially replaced him in the group — came clean to the judges’ panel and to his fellow contestants. “I just wanna go on the record and say, for me personally, I wanna apologize for not sticking up for [Badeaux],” he said. ” ‘Cause I love all of y’all, but Jacee’s the best kid in this competition.” After his mea culpa, McCreery and his fellow groupmates made it through as well. But now that Badeaux is building momentum, his biggest obstacle could be himself, and learning the pesky words to those songs. What do you think of Jacee Badeaux? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10: Hollywood Week

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‘American Idol’ Judges Show Jacee Badeux Some ‘Mercy’

Tupac Was ‘Fearless,’ Mike Tyson Says

‘It was obvious he was a genius, he was a prodigy,’ former heavyweight recalls on what would have been ‘Pac’s 39th birthday. By Shaheem Reid Tupac Shakur at the Paris Theater in New York City Photo: Ron Galella/ WireImage The last time Mike Tyson saw Tupac Shakur, it was September 7, 1996. ‘Pac, who had struck up a friendship with Tyson in the early 1990s, came to Las Vegas like thousands of others to watch “Iron Mike” clean the clock of fellow pugilist Bruce Seldon. That night, Tyson won the World Boxing Association’s heavyweight championship title via first-round TKO. After the bout, Mike, ‘Pac and Suge Knight headed to the locker room to celebrate. No one knew that prizefight night would also mark one of the greatest tragedies in hip-hop: Tupac was shot as he left the Tyson-Seldon matchup; he died from his injuries a few days later, on September 13. ” ‘Pac was just a ball of energy,” Tyson recalled of his friend, when MTV News called him up on Wednesday (June 16). The most prolific MC ever, ‘Pac would have celebrated his 39th birthday Wednesday. Instead, the hip-hop community honors Shakur’s life and legacy . Tyson remembered him as an individual who was unique, to say the least. The former heavyweight partied with the icon, but the two men also shared some insightful private conversations. “He was incredible. You knew he was a special person when he’s in your presence,” Tyson said on the phone from Las Vegas. “If you had any consciousness of the reality we live in, you could feel his energy. You knew he was a special individual. Mike described their talks as, “purely emotionally intimate talking; expression of feeling. He was very prolific in expressing himself. He had a lot of hostility. I think it was just misguided and misdirected. It was obvious he was a genius, he was a prodigy. Whoa! He was just amazing as far as his energy was concerned. He was explosive — like a black panther ready to pounce.” In the ring, Tyson exhibited ‘Pac-like qualities himself. He intimidated the competition, but the people loved him. He was a warrior, the fiercest gladiator the sport has ever seen. “He looked very destructive. He came across as a world beater,” Tyson said. “As far as his music was concerned, his presence and his energy … the word I’m looking for is fearless. He came across as fearless. When you come across somebody that’s fearless, you’re a little bit in awe. You’re like. ‘Whoa!’ He’s ready to blow, too, at any moment; very volatile. He’s very focused. He can go from one second to the next and get very focused.” Tyson and Tupac met during a turning point in both their careers. Iron Mike was the biggest and baddest draw in boxing, but also a year removed from having lost his heavyweight championship. ‘Pac was still affiliated with Digital Underground and about a year from landing the star-making role that would launch him: the intriguing, if insane, Bishop in 1992’s crime saga “Juice.” “Magic Johnson had a party at the Palladium in Los Angeles,” Iron Mike said, jogging his memory. “What year was this? No, I wasn’t champion, it was ’91. I just fought [Donovan “Razor”] Ruddock … I believe I came outside. I was talking to the people running the door. They were friends of mine. They wouldn’t let these guys in, Tupac and them. I said, ‘Man, let these guys in. You remember how it was with us.’ “So they let him in. ‘Pac had said, ‘Hold up for one minute,’ and he brought back 200 more people. He had a gang of people with him. They said, ‘Listen, you can’t go through the front, you have to go through the back.’ Next thing I knew, it was over. I hear somebody on the mic — he took the mic. Him and his guys got the mic somehow and started rapping. The whole crowd started going crazy. They loved him. The guys from Digital Underground introduced him to me. They said, ‘This is Tupac.’ I met him, he was very young. He was very happy, vivacious. He just had energy. He was wild, an amazing individual.” More than three years would pass before Tyson and Tupac crossed paths again. In 1995, ‘Pac visited the Champ at the Plainfield Correctional Facility, in Plainfield, Indiana, where Tyson was serving his sentence for a rape conviction (a crime for which Tyson still maintains his innocence). “The next time I saw [Tupac] I didn’t even know who he was,” Tyson said. “I knew he was ‘2Pac.’ But his mother had wrote me a letter in prison … I remembered that night. He came to prison to see me. We spoke. He was so much more confident than when I had met him the other time, probably a year or two prior to that. He had gone from being shy guy to very strong-willed and confident and independent. He was tremendously feeling himself. He had so much confidence. He was bursting off the air. “He came to the prison. He was standing on the table, started talking. All the people in the prison started going crazy. I said, ‘Sit. Sit down. Sit brother, sit,’ ” Tyson recalled. “The white prisoners, the guards, everybody went crazy in this redneck prison. They went nuts when he came in there. I didn’t know he was [famous] like that. I didn’t know he was like that! I thought he was some young brother. But when he came in, I didn’t know people was feeling him like that too. I was like, ‘Yo man, chill brother.’ He was wilding, sweating, talking, being very gregarious. He was prolific. He was talking, having a ball. … He was very territorial. He was an interesting guy. He was different than any other rapper I had ever met from a philosophical perspective.” Tyson said all of the prisoners were trying to talk to ‘Pac and snap pictures with him. But the champ was concerned that all the hoopla might get him thrown out of the facility, which had happened before when other celebs had visited the boxing legend. “I didn’t know Tupac was that big then, because I was inside,” Tyson explained. “That’s when they had that [East Coast vs. West Coast] beef stuff [with Bad Boy]. I didn’t know Tupac was who he was. I had no idea.” Share your memories of Tupac in the comments. Related Artists Tupac

