No stranger to controversy, Danish director Lars von Trier is one of the biggest proponents of nudity working today. Nearly every film he makes features some flesh, and to celebrate his 58th birthday today, we’re looking at the best nude scene from across his entire filmography! Hit the jump for more pics!
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Happy Birthday Lars von Trier! See the Best Nude Scenes From His Films at Mr. Skin! [PICS]
Kirsten Dunst in our opinion has been fantastic ever since she was in Spiderman and here she is exposing her pussy in the nude in this video clip from the movie Melancholia Continue reading
Kirsten Dunst in our opinion has been fantastic ever since she was in Spiderman and here she is exposing her pussy in the nude in this video clip from the movie Melancholia Continue reading
The sweetheart of America – Kirsten Dunst in the opening of Melancholia movie, a beautiful film about the end of the world. She has 30 years old and is a famous actress, singer and model. Continue reading
Forty-eight hours to Oscar. Gut-check time — or maybe make that “gut-instinct check” time, a moment to break away from the meticulous zeitgeist-combing science of Movieline’s Institute For the Advanced Study of Kudos Forensics and make a few choices for myself. Not that they’ll be so different, but if you can’t go with a hunch where 5,765 fickle, insular industry minds are concerned, then what can you go with? We can’t all be be Otis the Oscar Cat , you know. Anyway, let’s make this quick: BEST PICTURE A certain voluble sliver of the Oscar punditocracy likes to whine about The Artist ‘s awards-season supremacy — as if it signaled some searing compromise of the Academy’s historic tradition of recognizing only the finest, most artistically challenging and rigidly contemporary work. These people sound like some bitter old man bitching about how the Super Bowl halftime show never features anyone good anymore, or some mouth-breathing fanboy complaining about the vanquished integrity of Star Wars . You guys, they were never good to begin with . In their own way — as meritocratic tastemakers — neither were the Academy Awards. This year’s foregone Artist win has less to do with regressive, reductive cultural tastes than it does with Harvey Weinstein being a good marketer, no different than 15 years ago. If these whinging bozos won’t learn, then can’t they at least shut up? Will win : The Artist Should win : Melancholia . Wait, what? Oh. Fuck it. That’s the best picture of 2011. Period. BEST DIRECTOR Have you seen Midnight in Paris recently? Man, that one does not hold up. The Descendants never did in the first place. Hugo is fine, but I think the groundswell of voters who got Terrence Malick into the competition in the first place could be formidable enough to actually sweep him right past Martin Scorsese into very close competition with Michel Hazanavicius. In fact, you know what? I’ll call it for Malick, why the hell not. Will win : Terrence Malick, The Tree of Life Should win : Lars von Trier, Melancholia . Yes, I heard you the first time. Make your own predictions. BEST ACTOR Here’s where I’m a lot more confident in the upset factor: Demi
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Tagged Actors, artist, demian-bichir, films, george-clooney, melancholia, social, tv guide
Thanks to the wonders of Twitter, we already know how Albert Brooks feels about this morning’s brutal Oscar-nomination snub. But how is the rest of the Academy’s snubculture faring? We may never know entirely, but at least their unofficial ambassador Patton Oswalt has the fan-fiction angle covered — and it sounds like this group has the Governors Ball beat. Join me for a drink at The Drawing Room, @AlbertBrooks ? Me and Serkis have been here since 6am. Tue Jan 24 15:22:50 via Twitter for iPhone Patton Oswalt pattonoswalt @AlbertBrooks See you later tonight. Might be out of booze — Serkis has Pogues on the jukebox & Fassbender just showed up in a pirate hat. Tue Jan 24 16:22:01 via Twitter for iPhone Patton Oswalt pattonoswalt @AlbertBrooks Oh shit — we’re DEFINITELY going to run out of booze. Charlize & Tilda just pulled up in a stolen police car. Tue Jan 24 16:30:59 via Twitter for iPhone Patton Oswalt pattonoswalt @AlbertBrooks Dude, GET DOWN HERE. Gosling is doing keg stands and Olsen & Dunst LITERALLY just emerged from a shower of rose petals. Tue Jan 24 16:41:17 via Twitter for iPhone Patton Oswalt pattonoswalt @AlbertBrooks Nolte & Plummer just drove past, mooning us. Serkis & Tilda are signing “Is There Life on Mars?” Tue Jan 24 16:44:21 via Twitter for iPhone Patton Oswalt pattonoswalt @AlbertBrooks Oops — Von Trier just pulled up in a pass van dressed as Goering. “Let’s go to Legoland!” With a boozy hurrah, we’re out! Tue Jan 24 16:46:44 via Twitter for iPhone Patton Oswalt pattonoswalt
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Patton Oswalt Rounds Up Academy Snubculture For the Only Oscar Party Worth Attending
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Tagged academy, albert brooks, drawing-room, elizabeth-olsen, films, governors, lars von trier, melancholia, New Movie, oswalt, quick take, ryan gosling, tilda-swinton, transom, tv guide
2011 is almost over, and it’s time to run down my top five big screen nude scenes of the year! So pop your cork and drink in naked babes like Kirsten Dunst and Emily Browning , all with wonderfully naked 2011’s!
