Dua Lipa is a 22 year old signed to Warner Music…success story…you’ve never heard of, because you’re not a 15 year old. She’s pretty famous despite you having never heard of her….unless you’re like me, old and not on the Youtube game…but exposed to all the pop culture smut that happens even if I don’t want to be. She’s got a huge following and I guess famous at 14 for her cover songs…She’s got a video from last year that almost has 1 billion views…she’s legit… And this is some clickbait on her – cuz you can’t see her pussy, but if you want to get philosophical – anything can technically be a pussy – if you fuck it hard enough….like her upper leg.. So Dua Lipa pussy flash, is really Dua Lipa upper leg…but you’re not about to click that link wherever you clicked to get her – now are you…. So do what you’ve been doing with your hand and household objects all these years…sit back and pretend it’s a pussy…YUM. TO SEE THE REST OF THE PICS CLICK HERE
Bella Thorne may be some sort of cultural icon in a world where there is no culture…I mean she’s more clickbait than anything, but she’s done it right…she’s managed to take her Disney Fame that she got from being whored by her mother as a child…and apply that training to whoring herself out on her social media…to what I guess were her creepy fans and that I guess became more and more fans…getting her booking jobs, doing social media campaigns, the whole thing really successful for her…all while looing a bit like a man…not being that hot, but rocking a pretty fit young body…because she is young…which allows you to ignore her hard manly face.. Well as it turns out, she’s got some BUSH…and we fucking love Bush…I am a huge BUSH supporter and have been my entire life…the bigger the bush the better…even if it comes across as laziness…it’s magical…. THe hairy armpit for feminism laziness is not something that turns me on, but it doesn’t gross me out like it did back when I was a kid and my mom had died and this toothless midget woman used to volunteer to drive me to school with hair fucking armpits that would drip sweat on hot summer days….I’d stare and gag not knowing it wasn’t normal for a woman to have hair armpits…not knowing the cultural standards but knowing it fucking repulsed me…and I have got over that being repulsed but I will never accept it as a political movement or statement…because to NOT shave is not a protest…it’s the opposite of a protest because it requires no effort… The red beat up looking vagina is what you’d likely expect on a pale skinned ginger…but it looks a little too STD for me…it’s like grow it out girl…really grow it out like it was your armpits girl…that’s where the GOLD lies…especially when you’re a redhead and that bush is either FIERY or BLONDE..something unique for the BUSH fetishists out there…. Either way, she seems like a crackhead that will end up totally fucking mental breakdowned soon enough, until then, she’s a skinny girl with ass and tits that we don’t mind looking at cuz she’s the most important personality in pop culture besides the Kardashians… Which reminds me, our newest sponsor is Manscaped – who sell products you can use on bitches to shave up down, or stylin them up….so yourself some quality products…. CLICK HERE Which reminds me, our newest sponsor is Manscaped – who sell products you can use on bitches to shave up down, or stylin them up….so yourself some quality products…. CLICK HERE
Bella Thorne may be some sort of cultural icon in a world where there is no culture…I mean she’s more clickbait than anything, but she’s done it right…she’s managed to take her Disney Fame that she got from being whored by her mother as a child…and apply that training to whoring herself out on her social media…to what I guess were her creepy fans and that I guess became more and more fans…getting her booking jobs, doing social media campaigns, the whole thing really successful for her…all while looing a bit like a man…not being that hot, but rocking a pretty fit young body…because she is young…which allows you to ignore her hard manly face.. Well as it turns out, she’s got some BUSH…and we fucking love Bush…I am a huge BUSH supporter and have been my entire life…the bigger the bush the better…even if it comes across as laziness…it’s magical…. THe hairy armpit for feminism laziness is not something that turns me on, but it doesn’t gross me out like it did back when I was a kid and my mom had died and this toothless midget woman used to volunteer to drive me to school with hair fucking armpits that would drip sweat on hot summer days….I’d stare and gag not knowing it wasn’t normal for a woman to have hair