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‘Love The Way You Lie’ Director Knew Eminem Video Would Be ‘Giant’

‘If I didn’t do this video, I should just quit pop videos,’ Joseph Kahn tells MTV News. By James Montgomery Eminem (file) Photo: Jeff Kravitz/ FilmMagic Joseph Kahn is one of the biggest video directors in the world, but he didn’t get to where he is today by burying his head in the sand. So when he was approached about doing Eminem and Rihanna’s “Love the Way You Lie” clip, he said yes, even though he was due to start shooting a feature film two weeks later. But it wasn’t only the big names that attracted him to the project … it was actually the fact that everything about the project reminded him of another video he’d directed: Britney Spears’ comeback single “Womanizer.” “It is like ‘Womanizer,’ ” Kahn told MTV News. “Part of the success in [the video industry] is to be smart enough to recognize when those opportunities are given, and, you know what? I think if I didn’t do this video, I should just quit pop videos, because it’s obviously a giant thing that was about to happen. You couldn’t get me away from this one.” So Kahn famously hammered out a treatment for the clip in one furious session and turned the video around at a breakneck pace. His hustle has already paid off, because “Love the Way You Lie” has quickly become one of the most talked-about videos in recent memory. And much like “Womanizer” did for Spears, its success has only added another chapter to Eminem’s rather remarkable comeback story, which sort of proves just how smart Kahn is. Though, the way he tells it, this one was pretty much a no-brainer, all the way. “I think that this is Eminem’s finest album … trust me, at the time, I was going to shoot my movie in about two weeks, so taking a week of my time away from my movie to do this is a huge commitment on my part,” Kahn said. “The only reason I did it [was] because the song was so amazing, and the album is so great, and Eminem is in such a great moment, and it was such an important topic to do. He’s dealing with these massive issues in such a brilliant, pop-y, artistic way, that, as a pop-video director, I cannot step away from this.” What’s your favorite Joseph Kahn-directed video? Tell us in the comments! Related Artists Eminem Rihanna

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‘Love The Way You Lie’ Director Knew Eminem Video Would Be ‘Giant’

James Cameron Wants To Capture ‘Avatar’ Sequel Underwater

Director is eager to film in the deep, though it won’t be the same as the diving he does for pleasure. By Kara Warner “Avatar” Photo: 20th Century Fox The history-making success of James Cameron’s “Avatar” has not only quashed pre-release grumblings about the production’s bloated budget, but turned the conversation toward the two confirmed sequels that don’t exactly sound like low-budget affairs either. With the mega-blockbuster’s re-release approaching, details about the next two films have started to trickle out via the maestro himself, specifically Cameron’s hints that the second film will involve the oceans of Pandora . Given his water-related filmmaking experience (see “Titanic” and “The Abyss”), as well as his fondness for diving as a hobby, MTV News recently asked Cameron if he’ll shoot sequences underwater. “I think what we should do there is — because we’ll have to have characters that are in and under the water — is that we should actually capture them underwater,” Cameron explained. “It’s not the same as going diving, but I like to keep my diving, which I do for pleasure, separate from work.” He added that diving for work is not as much fun. “Diving for shooting a movie is work,” he said. “Diving for exploration is a gas. I like to keep my peas and carrots separate.” Cameron previously described the ocean on Pandora as “equally rich and diverse and crazy and imaginative” as the setting of the first film, but that “it just won’t be a rain forest.” Regarding the re-release of the film and the extra nine minutes that will be added, the Oscar-winner said he’ll also be adding footage to the film’s eventual special edition DVD. “We’re doing a longer version for the DVD that is 16 to 17 minutes longer,” he said, “but you’ll have the choice: You can watch [the nine-minutes-longer version] or you can watch the original if you want to.” Are you excited about the sequels and seeing the oceans of Pandora? Talk about it in the comments! Check out everything we’ve got on “Avatar.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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James Cameron Wants To Capture ‘Avatar’ Sequel Underwater

