Tag Archives: steven soderbergh

This Senior’s Essay On The Philosophy Of Costco Helped Get Her Into 5 Ivy League Schools

“If there exists a 33 ounce jar of Nutella, do we really have free will?”

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This Senior’s Essay On The Philosophy Of Costco Helped Get Her Into 5 Ivy League Schools

This Senior’s Essay On The Philosophy Of Costco Helped Get Her Into 5 Ivy League Schools

“If there exists a 33 ounce jar of Nutella, do we really have free will?”

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This Senior’s Essay On The Philosophy Of Costco Helped Get Her Into 5 Ivy League Schools

Sex, Lies, And Premium Cable: The Girlfriend Experience Makes A Chilly, Titillating Move To TV

Steven Soderbergh’s 2009 escort film adapts well to the small screen this weekend.

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Sex, Lies, And Premium Cable: The Girlfriend Experience Makes A Chilly, Titillating Move To TV

Sex, Lies, And Premium Cable: The Girlfriend Experience Makes A Chilly, Titillating Move To TV

Steven Soderbergh’s 2009 escort film adapts well to the small screen this weekend.

Read more here:
Sex, Lies, And Premium Cable: The Girlfriend Experience Makes A Chilly, Titillating Move To TV

‘Behind The Candelabra’: Soderbergh Bros Discuss Who’s ‘The Top’ In Liberace’s Bed

I’ve been sold on Steven Soderbergh’s Liberace movie   Behind The Candelabra   since the trailer for the HBO movie hit the web earlier this month. But if you need further convincing, the filmmaker drops some interesting details about the movie in a free-ranging discussion with his younger, gay brother Charley Soderbergh in Out magazine . Behind the Candelabra,  which premieres on HBO on May 26,  tells the story of the flamboyant pianist’s love affair with the much younger Scott Thorson.   Michael Douglas and Matt Damon play the star-crossed lovers, and the trailer, which I’ve posted below, makes the movie look like an over-the-top romp through the back pages of Las Vegas-style opulence. But it’s also reassuring to read Soderbergh tell his lookalike brother, who’s an Atlanta-based hair stylist, that Behind The Candelabra is not going to be an empty exercise in camp: ” I wanted the movie to be very generous to Lee and Scott. I took them seriously, and I took the relationship seriously. It was a real relationship that was derailed because of some very odd external forces, some of them social and some professional. But there was an extended period where they were fat and happy. And if Lee hadn’t worked in a business where he thought that was a problem, or being gay was a problem, I think there would have been a very different outcome. It’s compelling to watch the two of them together. It’s sort of a  Thelma & Louise  thing—they decide to jump off the cliff together. Another fascinating segment of the interview has the brothers Soderbergh discussing scenes from Behind The Candelabra in which Liberace and Thorson argue over porn and who will be “the top” and who will be “the bottom” in the bedroom. As Charley points out, the debates aren’t that different from ones he’s witnessed between straight couples. Out:  One of the most distinctive scenes, perhaps because it’s so rare to see it portrayed honestly in a movie, was the argument they have about who will be a top or a bottom. SS:  Whenever you’re in a sexual relationship that lasts long enough, at some point someone is going to hit on something that they want to do and the other person doesn’t want to do. That’s unfortunate, because it’s really hard to put that genie back in the bottle once it’s come out. If you’re lucky there’s some synchronicity that works out, and on the second Tuesday of every month, you get to do that. That’s absolutely a conversation straight couples have all the time. It doesn’t necessarily have the same significance, but oh, absolutely. CS:  I’ve been privy to conversations between a married male and female couple when one of them wants to try it and the other is balking. And the physical implications are the first thing they’re afraid of, and the social implications are the second thing. So we have two layers of fear. And I just stand there with a smile on my face, thinking,  I can’t wait to see how you work this out. SS:  It’s one of my favorite scenes in the film because it is so blunt and so funny. “Why am I the Lucy in this relationship?” CS:  “Because I’m the bandleader and have the nightclub act.” SS:   That’s [screenwriter] Richard [LaGravenese] really hitting one out of the park. But it is fascinating, because you have Scott saying, “I’m OK with  this , but I’m not OK with  that .” And Lee doesn’t understand, because to him it seems like hypocrisy. I find that really true to life, in the sense that our feelings about sexuality aren’t necessarily linear. Everybody’s got some dot on a line with 10 points on it, and one is out of sync or in the wrong order. It’s a very complex, powerful area of our lives, and it creates really fascinating emotions and delusions and omissions. And I thought,  What an interesting conversation, especially if Lee’s the one in the power position. CS:  Another part of that scene is, “I don’t know how you can watch that stuff,” referring to the porn on the TV. “How does he get it in his mouth?” I’ve talked to gay and straight couples who say, “I don’t know why you watch that stuff, it makes me feel unloved.” And the other one is like, “It’s no big deal!” The brothers also engage in a lively discussion of their childhood that includes a substantial discussion of the cult film, The 5,000 Fingers of Dr. T, which they watched every Christmas. It’s worth checking out. More on Behind The Candelabra :  WATCH:’ Behind The Candelabra’ Trailer — Will Movie Convey Liberace’s Cultural Impact? Follow Frank DiGiacomo on  Twitter. Follow Movieline on  Twitter. [ Out ]

