Really Vogue? I thought Vogue was a premium magazine, the kind of magazine that makes the trends, and doesn’t follow the trends. You know they are the ones who see every designer out there and say “this one gives us ad money, let’s say his coat is the trend of the season, and then we can go to all the other designers and sell them bigger campaigns for the same results, because everything in the media is a fucking ad, since the advertising control revenues”…. I didn’t think Vogue was some bullshit tabloid, bottom feeders…who have decided to feature the bootleg siblings of the more famous “models”… This is Kyle, Bella and Lottie (Kate Moss’ sister) and not Kendall, Gigi and Kate Moss…because I guess it makes for a fun sisterly story in a world where none of this shit matters, but these idiots think it does… Garbage masturbatory bullshit perpetuating these idiots… The post Kylie Jenner, Bella Hadid, and Lottie Moss for Vogue of the Day appeared first on DrunkenStepfather .
In February of this year, Red Hot Chili Peppers lead singer Anthony Kiedis dumped some Duth model for this Wanessa Milhomem….in May of this year… Red Hot Chili Peppers lead singer Anthony Kiedis dumped dumped Wanessa Milhomem for some blonde chick… Red Hot Chili Peppers lead singer Anthony Kiedis is 52 while Wanessa Milhomem is 22 or 23….and I think that’s a friendly reminder to men everywhere to get rich, because when you’re rich, you will be able to fuck models too.. The reason, it’s a competitive industry, there are millions of hot enough girls in the worlds, hundreds of thousands who are hot and talented enough to be instagram models, tens of thousands vapid enough to be instagram models…while all of them…will date rich guys to help their career, lifestyle, etc…it’s just a fact…throw fame in the mix, and the model pussy, all model pussy…is yours…even if they aren’t even fans of your music…even if your fame is low level…but you have money to back it up…Girls fucking love that shit… Now I’ve never heard of Wanessa Milhomem…I’m going to assume she’s like other mail order bride models…..she’s fucking hot, I trolled her instagram HERE …and she’s doing topless campaigns for god knows what…and who cares..I’m into it.. The post Wanessa Milhomem Topless for Some brand of the Day appeared first on DrunkenStepfather .
Ruby Aldridge is Victoria’s Secret “angel” Lily Aldridge’s and fashion photographer Miles Aldridge’s baby sister. Her mom was a Playboy bunny in the 60s, her dad an artist for the Beatles Albums. Born and raised in LA amongst the rich kids, some of whom are the kids of the people she’s posing with from Red Hot Chili Peppers. Prior to her becoming a model and prior to her sister becoming a major commercial model, I used to have an internet friendship with her, on facebook. She was lovely, until her and her sister’s career took off, then she disappeared, as most girls on their quest for fame do, but I don’t care, I’m not bitter, I’m just happy I finally get to see her little model tits, cuz really that’s all I care about when it comes to inter-personal relationships. I have no idea if she is having sex with Anthony Kiedis, I just know this is for a photoshoot for Vogue Russia, which is still Vogue, and I’m actually happy with the direction her career has gone, cuz let’s face it, there’s nothing really worse than an LA model who doesn’t show her tits like a little slut for people in Canada to try to masturbate to, while reading old conversations we had on AIM that I saved in case she one day got famous. Here are the pics. Lovely nipples on a lovely girl. I’m a fan.
Ruby Aldridge is Victoria’s Secret “angel” Lily Aldridge’s and fashion photographer Miles Aldridge’s baby sister. Her mom was a Playboy bunny in the 60s, her dad an artist for the Beatles Albums. Born and raised in LA amongst the rich kids, some of whom are the kids of the people she’s posing with from Red Hot Chili Peppers. Prior to her becoming a model and prior to her sister becoming a major commercial model, I used to have an internet friendship with her, on facebook. She was lovely, until her and her sister’s career took off, then she disappeared, as most girls on their quest for fame do, but I don’t care, I’m not bitter, I’m just happy I finally get to see her little model tits, cuz really that’s all I care about when it comes to inter-personal relationships. I have no idea if she is having sex with Anthony Kiedis, I just know this is for a photoshoot for Vogue Russia, which is still Vogue, and I’m actually happy with the direction her career has gone, cuz let’s face it, there’s nothing really worse than an LA model who doesn’t show her tits like a little slut for people in Canada to try to masturbate to, while reading old conversations we had on AIM that I saved in case she one day got famous. Here are the pics. Lovely nipples on a lovely girl. I’m a fan.