armpits…not knowing the cultural standards but knowing it fucking repulsed me…and I have got over that being repulsed but I will never accept it as a political movement or statement…because to NOT shave is not a protest…it’s the opposite of a protest because it requires no effort… The red beat up looking vagina is what you’d likely expect on a pale skinned ginger…but it looks a little too STD for me…it’s like grow it out girl…really grow it out like it was your armpits girl…that’s where the GOLD lies…especially when you’re a redhead and that bush is either FIERY or BLONDE..something unique for the BUSH fetishists out there…. Either way, she seems like a crackhead that will end up totally fucking mental breakdowned soon enough, until then, she’s a skinny girl with ass and tits that we don’t mind looking at cuz she’s the most important personality in pop culture besides the Kardashians… Which reminds me, our newest sponsor is Manscaped – who sell products you can use on bitches to shave up down, or stylin them up….so yourself some quality products…. CLICK HERE Which reminds me, our newest sponsor is Manscaped – who sell products you can use on bitches to shave up down, or stylin them up….so yourself some quality products…. CLICK HERE
@EvilJeanyis @DragonflyJonez this guy pic.twitter.com/blJcR3Ghxf — D G H (@TheDop3) December 6, 2013 “Like Che Guevara with bling on, I’m complex.” Jay Z, “P.S.A” If I ever got the chance to ask JAY-Z for a jewel of wisdom (not on one of those $50,000 lunch dates Twitter likes to debate) I would ask about his definition of winning. Would you guys rather have lunch with Jay Z or take $50K?!? pic.twitter.com/cqknGBFpBJ — School Daze Podcast (@theschooldaze) January 30, 2018 In a magazine interview from a little after the beef with Nas was buried, Hov said something to the effect of: “It’s better to love to win than to hate to lose,” (this was right before all content was SEO-ready, and I can’t remember what magazine published it, so let’s pretend for a second that the person on the other side of your screen can be trusted). JAY’s reasoning was that those driven by the negative feeling of losing would stoop to any level to avoid its pain; But on the other hand, he believed those driven by the positive feeling of legitimate success would rise to unimaginable heights to achieve a fair victory; One they could feel proud of. The logic is clear: If you have to cheat to win, are you really the best? Only the person who loves to win would even care to ask. I found it funny that, around the same time, Nas said, “ It’s cool to love to win, but it’s better to hate to lose/There’s only one Nas, ‘bout a hundred thousand yous ,” on Rich Boy ’s “Ghetto Rich (Remix).” But I have no proof that he read JAY’s interview and felt the need to contradict it out of spite and pettiness, so you can do what you want with that info and draw your own conclusions. It’s still up for debate if JAY or Nas won their proverbial war of words. And most opinions will have more to do with random elements of time and space than anything objective or factual. But still, with much larger battles on the horizon, do Hov and God’s Son’s polar philosophies reveal any realistic paths to hedging America’s crooked odds? Sorry To Bother You Director Boots Riley recently expressed reasonable doubts about that possibility to The New York Times. Riley challenges the natural desire to celebrate Black success at all costs, asking if the individual’s success is a trigger or barrier to true revolution: “JAY-Z is saying: “You can do this, I’m trying to give you game,” Riley said, “And it ends up explaining poverty as a system of bad choices .” He argues that the illusion of happiness JAY gets from this excessive success keeps everyone else playing the lottery in hopes of becoming the next him. Boots Riley on Jay-Z. https://t.co/IhDyrWuMB8 pic.twitter.com/lbqNA0n6f7 — willy (@willystaley) May 25, 2018 The same polarity that makes Nas and JAY essentials of their era exists in the political and philosophical differences between Barack Obama and Donald Trump ‘s administrations. But if we’re looking for culture warriors capable of defeating The Donald while the O’s collect Netflix checks, don’t JAY-Z and Beyoncé have as good a track record as anyone of out-witting corporate America without compromising their identities? ”I’m the ghetto’s answer to Trump, I’m cancer to the Hamptons. $40 million a wop, ransacking mansions,” a younger Hov bragged on his third volume, Life And Times of S. Carter . With recent power moves like the investment and development of Tidal, the production of social justice-themed documentaries