This body blows me the fuck away….I posted a bunch of these Vogue Australia PICS the other day, but more have been leaked, and they involve her pantsless, and despite not being spread opened wide enough that I can see her soul, is still fucking hot to me, because these legs, that fit stomach, and that little model booty is just fucking glorious…it makes me want to go mining in her womb for some South African blood diamonds…with my penis… I’m a fan.
My favorite thing about Petra Nemcova is that she survived the Tsunami like a superhero when the person she was with, her fiance, didn’t. Unless it was just an extravagant attempt to escape being locked down by her, and dude lives a life under a different name in South East Asia, which is possible, because even the hottest bitches, are nagging, self involved, emotionally driven, cunts who annoy as they try to control their man….. My other favorite thing about Petra Nemcova, is staring at her nipples. She’s a survivor and by survivor I mean lovely as fuck…..
My favorite thing about Petra Nemcova is that she survived the Tsunami like a superhero when the person she was with, her fiance, didn’t. Unless it was just an extravagant attempt to escape being locked down by her, and dude lives a life under a different name in South East Asia, which is possible, because even the hottest bitches, are nagging, self involved, emotionally driven, cunts who annoy as they try to control their man….. My other favorite thing about Petra Nemcova, is staring at her nipples. She’s a survivor and by survivor I mean lovely as fuck…..
I want to Tsunami all over her….with my dick…only instead of trapping her in a tree while her fiance gets washed away…so I can have her allfor myself….I’m hoping my Tsunami ends with her pregnant…and lock her down forever….She’s amazing.
Here’s a shout-out for Naomi Watts , and I am afraid she’ll need it. She’s the sole Oscar nominee from director J.A. Bayona’s The Impossible, and that means she has a real uphill climb for a win. Watts is up against four other nominees in the Best Actress category — Jennifer Lawrence ( Silver Linings Playbook ), Jessica Chastain ( Zero Dark Thirty ), Emmanuelle Riva ( Amour) and 9-year old Quvenzhane Wallis ( Beasts Of The Southern Wild ) — whose movies have the additional momentum of a Best Picture nomination. It’s a huge disadvantage now that the Academy at large is voting, not just the actors branch. Although a big hit in Bayona’s native Spain, The Impossible — which tells the story of a family fighting to survive the catastrophic Thailand tsunami of 2004 — underperformed in its U.S. run. The movie’s mid-December opening, which took place the same week that Academy balloting began, didn’t help its Oscar chances either. That Watts made the Best Actress short list at all is a testament to her gritty, visceral performance, which she has described as the most physically challenging movie of her career. And she’d have a real shot at a statuette if Academy members actually took the time to watch the movie. (Voting begins Feb. 8 and ends Feb. 19.) The one advantage Watts does have over her fellow nominees is that she is playing a real life person: Maria Belon, a Spanish wife and mother who lived to tell the tale and has enthusiastically endorsed Watts’ performance at various events this season. Chastain’s character, Maya, is also said to be based on an actual CIA operative, but the actress claims to have never met the woman who inspired her Zero Dark Thirt y role. Although the Thailand tsunami took more than 200,000 lives, The Impossible is not about dying. Bayona and his screenwriter Sergio Sanchez have crafted a powerful, harrowing film about living and, more importantly, family. Particularly during its grueling first half, The Impossible is, at times, almost unbearable to watch as the injured and frightened Maria (Watts) and her older son Lucas ( Tom Holland ) attempt to find what’s left of civilization after being swept away and nearly killed by the tsunami. Gravely injured, Maria clings to life while her son leads them on, looking for medical attention and holding out hope that his father Henry ( Ewan McGregor ) and two younger brothers, who were separated from them by the cataclysmic event, are still alive. Once the pair finally make it to a makeshift hospital, Maria is not given much hope to survive, and Watt’s plays these scenes brilliantly, acting largely with her eyes. Meanwhile, Henry and his two other sons are desperately seeking to determine if Maria and Lucas are okay, and in one devastating scene that will resonate with any father, McGregor breaks down during a phone call home, no longer able to bear the emotional toll of what has happened to his family. It’s a sterling moment for McGregor, who should have joined Watts on the Oscar honor roll this year. He has never been more effective on screen as he is in those moments (surrounded, by the way, by many of the actual survivors of the 2004 Tsunami who were cast as extras). For those who know the true story of Maria, the decision to change the nationality of her and her family may seem jarring at first, but quickly becomes inconsequential thanks to the performances of Watts and McGregor in roles that would test the mettle of the best actors. As for the tsunami itself, it has been exquisitely re-created the old fashioned way using a water tank and models. Although it comprises only a few minutes of the film — in the beginning and in brief flashbacks near the conclusion — it is stunningly realistic and a chilling reminder of how fragile life can be. Bayona understands that the best way to accomplish this is not through special effects but through the extraordinary performances of his actors. The Impossible is impossible to shake off, and Academy members should not miss Watts’ incredible performance in this movie. Follow Pete Hammond on Twitter. Follow Movieline on Twitter.