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Tupac Was ‘Fearless,’ Mike Tyson Says

Christina Aguilera: What Should Her Next Move Be?

After soft first-week sales for Bionic, experts weigh in. By James Montgomery Photo: Ronald Martinez/ Getty Images Between the unexpectedly soft first-week sales for her comeback album, Bionic, constant criticism from Perez Hilton and a barrage of Lady Gaga comparisons , it hasn’t been an easy few weeks for Christina Aguilera. While the negative press is nothing new (remember the public outcry over her explicit “Dirrty” video? ), the less-than-stellar album sales, controversy over her sexed-up “Not Myself Tonight” video and the recent postponement of her tour are not adding up well. So what should she do next? We decided to pose the question to some experts, all of whom seem to agree that Aguilera has bucketloads of talent — but also has her work cut out for her. “She’s still under 30, she still has a fantastic voice, but I think her time has passed. I don’t know if it’s because she went away for a while, or because she tried to do something different with this project, but it feels a little crass and calculated,” Entertainment Weekly music critic Leah Greenblatt said. “From her choice of collaborators [The-Dream, Polow Da Don, Le Tigre] to her first single, it doesn’t feel fully organic. What’s missing so much with her this time out is that, while she can still sing the crap out of her songs, you don’t get a sense of vulnerability, or even really know who she is.” “She just seems a little confused, and that’s not like her, and it’s not what we want from her,” Julianne Shepherd, executive editor of The Fader magazine, added. “The image she’s been projecting, she just doesn’t seem comfortable doing it. She’s always done vamping, but now it’s like ‘I’m wearing these insane PVC outfits and singing to this music that I don’t relate to.’ No matter what she says, I don’t see her sitting around listening to old trance records.” Both agreed that Aguilera should essentially do her — focus on putting out the kind of songs that showcase her strengths — and stop chasing her competitors. “I think honestly, she’s trying to be a little too Gaga, and it’s not working for her,” Shepherd said. “She’s such a talented singer that she doesn’t need to do what everyone else is doing. It just seems too forced and too in the mold of the Gagas and the Rihannas of the world.” “She’s very much into the concept of ‘the future’ on this album, but the first single doesn’t sound like the future: It sounds like a song they’d play in a spin class, circa 1998,” Greenblatt said. “When you look at the other girls on the pop charts, it doesn’t feel fresh. It’s not compelling enough to pull herself away from the field. If you look at something like Katy Perry’s ‘California Gurls,’ it’s a retro song, but it’s fun. There’s a heaviness to the Christina album. She may say she’s having fun, but you don’t believe her.” Both Greenblatt and Shepherd singled out the M.I.A. collaboration “Elastic Love” as a potential game-changer, a song that perhaps best sums up whatever it was Aguilera was hoping to achieve on Bionic, and one that might reinvigorate a public that’s grown tired of more of the same old pop. And both added that Christina should get back to basics (the title of her last album, as it happens), or maybe line up a new collaboration or two. “She’s got to re-calibrate her image, like do a fun video that treats sexuality as a garnish, not the entire meal,” Greenblatt said. “If she reins herself in and releases the right single, things might be OK. There are plenty of artists who hit it big with the second, third single, and she’s definitely big enough for that to happen here. People want her to succeed, she just needs to give us an iteration of herself that people like.” “I think that, maybe if she steps back a bit, tries to ease our of where she’s going, and trusts herself more, she will probably be okay. I think it’s just a bump in the road,” Shepherd added. “Or maybe she should collaborate with all of Young Money. That would probably work too.” What do you think Christina Aguilera’s next move should be? Let us know in the comments below! Related Artists Christina Aguilera

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Christina Aguilera: What Should Her Next Move Be?