Snooki ‘Too Good-Looking’ For Jail, John McCain Agrees

In another interview, ‘Jersey Shore’ starlet addresses President Obama and New Jersey Governor Chuck Christie. By Mawuse Ziegbe Snooki Photo: Jerritt Clark/ Getty Images “Jersey Shore” party girl Snooki responded to her recent arrest by declaring that she’s “too pretty” to be thrown in jail . And it appears that at least one politician has her back. In an interview with Phoenix radio station KMLE Country 108 , Senator John McCain agreed with Snooki’s claims that she’s too much of a looker to be thrown in the slammer. On Wednesday (August 11), the onetime presidential hopeful posed a question to KMLE listeners: “Is Snooki too good-looking to go to jail or not?” McCain inquired. “She … has given a whole new meaning to our justice system, you gotta admit. I’m kinda leaning towards Snooki being too good-looking.” The politician said he’s been looking out for the reality starlet, named Nicole Polizzi, ever since they bonded during a Twitter exchange blasting President Obama’s taxes on tanning . “Now, I’ve been worried about what’s going on with her, of course, since I have this attachment,” McCain said. Although she has the senator’s attention, Snooki’s club-hopping antics haven’t hit the radar of the commander in chief. During a July visit to the ladies of ABC’s “The View,” Obama conceded that while he knows about Justin Bieber , he has no idea who Snooki is. The starlet recently said she doesn’t believe the president isn’t getting his weekly “Jersey Shore” fix. “I know he knows who I am,” Snooki told E! Online . “Why did he have to lie and say he didn’t know me? He did [mention] Snooki and JWoww about the tanning stuff, and now he doesn’t know who I am? He has to stop lying.” Although there’s no word on whether an Obama/Snooki beer summit will hit the president’s calendar anytime soon, Snooks has a message for a politician who’s definitely aware of the GTL-ing crew. In response to New Jersey Governor Chris Christie’s claims that the “Shore” collective puts the Garden State in a bad light, Snooki advised the governor to just relax. “He needs to come over and have a hot dog and a Corona and just chill,” she said. Do you agree with McCain and Snooki that she is “too pretty” for jail? Do you think Obama is lying about not knowing who Snickers is? Let us know in the comments below! Watch “Jersey Shore” Thursdays at 10 p.m. ET on MTV.

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Snooki ‘Too Good-Looking’ For Jail, John McCain Agrees

Katie Couric: ‘Obama Has Enough Stress to Last a Lifetime’

Give the guy a break, he deserves it. That was Katie Couric’s message a week ago in her Notebook blog entry about President Obama’s 49th birthday (emphasis mine): The job has aged him, as it did his predecessors. Dr. Michael Roizen at the Cleveland Clinic stated constant stress can age the Commander in Chief two years for every one year in office. So I guess that means he’s really turning 50. President Obama has enough stress to last a lifetime … and as he blows out his birthday candles, war, recession and a giant oil spill won’t magically disappear. But I hope he’s able to take a break tonight, forget his troubles and spend time doing something he loves. But as Paul Bedard of USNews.com noted in an August 11 blog Washington Whispers blog post, Obama has not exactly been lacking in the R&R department : There they go again. For the fifth time since July, the first family has set plans to board Air Force One for a frilly vacation , a 10-day return trip to exclusive Martha’s Vineyard where they are expected to stay at the 28-acre oceanfront Blue Heron Farm that rents for up to $50,000 a week. But first the Obamas will be traveling to the Gulf Coast of Florida for a mini-vacation as a way to encourage other vacationing Americans to head to the beaches that have been shunned by tourists worried about oil-slicked sands due to the Gulf oil spill. They are expected to travel to Florida this weekend, return to Washington for a few days then it’s off to the Massachusetts island August 19. For a recap, here is this year’s Obama Travelogue: -Full family Christmas and New Years in Hawaii . -March spring break-first lady Michelle Obama, mom Marian Robinson, and both daughters hit Broadway. -Memorial Day in Chicago with the family. -Three days in July in Maine, primarily tony Bar Harbor. -Last week, the president traveled to Chicago for a birthday party with Oprah and others. -Michelle and Sasha spent much of last week on Spain’s southern coast, ending it with a trip to Majorca to meet the king and queen of Spain. -Florida this weekend for a night on the Gulf Coast. -August 19-29 on Martha’s Vineyard. Of course, every president faces unimaginable stress from the weight of responsibility from the job, but the media never ceased to remind us of how many days President Bush spent in the summer telecommuting to work from his Crawford, Texas, ranch.  Yet when it comes to President Obama and his penchant to jet off on vacation every few weeks, Couric and company tell us Obama deserves a break, even as he’s taken care to do that plenty of times already.

