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Justin Bieber’s Top 18 Moments Kicks Off!

Oh, Baby! Before Bieber celebrates his 18th birthday on Thursday, we’re counting down his best moments so far starting with #18 to #14. By Jocelyn Vena Justin Bieber Photo: FilmMagic As Justin Bieber gears up for his 18th birthday this week, we at MTV News decided we’d help our guy celebrate the milestone by looking back on 18 of his greatest moments so far. Whether he’s dazzling us with killer performances, topping the box office and the Billboard charts or just dropping yet another memorable music video, the Biebs has kept us talking since he first rose to super fame way back in 2009. Of course, actually narrowing down all of those moments was no easy task. Our list had to include career successes as well as personal achievements, and the pop star has had no shortage of either. But we put our heads together for the Beliebers. We’ll celebrate every day leading up to the final reveal on Justin’s big day, Thursday, March 1. What will be the #1 moment? You’ll have to keep it locked at MTVNews.com! 18. The 2012 Oscars No, “Never Say Never” wasn’t nominated for an Oscar, but Justin still managed to snag a few headlines at this year’s show. Bieber popped up in the show’s opener with host Billy Crystal in a sketch that paid homage to Woody Allen’s “Midnight in Paris.” Dressed up in formal wear, Bieber shared what seemed to be longing glances with Crystal. The singer also showed his flair for comedy, giving more proof that he’s a true triple threat. 17. Bieber’s Love Life Teen superstar Bieber dating Disney princess Selena Gomez has sparked lots of headlines. Whether they’re walking arm-in-arm down a red carpet or sharing some alone time at, yes, the Staples Center for a “Titanic” screening, this twosome is pretty adorable. Selena has always been the mature one in this relationship — she turns 20 in July — so it might take some pressure off having Justin join in her adulthood. 16. Bieber’s Bowling Party Just as he was getting ready to drop his 2010 album My World 2.0, Nick Cannon challenged Justin to a bowling match . MTV News was on hand at Lucky Strike in New York City as the Biebs tried to beat Cannon. Tons of adoring fans also showed up to cheer on the floppy-haired star. In the end, despite Nick’s big pre-game talk, it was Bieber who won. And Beliebers can take probably take credit for helping him to victory! 15. Justin and his Johnson Hit 2011 VMAs When Bieber walked the VMA red carpet last year, he brought along a very special date. No, not Selena, who was MTV’s red-carpet co-host, but his pet snake, Johnson. (The metaphor was not lost on anyone.) Justin actually seemed to creep out his lady when he unveiled the creepy crawler, and we couldn’t stop talking about it. 14. Someday Perfume Launch Nobody launches a fragrance like Bieber: The Canadian singer took over Macy’s Herald Square in NYC last June to debut his first perfume, Someday . The iconic department store was filled mostly with female fans hoping to get spritzed by the star, and we found out he cares a lot about how they smell. “I just think that what we decided to do — making the fragrance for females, not getting a cologne for males — I said it before and I’ll say it again, I’m more concerned about how girls smell ’cause I’m a guy,” Justin explained to MTV News. “And I know what smells good and I know what I like, so girls should know if [I like] it, then other guys are going to like it.” Share your birthday wishes for Justin and weigh in on the top 18 moments on our Facebook page! Stick with MTV News all week as we count down Justin Bieber ‘s 18 greatest moments leading up to his 18th birthday. On Thursday, March 1 — the teen star’s official big day — we will reveal the #1 greatest moment in his career so far. Plus, stay tuned for even more Bieber as we celebrate the milestone! Related Videos Justin Bieber’s 18th Birthday: Our Favorite Moments! Related Artists Justin Bieber

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Justin Bieber’s Top 18 Moments Kicks Off!

VIDEO: Suicidal Uggie, Oscar Cats Take Center Stage in Animated Awards Recap

Either animal obsessions are instinctive to this awards season, or someone’s been unduly influenced by Movieline favorites Uggie and Otis the Oscar Cat . There is no other real takeaway from the latest animated news video from the folks at NMA, which makes nifty work of summarizing an utterly depressing, anticlimactic Academy Awards evening that “clocked in at just under 10 hours.” Have a look and see if your memory matches theirs. [ NMA ]

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VIDEO: Suicidal Uggie, Oscar Cats Take Center Stage in Animated Awards Recap

How the Hell Did Paradise Lost 3 Lose the Best Documentary Oscar?