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Top 5 Movie Nude Scenes of 2011
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Tagged big-screen, context, jessica chastain, melancholia, naked-babes, sleeping-beauty, stars, the-mechanic, the-year, video
I found 2011 to be a great, overstuffed year in film, though the sweeping trend of nostalgia that peaked during this awards season left me a little cold. Hugo , War Horse , The Artist , The Adventures of Tintin , The Help , even the self-aware looking back of Midnight in Paris — when it’s been such a turbulent 12 months beyond the movies, the comfort of evoking the past, especially the cinephilic past, is understandable, particularly with attendance down once again. But the features I really loved tended to be more prickly, vital affairs, about tragedy and life messily, stubbornly going on in its aftermath — ones that reminded us that film can not only be a great escape, but can also engage and reflect the outside world. 10. Shame Steve McQueen’s sophomore effort took flack from some who found it moralizing in its portrayal of sex addiction, but it’s not a film about a condition, it’s a film about damage. Michael Fassbender plays a man who’s left a traumatic childhood behind and has shored himself up in the city that never sleeps with an immaculate condo and a high-powered job that almost hide his underlying desperation and his inability to connect or open up to anyone on anything other than a physical level. It’s one of the loneliest portraits of urban living I’ve ever seen. 9. Warrior The neglected blockbuster of our Occupy Wall Street era, Warrior drapes Rocky trappings over characters and settings more immediate than you’d ever expect at a multiplex. Its two brothers, in what should have been star-making turns from Tom Hardy and Joel Edgerton, head to the cage after taking beatings elsewhere — one’s left the Marines on less than ideal terms after the death of colleague, the other’s upside down on his mortgage and unable to support his family on a teacher’s salary. Add to that the fact that the tournament in which they both compete was started by a former Wall Street type putting up the money to see “who the toughest man on the planet is,” and you have a rousing, violent fight film with a seriously bittersweet edge. 8. The Arbor Andrea Dunbar grew up in run-down Bradford council estates, drank heavily, had three kids by different fathers, wrote a trio of acclaimed plays about the life she knew and died at age 29. Clio Barnard’s documentary about the playwright brilliantly stages its interviews as their own performance, lip-synched by actors in the settings in which Dunbar and her children grew up and lived, and offering a piercing glimpse of how tragedy is taken up — her second work Rita, Sue and Bob Too was made into a film directed by Alan Clarke — and passed down, to her heroin-addicted eldest Lorraine. 7. Certified Copy It’s never clear which part of Juliette Binoche’s antiques dealer and William Shimell’s writer’s relationship is the pretense — are they strangers who play at being married, or a married couple playing at meeting as strangers? The thesis of Shimell’s book may or may not line up with that of Abbas Kiarostami’s film — the relationship between art and reproduction, original and copy — but the figuring out, and the slippery nature of the connection the pair on screen, is delicious. 6. The Tree of Life It’s a film about a family that stretches from the beginning of the universe to a possible vision of the afterlife — if it may not be wholly lovable, its ambition alone should earn respect. But it’s the evocative immersion on childhood that lingered with me after Terrence Malick’s more grandiose imagery had faded, the tactile sense of that Texas street, the house, the endless possibility, uncertainty and wonder of being young and new to the world, the flashes of memory — the offering of a drink to a prisoner, the caress of a baby’s foot, the goading of a younger sibling to touch a light socket — that break up the more iconic moments with startling specificity. 5. Margaret Messy, vivid and wonderful, Kenneth Lonergan’s difficult production has become a critics’ cause, in part because of how tough it’s been to actually see. It’s worth the trouble, and in some ways better because of the long wait in reaching the few theaters it did — it now looks less like a movie about post-9/11 New York and more one about the city in all of its anonymous, chaotic glory, about a teenage girl’s first horrific brush with mortality and about the strange places that life leads us. 4. Take Shelter Few films have attempted to capture our age of anxiety like Jeff Nichols’s drama, about catastrophic dreams that may be caused by mental illness, but seem just as much to spring from the sense of uncertainty with which we’ve all been infected. Anchored by a stunning performance from Michael Shannon, Take Shelter presents a look at quiet breakdown spurred on by a desire to protect one’s loved ones, and pairs it with frightening scenes of monstrous storms and shadowy attackers that rival any of this year’s horror movies. 