Tag Archives: mma

Fatwa on Molly

“There is no more Molly,” reports Seattle Weekly. Molly Norris, formerly a cartoonist for the alternative paper, has gone into hiding. At the suggestion of the FBI, “she is, as they put it, 'going ghost': moving, changing her name, and essentially wiping away her identity.” Why? Because, as the New York Times reports, imam Anwar al-Awlaki, an American-born Islamic supremacist who is himself in hiding in Yemen, issued a fatwa in July declaring that Norris “should be taken as a prime target of assassination” because of a cartoon she drew two months earlier titled “Everybody Draw Muhammad Day.” In October 2001, by the way, the New York Times described al-Awlaki, who then ran a mosque in Virginia, as someone who “is held up as a new generation of Muslim leader capable of merging East and West.” How's that working out? Here's another question: Where is President Obama? Last month, speaking to a mostly Muslim audience at the White House, the president strongly defended the right of another imam held up as a moderate to build a mosque adjacent to Ground Zero. The next day, and again at a press conference last week, Obama said he was merely standing up for the First Amendment. As far as we recall, it's the only time Barack Obama has ever stood up for anybody's First Amendment rights. Now Molly Norris, an American citizen, is forced into hiding because she exercised her right to free speech. Will President Obama say a word on her behalf? Does he believe in the First Amendment for anyone other than Muslims? added by: ahiguy

‘Catfish’ Subject Is A ‘Bit More Wary’ When It Comes To The Web

Nev Schulman now understands where taking risks ‘can lead when it comes to the Internet.’ By Kara Warner Nev Schulman Photo: MTV News The much-buzzed-about little indie that could, “Catfish,” is finally in theaters. Despite the unusual approach Universal took with the marketing campaign — i.e., setting up the Sundance darling as a genre or horror-like film — it is a must-see movie with a very timely and unique message. The heavily hyped documentary revolves around NYC-based photographer Nev Schulman and a series of curious events that occur when he begins an online friendship with an 8-year-old girl and a romantic relationship with her older sister. When MTV News caught up with the filmmakers, Henry Joost and Ariel Schulman, they addressed the persistent “is it real?” debate . A few weeks later, we had the opportunity to sit down with all three of the “Catfish” guys: the filmmakers and the movie’s star/subject, Nev Schulman. Because the film exposes a very real and, at times, emotional real-life experience related to the realm of online relationships and social networking, we asked Nev if he has since changed his virtual presence or approach (without revealing any spoilers, of course). “Through all of this, basically, I’m trying to stay true to my regular behavior,” Schulman said. “I like to take risks, putting myself out there, saying yes to things. I have certainly a new appreciation for where that can lead when it comes to the Internet,” he explained. “So when it comes to meeting new people online, I’m definitely a little bit more wary now as far as getting to know them too personally before I actually meet with them in person, but as far as using the Internet and Facebook and Twitter and YouTube and having accounts on all these social-networking websites, I think it’s great. I think that there’s a lot of good that can come from it.” Nev Schulman added that until you really know someone, it’s best to err on the private side of things. At least in the beginning of a virtual relationship — no matter if it’s platonic or romantic. “Basically, what it comes down to is, keep it private, because you can always share with people once you’re ready to, but there’s no reason to willy-nilly share everything about yourself with anybody.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

Go here to read the rest:
‘Catfish’ Subject Is A ‘Bit More Wary’ When It Comes To The Web

Nelly And Kelly Rowland ‘Extend The Story’ Of ‘Dilemma’ With ‘Gone’