Congratulations to Dan Lindsay and TJ Martin, whose film Undefeated lived up to its title at last night’s Academy Awards by taking home the Best Documentary Feature Oscar. Exploring the intersection of class, race and a hard-luck high-school football team, the doc started earning fans over a year ago at Sundance — including Harvey Weinstein, who acquired Undefeated on the spot and promptly fast-tracked it for 2012 awards glory. Mission accomplished. The only thing Undefeated didn’t do? How about help get three unjustly convicted men — one condemned to die — out of prison? Which brings us to Paradise Lost 3: Purgatory , the final installment of Joe Berlinger and Bruce Sinofsky’s nearly 20-year investigation into the grisly murders of three boys in West Memphis, Ark., and the subsequent trials and convictions of three teenagers in the case. Since the first film debuted in 1996 ( Paradise Lost 2: Revelations appeared in 2000), the series’s illumination of police and judicial misconduct — to say nothing of misplaced allegations of Satanism and other perceived motives — became instrumental in the crusade to free Damien Echols, Jessie Misskelley and Jason Baldwin. The “West Memphis 3” quickly developed into a cause célèbre among observers from the cultural to legal realms; Metallica contributed music to the films, further boosting their profiles, while defense lawyers and DNA experts raced to find evidence persuasive enough to save Echols from the death chamber and, hopefully, release all three men from behind bars. Of course, as a regular consumer of media, you likely already know these details. Unless, that is, you’re a member of the Academy’s clinically insane Documentary Branch. In which case you should be ashamed of yourself. Not to take anything away from Undefeated , but… Well, actually, yeah. I would like to take something away from Undefeated : Its Best Documentary Oscar. Not necessarily because of any technical inferiority — it’s a fine, inspiring, well-made film — but merely on the qualitative basis of not having saved a man’s life or helped liberate the West Memphis 3 through thousands upon thousands of hours of research, interviews, editing and, ultimately, pure storytelling. On the one hand, sure: As Berlinger told Movieline a few weeks ago in our Documentary Nominee roundtable , “[T]here can be no bigger prize than having helped get three innocent men get released from prison after 18 plus years of wrongful imprisonment.” On the other hand, fuck that . Let’s just be honest: If we’re going to reward films like last night’s Documentary Short winner Saving Face or recent Doc Feature triumphs like An Inconvenient Truth , The Cove and Inside Job for their honorable activist intent, then what more does Paradise Lost 3 have to do to win over Academy voters? If Berlinger and Sinofsky had freed three dolphins from certain death in Japan, would that have tilted the Oscar scales in their favor? Or maybe filmed a boring-ass slideshow detailing their findings in the case? Al Gore couldn’t even stop global warming. These guys exposed one of America’s most protracted miscarriages of justice (made all the worse by the fact that prosecutors refuse to reopen the case, thus leaving the murder mystery unsolved) not once, not twice, but three times, establishing the narrative foundation on which the whole campaign to free the West Memphis 3 was built. So what gives? Was this the last indignity to be committed by the Documentary Branch under its previous set of rules — a garish sloughing off of a film funded and broadcast by HBO as opposed to one following the classic theatrical pattern that Academy leadership so cherishes? What a truly fine barometer of quality, except that Undefeated had the same one-week qualifying run that PL3 had, only opening in theaters a week-and-a-half ago. Weinstein and HBO took advantage of the same loophole. Could it have just been the Weinstein factor alone — Harvey being Harvey, pushing his nonfiction wares in his Artist / Iron Lady downtime? Or, as a friend suggested to me this morning in the clearing Oscar smoke, is this just the Doc Branch holding out for the Peter Jackson-produced West of Memphis , a recent Sundance premiere due in theaters at some point in 2012? Jackson is the only figure in this schema with as much (if not more) Academy clout as Weinstein, and it’s entirely conceivable that whatever momentum gathered in Undefeated ‘s favor — or, perhaps more accurately, in any direction away from PL3 — began with a quiet, sturdy nudge from New Zealand. It’s impossible to say or ever know for sure — unless Weinstein acquires the currently distributor-less West of Memphis , I suppose, in which case even one of those dolphins from The Cove could do the math and know the fix is in. In any case, the whole thing amounts to another black eye for the Academy’s Doc branch, a body ostensibly charged with the responsibility of recognizing each year’s best achievement in documentary filmmaking but which has so lost the plot regarding the form’s boldest, most influential works that it has sunk irretrievably beneath contempt. Like, I get why Banksy’s intoxicating, masterful Exit Through the Gift Shop last year couldn’t surmount the dry, staid recession expose Inside Job ; the branch has always sought to persuade everybody to believe that it is preoccupied with Issues, even as it routinely, criminally snubs the likes of Steve James ( Hoop Dreams, The Interrupters ) from even being nominated. But that inconsistency aside, here was a chance for the Academy to recognize filmmaking that made as much of a social impact as any Best Documentary Feature winner since perhaps Common Threads: Stories From the Quilt (another documentary originated by HBO, incidentally) claimed the prize 22 years ago. Moreover, it was a crucial opportunity for the Academy to help further mobilize the case for fully exonerating the West Memphis 3, whose release was conditional on an Alford plea that upheld their guilty verdict while leaving them on the equivalent of 10 years’ probation. The governor of Arkansas won’t pardon them without an alternative conviction, which prosecutors refuse to seek pretty much out of spite. So the saga continues, but whatever. As long as Harvey’s happy, right? I can’t overstate how frustrated this makes me. If nothing else, the Paradise Lost films taught us how to know a spot a sham when we see one — to stick to the facts and to your values and keep your eyes on the prize. But with the Oscars at this point, who even wants this particular prize? When one of the only Academy Awards categories with any legitimate sociocultural import is turned into the same old irrelevant boy’s club where we find shit like Real Steel nominated, what values are we adhering to? For Christ’s sake, people: The Transformers trilogy has more Oscars than the Paradise Lost trilogy. This is not acceptable. Something must change. I’d hate to think that it begins with me giving up, but that’s probably where it’s headed. In any case, I’m open to suggestions. Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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How the Hell Did Paradise Lost 3 Lose the Best Documentary Oscar?