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‘Behind The Candelabra’: Soderbergh Bros Discuss Who’s ‘The Top’ In Liberace’s Bed

‘Behind The Candelabra’: Soderbergh Bros Discuss Who’s ‘The Top’ In Liberace’s Bed

I’ve been sold on Steven Soderbergh’s Liberace movie   Behind The Candelabra   since the trailer for the HBO movie hit the web earlier this month. But if you need further convincing, the filmmaker drops some interesting details about the movie in a free-ranging discussion with his younger, gay brother Charley Soderbergh in Out magazine . Behind the Candelabra,  which premieres on HBO on May 26,  tells the story of the flamboyant pianist’s love affair with the much younger Scott Thorson.   Michael Douglas and Matt Damon play the star-crossed lovers, and the trailer, which I’ve posted below, makes the movie look like an over-the-top romp through the back pages of Las Vegas-style opulence. But it’s also reassuring to read Soderbergh tell his lookalike brother, who’s an Atlanta-based hair stylist, that Behind The Candelabra is not going to be an empty exercise in camp: ” I wanted the movie to be very generous to Lee and Scott. I took them seriously, and I took the relationship seriously. It was a real relationship that was derailed because of some very odd external forces, some of them social and some professional. But there was an extended period where they were fat and happy. And if Lee hadn’t worked in a business where he thought that was a problem, or being gay was a problem, I think there would have been a very different outcome. It’s compelling to watch the two of them together. It’s sort of a  Thelma & Louise  thing—they decide to jump off the cliff together. Another fascinating segment of the interview has the brothers Soderbergh discussing scenes from Behind The Candelabra in which Liberace and Thorson argue over porn and who will be “the top” and who will be “the bottom” in the bedroom. As Charley points out, the debates aren’t that different from ones he’s witnessed between straight couples. Out:  One of the most distinctive scenes, perhaps because it’s so rare to see it portrayed honestly in a movie, was the argument they have about who will be a top or a bottom. SS:  Whenever you’re in a sexual relationship that lasts long enough, at some point someone is going to hit on something that they want to do and the other person doesn’t want to do. That’s unfortunate, because it’s really hard to put that genie back in the bottle once it’s come out. If you’re lucky there’s some synchronicity that works out, and on the second Tuesday of every month, you get to do that. That’s absolutely a conversation straight couples have all the time. It doesn’t necessarily have the same significance, but oh, absolutely. CS:  I’ve been privy to conversations between a married male and female couple when one of them wants to try it and the other is balking. And the physical implications are the first thing they’re afraid of, and the social implications are the second thing. So we have two layers of fear. And I just stand there with a smile on my face, thinking,  I can’t wait to see how you work this out. SS:  It’s one of my favorite scenes in the film because it is so blunt and so funny. “Why am I the Lucy in this relationship?” CS:  “Because I’m the bandleader and have the nightclub act.” SS:   That’s [screenwriter] Richard [LaGravenese] really hitting one out of the park. But it is fascinating, because you have Scott saying, “I’m OK with  this , but I’m not OK with  that .” And Lee doesn’t understand, because to him it seems like hypocrisy. I find that really true to life, in the sense that our feelings about sexuality aren’t necessarily linear. Everybody’s got some dot on a line with 10 points on it, and one is out of sync or in the wrong order. It’s a very complex, powerful area of our lives, and it creates really fascinating emotions and delusions and omissions. And I thought,  What an interesting conversation, especially if Lee’s the one in the power position. CS:  Another part of that scene is, “I don’t know how you can watch that stuff,” referring to the porn on the TV. “How does he get it in his mouth?” I’ve talked to gay and straight couples who say, “I don’t know why you watch that stuff, it makes me feel unloved.” And the other one is like, “It’s no big deal!” The brothers also engage in a lively discussion of their childhood that includes a substantial discussion of the cult film, The 5,000 Fingers of Dr. T, which they watched every Christmas. It’s worth checking out. More on Behind The Candelabra :  WATCH:’ Behind The Candelabra’ Trailer — Will Movie Convey Liberace’s Cultural Impact? Follow Frank DiGiacomo on  Twitter. Follow Movieline on  Twitter. [ Out ]