and the signing of Van Jones to Roc Nation’s newly-created “social activism” division, JAY and Bey appear to be planting the seeds to harness the world’s most powerful current force: media. And their track records and tracks show that they won’t fumble the bag like Trump did in the 90’s. After publicly offing his ego on 4:44 and showing up to see it buried at the Grammys, JAY-Z’s shots at 45 on “Top Off” foreshadow the final act of that corporate takeover he always talks about. The Carters clearly have the tools to coup the current administration and secure a rare win for the lost tribe. But do our Bonnie’s & Clyde’s, Martin’s & Malcolm’s and Hov’s & Bey’s have to die martyrs to avoid becoming Killmongers in the process? JAY, Future and Bey’s “Top Off” is more than just your annual DJ Khaled radio bait; when you lean in and listen close, what initially seems like a codeine-cutter anthem for foreign cars and clubs transforms into a declaration of war: The only casualty? America’s Commander in Cheeto. “All our shit real, too,” chuckles JAY before the beat drops, and him and the only FLOTUS we acknowledge post-Michelle commence to bodying. And they slay, faithfully, like the cold-blooded serial bar killers they’ve always been; Vaguely motivated by a higher cause than the industry-standard advance or royalty check. Tucked between Future and Khaled’s high and low vibranium bursts, Hov and Bey spend a cool 1:55 in their collective pocket, checking down their every intent to Bonnie and Clyde the house White Supremacy built and put agent orange out with the trash; all with enough time to provide juice boxes, emotional nourishment and psychological protection for their babies. This picture belongs on the cover of Parenting magazine. Bey brought the snacks and Jay is eating some too with Blue lol pic.twitter.com/76826DxwyD — Matthew A. Cherry (@MatthewACherry) January 29, 2018 The Carter’s bid for the washdedest throne isn’t based on emotional appeals or fake ads — but they can thank the U.S. Government for unknowingly co-signing the bricks that founded their billion-dollar partnership; effectively laundering JAY’s lifetime of guilt, pain and rage into a legitimate hustle that neither they or his peers could knock. Since the Telecommunications Act of 1996, coincidentally the year of Jay’s corporate debut, the government has allowed media monopolies to form across the country, creating behemoths like Time Warner, iHeartRadio and Disney. The passing of the Telecom Act invited America’s most ruthless entrepreneurs to try cornering the fast-emerging digital market as the dot-com-boom of the late 90’s promised infinite possibilities in the millennium ahead. So, it’s really no coincidence that the self-taught entrepreneurs who managed to survive New York’s Rockefeller drug laws and see the mid-90’s thrived in this ruthlessly exploitative media game. And, it’s also no surprise that someone of JAY’s rare pedigree, who could cash straight bets off of both street and lyrical credibility, became unstoppable in an era of MC Gusto’s and clueless executives. With the new millennium approaching, America was poised to commodify music videos, singles, and cultural merchandise that would crank out profits faster than any artistic or industrial period before it. As someone who’d once made a living stretching pure cocaine into crack, it wasn’t hard for JAY to figure out how to capitalize on the bull market. It just took a little longer for America to accept him as a capitalist hero than it’s taken some to realize Donald Trump won’t even be able to sell a cold glass of water in hell. ”We hustle out of a sense of hopelessness/Sort of a desperation/Through that desperation, we become addicted/Sort of like the fiends we accustomed to servin’/But we feel we have nothin’ to lose/So, we offer you, well, we offer our lives, right?/What do you bring to the table?” “Can I Live” After a turbulent decade spent flowing aimlessly between the streets and beats, JAY survived Reaganimocs to incorporate his life and times into a now 22-year-old opus — A declaration to individual independence that both endorsed and contradicted the American Dream. From “Can’t Knock The Hustle,” to “Can I Live,” to “Regrets,” Reasonable Doubt gave voice to a genius conscious deferred — one that many thought went up in smoke when Big and Pac were murdered. And, as JAY would whine on his first commercial smash, “Hard Knock Life,” his cleverly disguised conscious wasn’t fully appreciated until years later. But those who knew rap knew, the guy could flow for days. And his wordplay had a way of coming back to hit you days later, sometimes with