Don’t Ask Don’t Tell: Marine Posts Photo Of Him Kissing His Boyfriend And Quotes Kat Williams… “Everyone Needs Haters, So Let Them Hate!”

A homecoming photo of a U.S. Marine caught in a passionate PDA session with his boyfriend has gotten many different reactions after being posted originally on Facebook. The dramatic snapshot has drawn over 14,000 likes, and has received over 3,000 comments, since being uploaded to Facebook ‘s Gay Marines group. Blogger Joe. My. God. quotes Brandon Morgan , the Marine in the photo, as saying: To everyone who has responded in a positive way. My partner and I want to say thank you. Dalan, the giant in the photo, can’t believe how many shares and likes we have gotten on this. We didn’t do this to get famous,or something like that we did this cause after 3 deployments and four years knowing each other, we finally told each other how we felt. As for the haters, let em hate…to quote Kat Williams, everyone needs haters, so let them hate. We are the happiest we have ever been and as for the whole PDA and kissing slash hugging in uniform…it was a homecoming, if the Sergeants Major, Captains, Majors, and Colonels around us didn’t care…then why do you care what these random people have to say? In summation thank you for your love and support. I received a lot of friend requests off this. I don’t just accept requests so if your request was because of this post message me and let me know. Goodnight all, and Semper Fi. What do you think of the photo? Facebook More On Bossip! For Discussion: Viola Davis Wears Her Hair Natural To The Oscars – Revolutionary Or Not? For The Stans: Beyonce, Jay-Z And Blue Ivy Carter Hit The Streets Of NYC For Their First Family Outing [Photos] Has Sweathog Rick Ross Got His Paws On Amber Rose’s Cakes Now? Shining Stars: A Gallery Of Celebrities At The NBA All-Star Game

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Don’t Ask Don’t Tell: Marine Posts Photo Of Him Kissing His Boyfriend And Quotes Kat Williams… “Everyone Needs Haters, So Let Them Hate!”