Aftermath of Gulf of Mexico ecocide: benzene rain?

Truth be told, dispersants are far from a panacea. They are first and foremost a public relation tool to manipulate public opinion into believing the oil spill is disappearing, digested by microbes. The dispersants keep the oil underwater and together have created a deadlier mix than oil and water. Out of sight, out of mind, and the American public, with an increasingly short attention span buys into it. In reality an oil spill treated with chemical dispersants poses an even greater ecological threat than the oil spill left alone. Corexit is an extremely toxic chemical dispersant. It was favored by BP over other alternative dispersants more ecologically friendly and with a better track record, mostly for cost reasons. It is estimated that more than 870,000 gallons (3.2 million litres) of Corexit has been used so far, either sprayed on the surface or released underwater-150,000 gallons (570,000 litres). Dispersants rely on wave movements shearing the oil film mechanically in order to refine crude oil into separate chemicals. This may have worked to some extent on the Exxon Valdez spill of Alaska where waves are big but in the Gulf of Mexico? Ever heard of a surfing competition in the gulf? The waves are just not there for the dispersant to work. Seven cleanup workers were hospitalized last week after complaints of headache, dizziness, breathing problems and nausea. The workers are said to have told the doctors, according to the medical centre sources, that the chemical dispersant used to break up oil had made them sick. Doctors believe the likely cause to be chemical irritation as well as dehydration from working in the heat. Manufactured by Nalco Energy Services L.P., the Material Safety Data Sheets state that Corexit 9500 cause irritation when in contact with skin, chemical pneumonia if ingested and irritation to the respiratory tract with repeated and prolonged inhalation. MSD of Corexit EC 9527A states: Symptoms of Exposure – Acute : Excessive exposure may cause central nervous system effects, nausea, vomiting, aesthetic or narcotic effects. – Chronic : Repeated or excessive exposure to butoxyethanol may cause injury to red blood cells (hemolysis), kidney or the liver. No toxicity studies have been conducted for either product, so the extent of damage is still not known. However, according to a study by Exxon, Corexit 9527 and Corexit 9580 have low to “moderate toxicity to most aquatic organisms in laboratory tests.” Corexit 9527 is also known to damage the red blood cells, leaving fishes to bleed to death. snip Know this: Most of the hydrocarbon chemicals extracted by the dispersants stay at the surface. They are the first ones to evaporate alongside water into clouds overhead that later fly over the continent and provide rain to the southern states. We are talking about chemicals causing cancer or kidney failure such as benzene and pretty much any possible chemical that can be extracted from crude oil. These chemicals would end up in water supplies, rain on crops, and eventually imbibed by humans and animals alike. The 2010 Atlantic hurricane season began on June 1 and The National Oceanic and Atmospheric Administration (NOAA) predicts 8-14 hurricanes ,14-23 storms, and 3-7 major hurricanes-the figures higher than normal years. During the next few hurricanes, extreme shearing at the surface of the sea will boost the chemical action of dispersants which separate petroleum chemicals and suddenly increase the concentration of noxious chemicals evaporating from the spill. These hurricanes will carry this noxious cocktail across the southern US and north of Mexico, polluting the water supply and all that depend on it. snip How to recognize the signs that the spill aftermath rained inland: if after a downpour you notice that the road is slicker than usual, this is a sign the rain water may be contaminated if after a downpour any foliage appears waxy, and any white surface stained. crops and plants which whither unexpectedly after a downpour. The oily substance coating the leaves block respiration and photosynthesis. A lot of herbicides are petroleum-based (but so are fertilizers). cont. added by: JanforGore

Lady Gaga on German chat show “Wetten Dass”

Lady Gaga appeared on a German Chat Show ” Wetten Dass ” hosted by Thomas Gottschalk . She was there to make an important announcement that the Fame Monster will be split. It was surprising and rare to see Lady Gaga making a public appearance, showing off her face in a rare mask and hat-free appearance, instead fashion – missing her rare sunglasses and famous hat Continue reading

Lady Gaga Wins a Fashion Award, Promotes Safe Sex

Musician Lady Gaga accepts Billboard's “Rising Star” award at Billboard's 4th Annual Women In Music event at The Pierre Hotel on October 2, 2009 in New York City. (Getty Images) more pics Continue reading