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Katie Couric: ‘Obama Has Enough Stress to Last a Lifetime’

Top Obama Adviser Valerie Jarrett, Vanity Fair Editor Pine for Days of ‘Responsible’ Media

Vanity Fair’s national editor Todd Purdum has a long piece in the most recent issue (in the print edition only, as far as I can tell) bemoaning what he argues are the new and unique challenges facing the Obama administration, including the state of the news media. Purdum’s opinions on the state of the news business boil down to a call for the press’s continuing political uniformity. He offers a quote from White House adviser Valerie Jarrett that also captures the author’s opinions on the issue. Purdum writes: Obama’s senior adviser Valerie Jarrett looks back wistfully to a time when credible people could put a stamp of reliability on information and opinion: “Walter Cronkite would get on and say the truth, and people believed the media,” she says. Today, no single media figure or outlet has that power to end debate, and in pursuit of “objectivity,” most honest news outlets draw the line at saying flatly that something or other is untrue, even when it plainly is. Purdum’s and Jarrett’s statements are comprised of one part revisionist nostalgia, and one part liberal elitism. “Objectivity” was never really present. What they’re longing for is the reliable white-collar liberalism of the 20th century news media. The uniformity of political views among the media and governing elite feeds a longing for an era of objectivity that was never really there. Jarrett’s comment about Cronkite – and Purdum’s endorsement of that comment – demonstrate the insularity of the elite liberal worldview. Cronkite was hardly the paragon of “objectivity” that so many journalists and academics make him out to be. As NewsBusters has documented, Cronkite had an agenda, and occasionally used his massive soapbox to promote it. His occasional activism included, FBI files recently revealed , aiding Vietnam war protesters – hardly a sign of political objectivity for the man who, according to media lore, set in motion events that turned public support against the war effort. Purdum seems aggravated that journalists “draw the line at saying flatly that something or other is untrue, even when it plainly is.” If Cronkite is a model of journalistic objectivity, yet famously opined against the war effort, it stands to reason that he believes what Cronkite was reporting (that the war was not winnable) was simple fact. But as we now know, Cronkite was not weighing in from a position of objectivity. He was politically inclined to oppose the war, as demonstrated by his aid to protestors. So what Purdum is advocating in waxing nostalgic about Cronkite is in fact journalistic activism – injecting political opinion into ostensibly “straight-news” reporting. That Purdum is also concerned about the liberal elite’s loss of control over the news cycle – that he longs for a “responsible” party to “control” the news – demonstrates that he is only comfortable with the Legacy Media having the power to use their pulpit to weigh in on political issues. Purdum obviously considers some facts to be “plainly” correct, and therefore worthy of an on-air opinion or two. But surely Cronkite thought his view of the futility of the Vietnam war was “correct.” His longing for Cronkite’s era of journalism has nothing to do with contemporary citizen-reporters expressing opinions. It has to do with them expressing the wrong opinions. He and Jarrett, given the chance, would return the United States to a media environment in which a small group of liberal elites retained a strangle-hold on the news cycle and used it to promote the correct opinions. And who has the correct opinions? Why the 20th century New York/DC media gatekeepers, of