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‘Behind The Candelabra’: Soderbergh Bros Discuss Who’s ‘The Top’ In Liberace’s Bed

You Know, That Guy In ‘Lincoln’….Hugh Jackman ‘Forgets’ The Name Of His Best Actor Rival

Here’s a novel way to keep from getting worked up about your main Oscar rival: forget his name entirely. For Time magazine’s Great Performances video feature  on this year’s Oscar nominees,  Les Miserables co-stars and Oscar nominees Anne Hathaway  and Hugh Jackman spend some time lauding their competition. Hathaway even praises the computer-generated tiger in Life of Pi . But watch what happens around the 2:09 when Jackman slyly raises the topic of Lincoln . If you need any further proof that Wolverine a) can act and b) possesses a wit that’s as well-developed as his pecs, keep a close eye on his poker face as he claims not to remember the name of Daniel Day-Lewis , who, according to conventional wisdom, will emerge the victor when the Best Actor Oscar is handed out on Feb. 24. ” Lincoln is the movie, but the lead guy who I always forget…,” Jackman says to Hathaway without any hint that he’s having a bit of fun. In fact, it’s Hathaway who can’t keep a straight face as she jogs Jackman’s memory and he refers to Day-Lewis as simply “Lewis” — in case, I guess, any Academy voters will be deciding how to cast their Best Actor vote after watching this video.  Jackman does admit that the actor whose name he can’t seem to remember is “awesome” in Lincoln though, and he also waxes enthusiastic about Joaquin Phoenix’s  performance in The Master.  You can also access video interviews with Amy Adams, Jessica Chastain, Sally Field, John Goodman, John Hawkes, Philip Seymour Hoffman, Quvenzhané Wallis, Christoph Waltz and  Naomi Watts at the Great Performances link above. In the meantime, here’s a compilation clip.  Oh yeah, and take a close look at the photo of Hathaway  resting on Jackman’s buff torso with her thumb in her mouth. Saucy. Featured Photo Photo by Paola Kudacki for Time [ Time] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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You Know, That Guy In ‘Lincoln’….Hugh Jackman ‘Forgets’ The Name Of His Best Actor Rival

‘Side Effects’ Contest: Win A Poster Signed By Cast Members With An Ode To Your Fave Pharmaceutical

Calling all Steven Soderbergh  fans and movie-loving hypochondriacs . Time to cue up Pink’s “Just Like A Pill” on Spotify and get your haiku mojo working. Movieline will give away a Side Effects poster signed by  cast members Rooney Mara , Channing Tatum , Jude Law , Vinessa Shaw and Dr. Sasha Bardey to the armchair bard who, in our opinion, writes the most addictive haiku inspired by his or her favorite pharmaceutical or the movie itself.  Here are the rules: Submit an original haiku (using the 5-7-5 format) inspired by Side Effects or the prescription — as in legal — drug of your choice, in the comments section below. The contest is open to ages 18 and up and the winner must be a U.S. resident.  Deadline for entries is noon Pacific Standard Time on Feb. 20.  Now, get popping. We’re expecting lots of odes to Adderall. And for additional inspiration, here’s the Side Effects guerrilla marketing Ablixa video. Side Effects opens nationwide on Feb. 8

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‘Side Effects’ Contest: Win A Poster Signed By Cast Members With An Ode To Your Fave Pharmaceutical

Soderbergh’s Liberace Pic ‘Behind The Candelabra’: What’s ‘Too Gay’ for Hollywood?

