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High And Low: Early Fritz Lang, Late John Carpenter

This week’s new DVD releases  make it easy to put a little Highbrow dark chocolate in your Lowbrow crunchy peanut butter and enjoy a satisfying double feature . Whether you’re in the mood for serious German cinema (that mixes in some genre tropes) or ass-kicking science fiction (flavored with pungent political satire), there’s plenty for all tastes this week. HIGH: Fritz Lang: The Early Works (Kino Classics; $39.95 DVD) WHO’S RESPONSIBLE: This trio of early works by legendary German director Fritz Lang includes an adaptation of the classic opera Madame Butterfly and two films Lang co-wrote with his then-wife Thea von Harbou  that feature actor Rudolf Klein-Rogge — two key collaborators on Lang’s masterpiece, Metropolis . WHAT’S IT ALL ABOUT: 1919’s Harakiri , the Madame Butterfly adaptation, tells the story of a Japanese girl and her doomed romance with a European officer who abandons her.  The Wandering Shadow (1920), Lang and von Harbou’s first collaboration, follows a woman fleeing from a sex scandal and her eventual shot at redemption. Four Around the Woman , from 1921, sees a socialite falling victim to a crime…or is she involved in a blackmail plot? WHY IT’S SCHMANCY: Before he fled Nazi Germany, before M and Metropolis , even before Spies and the Dr. Mabuse movies, Fritz Lang was a successful filmmaker in Weimar-era Germany, when Expressionism was the happening thing. For scholars who wanted to explore the master’s entire oeuvre, however, many of Lang’s earliest films were difficult to access. Harakiri was one of four films Lang made in 1919, his first year as a director. And yes, the film has German actors performing in yellowface, but at least the filmmakers bothered to get genuine Japanese costumes and artifacts from the Hamburg Anthropological Museum. This DVD features restorations mastered from 35mm elements. WHY YOU SHOULD BUY IT:  Fritz Lang: The Early Works should appeal to more than just Lang completists. Anyone who cares about the roots of movies or just wants to check out silent cinema at its most vibrant should pick up this collection. LOW: They Live (Collector’s Edition) (Scream Factory; $19.93 DVD, $29.93 Blu-Ray) WHO’S RESPONSIBLE: Written (under the pseudonym “Frank Armitage”) and directed by John Carpenter; starring “Rowdy” Roddy Piper, Keith David, Meg Foster. WHAT’S IT ALL ABOUT: A homeless drifter (Piper) finds a stash of special sunglasses that allow him to see the truth about the world around him: the rich and powerful are actually aliens who are destroying the planet and manipulating humans with subliminal messages in the media that induce people to consume mindlessly and to conform. WHY IT’S FUN: Released in 1988, Ronald Reagan’s last year in office, They Live is one of the most stinging satires of the Gipper’s era. Carpenter basically implied that yuppie-ism and the rest of the decade’s excesses were the product of cultural manipulation. (Okay, so extraterrestrials were behind the whole thing, but it’s an intriguing idea.) And if you’re not in the mood to look for political perspective, there are gross aliens and crazy shoot-outs and a fight scene between Piper and David that goes on…and on…and on…into cinema legend. WHY YOU SHOULD BUY IT (AGAIN): This new Collector’s Edition features great new goodies, including interviews with Foster (who’s still got Those Eyes), David and Carpenter, plus previously unseen footage from the original TV spots for the movie and a featurette on the visual style, scoring and stunts. (There’s also a Carpenter-Piper commentary track that’s been previously available.) Alonso Duralde has written about film for The Wrap, Salon and MSNBC.com. He also co-hosts the Linoleum Knife podcast and regularly appears on What the Flick?! (The Young Turks Network) .  He is a senior programmer for the Outfest Film Festival in Los Angeles and a pre-screener for the Sundance Film Festival. He also the author of two books: Have Yourself a Movie Little Christmas (Limelight Editions) and 101 Must-See Movies for Gay Men  (Advocate Books). Follow Alonso Duralde on Twitter. Follow Movieline on Twitter. 