multiple layers. And those who’d silently survived the 80’s with him, studying 120-degree lessons and faithfully betting on Black when all they saw was red, could tell he was moving for more than just the green. There was knowledge of self and society that made him move more calmly than Pac. His calculation made people nervous, but like a machine, he delivered results like clockwork. Eight straight summers, a feat similar to LeBron current postseason dominance. Computing flows for Dr. Dre, Foxy Brown and many more as a ghostwriter, his money talked volumes that made his high-pitched East Coast drawl ring as deep as B.I.G.’s baritone. Meanwhile, his surviving peers on the mic (Nas, Prodigy, DMX) weren’t prepared to thrive in a game that made them the product. But JAY’s delayed entry gave him a different perspective; And a partnership with two like-minded entrpreneurs from Harlem (Damon Dash and Kareem “Biggs” Burke) gave him a kind of leverage no artist or executive could box in. An angle Jigga is still playing to this day. Beyond the music, Reasonable Doubt made JAY’s life a piece of performance art that is still more compelling than most of the publicity stunts his peers can dream up. There’s no need for deliberate acrobatics or abstract symbolism. His daily existence is the stunt: In spite of 25-year-life projections and dilapidated housing, he’s the one in a million that rose to the top. When you view his status as the elusive tip of a corporate pyramid scheme, his illustrious recording career is as shameful as his former profession. Unless you see the honor in the fact that he’s is still going. Not because he loves fame or it’s trappings, but because he feels he can’t abandon the generation of gullible fish he led to America’s corporate shark tank. That’s why his refusal to (permanently) quit a game designed to kill him decades ago symbolizes more than any simile, metaphor or entendre can convey via airwaves. Like the Obamas, the Carters are the exception that proves rules can be overcome. But do the hopes and dreams that these heroes inspire ever trickle down to their loyal subjects and followers? Queen Bey’s infamous Black Panther-themed Super Bowl performance was a clear sign that the Carters had formulated a new creative/corporate balance where doing good could be profitable. Still, both will always be harshly criticized in the social justice space for profiting off of revolutionary ideas that always seem to lead back to their lucrative endeavors. From Jay’s collaborations with Dead Prez and Mos Def to Bey’s proudly declared preference for Jackson 5 nostrils, they’ve gotten just as many side-eyes as salutes for their insistence on keeping it real while getting rich. Everyone from thenawful 45th president to the great Harry Belafonte has questioned their sincerity as well as the ultimate impact of their pro-Black and anti-establishment media messaging — mainly because the couple’s own deep roots in corporate capitalism is what makes their resistance possible. But is it time everyone stops believing that activism and profitability have to be mutually exclusive? People were busy with #OccupyWallStreet protests, Jay Z was making $22 from selling every Occupy All Streets T-shirt pic.twitter.com/ZxwduCoQC3 — Mal. Abdul (@Abdul5762) January 31, 2017 I’ve long believed The Carters’ talent for entrepreneurship and retail activism should be studied as a blueprint for the next generation of artists and activists, both of whom must maximize impact with minimal resources. If the nightmare at DONDA’s House foundation is any indication, media alone does not have the power to save souls. Like a bible without a pastor, the codes and values that blessed JAY and cursed his generation are easily misread out of context. Was the ice he always bragged about a trinket of coonery, or a revolutionary investment? Would Che Guevara see the complex genius in wearing a war chest across your chest, instead of keeping it in traditional financial institutions? Society will always try to force artists to make a choice between being rich and being real. And JAY-Z and Beyoncé will always be hailed as pop culture deities because of their rare abilities to defy that unfair false-binary. Their unapologetic independence made each of them extremely successful in their individual realms before they joined forces; But together, they upgraded each other with each passing year, until now, as they sit cooly on schedule to be Hip Hop’s first billionaire couple. There’s no telling how they’ll use those B’s to change things (or keep them the same), but ever since the independent woman and shameless dope man made it