Oscar 2012 Best Presenters: Robert Downey Jr., Bridesmaids, More

Co-stars Will Ferrell and Zach Galifianakis make a hilariously musical entrance, while Sandra Bullock shows off some impressive German. By Terri Schwartz Robert Downey Jr. and Gwyneth Paltrow present at the 84th annual Academy Awards Photo: Kevin Winter/ Getty Images There are typically two kinds of presenters at the Oscars : the earnest and the hilarious. But every year, a handful of actors manage to capture the goal of either category in a way that makes the moment unforgettable. On Sunday night, the Kodak Theatre saw plenty of earnest presenters. Natalie Portman, Colin Firth and Morgan Freeman reminded viewers why we love the Oscars. But it was the presenters with the funny bits who really stole the show. Whether comparing short films to male genitalia or tossing cymbals onstage when they should have been reading out the name of an award winner, we couldn’t stop chuckling. Here, the MTV Movies team handpicks the five most memorable presenters of the 2012 Oscars. Robert Downey Jr., Documentarian Trying to stay ahead of the curve, Robert Downey Jr. and a camera crew joined Gwyneth Paltrow onstage to present the Best Documentary award in an attempt to popularize his new art form, “live documentary.” Of course, as Paltrow pointed out, that’s called the news, but we couldn’t get enough of their Tony Stark/ Pepper Potts-style banter several months before “The Avengers” hits theaters. And we like that Downey joked that he turned down the role in “The Descendants” with George Clooney looking on from the crowd. Emma Stone Is Super Good Yes, Emma Stone is charming, but we were still surprised at how well she pulled off the task of co-presenting Best Visual Effects alongside Ben Stiller. First-time Oscar presenter Stone acted out her skit flawlessly and even managed to poke fun at Stiller’s previous presenting stunts in the process. But it was her asking “Superbad” co-star Jonah Hill to come onstage and dance with her — and his subsequent refusal — that made this one of the funniest moments of the night. Sandra Bullock Is “Extremely” Bilingual Did you know Sandra Bullock was bilingual? It certainly made her presenting the Oscar for Best Foreign Film all the more fitting. And although the actress said she was going to present the award in Mandarin, Bullock actually announced the award in German. For those who wondered about the Academy’s motivation for having the “Extremely Loud and Incredibly Close” star present in a different language, it turns out it was because the Academy Awards “are an international show and because there are over 1.2 billion people in China.” So why not? Will Ferrell and Zach Galifianakis Make Music Leave it to the stars of the upcoming political comedy “The Campaign,” Will Ferrell and Zach Galifianakis, to make one of the funniest and most dramatic appearances of the night. Dressed in all-white tuxedos, the duo emerged from the orchestra pit smashing cymbals together. Because how else do you expect comedians to present the award for Best Original Song? Fortunately, winner Bret McKenzie also had a good sense of humor in his acceptance speech for “The Muppets” song “Man or Muppet.” “Bridesmaids” Stars Toast Scorsese Again Who else but the cast of “Bridesmaids” could make presenting the three short-film categories one of the most hilarious of the night? Sure, Kristen Wiig and Maya Rudolph’s whole opening spiel was one big penis joke, but can you expect any less when Melissa McCarthy earned her Oscar nomination for a part that featured her comically defecating in a sink? We’re still trying to figure out what the rules of Rose Byrne and McCarthy’s Martin Scorsese drinking game are, but we’ll let you know when we do. The MTV Movies team has the 2012 Oscars covered! Keep it locked at MTV.com all night and beyond for updates on the night’s big winners and the best red-carpet fashion . Join the live conversation by tweeting @MTVNews with the hashtag #Oscars. Related Videos Oscars 2012: Show Highlights Related Photos Oscars 2012: Winners Oscars 2012: Parties Oscars 2012: The Main Show

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Oscar 2012 Best Presenters: Robert Downey Jr., Bridesmaids, More