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High And Low: Early Fritz Lang, Late John Carpenter

Backstreet Boys Welcome Santa With ‘It’s Christmas Time Again’

Reunited fivesome drop their first single with Kevin Richardson since he rejoined the band this year. By Jocelyn Vena Backstreet Boys premiere their new Christmas track at Disneyland Sunday Photo: Getty Images

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Backstreet Boys Welcome Santa With ‘It’s Christmas Time Again’

Say It Ain’t So Eddie Cain!!! Michael Wright Of ‘The Five Heartbeats’ Popped For DUI

SMH. He hit a cop car trying to park his Rolls…a 1978 double R. According to TMZ … Michael Wright hand-wrapped the NYPD an early Christmas present this morning when he gave them the easiest DWI arrest ever … by hitting a police car … TMZ has learned.  Law enforcement sources tell TMZ … Wright — who starred in the classic movie “The Five Heartbeats” — was trying to park his 1978 black Rolls Royce in Manhattan when he hit the car that had two officers sitting inside.  We’re told the officers went to have a word with Wright and detected an odor of alcohol on his breath. After the field sobriety test didn’t go Wright’s way, the officers arrested him. Law enforcement sources tell TMZ Wright’s blood alcohol level was well above the legal limit. We’re told both officers were taken to a local hospital to be checked out after the accident. SMH.

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Say It Ain’t So Eddie Cain!!! Michael Wright Of ‘The Five Heartbeats’ Popped For DUI

Harrison Ford, Zac Efron Eye Rob Reiner Drama; Jennifer Garner Eyes Matthew McConaughey Pic: Biz Break

Also in Thursday afternoon’s round-up of news briefs: Christoph Walt is in talks to star in a Muppets sequel; Kathryn Bigelow ‘s Zero Dark Thirty officially gets new nationwide release; And a Brad Anderson thriller finds a U.S. release. Harrison Ford, Zac Efron Eye You Belong to Me Directed by Rob Reiner, Ford would play a psychiatrist who faces hard times after one of his female patients commits suicide. But he bonds with her brother James (Efron), but the situation becomes complicated when he lets James into his life and he begins seducing his wife and daughter. Rob Reiner will direct, The Wrap reports . Jennifer Garner Eyes Drama Dallas Buyers Club Garner is in talks to star in the drama alongside Matthew McConaughey. The story revolves around a man who was given six months to live after contracting AIDS in 1986, but lived another six years by illegally smuggling medicine into the U.S. and giving drugs to other sufferers too, Deadline reports . Christoph Waltz Eyes The Muppets Sequel Waltz would play an Interpol inspector in the Europe-set comedy. James Bobin who directed the 2011 Muppets film is returning to direct the follow-up, THR reports . Kathryn Bigelow’s Zero Dark Thirty Goes Wide in January The Osama bin Laden pic will do awards season qualifying runs in New York and Los Angeles on December 19th in order to build word of mouth. It will add markets January 4th before going nationwide on January 11th. The title will now avoid the Christmas crush, including five high-profile roll outs, THR reports . Thriller Eliza Graves Heads to U.S. Theaters Directed by Brad Anderson ( The Machinist ), the movie is about a new physician who arrives to apprentice at a mental institution where he falls in love with a patient under circumstances that are more complicated than they seem. Production begins in 2013, Deadline reports .

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Harrison Ford, Zac Efron Eye Rob Reiner Drama; Jennifer Garner Eyes Matthew McConaughey Pic: Biz Break

Harrison Ford, Zac Efron Eye Rob Reiner Drama; Jennifer Garner Eyes Matthew McConaughey Pic: Biz Break