‘Our chemistry has already proven to be good,’ rapper tells MTV News. By Jayson Rodriguez Kelly Rowland and Nelly Photo: Getty Images The last time Nelly and Kelly Rowland collaborated, they scored a pop smash with their 2002 hit “Dilemma,” which was named one of the most popular songs of the decade by Billboard. Now, eight years later, the duo are reuniting to give it another go, but to hear Nelly explain it, the forthcoming track “Gone” isn’t a sequel to “Dilemma.” Rather, the song, from Nelly’s upcoming release 5.0, is an “update.” “I don’t want to say it’s a sequel. I don’t want to diminish anything with ‘Dilemma’ or have an expectation you can’t live up to when you do that,” Nelly told MTV News. “When you do that type of thing, there’s people who are already, ‘I don’t wanna hear it. It’s supposed to be “Dilemma.” ‘ You already being negative [before] pushing the button! “It’s one of those things were we did reconnect,” he continued. “Our chemistry has already proven to be good, whether it was onstage or in the studio. It was something that we wanted to reconnect with. It was produced by Jim Jonsin. … It’s a cool joint. I think people will get it. It can never be ‘Dilemma,’ but we wanted to extend the story. It’s continuing the story a little bit more, seeing her again.” Before “Gone” hits the airwaves, however, Nelly is riding high off the success of “Just a Dream” cracking the top 10 on the Hot 100 chart. The record, also produced by Jonsin, is Nelly’s return to the charts in the wake of his commercially disappointing last album, 2008’s Brass Knuckles. He credited his fans with the song’s success. “It’s always great when your fans come out and support [you] anytime in your career,” he said about the achievement. “But definitely after 10 years, and when you haven’t been quite on the scene as much as your fans would like you to, but when they do get a glimpse of you and they feel good, it also makes you feel good.” Are you excited to hear Nelly and Kelly’s new track? Let us know in the comments! Related Artists Nelly Kelly Rowland

Read this article:
Nelly And Kelly Rowland ‘Extend The Story’ Of ‘Dilemma’ With ‘Gone’

Project Runway Castoff Michael Drummond Spills on Ivy, Michael Costello, and Fashion Week

Michael Drummond was Project Runway ‘s reliable quipper this season, popping out Crucible jokes and cat-skinning metaphors with major aplomb. In as interview with Movieline this morning, he was diplomatic enough to declare Andy, Mondo, and even Gretchen his choices to win the season, but I wanted to know about the less-lovable parts of his Runway tenure. Below, the St. Louis native talks about the challenge that got him eliminated, Fashion Week, and remaining cool when Ivy disgraced him in front of the judges.

Read more:
Project Runway Castoff Michael Drummond Spills on Ivy, Michael Costello, and Fashion Week

Buzz Break: Big Bang Theory’s Even Bigger Hiatus

Vince Vaughn and Kevin James Have a Big Gay Problem in the Dilemma Trailer

“Ladies and gentleman, electric cars are gay.” So says Vince Vaughn’s character at the beginning of the trailer for Ron Howard’s new relationship comedy, The Dilemma . Not that kind of gay, just gay . You see… um. Huh. Here’s just a guess: The dilemma for Universal will be in explaining this trailer to GLAAD.

Read more here:
Vince Vaughn and Kevin James Have a Big Gay Problem in the Dilemma Trailer

‘Devil’: The Reviews Are In!