course. Purdum writes that “the capacity to assert, allege, and comment is now infinite, and subject to little responsible control.” This is where the element of liberal elitism comes in: Purdum is concerned that modern media gatekeepers have not satisfied the prerequisites for traditional purveyors of information. Increasing numbers do not have Ivy League degrees, did not attend journalism school, and have not been privy to the upper-middle class, urbane lifestyle that pervaded and defined the 20th century newsroom. “Responsible control” in this context means control wielded by professionals who have the proper credentials, and share the homogenous values and experiences of the intelligentsia. Purdum and his ilk are concerned that the great unwashed masses are gaining influence over the national dialogue. In fact, those masses can define the conversation. And that, by Purdum’s account, is the problem. A single blogger can upload an iPhone video of a congressman saying something stupid, the Drudge Report can pick it up, and almost instantaneously the entire country can be talking about it. All without aid from traditional media outlets! It’s a frightening loss of control for those who dominated the news cycle for so long – and determined what was and was not news. Journalists have always been keen on telling Americans that the Republic could not survive without the media elite. That’s a convenient position for people with such power. Now that they stand to lose that power, it’s full court press on their respective soapboxes to convince Americans that they, the traditionally-defined media, are needed. Hence, Purdum’s dire tone. Is journalism-by-the-masses less polished? Certainly. Does it spell the downfall of traditional news outlets? Maybe. Would the demise of a news cycle dominated by individuals with a uniform worldview and the consequent homogeneity of their left-of-center politics be a total disaster for the nation and its government? Only if you’re a member of that declining elite. Purdum clearly is, and worries that the “wrong” opinions are making inroads into the national political dialogue through new media, talk radio, and the Fox News Channel. The latter, by Purdum’s account, “is waging a fiercely partisan war against the administration.” The partisanship, though, is nothing new. What is new, and Purdum fairly notes this fact, is the omnipresence of an unprecedentedly large number of opinions, many of them very strong, some of them hostile. Writes Purdum: The world is so constantly with us that the White House press office no longer even tries to hold a daily morning “gaggle,” when beat reporters used to ask press secretaries about the expected news of the day, because it will almost certainly be overtaken by events. Under the 20th century, Old Media conception of the news cycle, the White House did not need to respond to events in real time. Barring some major event, it could hold one press briefing every 24 hours covering the day’s events, and providing comment for the following day’s print edition or the evening news broadcast. The proliferation of citizen journalism demands that official respond to more people, and face questions of a broader nature and variety. In that sense, it does not change the essential nature of the news cycle, but only broadens it. But the “hyperkinetic” news cycle, as Purdum dubs it, changes the means by which officials must respond to reporters and handle information. There are changes to which governing officials and reporters must adapt. Purdum is wrong to wish for a return to the 20th century model, where the opinions of elites were more worthy than those of the “the masses.” A diversity of opinions among the gatekeepers of information enhances, not diminishes, the national dialogue. That is a change all Americans should welcome.