Also in Thursday afternoon’s round-up of news briefs: Christoph Walt is in talks to star in a Muppets sequel; Kathryn Bigelow ‘s Zero Dark Thirty officially gets new nationwide release; And a Brad Anderson thriller finds a U.S. release. Harrison Ford, Zac Efron Eye You Belong to Me Directed by Rob Reiner, Ford would play a psychiatrist who faces hard times after one of his female patients commits suicide. But he bonds with her brother James (Efron), but the situation becomes complicated when he lets James into his life and he begins seducing his wife and daughter. Rob Reiner will direct, The Wrap reports . Jennifer Garner Eyes Drama Dallas Buyers Club Garner is in talks to star in the drama alongside Matthew McConaughey. The story revolves around a man who was given six months to live after contracting AIDS in 1986, but lived another six years by illegally smuggling medicine into the U.S. and giving drugs to other sufferers too, Deadline reports . Christoph Waltz Eyes The Muppets Sequel Waltz would play an Interpol inspector in the Europe-set comedy. James Bobin who directed the 2011 Muppets film is returning to direct the follow-up, THR reports . Kathryn Bigelow’s Zero Dark Thirty Goes Wide in January The Osama bin Laden pic will do awards season qualifying runs in New York and Los Angeles on December 19th in order to build word of mouth. It will add markets January 4th before going nationwide on January 11th. The title will now avoid the Christmas crush, including five high-profile roll outs, THR reports . Thriller Eliza Graves Heads to U.S. Theaters Directed by Brad Anderson ( The Machinist ), the movie is about a new physician who arrives to apprentice at a mental institution where he falls in love with a patient under circumstances that are more complicated than they seem. Production begins in 2013, Deadline reports .

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Harrison Ford, Zac Efron Eye Rob Reiner Drama; Jennifer Garner Eyes Matthew McConaughey Pic: Biz Break

Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Disney’s 2011 family adventure Mars Needs Moms wasn’t just a box office disappointment; it was a box office disaster , one of the worst in movie history . Mars producer Robert Zemeckis , appearing at the Philadelphia Film Fest with his latest Oscar-hopeful, Flight , prefers to remember Mars Needs Moms another way: “It’s the best 3-D movie since Avatar .” Zemeckis’s bold answer matched the bold question that prompted his trip down memory lane during Flight ‘s post-screening Q&A session on Saturday night. Following a string of massive career hits ranging from the Back to the Future franchise to Oscar juggernaut Forrest Gump , the Zemeckis-produced Mars Needs Moms opened last year as the filmmaker’s most high profile critical and commercial failure. ImageMovers Digital, the Zemeckis-founded CG house that produced Mars as well as his own films The Polar Express , Beowulf , and A Christmas Carol , was shut down after completing Mars , while plans to embark on a Yellow Submarine pic with Disney were also scrapped; needless to say, it’s probably not Zemeckis’s favorite topic of conversation. (For what it’s worth, Flight , Zemeckis’s Denzel Washington -starring return to live-action film, played well with the Philly crowd.) But one Philadelphia Film Fest attendee was eager for answers. Film critic Martin Schneider penned a reasonably questioning if snarky review of Mars Needs Moms at the time of release, criticizing the film for a slew of offenses ranging from its animation to character development, with particular scrutiny of the film’s “anti-gay,” anti-progressive gender messaging. He seized the opportunity during the Philadelphia Film Fest closing night film event to share how offended he was by the film, asking Zemeckis to explain: What happened ? For his part, Zemeckis didn’t flinch. Prior to the film’s screening, Philadelphia Film Society Executive Director J. Andrew Greenblatt told the audience that the director would be taking questions, and that they could “ask him anything.” It’s tough to say whether or not Zemeckis expected the subject of his history-making bomb to pop up, but when faced by his accuser he kept his cool under pressure, like Denzel’s alcoholic hero Whip Whitaker. And then Zemeckis flew the airplane upside down, so to speak. “It was not marketed properly,” he said of the 3-D CG sci-fi flop, which cost a reported $150 million to make and made back just $38.9 million upon release, becoming the worst Disney performer of all time and one of the most miserable wide release 3-D openings in history. Zemeckis said Mars Needs Moms had been lost in the studio shuffle. He called it “breathtaking.” “It’s the best 3-D movie since Avatar ,” he continued. “It’s the way 3-D should be presented.” Meanwhile, in a career built on crowd-pleasers and after a decade spent attempting to bridge the uncanny valley with CG children’s films, Flight marks only the second film Zemeckis has directed to earn an R-rating. (His first? 1980s’s Used Cars .) Rated R “for drug and alcohol abuse, language, sexuality/nudity, and an intense action sequence,” Flight wasn’t gunning for anything less, given its full-tilt dive into the depths of addiction. “There was no way an adult drama was ever going to be anything other than R-rated,” said Zemeckis. Still, he earned applause with a parting shot at the MPAA: “I hate the ratings system. I think it’s horrible and despicable, and we should get rid of it.” Flight opens nationwide November 2. For more info on the Philadelphia Film Fest, head here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Disney’s 2011 family adventure Mars Needs Moms wasn’t just a box office disappointment; it was a box office disaster , one of the worst in movie history . Mars producer Robert Zemeckis , appearing at the Philadelphia Film Fest with his latest Oscar-hopeful, Flight , prefers to remember Mars Needs Moms another way: “It’s the best 3-D movie since Avatar .” Zemeckis’s bold answer matched the bold question that prompted his trip down memory lane during Flight ‘s post-screening Q&A session on Saturday night. Following a string of massive career hits ranging from the Back to the Future franchise to Oscar juggernaut Forrest Gump , the Zemeckis-produced Mars Needs Moms opened last year as the filmmaker’s most high profile critical and commercial failure. ImageMovers Digital, the Zemeckis-founded CG house that produced Mars as well as his own films The Polar Express , Beowulf , and A Christmas Carol , was shut down after completing Mars , while plans to embark on a Yellow Submarine pic with Disney were also scrapped; needless to say, it’s probably not Zemeckis’s favorite topic of conversation. (For what it’s worth, Flight , Zemeckis’s Denzel Washington -starring return to live-action film, played well with the Philly crowd.) But one Philadelphia Film Fest attendee was eager for answers. Film critic Martin Schneider penned a reasonably questioning if snarky review of Mars Needs Moms at the time of release, criticizing the film for a slew of offenses ranging from its animation to character development, with particular scrutiny of the film’s “anti-gay,” anti-progressive gender messaging. He seized the opportunity during the Philadelphia Film Fest closing night film event to share how offended he was by the film, asking Zemeckis to explain: What happened ? For his part, Zemeckis didn’t flinch. Prior to the film’s screening, Philadelphia Film Society Executive Director J. Andrew Greenblatt told the audience that the director would be taking questions, and that they could “ask him anything.” It’s tough to say whether or not Zemeckis expected the subject of his history-making bomb to pop up, but when faced by his accuser he kept his cool under pressure, like Denzel’s alcoholic hero Whip Whitaker. And then Zemeckis flew the airplane upside down, so to speak. “It was not marketed properly,” he said of the 3-D CG sci-fi flop, which cost a reported $150 million to make and made back just $38.9 million upon release, becoming the worst Disney performer of all time and one of the most miserable wide release 3-D openings in history. Zemeckis said Mars Needs Moms had been lost in the studio shuffle. He called it “breathtaking.” “It’s the best 3-D movie since Avatar ,” he continued. “It’s the way 3-D should be presented.” Meanwhile, in a career built on crowd-pleasers and after a decade spent attempting to bridge the uncanny valley with CG children’s films, Flight marks only the second film Zemeckis has directed to earn an R-rating. (His first? 1980s’s Used Cars .) Rated R “for drug and alcohol abuse, language, sexuality/nudity, and an intense action sequence,” Flight wasn’t gunning for anything less, given its full-tilt dive into the depths of addiction. “There was no way an adult drama was ever going to be anything other than R-rated,” said Zemeckis. Still, he earned applause with a parting shot at the MPAA: “I hate the ratings system. I think it’s horrible and despicable, and we should get rid of it.” Flight opens nationwide November 2. For more info on the Philadelphia Film Fest, head here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Disney’s 2011 family adventure Mars Needs Moms wasn’t just a box office disappointment; it was a box office disaster , one of the worst in movie history . Mars producer Robert Zemeckis , appearing at the Philadelphia Film Fest with his latest Oscar-hopeful, Flight , prefers to remember Mars Needs Moms another way: “It’s the best 3-D movie since Avatar .” Zemeckis’s bold answer matched the bold question that prompted his trip down memory lane during Flight ‘s post-screening Q&A session on Saturday night. Following a string of massive career hits ranging from the Back to the Future franchise to Oscar juggernaut Forrest Gump , the Zemeckis-produced Mars Needs Moms opened last year as the filmmaker’s most high profile critical and commercial failure. ImageMovers Digital, the Zemeckis-founded CG house that produced Mars as well as his own films The Polar Express , Beowulf , and A Christmas Carol , was shut down after completing Mars , while plans to embark on a Yellow Submarine pic with Disney were also scrapped; needless to say, it’s probably not Zemeckis’s favorite topic of conversation. (For what it’s worth, Flight , Zemeckis’s Denzel Washington -starring return to live-action film, played well with the Philly crowd.) But one Philadelphia Film Fest attendee was eager for answers. Film critic Martin Schneider penned a reasonably questioning if snarky review of Mars Needs Moms at the time of release, criticizing the film for a slew of offenses ranging from its animation to character development, with particular scrutiny of the film’s “anti-gay,” anti-progressive gender messaging. He seized the opportunity during the Philadelphia Film Fest closing night film event to share how offended he was by the film, asking Zemeckis to explain: What happened ? For his part, Zemeckis didn’t flinch. Prior to the film’s screening, Philadelphia Film Society Executive Director J. Andrew Greenblatt told the audience that the director would be taking questions, and that they could “ask him anything.” It’s tough to say whether or not Zemeckis expected the subject of his history-making bomb to pop up, but when faced by his accuser he kept his cool under pressure, like Denzel’s alcoholic hero Whip Whitaker. And then Zemeckis flew the airplane upside down, so to speak. “It was not marketed properly,” he said of the 3-D CG sci-fi flop, which cost a reported $150 million to make and made back just $38.9 million upon release, becoming the worst Disney performer of all time and one of the most miserable wide release 3-D openings in history. Zemeckis said Mars Needs Moms had been lost in the studio shuffle. He called it “breathtaking.” “It’s the best 3-D movie since Avatar ,” he continued. “It’s the way 3-D should be presented.” Meanwhile, in a career built on crowd-pleasers and after a decade spent attempting to bridge the uncanny valley with CG children’s films, Flight marks only the second film Zemeckis has directed to earn an R-rating. (His first? 1980s’s Used Cars .) Rated R “for drug and alcohol abuse, language, sexuality/nudity, and an intense action sequence,” Flight wasn’t gunning for anything less, given its full-tilt dive into the depths of addiction. “There was no way an adult drama was ever going to be anything other than R-rated,” said Zemeckis. Still, he earned applause with a parting shot at the MPAA: “I hate the ratings system. I think it’s horrible and despicable, and we should get rid of it.” Flight opens nationwide November 2. For more info on the Philadelphia Film Fest, head here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Mayan Apocalypse Countdown: Two Months to Live!