Critics praise M. Night Shyamalan-produced flick as ‘a terrific little horror thriller.’ By Eric Ditzian Bojana Novakovic in “Devil” Photo: Universal Pictures Don’t you dare say elevators are dull. You might fall asleep standing up while riding to your appointed destination, but Hollywood has something of a love affair with that utilitarian contraption . Christopher Nolan blew our minds this summer with his elevator scene in “Inception.” Stanley Kubrick unleashed a terrifying river of blood from behind those sliding doors in “The Shining.” And James Cameron has worked elevator action into “Aliens,” “Terminator 2” and “True Lies.” The latest to join these rather elevated cinematic ranks is M. Night Shyamalan. He’s the brains behind “Devil,” a new horror flick with a simple premise: What if you were unlucky enough to ride along with Satan? Shyamalan recruited Brian Nelson (“30 Days of Night”) to pen the script and John Erick Dowdle (“Quarantine”) to direct. The movie arrived in theaters Friday (September 17). Here’s what the critics are saying: The Story “While the mostly unknown actors have their shaky moments, there’s a silver lining; unlike in many horror movies these days, it’s unlikely you’ll guess the order in which characters die. Five people are stuck in a malfunctioning elevator. All of them are suspicious types with shady histories. And thanks to some largely unnecessary voice-over, we’ve been given the heads-up that the Devil occasionally likes to round up a few sinners into a place of no escape, and torment them to death as the world watches and becomes more cynical as a result. In effect, this means that every few minutes, the lights in the elevator go out, scary noises are heard, and when they come back up, something horrible has happened and the surviving captives go even more nuts. Meanwhile, the cops outside try to figure out possible motives for whatever it is that’s going on, while trying to break in and free the lift-bound. ” — Luke Y. Thompson, E! Online The Lowdown on M. Night “Perhaps if M. Night Shyamalan is planning to work as a producer (and not a writer/director) for a few more years, I’d say that ‘Devil’ is most definitely a welcome step in the right direction. He’s the one who hatched the simple-yet-nifty concept, he’s the one who hired Nelson and Dowdle, and he’s the one who keeps making my beloved Philadelphia look so damn pretty on film — so clearly the man still has some skills for scary storytelling. Frankly I think M. Night still has too much talent to stay ‘disappointing’ forever, and if slight-yet-entertaining matinee-style horror flicks like ‘Devil’ are what he’s focused on, I think that’s good news for everyone.” — Scott Weinberg, FEARnet The Dissenters “Cinematically, ‘Devil’ has no particular style other than to tell the story in the most direct way possible. Even the sequences where the lights flicker and evil has its way with the elevator people (as seen in the trailers) are unoriginal, flat in tone and far from shocking. So what does ‘Devil’ have to offer the horror community at large? Not a whole hell of a lot. The bloodshed is light, the deaths mundane and the supernatural aspects kept to an extreme minimum. Maybe the title Lil’ Devil would have been more accurate since that’s the amount you are going to get.” — Nomad, Dread Central The Reveal “If you’ve watched enough films like this, you may also guess which one the ‘Devil’ is 2 minutes in, and though the film made a great effort to throw the audience, I was a little disappointed to find out I had been right. However, the climax is frightening, almost living up to the promise of all that’s happened before, and the way the ending is handled feels rewarding and satisfying. After the immaculately wrung tension of the last 80 minutes, I felt like I’d seen an excellent film. Yes there were moments that could’ve been scarier or more tensely handled, but that’s nitpicking. In its own right it’s a terrific little horror thriller. Surprisingly gore-light, it chooses to scare you with atmosphere and tension instead, and it does a tremendous job at it.” — Ben Greene, MovieWeb The Final Word “For all its preaching about guilt, redemption, punishment and salvation, ‘Devil’ delivers its chills in a compact, efficient package of extreme close-ups, decently-timed surprises and the terror of dread-anticipation. It’s not great, but it’s not bad, and the fellow who foisted ‘The Happening,’ ‘Lady in the Water’ and ‘The Last Airbender’ on the faithful would take that praise any day. No doubt the mind of M. Night is troubled that he didn’t get a directing credit (John Erick Dowdle of the taut and tense ‘Quarantine’ did) for a movie that at least doesn’t further devalue his brand.” — Roger Moore, Orlando Sentinel Check out everything we’ve got on “Devil.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

Continued here:
‘Devil’: The Reviews Are In!

HuffPo Asks, ‘Women of the Tea Party: Who Are You, and What Do You Want?’