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Top Obama Adviser Valerie Jarrett, Vanity Fair Editor Pine for Days of ‘Responsible’ Media

The Strange Case of Charles ‘Paulson Put a Gun to All Their Heads’ Gasparino

Earlier today, NB’s Lachlan Markey covered Bill O’Reilly’s interview with the Fox Business Channel’s Charles Gasparino. In that interview, Gasparino confirmed what the New York Post reported in April of last year, namely that  “GE Execs Encouraged CNBC Staff to Go Easy on Obama.” The suits at GE, including Chairman Jeff Inmelt, had a clear motivation for encouraging their reporters to lighten up, namely that “General Electric at the time was hoping to profit handsomely from policies that would benefit a few companies, including GE, at the expense of the majority of the economy”– specifically cap and trade. But speaking of motivation: What about former CNBCer Gasparino’s? The easy answer would be that sometime in the past two years he has seen the light and realizes his past reporting at CNBC was lacking in fairness and balance. Despite his move to Fox, there’s reason to doubt that. In October 2008, Gasparino and CNBC’s Dylan Ratigan smirked their way through their report on what has turned out in retrospect to have been the event that marked the official beginning of Washington’s financial tyranny (“arbitrary or unrestrained exercise of power; despotic abuse of authority”) over the banking system. That tyranny has largely been codified into law in the recently passed and laughably misnamed “Financial Services Reform” legislation. On October 14, 2008, less than two weeks after Congress passed legislation creating the Troubled Assets Relief Program (TARP) with the supposed intent of using the money to buy up specific “toxic assets,” mostly subprime mortgages, Treasury Secretary Hank Paulson radically shifted course, forcing the nation’s largest banks to take TARP money directly (i.e., to accept government “investment”) regardless of whether they wanted it or believe they needed it. What follows is a transcript containing most of the early portion of what Ratigan and Gasparino reported before going to other talking heads for their comments (video is still here at CNBC, and must be seen to fully appreciate the conversation’s smarmy arrogance, especially with Gasparino; bolds are mine): Ratigan: Well we all know that obscene amounts of risk (were) taken inside of the banking system, leaving some banks crippled, some banks frozen, and other banks with huge opportunities. Uh, many of the banks didn’t want to be tainted with the government bailout funds because they didn’t want to be mistaken for a fool when they actually felt that they were the smart one that didn’t do it. Well Hank Paulson said “The heck with that.” He stuck all of them with some of the bailout money. And he said “Listen, we’re going to reset the clock here and move forward.” Charlie, how are the banks that felt they basically didn’t commit the crime, as it were, of excess or reckless risk, uh, respond to the fact that even they will be stuck with this capital? Charlie Gasparino: Well y’know they were all kind of stupid to some extent ….. ….. the Treasury Secretary Hank Paulson put all these egos in the room, and basically put guns to their heads, forcing them to take the money to bolster the banking system. Some of the firms say they didn’t want the cash, but it’s pretty clear that all of them did need to take the cash, given the continued upheaval in the banking system that crushed shares last week of Morgan as well as Goldman Sachs and just about everybody else. So this is essentially, uh, Dylan, a case where, y’know, you can deny you have any problems. Even the best-capitalized banks have problems. They own this stuff. And Paulson at one point said, “Listen, if you don’t want it, it doesn’t matter, gun to your head, you gotta take it.” Ratigan: Yeah, whether you think you’re sick or not, you’re taking the medicine. Gasparino: Because you’re sick anyway. Ratigan: Exactly. Part of my reax at the time: It was very unsettling to see the two CNBC reporters basically smile and smirk their way through the opening segment of the clip, with what I saw as an air of insufferable “we know it all” arrogance. … This “bailout” was originally advertised as being targeted towards troubled loan situations, principally mortgages. Instead, Paulson, Bernanke, and Bush have turned it into a de facto, no good deed goes unpunished (i.e., responsible lending) tool for partial nationalization. How many Congresspersons, or presidential candidates, thought this was what they were voting for, or that this is what the people wanted? Commenter dscott’s reax at the time : Something is up because this is not how a government official acts in a Democracy. “Something” was up all right. We should never forget that the congressmen and senators from both parties, including each party’s presidential candidate, voted TARP into existence despite the intense opposition of the vast majority of Americans, thereby allowing a loophole-laden law to open the door to what has since transpired. Then, less than two weeks later, virtually everyone just stood around while tyranny took its first sweeping steps. Charles Gasparino thought it was sort of funny at the time, as if the financial system’s private players were getting a richly deserved comeuppance. That attitude is consistent with the theme of his most recent book, and of the one that will be released shortly. In November of last year, Gasparino’s ” The Sellout ” was subtitled “How Three Decades of Wall Street Greed and Government Mismanagement Destroyed the Global Financial System.” Given what we have learned about the frauds by design known as Fannie Mae and Freddie Mac in the two years since they went into government conservatorship, it’s more than a little odd that he would mention Wall Street first. Gasparino is releasing a book in October whose title is, “Bought and Paid For: The Unholy Alliance Between Barack Obama and Wall Street.” The book’s tagline: “A top reporter exposes the deep ties between the Obama administration and the big banks that are bankrupting our country.” I’m sure there’s no shortage of material. But fundamentally, Charles, how could it be that Wall Street perpetrated this mess with just a bit of cooperation from and co-opting of Uncle Sam, when it’s Fan and Fred who led the way in compromising prudent lending standards, and it’s Fan and Fred who lied about the underlying quality of their securitized mortgages for about 15 years to the tune of hundreds of billions and perhaps trillions of dollars, doing damage that Wall Street couldn’t hope to do even at its most malicious? Someone –maybe Bill O’Reilly — should ask Gasparino if he still thinks Wall Street is the primary culprit. He clearly did at crunch time in October 2008. Cross-posted in longer form at BizzyBlog.com .  