Forget the zombie apocalypse . The far more significant Mayan apocalypse is nigh. Just two more months to live, people of Earth! If you believe in that sort of thing. Today (October 21) starts the two-month countdown toward doomsday, according to an interpretation of the Mayan calendar that predicts the end of the world on 12/21/12. Which sucks, but the upside? No wasting time and money Christmas shopping. Two ancient texts traced back to the ancient civilization confirm the end date of the Mayan Long Count calendar on the winter solstice of this year, or December 21, 2012. That day is the last day of the 13th bak’tun, or 144,000-day cycle, of the calendar. Ancient Mayans saw the end of the 13th bak’tun as the end of a full cycle of creation. We. Are. F*%ked. Not all scholars believe that the Mayan Apocalypse will bring fire and brimstone, but better safe than sorry. Time to burn through your savings and live like you’re dying now. The economy could really use it. Will the world end 12/21/12?   Yes No Unclear View Poll »

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Mayan Apocalypse Countdown: Two Months to Live!

Kelly Clarkson Unveils Greatest Hits Cover Art, Track List

She’s only 30 years old, but this is how impressive a career Kelly Clarkson has enjoyed already: On November 19, the original American Idol will release a Greatest Hits album. The perfect stocking stuffer for music fans everywhere, Clarkson has unveiled the cover art for this upcoming CD: The crooner has also come out with the official track list. It includes the new single ” Catch My Breath ,” as you can see below: Since U Been Gone My Life Would Suck Without You Miss Independent Stronger (What Doesn’t Kill You) Behind These Hazel Eyes Because Of You Never Again Already Gone Mr. Know It All Breakaway Don’t You Wanna Stay (with Jason Aldean) Walk Away Catch My Breath People Like Us Don’t Rush (featuring Vince Gill) A Moment Like This I’ll Be Home For Christmas

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Kelly Clarkson Unveils Greatest Hits Cover Art, Track List