official in 2003, they’ve exceeded expectations and understanding in every challenge they’ve taken on. I cant help the poor if im one of them. So i got rich and gave back. To me, thats the win-win. ~~Jay Z~~ — B. Nasty ΦBΣ (@B_Nasty1013) December 7, 2016 Both members of pop culture’s first billion-dollar couple have always been as unapologetically real as their mainstream ambitions would allow. A young JAY rapped cockily about rocking a du-rag to the MTV awards as a testament to his authenticity. And from “Bootylicious” to Lemonade , Bey has done everything short of releasing a luxury bonnet line to project a royal image of Black American femininity on the mainstream media stage. But many question how much their woke symbolism matters as people are being shot dead in the streets and a geriatric reality star works daily to push America back to the 1950s. “And I come with du-rags to your so-called awards… like fuck y’all all.” Jay Z, “Hova Song” Today in 1999 Jay-Z drops Vol 3 “She said Jiggaman you rich, take the doo-rag off” So Ghetto pic.twitter.com/nGOkek6Nd8 — Steven James (@TheLaunchMag) December 28, 2015 Looking to celebrities like The Carter-Knowles Clan as potential leaders in the resistance may be expecting too much — they don’t owe the world anything more than the dreams they sell — but they may be the few among us with the tools necessary to significantly impact the globe’s most pressing threat: A leader no human should feel proud about taking an alien race to meet. “My presence is charity,” said Jay Z, responding to criticism about his social responsibility. http://t.co/FabQQQUjKG — The Wall Street Journal (@WSJ) August 4, 2013 The idea of the starving artist or embattled revolutionary is romantic to most. Many see money as a corruptive force and project their insecurities on those who are skilled with it. That explains why Illuminati speculation and residual distrust from the indistry’s history of artistic exploitation have cast lingering doubt on the couple’s true ambitions and allegiances. Most understand that it takes assets to challenge social systems. But is it possible for anyone to maintain their revolutionary integrity while securing the essential resources of a revolution? “When in doubt, take that trip She ain't living for the moment homie, shake that bitch He that cool, he can't take you nowhere? Leave that fool Be that rude if he that cool Save for what? Ball til your days is up This place is fucked, all type of AIDS and such.” — jeedorahgkingiii (@jeedorahgking3) May 27, 2018 ^^^ 98-99 vs 17-18 > > > “I bought every V12 engine… wish could take it back to the beginning.” — jeedorahgkingiii (@jeedorahgking3) May 27, 2018 If the struggle for social justice is a literal war, the resistance won’t win without warriors capable of countering Donald Trump’s Adolf-Crow poli-tricks. We probably shouldn’t be looking to pop culture idols to save our world in the first place, but I’d still ask JAY how many billions him and Bey would need to win the revolution. Not that I have it to invest; I just know the smart money’s been on the Carters since the days I was stealing their music from Limewire. And the pirate in me has been holding out hope that they’re compulsively hoarding dead presidents because they’re planning their greatest heist to date; Bigger than topping the Forbes list off drug money and or hacking the Super Bowl with soul music. But then I have to remind myself that they could just as well be narcissists of the same ilk as President Trump, selling a dream to the resistance while privately sipping champagne with the top one percent of the One Percent. It’s possible that studying their legacies for anything more than marketing genius is fruitless. But who wants to believe that? @CoupCoup40Cal
Elle Fanning has the weirdest fucking tit. She’s scared me before, when I’ve tried to figure out the Fanning sister hustle…because the fanning sisters creep me the fuck out before seeing the tit…they are not normal looking people…and a product of their parents selling them the fuck out, making them celebrated, getting them work and the whole thing confuses me and has confused me for their entire existence… They look like they were created in the lab, or like they are aliens sent to earth to penetrate American pop culture…and I don’t know what this tit looks like but I know I don’t like it…at all.. Is there a hole in her chest, was surgery involved, does she have a-cup saggers ,is that a pec? Maybe wear turtle necks girl…not all tits are created equally…and just cuz you’ve won at life and live in a test-tube – doesn’t mean everything about you is good, celebrated, etc.