Steven Spielberg, Anthony Kiedis, Jack Black, Ben McKenzie were all spotted leaving the Los Angeles Lakers basketball game at the Staples Center. Steven Spielberg like a legend he is stopped and greeted all his fans! “Like” us on Facebook @ facebook.com
Chili Peppers reveal secret to their longevity — and their brand-new album — to MTV News. By James Montgomery Anthony Kiedis and Josh Klinghoffer of Red Hot Chili Peppers Photo: MTV News You would think, given everything that went into the making of I’m With You, that perhaps the Red Hot Chili Peppers would be content to ride off into the sunset. After all, their place in rock history is more than secure, and, really, at this point, why would they endure another hiatus or departure from the fold? Then again, if you really think that, then perhaps you don’t know the Red Hot Chili Peppers. To them, calling it quits has never been an option , and, recharged by the addition of new guitarist Josh Klinghoffer and their brand-new album, they’re raring to go another 28 years. “I feel as excited or more excited about this period — from the writing to the recording to the playing to the anticipation of going on tour — as I’ve ever felt about anything that we’ve done, from the beginning,” RHCP frontman Anthony Kiedis told MTV News. “Sitting here, doing these interviews, listening to Josh — I often just go into a daydream of playing these songs live. And it’s the same feeling I got in 1983, when I couldn’t sleep the night before a show, and if I did fall asleep, I’d have a surreal little dream about the show itself, and, you know, I still have that feeling about this record … it’s a good feeling.” And really, that feeling is the key. Because unlike the thousands of bands that have risen, peaked and crumbled during the Peppers’ career, they’ve never faltered, even during their darkest hours (and there have been plenty of those). But ask them to explain their rather remarkable longevity, and they’ll chalk it all up to one basic feeling: love. It’s what’s pushed them to remarkable heights and pulled them back from the brink more times than they’d care to count. And with I’m With You, that love remains stronger than ever. “There’s probably 1 billion keys, but love could be the strongest: love of what we do and each other,” Kiedis explained. “And just being fortunate enough to create a band that survives this long kind of generates its own sustainability.” “And trusting yourself enough to be yourself and to take yourself as far as you can go,” bassist Flea added. “Not ever trying to do any kind of art to fit in to anything else and just being yourself. We’ve gone out of being real cool, not real cool a bunch of times. So believing in that love: That’s the key.” Related Videos MTV First: Red Hot Chili Peppers
‘It’s especially an honor to be able to give back to the Japanese community that’s been so devastated and been so great in supporting us,’ Bennington says. By Gil Kaufman, with reporting by Vanessa Whitewolf Chester Bennington of Linkin Park performs to raise money for Japanese tsunami relief in Los Angeles Photo: Kevin Winter/Getty Images Linkin Park got together with 1,100 of their biggest fans on Wednesday night to play a very special show. Normally used to rocking tens of thousands, the group squeezed into the very intimate Mayan Theater in Los Angeles for a benefit for Japanese earthquake and tsunami relief that was fueled by their followers’ energetic fundraising efforts. “It’s a really exciting night tonight. We’re performing a show with he B’z from Japan, [the] biggest rock band in Japanese history,” explained singer Chester Bennington before the gig. “It’s an honor to be able to play with these guys, and it’s especially an honor to be able to give back to the Japanese community that’s been so devastated and been so great in supporting us.” The show was populated by fans who met the group’s challenge to each raise $500 or more for Japanese tsunami relief in order to earn a pair of tickets. It was a continuation of LP’s Music for Relief charity, which was started in the wake of the 2005 Indian Ocean tsunami, which has subsequently raised funds for victims of other natural disasters, including the 2010 earthquake in Haiti. “We wanted to do something where we kind of engaged our fans to give money, because we’re always asking them to give money all the time because unfortunately, there are natural disasters affecting so many places all over the earth that we’re always asking our fans for money,” explained Bennington of the group’s ongoing fundraising efforts. “We wanted to do something that was exciting for our fans and gave them something to look forward to, a goal that was beyond anything they’d done before.” One initial idea had LP donating all the money from a show in Japan to relief efforts. But that felt like the obvious thing to do, so instead they came up with the notion of a secret show that would engage fans by having them “earn” the tickets. “We set a goal that we thought was pretty high, at $250,000, and amazingly our fans — from both Linkin Park and B’z — have generated over $350,000 in 60 days,” he said. “Which is unbelievable considering not only the devastation in Japan but also the economic struggles people are having here in the U.S. as well.” In fact, he said proudly, the top fundraiser brought in more than $13,000. Related Artists Linkin Park