What a funny but telling title, the sort of question asked only in war zones or when spotting aliens. Had I received that query in person I would have responded in kind, “Who goes there, friend or foe?” But in this case I was pretty sure I already knew, given the news outlet from whence the question came. And sure enough, I wasn’t long into reading the piece when learning the answer was clearly foe, with malicious intent. The writer was liberal feminist Peggy Drexler , assistant prof of psychology at Cornell Medical School , who wondered if the Tea Party women will come the liberal feminist way on social issues: But it’s fair to assume there aren’t many coming out of this base who will champion issues like gay marriage, choice, and single parent families. Gay marriage and choice are clearly high on Sarah Palin’s list of American evils. Single parent families get a pass for obvious reasons. But as Colleen Campbell [writes]… single mothers are “strong enough and smart enough”… to “handle an unplanned pregnancy”, while continuing to pursue education and a career. In other words: when the going gets tough, the tough keep the baby. So my question to the women of the Tea Party is this. If you take back America from the forces of big government, big spending and big taxes, do you plan to share it with the teenage girl who is unprepared to raise a child, with the gay couple who want the simple right to marry, and with families who may not fit your own definitions? Well, duh, Peggy, isn’t that why the Tea Party germinated in the 1st place? In opposition to your ideology? I’ll leave it to others to handle the homosexual issue, but I’ll address Peggy’s abortion concerns. So hey, Peggy, back at you, how are you currently helping “the teenage girl who is unprepared to raise a child” by any other way than recommending she kill it? Are you saying the value of a person is dependent on affordability or convenience? What do you want us to do with you when you’re a crabby old senile feminist? Are you pro-choice for your future phase of life? As a matter of fact, Peggy, there are over 3,000 pregnancy care centers throughout the United States already helping teenage girls financially, physically, and educationally – free of charge, during pregnancy and long after, funded by donations. We also adopt and provide foster care. That as compared to 1,000 abortion mills that charge $350 to $2k and up per. Yes, Tea Party women believe women are uniquely maternal. You mention the term “momma grizzlies” in your piece, so you understand our perspective that women should be encouraged to protect their children, not kill them, as you believe. We believe in the equal right to life of all females, Peggy. You don’t. Since you support abortion, you support killing females. Furthermore, you certainly know abortion is used specifically to target females for eradication. What are you doing about that, Peggy? Actually, can you do anything about that? I’ll answer that. No. Since preborns are not human in your book, you can’t say anything about this form of sexism without exposing yourself as a big fat lying liberal feminist hypocrite. But back to the title of your piece. Its arrogance makes me laugh. You still think you’re queens of the hill.

Visit link:
HuffPo Asks, ‘Women of the Tea Party: Who Are You, and What Do You Want?’

‘The Town’: The Reviews Are In!