Elle Fanning has the weirdest fucking tit. She’s scared me before, when I’ve tried to figure out the Fanning sister hustle…because the fanning sisters creep me the fuck out before seeing the tit…they are not normal looking people…and a product of their parents selling them the fuck out, making them celebrated, getting them work and the whole thing confuses me and has confused me for their entire existence… They look like they were created in the lab, or like they are aliens sent to earth to penetrate American pop culture…and I don’t know what this tit looks like but I know I don’t like it…at all.. Is there a hole in her chest, was surgery involved, does she have a-cup saggers ,is that a pec? Maybe wear turtle necks girl…not all tits are created equally…and just cuz you’ve won at life and live in a test-tube – doesn’t mean everything about you is good, celebrated, etc.
I forgot about Nicki Minaj …I wonder if I actively forgot about Nicki Minaj or if I just sort of never gave a fuck about Nicki Minaj and stopped listening to the radio to hear her stupid raps being shoved down my throat like I was part of the #MeToo movement…raped by pop culture I want nothing to do with.. But if you’re looking for your Nicki Minaj update…apparently she still exists, still is trying, has taken her role as Nicki Minaj that she created in acting class seriously…and is still doing it…thank god for that right…what would we do without a fucking hack like this shoving her big fake tits out there to the world…I mean I guess we could turn to instagram and find countless other girls doing the EXACT same thing as her…and they’d be less annoying about it.
Source: Paul Zimmerman / Getty People look to Charlamagne Tha God for his honest and blunt opinions on pop culture — so when fans saw the radio host hanging out with Kanye West in Wyoming earlier this week, they wanted the tea, and wanted it fast. TMZ caught the rapper and jockey leaving Ye’s office in Calabasas on Wednesday and sources say that Charlamagne got to hear the new album and scored an interview Yeezy. Kanye must really be living by those philosophical tweets these days last time we checked, he and C Tha God were not the best of friends. via GIPHY Remember back in 2013 when the Breakfast Club host was bold enough to say what everyone was thinking when he told Ye’ that his Yeezus album was wack? Kanye was so livid about the diss that he went HAM on Charlamagne during a performance at Penn State in 2014, saying, “If I go to a radio interview, shut the f*** up!” Charlamagne clapped back, “please go buy Kanye some chocolates or some flowers, some balloons for Valentines. He’s acting like a single, bitter b*** right now.” Things got worse in 2015 when Kanye came back to the Breakfast Club and went on the epic rant that started his Twitter war with Amber Rose and Wiz Khalifa . Although Kanye wasn’t at the Breakfast Club at all in 2016, it sure felt like he was, as many times as Charlamagne gave him Donkey Of The Day that year. Fast forward a couple of years and Charlamagne gets an exclusive listen to Yeezy’s highly anticipated album. Apparently time does heal all.
Source: Charley Gallay / Getty If there is one moment that best embodies 2 Dope Queens on HBO, it would be when hosts Phoebe Robinson and Jessica Williams invite “hair icon” Sarah Jessica Parker on the show to talk about black hair. The scene is just as awkward and random as you’d expect as you watch Parker take great pain to find the right words to describe what she loves about our hair, except that it doesn’t end with Carrie Bradshaw being dragged off the stage. In fact, the moment highlights Robinson and Williams’s penchant for addressing and dismantling what is considered taboo or controversial to have an honest, thoughtful conversation about sociopolitical matters. Not only does 33-year-old Robinson welcome the dialogue, she encourages it. Taking her and Williams’s wildly popular podcast to primetime television was a decision that at first made her nervous, then excited her as she prepared to headline a variety series unlike any other. With 2 Dope Queens , the Ohio native is helping normalize the presence of smart, fabulous, hilarious black women in late night TV to talk about things from “which white people need to apologize to us first?” to the wonderful moment when Robinson’s #Britishwhitebae offered to lotion her “ashy” feet. And that’s not all—they bring along a dazzling array of diverse stand-up talent including Baron Vaughn, Aperna Nancherla, Michelle Buteau, and Sheng Wang to offer their own candid observations on the world around them. Robinson jumped on the phone to talk to us about the new series, navigating social media, and disrupting the white boys club in comedy: HB: Congrats on 2 Dope Queens ! How important for you was it to create a positive, inclusive environment