‘Brendan’s Death Song’ is a tribute to longtime friend (and L.A. icon) Brendan Mullen. By James Montgomery Red Hot Chili Peppers’ Anthony Kiedis The Red Hot Chili Peppers’ I’m With You is the kind of album that comes with plenty of good stories — everything from the lengthy hiatus that preceded it to the departure of stalwart guitarist John Frusciante and the rejuvenation that came with the addition of new ax-man Josh Klinghoffer . Shoot, even first single “The Adventures of Rain Dance Maggie” and I’m With You ‘s title come with rather sizeable preambles. But on an album brimming with backstories, none is as poignant as the tale attached to “Brendan’s Death Song,” an ode to the Chili Peppers’ longtime friend (and L.A. legend) Brendan Mullen, who not only gave the band their first break, but co-wrote the book that documented their first 25 years. And, when he died in 2009 at the age of 60, his passing was symbolic, in more ways than you might think. “He died [close to] his birthday, which was also the rebirth day of the Red Hot Chili Peppers,” Anthony Kiedis told MTV News. “It was the very first day that we got together to play with Josh. And so all of those confluencing things led to that song being written on the first song of the Josh era.” While “Death Song” is certainly a somber affair, it is also a celebration of Mullen’s life and the beliefs he held dear to his heart. That’s why, even though it was written very early in the process, the Peppers knew it was a lock for I’m With You all along. “He was a true pioneer in the avant-punk rock-music scene of Hollywood in the late ’70s, for the purest and most beautiful of reasons. His job was to create a place and space for a new music to exist and a new scene to exist, and he did that by starting a club called the Masque, a basement club on Hollywood Boulevard,” Kiedis explained. “He lit the match. And then he never lost that love and that enthusiasm for art and music and literature and people and kind of an underground scene; he kept that alive in his heart until the day he died. “He ended up booking Club Lingerie shows through the ’80s, which was just the place to get a show if you were an L.A. band or a New York band or a D.C. band, and Flea and I made our first demo tape for a few hundred bucks, with Spit Stix as the engineer, the drummer of Fear, and it was really good and we loved it and believed in it, and we took it everywhere and tried to play it for people, and most of the times they wouldn’t listen,” he continued. “And we took it to Brendan in the middle of the day and knocked on his door and said, ‘Will you listen to this?’ [We] put it in the boom box and danced our merry dance for Brendan, and he said, ‘Next Thursday, you’re opening for Bad Brains.’ ” So, like much of I’m With You, “Brendan’s Death Song” is very much about life and loss … but, at the same time, it remains a tribute to the undying spirit and ethos of both the man and the band. “There are people like that. You know it when you meet them and hang out with them; their integrity is real,” Kiedis said. “And I’m so happy that song came around. It seemed preordained for it to fall into our laps on that day.” Related Videos Red Hot Chili Peppers: Don’t Call It A ‘Comeback’ Related Artists Red Hot Chili Peppers
After departure of John Frusciante, RHCP’s new guitarist contributed in spades to brand-new, boundary-pushing I’m With You. By James Montgomery Anthony Kiedis of Red Hot Chili Peppers Photo: MTV News Over the course of their 28 years, change has been a near constant for the Red Hot Chili Peppers … particularly when it comes to the man charged with playing guitar. Beginning with Jack Sherman, the Peppers have run through a string of ax men, including Hillel Slovak (who tragically died of a heroin overdose in 1988), Arik Marshall, Dave Navarro and, of course, John Frusciante, who not only played with the band the longest, but was famously responsible — in some form or another — for their biggest hits and best albums. As you probably know by now, Frusciante continued the transitional trend when he left the Peppers during the hiatus that preceded their brand-new I’m With You album … leaving a rather sizable hole in the band’s lineup, and an even larger pair of shoes to fill. Luckily, the band didn’t have to look far to find his replacement: 31-year-old Josh Klinghoffer, who was not only a friend of Frusciante but had toured with the Chili Peppers towards the end of their Stadium Arcadium trek. And no, they didn’t even think about going with anyone else. “He was the only choice, and a lot of it had to do with the fact that he was our friend, and it’s just rare that you have someone who’s right there and completely overqualified for the job. I mean, that combination doesn’t happen every day, so to ignore it would have been stupid,” RHCP frontman Anthony Kiedis told MTV News. “And it felt really good to call your friend and ask if they wanted to play music, as opposed to going to a stranger and asking them that.” So Klinghoffer stepped in and almost immediately found himself in the studio, as the Peppers began work on I’m With You. And if he was intimidated, well, the soft-spoken guitarist certainly wasn’t about to let his new bandmates know about it. “I just tried to stay in the moment, remain present,” he said, smiling slightly. “I mean, I’ve known them for a long time, and knowing how they work and just how much they care about what they do … The band, from its inception, has always been about four people getting