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The Strange Case of Charles ‘Paulson Put a Gun to All Their Heads’ Gasparino

Julia Roberts, Javier Bardem Play ‘Eat Pray Love’ Vs. Gym Tan Laundry

‘What’s gym, tan, laundry?’ Roberts asks MTV News at film’s New York premiere. By Jocelyn Vena, with reporting by Josh Horowitz Javier Bardem and Julia Roberts attend the premiere of “Eat Pray Love” in New York City on Tuesday Photo: Michael Loccisano/Getty Images For devoted fans of the Elizabeth Gilbert book that has been adapted into a film opening Friday, “Eat Pray Love” isn’t just a title, it’s a mantra. Similarly, fans of MTV’s “Jersey Shore” know about mantras: The cast made a ritual out of gym, tan, laundry, and followers quickly adopted GTL. So when MTV News hit the red carpet on Tuesday for the New York City premiere of “Eat Pray Love” , we just had to ask, when it comes to words to live by, is it “eat, pray, love” or “gym, tan, laundry”? A somewhat clueless Julia Roberts was stumped. “What’s gym, tan, laundry? Oh, I’ve heard of ‘Jersey Shore,’ ” the star said to MTV News. And it seems she wasn’t the only one of the “Eat” stars who had no idea what we were talking about. “I don’t know that one. I thought you were going to say, ‘Suck it,’ and I was [going to be] like, ‘That’s not three words, to begin with, and that’s not a mantra,’ ” Billy Crudup explained. “Is that MTV?” the actor asked. “Oh, I know ‘Warren the Ape.’ That’s MTV. I’ve been on it.” So, does Javier Bardem start his day with GTL? “No. Gym, tan, laundry … no. No, no! I don’t even know what that means!” the Oscar-winner laughed. “I will look for it in the dictionary.” And fans of the “Jersey Shore” can add star Richard Jenkins to the list of people who have no idea what the heck gym, tan, laundry is. “No, I don’t. I don’t,” he confessed. “I watch ‘So You Think You Can Dance.’ ” “Glee” star Mike O’Malley, however, was more familiar with all things “Jersey Shore.” “Well, I know all about these kids. I know about JWoww, Snooki. I’m trying to get abs like the Situation,” he joked. “I’m all about the tanning and the laundry,” “Eat” director and “Glee” creator Ryan Murphy said. “I’m too old to be tanning. I love those guys on that show. I think they’re funny and amazing and quite brilliant at what they’re doing.” So does your life revolve around making sure you eat, pray, love or is it all about GTL? Let us know in the comments! Check out everything we’ve got on “Eat Pray Love.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Opening Night: Summer Movie Premieres Related Photos ‘Eat, Pray, Love’ Premieres In New York

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Julia Roberts, Javier Bardem Play ‘Eat Pray Love’ Vs. Gym Tan Laundry

Kanye West to Perform at MTV VMAs

Kanye West will be returning to the scene of the crime, or at least the scene of one of the biggest jackass moves in award show history. Imma let you finish! A year after infamously interrupting Taylor Swift’s speech on stage, Kanye West is set to return to the MTV Video Music Awards on Sunday, September 12. The Grammy-winning rapper’s fifth studio album is expected to drop this fall. He debuted a video “painting” for the first single, ” Power ,” on MTV last week. A follow-up single is also expected to be released by West in the next couple of weeks, and that’s not nearly all from the talented, egomaniac artist. Kanye Tweeted yesterday: “More music … I’m bout to drop a bunch of sh!t this yea … surprise performances … guest verses … living in the studio.” You’ve been warned, award winners.