Justin Bieber, Diddy, More Tweet About The Oscars

‘My mom always told me to pack two jackets for red carpets,’ Seacrest writes after Sacha Baron Cohen spills ‘ash’ on him. By Jocelyn Vena Diddy arrives at the 2012 Oscars Photo: Getty Images During Sunday night’s (February 26) Oscars , celebrities took to Twitter to react to the wins (both their own and those of their colleagues), the looks , the show itself, and, of course, that Dictator stunt pulled on Ryan Seacrest . “My mom always told me to pack two jackets for red carpets,” Seacrest joked about being plastered with “ashes” on the red carpet by Sacha Baron Cohen, who was done up in his Dictator character. “Always wondered why. Now I know.” His lady love, Julianne Hough, also laughed off the incident, adding, “Awe! @RyanSeacrest It’s ok, we’ll just make pancakes with the leftovers! #goodcomposure ;)” Diddy managed to snag some Oscar gold as the executive producer of the Best Documentary winner, “Undefeated.” “God is the greatest!!!!” he wrote . “Thank you! #undefeated!!!!” He later added, “I am buggin.” He got some love from a number of folks, including Ellen DeGeneres, who wrote , “@iamdiddy did it! Congratulations on Best Documentary!” Justin Bieber took to Twitter to congratulate host Billy Crystal, who featured the young pop star in his opening montage. “a BIG SHOUTOUT to Billy Crystal. Thanks for letting be a part of the show and you killed it tonight. #muchlove,” he wrote. One of the big topics of the night was Octavia Spencer, who won for her supporting role in “The Help.” Oscar winner Jennifer Hudson wrote , “Yes!!!! Welcome to the family Octavia !! Congrats!!! Amazing!!” “Vampire Diaries” star Ian Somerhalder also had love for Spencer, writing , “Congratulations Octavia!!!!!! You deserve this- you’re amazing. Enjoy it, it’s your night Xo Ian.” Despite not taking home an Oscar for “My Week With Marilyn,” Michelle Williams seems to have made a friend in Perez Hilton, who wrote , “There is something so delicate and precious about Michelle Williams! I just wanna be her friend and give her lots of hugs! #Oscars.” Hough was back on Twitter at the show’s end to send love to Meryl Streep, who did take home an Oscar for her lead role in “The Iron Lady.” “Meryl makes it possible to be the best at what you do yet still keep your values family and friendships first,” she said. “That’s what makes Meryl, Meryl.” While the show is all about that little statue that gets handed out to the winners, Kim Kardashian weighed in on some of the night’s looks. “Wow Angelina went fun & sexy!!!! LOVE,” she wrote . “OMG Gwenyth Paltrow looks soooo chic! WOW. Wow JLO looks amazing!!! Emma Stone looks beautiful! The glam on the red carpet is heating up!” The MTV Movies team has the 2012 Oscars covered! Keep it locked at MTV.com all night and beyond for updates on the night’s big winners and the best red-carpet fashion . Join the live conversation by tweeting @MTVNews with the hashtag #Oscars. Related Videos Oscars 2012: Show Highlights Oscars 2012: Red Carpet Highlights Related Photos Oscars 2012: Parties Oscars 2012: Winners

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Justin Bieber, Diddy, More Tweet About The Oscars

Oscars 2012 Predictions: Best Picture

While we appreciated the risk-taking ‘Tree of Life,’ safe bet is ‘The Artist.’ By Kevin P. Sullivan B