into a room and making music together. And that’s whether I brought in a chord progression or Flea did, or John in the past, or anyone before that, it was the same. We were doing it together.” Of course, Kiedis was more effusive with his praise, saying that Klinghoffer not only fit in with the band but breathed new life into it. And it was because of him that I’m With You pushes the Peppers’ sound further than it’s ever gone before. “We had a load of faith in Josh coming into this band, and it was kind of understood that we are a band of equals when it comes to writing and contributing. The more the merrier,” Kiedis said. “There’s something that happens during that process of just playing for the sake of playing, for communicating, for letting your abilities mingle with those of the guy next to you. “Both Josh and Flea would come in with ideas, homework, that they had done, and since Flea had been to school to learn piano and theory, he was coming in more frequently with piano chords instead of bass lines,” he continued. “Josh kind of understands it without school, and Flea understands it, so their conversations were quite beautiful, and it sounded like Thelonious Monk talking to Coltrane or something. I mean that, honestly.” Related Videos Red Hot Chili Peppers: Don’t Call It A ‘Comeback’ Related Artists Red Hot Chili Peppers
First album in five years, out Monday (August 29), is ‘us, with a whole new thing,’ Anthony Kiedis tells MTV News. By James Montgomery Red Hot Chili Peppers Photo: MTV News Anthony Kiedis makes no bones about the fact that the Red Hot Chili Peppers are “a new band,” despite all evidence to the contrary. After all, not many “new” bands have sold more than 65 million albums worldwide, won a grip of Grammy awards, survived a series of rather-seismic lineup shifts or made some of the most-iconic music videos of all time. And even fewer have actually been a band since 1983. And yet, here is Kiedis, talking about the Chili Peppers’ 10th studio album, I’m With You, in stores Monday (August 29), and how its recording signifies not only a new era — it’s the first with new guitarist Josh Klinghoffer, who replaced longtime member John Frusciante in 2009 — but a new band, too. As Kieids explained to MTV News, it has “a lot to do with” Klinghoffer. “He’s definitely a big part of why it’s different: different person, different chemistry, different experience, different era … we’re a new band, and thank goodness. “It seemed to be, whether we liked it or not, time for change to take place. So, an opportunity was created, one that instantly seemed to be a wonderful occasion. It’s so exciting when you get thrown a curveball by the universe, and you turn that curveball into a home run. And I feel like that’s what happened … Curveballs used to break my heart and freak me out, but now, I know from experience that they usually lead to something cool.” And on I’m With You, not only do the Peppers begin a new chapter, but they push their signature sound further than they’ve ever pushed before. Sure, Flea’s propulsive bass lines still form the backbone, but the new songs are amplified and expounded upon by his time spent studying music theory at USC. In a new twist, most of the tunes began as piano compositions and slowly blossomed in the recording studio, with Klinghoffer adding slow-diving guitar flourishes (and the occasional keyboard, too). There are percussive tones added by Brazilian musicians and organ peals from former Beastie Boys associates. As Kiedis put it, “It’s more ethereally complex and layered and kind of spooky and moody and dreamy, yet still profound. … The spirit of the Red Hot Chili Peppers remains and changes and moves on. It’s us, with a whole new thing.” Of course, that “new thing” couldn’t have been created without putting the old thing to bed — which means that, for the first time in their careers, the Chili Peppers decided to take a break from the business of being a band: A break that, to hear Kiedis tell it, was a long time coming. “We had a little coffee break there … it was a hell of a big cup,” he said, laughing. “It was kind of an unspoken, obvious time for [it]. By the end of the Stadium Arcadium tour, which was a year and a half, everybody was like a pile of broken dolls, and no one could really conceive of not taking a break. “So when somebody uttered ‘Two-year break,’ everyone just hip-hip hoorayed, and without really knowing what that would mean, it was a good idea,” he continued. “It was just an innate, gut-instinct good idea. And everybody went and did things that made a lot of sense.” And though the self-imposed hiatus lasted two years (and included Frusciante’s departure,) there was never a moment where Kiedis ever thought about doing anything but the Red Hot Chili Peppers. And even if fans began to worry about the band’s future — Arcadium was released in 2006, making this the longest period between albums in RHCP history — he never did — partially because he never lost the passion, but mostly because he knew rebirths take a long time. “I have never felt anywhere close to being done. I was pretty sure after the last record that the best was yet to come, but I always kind of feel like that, like if you want it, it’s there,” he said. “I like really old people that still make out intensely with their wives or girlfriends … why would you ever stop?” Related Videos MTV First: Red Hot Chili Peppers Related Artists Red Hot Chili Peppers