3. Into the Abyss Trust Werner Herzog to find stories so strange and moving in a terrible small-town triple murder over an automobile. The Texas of this film is recognizable, but it’s also near-mythic — a place of universally broken families, sudden violence, prison reunions and hard-earned redemption. Taken alone, the interviews with Melyssa Burkett or Jared Tolbert would be enough to make the film. As part of a kaleidoscope of suffering and hope, they’re highlights in something dark, funny and expressly moving about the persistence of human nature in the face of loss. 2. A Separation A marriage falls apart over the decision of whether or not to leave Iran in Asghar Farhadi’s magnificent drama, and encompasses in its disintegration a snapshot of the fractured nation that’s so nuanced, empathetic and complex it quickens the heart. Certainly the smartest film of the year, both as a self-contained work and in the respect it offers the audience, A Separation is unadorned by a score or flashy camera tricks — it doesn’t need them. 1. Melancholia The opposite of love isn’t hate, it’s indifference, and in Lars von Trier’s film it’s the awesome force of Kirsten Dunst’s depression-fueled disinterest that exudes a gravitational drag on everyone around here even before the arrival of the destructive planet of the title. Before the breathtaking apocalyptic imagery appears — the object looming closer in the sky, the static sparking from fingertips — Melancholia is already a devastating look at an illness that leaves you unable to connect to what life has to offer, even on an extravagant wedding day that seems to compress half a lifetime into a night. But it’s that the film turns to offer a sympathetic eye to Charlotte Gainsbourg’s anxious sibling in the second half that makes it great, and that gives it a soul. As she struggles to hold everything together in the face of approaching disaster, even Dunst’s depressive is moved to offer her a conciliatory gesture as the world ends. Follow Alison Willmore on Twitter . Follow Movieline on Twitter .
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Margaret, Melancholia and More: Alison’s Top 10 Movies of 2011
Truth be told, I don’t enjoy ranking films — especially at the end of a year that disappointingly lacked a single title that moved me to tears, gut-busting laughter or some kind of profound existential realization. (However there were quite a few films that inspired hopelessness for the future of cinema. See Just Go With It and Bucky Larson: Born To Be a Star . Actually, don’t see them.) But there were some titles I’d recommend and even some I wouldn’t immediately regift if they found their way under my Christmas tree/menorah this season. Behold, my fave films of 2011. As always, let me know how much you disagree with this list in the space below. 10. The Muppets In a year that lacked decent romantic comedies, The Muppets filled the feel-good movie void for me. Jim Henson’s fuzzy characters — who made their long-awaited return to the multiplex in this Jason Segel/Nick Stoller-scripted picture — have the uncanny ability to make audiences forget their cynicism — even after paying the $12 ticket price. That special power is priceless, especially when combined with the overpowering nostalgia that Kermit, Miss Piggy and the entire Henson gang induce. 9. African Cats For the record, I would watch any nature documentary narrated by Samuel L. Jackson because this Oscar nominated-actor’s intense delivery could make any non-event seem suspenseful. But this Disneynature release exceeded my expectations. Chronicling the lives of a pride of lions (led by Fang, their grizzly, fearless, snaggle-toothed superior — the equivalent to The Lion King ‘s Mufasa) and a rival family of cheetahs led by a single mother Sita, this story was at once informative and breathtakingly beautiful. The real-life footage depicted a majestic African savannah so gorgeous that it was hard to believe it was not computer-generated and a tale of death, reunion and fiercely protective paternal impulses so moving that it was difficult to comprehend that it was not scripted. Furthermore, the story of Sita’s single motherhood in the majestic African savannah is the most compelling story of single parenthood I’ve seen all year. 8. Contagion Steven Soderbergh’s cautionary virus film is my favorite horror flick of the year, mainly because it continued to inspire fear and nightmares long after my first screening. Any film that can weave together another award-worthy Kate Winslet performance and Matt Damon as an overly protective dad who stages a home prom for his quarantined daughter complete with U2 dance mix is a film friend of mine. In addition to being all of these things (and the best-paced film of the year, in my opinion), Contagion established itself as one of the best-worst cautionary tales for adulturers ever. 7. Crazy, Stupid, Love Ryan Gosling in a well-tailored suit. Emma Stone playing a head-smart female who can miraculously bait emotionally closed-off men into mature romantic relationships. Steve Carell as a dejected divorc é. Josh Grobin. A brilliant, if totally impractical and unrealistic, scene involving the Dirty Dancing lift. What I could have done without — in this Dan Fogelman-scripted film — is every other peripheral storyline including Julianne