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Kanye West to Perform at MTV VMAs

Fox News and its ‘Summer Of Fear’

Networks cater to all kinds of demographics. But overlooked amid recent hand-wringing over racial politics and the separate debate over whether Fox News merited a front-row White House briefing room upgrade is the main ingredient in the channel's stew: fear. With Barack Obama's election, Fox has carved out a near-exclusive TV niche, while having plenty of company in radio: catering to those agitated (consciously or otherwise) by having an African-American in the White House. Yet a broader secret of its success — preying upon anxiety in general — hasn't really changed since the Sept. 11 terror attacks. As the original home of the “news alerts” (which usually aren't alerting us to breaking news), Fox News under CEO Roger Ailes has been adept at tapping into deep-seated concerns. And in order to powerfully connect with core viewers, it's not enough to disagree with President Obama's policies; rather, they must be couched as an existential threat to U.S. society. In this context, accusing FNC of race-baiting is an oversimplification. Yes, there has been a good deal of coded language to stoke misgivings about Obama being a “radical” and “socialist” — terms meant to resonate among those old enough to associate their use with extreme elements of the 1960s antiwar movement. But that's merely part of the fear factor that's become crack cocaine to TV news, and FNC in particular. Whether Fox planned this or stumbled onto it — in the way programmers in the movie “Network” realized they had a hit on their hands after Howard Beale began shouting — is, at this point, immaterial to the discussion. Is Glenn Beck a true believer or showman, a “rodeo clown,” as he once called himself? Either way, his voice has become the rallying cry around which Fox News is organized. And that drumbeat sounds like a slogan popularized by “The Fly” remake: Be afraid. Be very afraid. Thoughtful conservative commentators have cited the dangers in such overheated rhetoric. Former Bush speechwriter David Frum has become one of the most articulate, writing after passage of healthcare reform, “Conservative talkers on Fox and talkradiohad whipped the Republican voting base into such a frenzy that deal-making was rendered impossible. How do you negotiate with somebody who wants to murder your grandmother? Or — more exactly — with somebody whom your voters have been persuaded to believe wants to murder their grandmother?” Frum added that talk hosts operate “responsibility-free” — playing a different game than Republican politicians, since perpetuating frustration and outrage boosts their ratings. Beck premiered on FNC the month Obama was inaugurated, and it has been an ideal marriage. As talkradio host and Fox contributor Laura Ingraham recently conceded on “The Colbert Report,” the Obama administration has “been great” for her medium and for Fox News. As threats go, terrorism isn't in the headlines every day. On the other hand, transforming the President into America's potential undoing — a kind of Manchurian candidate (maybe foreign-born?), determined to punish whites for past transgressions — has made fear an ever-present part of the daily menu. For all the invectives hurled at Bill Clinton and George W. Bush in the three-cable-news-network era (which didn't begin, unbelievably, until halfway through Clinton's presidency), the most egregious attempts to delegitimize Obama are both distinct and not particularly subtle. The latest theme — illustrated by Fox's crusade regarding the New Black Panther Party — hinges on fear of racial bias where whites are the aggrieved party. As the Washington Post's Greg Sargent noted, Fox's eagerness to “drive the media narrative … simply has no equivalent on the left.” Still, the most ruthless liberals — those more committed to partisan advantage than accuracy — have inevitably drawn lessons by observing, and will retaliate whenever Republicans regain power. Since its inception, Fox has emulated the “If it bleeds, it leads” mindset of local news, garnishing its presentation with snazzier graphics and more urgent production values. The canny post-Sept. 11 adaptation has been, “If it scares, it airs.” Race is just the latest and perhaps ugliest aspect of that equation. And despite debate over whether FNC deserved preferred positioning in the press room, in today's media climate, it seems appropriate for the house that fear built to command a front-row seat. added by: TimALoftis