that was also woke AF for TV? Phoebe Robinson : I think because Jessica started out in improv and I was doing stand-up two years ago, we would see very white, very male faces. With the stand-up portion of the 2 Dope Queens special, I just noticed that these comedians don’t have the attention they deserve. It’s important for us that not only are we providing a platform for ourselves, but for other people who we think are amazing. I think a lot of people in comedy, the gatekeepers, are like, “oh, we don’t know how to find diverse talent. We don’t know how to find people who are different.” I always hate that, like you’re not looking at all the amazing people around you who are worthy and valuable and are hilarious. With Queens , it’s just been easy to book this. Everyone’s great. HB: What made you want to move the podcast to TV? PR : We were doing the podcast for a while, and we all thought we were going to do well, but we’re also so surprised to see how much people really enjoy not only the chemistry between Jessica and I, but also the stand-up and our interview style with guests. And one night we were just like, “I think that this could be a really fun TV show. I think this could be a variety show.” I told Jessica that, and she agreed. And we rounded everyone up and said, “this could be something different that hasn’t quite been on TV before.” I must give HBO credit, because ever since they’ve been around they’ve always had a keen eye on what’s different, what’s an audience that’s deprived of content and how can we be a facilitator of that. And I think they saw something with Jessica and I that was along the lines of Insecure and all this other stuff coming out in which people of color are not only in front of the camera but also behind the camera. They were just immediately on board. HB: Did you feel any pressure to respond to a certain political moment in pop culture? PR : I think the show existing is its own statement. But I think whatever Jessica and I talk about the show—whether it’s racism, or sexism in New York, or even something light like celebrities we have crushes on—we’re constantly bringing ourselves to the stage. Our stand-ups like John Early are very involved with what’s going on in the world, so I think the easy part is finding smart, intelligent people who will execute the way they do best. I don’t think it’s been tough for us to do it. I think we’re just grateful to have people around us who want to talk about these things. Jessica and Phoebe Source: Amy Pearl / Amy Pearl HB: You seem to have a very devoted and diverse audience that appreciate your unapologetic blackness no matter what. PR : If something is created by a straight white dude, did they think about how it was going to be relatable to other people? Was Jerry Seinfeld to make his show relatable? That’s just not a question he gets asked. So, when Jessica and I got into this, we want to do what we find funny. I just want to make her laugh on stage, and vice versa. I think this notion that anyone who doesn’t represent the patriarchy as we know it, they’re considered “other” or hard to understand. We’re all human, even if I’m talking about ashiness in the black community. So even if certain audiences don’t understand the experiences because they haven’t had them, I think they can empathize with people. They can really understand the comedy of it. I think we’ve gotten to a place where white people watch Insecure . Asian people watch Jane, the Virgin . Good is good, and I think it’s great that that could be celebrated. HB: That reminds me of the moment when you brought on Sarah Jessica Parker to talk about black hair. PR : She’s not the only person that’s scared about black hair. I think that’s why a lot of people touch it, because they don’t know how to respond to it. So, it was cool to have that moment and have her be vulnerable and say, “no, I don’t know anything about black hair. No one’s ever talked about it with me. Let’s get into it.” It was cool because the audience was nervous, and Jessica and I were like, “This is fine. She’s asking questions so that she could be more knowledgeable.” I wish moments like that would happen more in real life. HB: As soon as that moment happened, I immediately looked at SJP and thought to myself, “what in the world is she going to say?” It was a very pure moment when you didn’t know what to expect and she was obviously curious and complimentary about it. To see that moment in this era of black hair is very indicative of what the show is. PR : Yeah, I think instead of everyone being nervous to talk about different cultures, let’s just like get into it and open it up. When things are no longer a mystery, then everyone could be treated with respect as opposed to not acknowledging it, so they don’t say anything stupid. I’m glad that you really like that