Critics heap praise on the ‘palpable authenticity’ of Ben Affleck’s Boston crime drama and applaud performances by Jon Hamm, Rebecca Hall, Jeremy Renner. By Eric Ditzian Slaine, Ben Affleck, Jeremy Renner and Owen Burke in “The Town” Photo: Warner Bros. Who could have predicted, around the time an afro’d Ben Affleck was whipping ’70s slackers with a wooden paddle, that the guy would morph into a serious and respected director? A lot has changed since 1993’s “Dazed and Confused.” Three years ago, Affleck delivered “Gone Baby Gone,” an impressive and surprising first directorial effort that earned Melissa Leo an Oscar nod. His sophomore feature, the crime drama “The Town,” is attracting early Oscar buzz after debuting at the Venice Film Festival earlier this month. On top of its critical praise, the film is looking to compete with Emma Stone’s teen-friendly “Easy A” for this weekend’s box-office crown. Not bad work for a guy who once had a reputation for being a beer-pounding meathead. Here’s what the critics are saying about “The Town.” The Story “Affleck has cast himself in ‘The Town’s’ lead role of Doug MacRay, a native of Boston’s tough Irish Charlestown neighborhood, which as an opening title card informs us, has produced more bank and armored car robberies than any place in the United States. Doug and his best friend, Jem (Jeremy Renner), are lifelong members of one of Charlestown’s most notorious and successful crews, a team that methodically goes about its thuggish business with a combination of workaday professionalism and swift, vicious violence. When the guys rob a bank and take a manager hostage, the episode sparks a series of events that leads Doug to question whether he’s ready to leave Charlestown’s tribal life of murder and mayhem. Meanwhile, he’s being pursued by an FBI agent (Jon Hamm) who’s determined to make the choice for him.” — Ann Hornaday, The Washington Post The Director “Affleck also seems more confident and at ease in the director’s chair this time around and less like the actor with something to prove. The film’s palpable authenticity is less self-conscious than it was in ‘Gone Baby Gone,’ and Affleck is able to create a strong enough sense of verisimilitude to allow us to buy into the film’s unlikely premise.” — Kenneth Turan, Los Angeles Times The Performances “Renner and Hamm play stock characters, but their performances elevate the roles to something more. (Renner, as he proved in “The Hurt Locker,” is an especially convincing psycho.) [Rebecca] Hall is a fantastic actress, good in everything she does. She portrays perfectly the confusion and vulnerability of someone violated, as well as the hope one might find in a budding relationship. Of course, we know more than she does, which makes it all the more heartbreaking. But Affleck is the center of the film. His Doug is, in some respects, rather like Affleck – the director of the elaborate heists, as well as a performer in them…. It’s a measured, strong performance, certainly one of Affleck’s best. Perhaps he can credit his director.” — Bill Goodykoontz, The Arizona Republic The Dissenters “There’s a decent movie in ‘The Town,’ though this adaptation of the Chuck Hogan novel ‘Prince of Thieves’ stretches out to a misjudged 130 minutes. Two hours plus change isn’t long, really. Plenty of films, and not just epics, justify three or more hours. Here, though, just when the screws should tighten, we get another leisurely dialogue scene, and hammy inevitables, such as the protagonist, played by Affleck, telling his less stable partner in crime, played by Jeremy Renner of ‘The Hurt Locker’: ‘Ya been like a brutha to me.’ ” — Michael Phillips, Chicago Tribune The Final Word “Affleck nails the rhythms of coexistence between neighborhood crooks and regular Joes. His instincts are also right in casting Renner in the role of Jem, the local baddie with a short fuse, and letting the effortlessly magnetic actor steer the pace of the action, hinting at danger even when Jem’s just nursing a brew. With the thrum of unromanticized eff-’em he brings to the part, Renner supplies the jolt that keeps Affleck on his toes, both as an actor and as a director. ‘The Town’ is the good work of a guy on a path of discovery, with Boston as the artist’s own Freedom Trail.” — Lisa Schwarzbaum, Entertainment Weekly Check out everything we’ve got on “The Town.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: The Town Related Photos Tour the Town

See the original post:
‘The Town’: The Reviews Are In!

Stewart, Colbert Announce Dueling Marches On Washington. ‘Rally To Restore Sanity’ vs. ‘March To Keep Fear Alive’

Jon Stewart and Steven Colbert will march together on Washington. Or against each other in Washington. Either way, expect plenty of Comedy Central fans to show up on October 30 when Stewart's “Rally To Restore Sanity” will meet Colbert's “March To Keep Fear Alive” in the nation's capital. The duo have been hinting at a major announcement for several episodes in a mock response to Glenn Beck's own “Restoring Honor” rally that was held this year on the anniversary of a famous Martin Luther King speech at the same monument. There's no indication that the announced get-together is a joke, though. Both comedians are telling their audiences to book hotel rooms now (though for different reasons, as you'll see). “It'll be like being in a chat room,” Stewart explained. “But real.” Stewart punctuated his announcement on the earlier program with a homemade-looking banner reading, “Take It Down A Notch For America.” Colbert followed up with an announcement on his own show, and insisted that he would “notch it up a scotch.” Story continues below Advertisement Each man ventured into the other's studios for moments you'll just have to see for yourself … http://www.huffingtonpost.com/2010/09/17/stewart-colbert-rally-to-restore-sanity… added by: atomiclegion