The Winners Speak! Backstage at the 2012 Film Independent Spirit Awards

“Nothing will come from this if you win!” joked Seth Rogen as he opened his hosting gig at the 2012 Film Independent Spirit Awards . “Absolutely nothing. This won’t help you get paid anymore — if anything, it proves you’ll work for nothing.” That may be painfully true for many of the indie film nominees honored today at the annual Spirit Awards, held in a tent on the beach in balmy Santa Monica. But what does it mean that the night’s big winner was the Harvey Weinstein-backed awards season juggernaut The Artist ? The Oscar frontrunner swept the Spirit Awards Saturday in a precursor to what most pundits expect will transpire Sunday night at the Academy Awards ; the black and white silent film took home four awards, including Best Feature, Best Director ( Michel Hazanavicius ), Best Actor ( Jean Dujardin ), and Best Cinematography, further sealing its grip on the 2012 awards race. Along the road to Spirit Awards victory, the $15 million The Artist went up against the likes of more conventional indies. (Rules of eligibility includes films made for no more than $20 million.) In the Best Cinematography category, the Weinstein-backed favorite competed against, for example, Evan Glodell’s Bellflower , a film shot on a production budget of $17,000; for Best Feature it vied with 50/50 , Beginners , Drive , Take Shelter , and The Descendants . Additional winners on the night included Dee Rees’ Pariah , Alexander Payne’s The Descendants (which won Best Screenplay and Best Supporting Actress for Shailene Woodley), Asgar Farhadi’s A Separation , Michelle Williams for My Week with Marilyn , and Christopher Plummer for Beginners . (Full winners list here .) In other words – on the whole, not quite so different from the field competing tomorrow at the mainstream Oscars. Maybe that’s why, after Rogen’s fantastic Hollywood-skewering opening monologue, the Spirit Awards started to flag a bit in, well, spirit. By the time the absent Jean Dujardin won Best Actor about halfway through (co-star Penelope Ann Miller, the film’s mascot for the night, accepted on his behalf) the certainty of Artist domination seemed to loom in the air. Once Michel Hazanavicius arrived, fresh from the LAX runway with a police escort minutes before his name was called as Best Director, the sweep was sealed. Would any non-Oscar frontrunning independent filmmaker honorees have gotten the VIP treatment all the way down the 10? Were these the Oscar rehearsals, or the preeminent celebration of American independent film? Well, at least the show had its moments. Highlights included Rogen’s monologue; John Waters acting as MC for the night; Michelle Williams accepting her trophy with a nod to the very first Spirit Awards she ever attended, back when she wore her own clothes and cut her own hair and felt at home in the “room full of misfits, outcast, loners, dreamers, mumblers, delinquents, dropouts – just like me.” Backstage, winners trickled in throughout the night, sharing their own perspectives on craft and the awards show mania. Christopher Plummer , Best Supporting Actor: The jovial Plummer kicked off the winners’ room. “[Michael’s father, his character] was a true character and was written with such affection, such a lack of self-pity. It was fun to do, it made me so relaxed. His marvelous humor against all odds [is] a marvelous lesson to everyone who goes through cancer and dying. He treated it with a sort of carefree sense of humor, no self-pity at all.” Hinting at his next gig on an HBO project, Plummer addressed his continuing career at age 82. “I have to [keep acting] because I may croak at any moment – I have to keep going!” How did he keep from being upstaged by Cosmo the dog on the set of Beginners ? “We had a little private talk, and now that you mention it Cosmo and Uggie , I think our Cosmo was much more human than Uggie . Uggie was just a trickster – our dog had soul .” Shailene Woodley , Best Supporting Actress: “I’m so grateful,” Woodley began. “I don’t know if ‘surprised’ is the right word. I think gratitude kind of fills it all. It’s been such a beautiful experience for me in my life and totally transformed me as a human being, so I’m grateful to have been a part of the film and to have learned so many valuable amazing lessons.” “Every single person involved in the film was incredibly positive and had such gentle, kind, graceful souls. Being on the film as an 18-year-old and experiencing that right as I was about to start my life on my own, it was kind of the catalyst for me coming into my own. I don’t think there are words for me to express my gratitude for that.” As for the Oscars, Woodley has love for the Help star she went up against during the Golden Globes. “I am so stoked for Octavia [Spencer] – she is so awesome! She’s such a nice human being. [Pause] This is crazy. I was not expecting it and I got up there and said um a lot, I’m sure I’m going to be mortified when I watch it.” The Artist crew, Best Feature/Best Actor/Best Cinematography/Best Director: What did producer Harvey Weinstein bring to the film? “His weight,” joked producer Thomas Langmann, who credited Weinstein with taking a chance on The Artist when most backers balked. “We kept going to try to finance this meeting and we had very short meetings… nobody wanted to hear about this one. People told me this is against conventional wisdom. We managed to find the money and wanted to shoot here in Hollywood…” “This movie was made to be a tribute to Hollywood and cinema and especially American cinema. So to come back… and be rewarded by the Hollywood community, is a dream come true.” How’s life treating director Hazanavicius, who’s been on a nonstop tour through the home stretch of his award tour? “It’s not the worst job you can find,” he answered. “You come, you receive awards, everyone is smiling at you and is nice and they tell you you’re talented and have a very funny, charming French accent. [The police escort from LAX] was great. That was the best part.” “It’s physically tiring but the energy is so good that you don’t really feel it,” he said. “We’re really excited and are enjoying every moment we can enjoy.” Looking back to the beginning of their journey, did Weinstein promise the Artist crew he could get them to the Oscars? “Harvey knows how to promise things like that, yes. Sometimes he’s right.” Michelle Williams, Best Actress: “My friend was joking that until now I have been the Susan Lucci of the Indie Spirit Awards!” Williams said, beaming. “I have been luckier and luckier to be working with better and better people.” On how she found her way into Marilyn Monroe: “In a way you had to remove the fact that she was an icon, because that was too daunting… and think of her as an ordinary girl. There wasn’t a direct path in to her, I found. The only way in was time, so much time, and in a way letting her dictate, letting her take shape — letting all this information take shape instead of me trying to control it.” “I just do some work. I just sort of keep my head down, which is a very sort of Montana attitude. There’s this Amish thing, this Quaker thing I like – ‘Eyes to the ground and heart to the skies.’ I just keep focused.” Steve James, dir. The Interrupters , Best Documentary: “It means a lot for a film like this because this is a film about urban violence in Chicago, and when we were making it we never would have anticipated the reaction the film has gotten in the past year. It means a lot for what the film’s about and for us as independent filmmakers – I’ve been doing this now for 27 years, so it means a lot.” Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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The Winners Speak! Backstage at the 2012 Film Independent Spirit Awards