Moore’s romance with a work colleague played by Kevin Bacon, a babysitter crushing hard for Carell and makeshift miniature golf courses. Regardless, this is one of the smartest films to fall under the romantic-comedy umbrella this year. 6. Warrior Full disclosure: I am partial to any film set in Pittsburgh because I am a Steel City native. That being said, Gavin O’Connor’s sports drama was not just a welcome dose of nostalgia but a tale of repressed familial feelings and resentment told against the gritty ‘burgh backdrop. Although the whole Moby Dick audiobook situation may have been a little heavy-handed for my taste, Nick Nolte’s performance as a recovering alcoholic and sinner was crushing. Also, I prefer Tom Hardy and Joel Edgerton’s portrayal of tragically competitive brothers over Mark Wahlberg and Christian Bale’s any day of the week. 5. 50/50 I was hesitant to see a film branded a “cancer comedy” — even if it starred Joseph Gordon-Levitt, Anna Kendrick and Anjelica Huston. But when I finally did get to the theater, I discovered one of the sweetest films of the year. One that was able to tackle cancer with a heaping dose of comedy that never felt inappropriate, thanks in part to Will Reiser’s touching script and each supporting cast member who seemed responsible for bringing one major component to the movie each: Angelica Huston (sympathy), Seth Rogen (laughs), Bryce Dallas Howard (bitchiness) and Anna Kendrick (hope). Do not be afraid of 50/50 — it is one of the few films this year that really earned its uplifting ending. 4. Mission: Impossible – Ghost Protocol Because of the number of tabloid pages dedicated to him, I always end up discounting Tom Cruise as an actor…until I get into a movie theater and realize again, just why he is and deserves to be a movie star. Tom Cruise has a unique screen presence that demands your attention and ticket money — and when paired with Brad Bird’s impeccable direction and the stomach-churning action sequences in this fourth Mission: Impossible installment, was a sight to behold, and one that I hope I can experience very soon again. 3. Young Adult In addition to boasting one of the smartest, hilarious and most devilishly complex protagonists of the year, Young Adult introduced the wonderful Patton Oswalt as the kind of unoriginal male lead that thinking movie audiences deserve. Thank you to Juno filmmakers Jason Reitman and Diablo Cody for giving us a fresh female character who can be manipulative, bitchy and yet completely relatable — in that she understands how dulcet the nasal-y narration of Kourtney Kardashian can be when you are stained sweatpants-level depressed. 2. Melancholia So Lars von Trier’s epic end-of-the-world endeavor may not be the kind of film I’d rush back to see again anytime in the next few days — but that is because I am still digesting the dichotomy of the wildly beautiful images and disturbing apocalyptic tale of one depressed bride (Kirsten Dunst) and her improbably tolerant sister (Charlotte Gainsbourg) who see a planet approaching their own. This is the most nightmarish cinematic screensaver ever — and I mean that in the best way possible. Also, Kiefer Sutherland’s comedic relief contributions are something to be admired. (On an unrelated note, can someone please give me a final bath count for this movie? I’ve never seen depressives take to the bathtub more eagerly than the bed.) 1. The Girl With the Dragon Tattoo After reading Stieg Larsson’s Millenium series, and then sincerely enjoying the original Swedish Girl With the Dragon Tattoo — directed by Niels Arden Oplev — I did not know how David Fincher would improve upon such a solid film released so recently (2009). I should have known better than to doubt Fincher and his new muse Rooney Mara though, who transformed into the film’s dark, damaged, kick-ass heroine under the filmmaker’s expert care. The Girl With the Dragon Tattoo is easily the most electrifying and interesting thriller of the year. Follow Julie Miller on Twitter . Follow Movieline on Twitter .
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From Lion Kings to Lethal Lisbeth — Julie’s 10 Favorite Films of 2011
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Tagged adult, lasagna, lisbeth salander, melancholia, mma, niece, opinion, scarlett johansson, smartest, Sports, TMZ, young adult
Looks like Jonah Hill won’t be joining Christoph Waltz, Jamie Foxx, Leonardo DiCaprio, Kurt Russell, Kerry Washington, Anthony LaPaglia, RZA and Don Johnson in Quentin Tarantino’s Django Unchained , even though he was offered a part. Hill revealed why he had to turn down the role with thundering poetic regret: “I got offered the new Quentin Tarantino movie, and I can’t do it because of my schedule… Doing Quentin’s movie would have obviously been amazing, but my schedule didn’t work out, which sucks.” Djonah Unavailable, more like! [ MTV via /Film ]
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Jonah Hill was Offered a Part in Tarantino’s Django Unchained, But…
Posted in Celebrities, Gossip, Hollywood, Hot Stuff, News
Tagged adam sandler, django unchained, down-the-role, invalid, melancholia, offered-the-new, quentin, sufferdome
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