Steven Soderbergh has pushed against the limits of Hollywood’s sexual mores his entire career. His debut, sex, lies, and videotape , was a study in voyeurism and sexual dysfunction. He blurred the line dividing the feature film and porn video worlds with The Girlfriend Experience , which starred adult actress Sasha Grey. His last film, Magic Mike , subverted the male gaze by turning all eyes, male and female, on the rock-hard and very hairless abs of dude-strippers. Yet even Soderbergh has had trouble financing his next and rumored-to-be-last project, Behind the Candelabra , a biopic of Liberace starring Michael Douglas as the flamboyant pianist and Matt Damon as his significantly younger live-in lover. The veteran director only wanted $5 million to make his long-delayed film, but, as he told The Wrap , “They said it was too gay. Everybody. This was after Brokeback Mountain , by the way. Which is not as funny as this movie. I was stunned. It made no sense to any of us.” Luckily for Soderbergh, HBO believed enough in the project to greenlight it. But that still leaves the question: What does “too gay” mean in the Hollywood of 2013? Sadly, it doesn’t seem too different from what it meant fifty years ago in the Hollywood of 1963: Few gay protagonists can be normal, relatable people living in a world we recognize. In the real world, gay men and women are our friends, family, neighbors, and co-workers. But in the movies, that might be “too gay.” So screenwriters have come up with a multitude of ways to make homosexuality less immediate and less “threatening.” When they are the protagonists, gay characters vanish from everyday life: by dying, by disappearing into history, by rarely having sex, by committing evil, by being more flamboyant than pink rhinestones on a drag queen’s tiara. They may be admirable, certainly sympathizable, but they still too frequently lack ordinary humanity. The supposed breakthrough film Brokeback Mountain , for instance, marginalized homosexuality by situating its characters in a faraway setting and in a culture that was on the cusp of disappearance. And it fatally asserted its heterosexuality by having straight actors play gay, so that audiences never forget that a man kissing another man is all just play-acting. Little seems to have changed since Brokeback . The majority of studio movies with a gay male protagonist since has either taken place in Mad Men days ( Milk , Howl , A Single Man ) or featured same-sex sociopaths ( I Love You Philip Morris , Bruno ). It’s no better for lesbians, who watched one of their filmic counterparts in The Kids Are All Right have sex with a man, because of course that’s exactly what the female gay experience is all about. Equally alien to the lives of average gay women is the romance Jack and Diane , which finds one of its two budding lovers turning into a werewolf. And, it bears repeating, all of the main characters in these movies are played by straight actors. Luckily for gay viewers, the indie world is brimming with movies that are “too gay” and proud of it. The last two years alone have seen critical darlings like the sweet romance Weekend , the addiction drama Keep the Lights On , and the gay adoption saga Any Day Now . Also welcome and necessary are the coming-of-age tale Pariah and the Sex and the City -style Noah’s Arc , which feature all-too-rare gay characters of color. It’s almost surprising that Soderbergh’s biopic got the “too gay” chuck, since the subject matter – a mincing narcissist with a love of glittered capes and a barely legal pool-boy dying tragically from AIDS – is brimming with the usual defenses Hollywood is always eager to employ against normal gay existence. So one has to wonder if it isn’t the flamboyance that studios found “too gay,” but Soderbergh’s refusal to turn Liberace and his partner Scott Thorson into caricatures, to “take the relationship seriously.” After all, that might be too revolutionary for Hollywood. Maybe in 2063? Inkoo Kang is a film critic and investigative journalist in Boston. She has been published in Indiewire, Boxoffice Magazine, Yahoo! Movies, Pop Matters, Screen Junkies, and MuckRock. Her great dream in life is to direct a remake of All About Eve with an all-dog cast. Follow Movieline on Twitter .

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Soderbergh’s Liberace Pic ‘Behind The Candelabra’: What’s ‘Too Gay’ for Hollywood?

Channing Tatum Eyes An Acting Break

The Sexiest Man Alive is looking to take an acting break. 21 Jump Street and Magic Mike star Channing Tatum is planning to put the acting gigs on hold next year in favor of working on his directing chops with production partner, Reid Carolin. “[Reid and I] have about three to four ideas that we love that are all in the hopper. By the end of next year, we’re going to shut things down and write the first thing that we’re going to direct,” Tatum told EW . “We’re going to be like, alright, no more acting parts for a minute, let’s take a few and really get caring about that section of our career.” Tatum and Carolin are in the midst of developing a Magic Mike sequel – and with a nearly $166 million worldwide gross from the first installment and a production budget only a fraction of that – then why not? They’re also developing a pic on 1970s daredevil, Evel Knievel. Still, Tatum won’t be absent from the big screen in 2013. He’s set for Steven Soderbergh’s Side Effects in addition to action pic White House Down along with Jamie Foxx and Maggie Gyllenhaal as well as drama Foxcatcher from Bennett Miller. “I love the steps that I’ve taken acting-wise. That has been a wild sort of exploration,” Tatum said. “But I don’t want to just keep putting [directing] off for these fun and incredible opportunities.” Tatum gave a shout-out to Soderbergh for showing him and Carolin the filmmaking craft. “I don’t think Reid and I would have the balls to try to make a movie without learning what we did from Soderbergh and [assistant director] Greg Jacobs,” Tatum said about the Magic Mike director. “It was like a crazy crash course Cliff Notes on directing and how to make movies, literally get them done. We had a Matrix -style download, like a plug in the back of the head and bloop! I know Kung Fu now.” People magazine named Tatum its 2012 Sexiest Man Alive last month. [ Source: EW Inside Movies ]

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Channing Tatum Eyes An Acting Break