Tim Geithner on The Privilege of Being An American

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Last Friday Turbo Timmah sat down with CNBC’s “chief economics correspondent” Steve Liesman. There were many pieces to this interview that were annoying (such as saying oil prices are the result of the economy getting better), but the line that should have gotten everyone’s attention was this one: “if you don’t ask the most fortunate Americans to bear a slightly larger burden of the privilege of being… Broadcasting platform : YouTube Source : zero hedge Discovery Date : 24/02/2012 16:39 Number of articles : 2

Tim Geithner on The Privilege of Being An American

Is The Killing’s Joel Kinnaman Your New RoboCop?

These deals-in-the-making stories always carry a grain of salt since nothing in Hollywood is ever so sure just about until the cameras roll, but the trade scoop that The Killing ‘s Joel Kinnaman may be your next RoboCop is just too tantalizing. Joel Kinnaman who , you may ask, and rightly so? The Swedish-American actor’s been in a handful of stateside film projects here and there (including the recent Safe House and, briefly, Fincher’s Girl with the Dragon Tattoo ) but the closer I look at his work, the more enticing this casting move becomes. According to a Tweet by Variety’s Jeff Sneider (also confirmed by Deadline and The Hollywood Reporter ), Kinnaman has been offered the lead in Jose Padilha’s reboot of Paul Verhoeven’s 1987 sci-fi pic. “Dealmaking is expected to begin imminently,” writes THR’s Boris Kit, whatever that really means. In any case, it’s the first solid movement on a RoboCop lead since those Michael Fassbender fantasy rumors were waved away by the secretive Padilha. Kinnaman’s not an obvious choice to headline a high profile franchise reboot, but he’s been dancing on the cusp of breakout status for a few years. The 32-year-old Kinnaman got his start in Swedish film, most notably taking the lead in Daniel Espinosa’s crime adaptation Easy Money (AKA Snabba Cash ), based on Jens Lapidus’s novel; the film is being released in the U.S. on July 27 and will be remade in English with Zac Efron , while a Kinnaman-starring sequel, Snabba Cash II , is set for release in Sweden in 2012. According to the Swedish website Ostran.se , Kinnaman was once up for the leads in both Thor and Mad Max 4 (the roles went to Chris Hemsworth and Tom Hardy, respectively), so Hollywood filmmakers have already been looking at him to carry a major studio release. But while he’s obviously pretty easy on the eyes, it’s his screen presence — whether speaking English and Swedish — that’s impressed me the most. Take a look at Kinnaman below and weigh in: Is there cause to be excited if this is indeed your new RoboCop? Snabba Cash trailer: In a scene from Swedish franchise entry Johan Falk: National Target (opposite Mission: Impossible Ghost Protocol ‘s Samuli Edelmann): Behind the scenes on AMC’s The Killing (via Slashfilm ): In the trailer for Snabba Cash II (via Playlist ):

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Is The Killing’s Joel Kinnaman Your New RoboCop?