Exclusive: Young Jeezy Addresses Rick Ross ‘Dis’ Speculation

‘What am I gonna get out of dissing him?’ the Snowman says to MTV News, addressing ‘Death B4 Dishonor’ verse. By Shaheem Reid Young Jeezy and Rick Ross, Atlanta, GA, 10.12.2009 Photo: MTV News We’re not going to make you wait 26 episodes until the season finale to reveal the answer to this cliffhanger. On Monday night, Young Jeezy released “Death B4 Dishonor,” the first song from his upcoming mixtape, 1,000 Grams, Vol. 1. On it, he raps over Rick Ross’ “(B.M.F.) Blowin’ Money Fast” instrumental, which quickly fueled heavy speculation among fans that the Snowman was actually dissing the Bawse. Jeezy settled the question straight-up on Tuesday (August 10). “It’s not a dis,” Jizzle told MTV News via phone from ATL. “First of all, I’m not gonna get nothing out of dissing that guy. That’s one. What am I gonna get out of dissing him? I think sometimes people can read into things too deep. They trippin’ man. They crazy out there. Basically, if homie takes that as a dis, he’s insecure, and anybody else out there who does, they are insecure. “When it comes to that [Black Mafia Family] situation, I’m gonna talk about it a little flyer anyway,” Young added. “I happen to know that situation very well. But basically [‘Death B4 Dishonor’], it’s off a mixtape that’s coming out. My mixtape is coming out on Thursday, it’s called 1,000 Grams. I took all the records I liked and flipped them my way. It’s a gang of records on there like that. It’s like 12 joints, all records that I heard in the club that I like and flipped them my way. While Jeezy doesn’t mention Ross by name on “Death B4 Dishonor,” one of the lines fueling the speculation questions: “How you Blowin’ Money Fast?/ You don’t know the crew/ Oh, you part of the fam?/ Sh–, I never knew.” “That’s for real,” Jeezy explained. “That’s for anybody. I got n—as in prison behind that sh–. I feel that if you speaking on sh–, you gotta at least know who you talking about. That’s like n—as speaking on Cash Money: If he ain’t never been a part of Cash Money, [then] I’mma speak it better if I’m a part of Cash Money. To me, [BMF] was real. I know all the members. Who else would say a line like that, but me? I’m one of the few people who can say that, so I said it. That’s real life, though. You gotta know the crew, baby. I thought that was the purpose of the game: to get on records and talk your sh–, right? “Subliminals, for what?” the Snowman added. ‘What’s understood ain’t gotta be said. I didn’t think people would take the record like that. I did it like I would have any Shawty Lo record, any Rocko record, whoever. I got on [Ross’ beat] and did it like how I do it, the best way I know how. I don’t know if because the BMF situation is for real for me that everybody is like, ‘Ooh. Oh, sh–.’ Twitter is a muthaf—a, by the way.” During our talk, Jeezy said that his song “The Real BMF” had already been recorded (and was sitting in his vault) before Ross’s “(B.M.F.)” was released. “The Real BMF” was supposed to have been included on the upcoming TM103, but once he heard that Ross put out a song so similar, he decided it didn’t belong on his LP; it would just be a giveaway to the streets. Young also described Ross’ “(B.M.F.)” as “dope” and said he was bound to jump on the record one way or another, either officially or through the mixtape circuit, which he ultimately did. On 1,000 Grams, Vol. 1 he also flips Soulja Boy’s “Pretty Boy Swag” into “Dope Boy Swag” and Kanye West’s “Power” into the record & #8212; so aptly titled for the #1 Trap Star & #8212; “Powder.” Records by the Clipse and Young Money also get their instrumentals borrowed for the tape. “It was one of those things, you get in a zone and wanna get some sh– off,” he said of the DJ Scream-hosted tape. “I wanted to have some fun. Get in the booth, smoke me one or two.” And yes, his long awaited TM103 album is still on the way. He promises it’ll drop before the end of 2011. What do you think of Jeezy’s explanation? Does this end the speculation for you? Tell us your thoughts in the comments. Related Artists Young Jeezy Rick Ross (Hip-Hop)

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Exclusive: Young Jeezy Addresses Rick Ross ‘Dis’ Speculation