moment, because that to me is one of my favorite moments from the taping as well. HB: I think it also just allowed space for her to say something that she might have regretted later, especially important given the way in which we engage in this reactionary social media era. You were encouraging her to say the first thing that came into her mind because it was not a space in which you would judge her. PR : Yeah, it’s like “I want to try to say this, but I might say the wrong thing. I’m not trying to offend anyone. I’m trying to find the tools to equip myself to discuss this in the first place. I think in this era where everyone’s like, “I’m woke,” I’m like, you don’t know everything. No one knows everything. I don’t know everything about the LGBTQ community, so I’m learning. It’s like, I don’t know this thing and I want to know about it and become smarter about it. It’s creating a space where people aren’t snapping at someone when they get one thing wrong. Like today, I saw someone I know on Instagram post something simply stating, “Hey women, make sure to get your cervix checked” like a PSA. And someone immediately wrote, “you know, not all women have cervixes.” You know what she was trying to do! And then it turned into she’s being exclusionary, but this person’s trying to raise awareness. People are so quick to find a flaw in what people say without realizing that this person is trying to affect positive change. HB: You are a comedienne, showrunner, movie star, and a New York Times bestselling author. What would you like to conquer next? PR : I would love to keep working in TV. I would love to have my own TV show. I would love to do more movies. I’d love to write and direct like Ava Duvernay and Jordan Peele. If they can do it, I can do it. I’m working on my second book right now titled, Everything’s Trash but It’s Okay . So maybe do some stuff in publishing, maybe have my own imprint and publish people of color, queer people, women who I think don’t get the same opportunities because publishing is also overwhelmingly white. I’d also like to be more politically and socially active. I do some work with the Red campaign and would love to continue doing that because while it’s nice to get in hair and makeup and promote myself, I do think I have a responsibility to have it not all be about me. I want to use my platform for something good. 2 Dope Queens premiered on HBO Friday, February 2. DON’T MISS: ‘God Ordained It’ Tommicus Walker Has No Worries About Being LeToya Luckett’s Husband Former Temptations Lead Singer Dennis Edwards Dead At 74 First Person: My Mother’s Heart Disease Taught Me That Racially Biased Healthcare Is Deadly [ione_media_gallery src=”https://hellobeautiful.com” id=”2977298″ overlay=”true”]
I was trying the Amazon affiliate program to see if I could make some extra money for my addictions…and it lasted 2 weeks…I generated tens of thousands of dollars in sales for them…IN TWO WEEKS and all of a sudden, like a Christmas miracle they cancel my account and hijack my earnings saying that I am a PORN site… THEY WILL NOT PAY ME WHAT I MADE…because they think this is PORN…even though they all watch throat rape movies… FUCKING LIES!! Maybe it’s because I link to Porn in the StepLINKS…or maybe it’s because I’ve never censored content I find on the internet – because I find the world a ridiculous lie… Because you are not in compliance with the Operating Agreement, Amazon will not pay you any outstanding fees related to your account. Amazon exercises its right under the terms of the Operating Agreement to withhold fees based on violations, which include the following: -Your Site contains sexually explicit material. Sites are considered unsuitable for inclusion in the Associates Program if they contain sexually explicit, violent, libelous/defamatory materials or promote discriminatory or illegal activities. I started in 2004 and it was fucking annoying seeing censorship on the internet…and now there’s pussy on Instagram / Facebook / Youtube / Google and all the big players…making my nipples obsolete… BUT I am the fucking porn site, posting contnet I find, that’s pop culture and celebrity and not even Gaping Ass, or Weird Fetish videos, the real human experience I am more into that the lie that is pop culture… Yet Love Magazine can put out a video of a bikini model, who is barely a bikini model, but who is trying to be a fashion model, thanks to being a bikini model…in lingerie fucking beating up another chick wrestling…in provocative poses and Youtube’s like “DOPE CLICKBAIT TO RUN ADS ON THAT ISN’T PORN”…even if it’s more porn than ANYTHING I’ve ever posted. FUCK YOU INTERNET for robbing me. Elsa Hosk for Love of the Day The post Hannah Ferguson Wrestles a Chick in Lingerie for Fashion on Youtube Yet I’m a Porn Site of the Day appeared first on DrunkenStepFather.com .