There’s a question that The Impossible , the new film from Juan Antonio Bayona ( The Orphanage ), demands be asked, and that is — is it easier for audiences to relate to tragedy when it’s filtered through white characters? This is not a new issue. The movies have a long tradition of approaching stories about people of color, both at home and abroad, through the experiences of Caucasian protagonists, a habit that speaks to both (probably not unfounded) ideas about audience preferences and prejudices and the linked reality of what most of our movie stars still look like. The Impossible is set during the 2004 tsunami that hit South East Asia the day after Christmas, killing over 230,000 people and devastating Indonesia, India, Thailand and other countries, but it’s about how one expat family on holiday weathers the tragedy, an uplifting tale of survival and endurance amidst the ruin. On one hand, yes, it feels undeniably strange and selective to approach the worst tsunami in history by way of vacationing foreigners, with representatives of the local Thai population limited to those who come to their aid. The film begins with the family — Henry (Ewan McGregor) and Maria (Naomi Watts), and their sons Lucas (Tom Holland), Simon (Oaklee Pendergast) and Thomas (Samuel Joslin) — arriving on a turbulent flight, and ends with their worse for the wear departure on another one, and the relief that accompanies that trip to safety comes with an awareness that many of the other people left behind do not have a home elsewhere to go back to. On the other hand, The Impossible , which was written by Sergio G. Sánchez, is based on the true story of a Spanish family (transformed here into a British one) who were some of the many visitors to the area whose trip abroad turned into a nightmare. Their experiences aren’t unworthy of being dramatized simply because they’re not representative of the underreported norm, and the film recreates the horrifying saga in ways that are startlingly visceral, including a masterful sequence in which the first wave arrives like a monster in a horror flick. This story being told doesn’t mean that others are silenced, and The Impossible benefits from taking a limited perspective on an awful larger incident rather than try for something more panoramic. What may be a more relevant question for The Impossible is what its aims are as a movie. It’s a thoroughly and effectively sappy effort about a family searching for one another after an incredible catastrophe in the trappings of traumatic gore film — or vice versa, but either way the two halves sit uneasily beside one another on screen. As in The Orphanage , Bayona demonstrates he has a talent for the disturbing or flat out frightening and a taste for the sentimental, and it’s perhaps because this is a film about a real and recent disaster that both feel amplified, the shock and suffering turned up to apologize for or counterbalance the unabashed drippiness that follows. From a pure filmmaking perspective, it’s the first half that really impresses and perturbs, as Henry, Maria and the kids arrive from Japan to spend their holidays in a gorgeous beachside resort in Khao Lak. They film themselves on Christmas morning opening presents on the veranda, they release a paper lantern on the beach at night, and they sit poolside getting sunburns with other Western tourists and talking about their careers while the boys frolic in the water. The tsunami takes them completely by surprise, as it did almost everyone affected, rumbling from the horizon and taking out everything in its path. We stay with Maria as she’s swept away in the chaotic mass of water, the camera sticking with her as she clutches a tree and howls in pain and upset, then cutting over to Lucas as he’s pulled in the current, the two trying to reach each other in a world suddenly upended. It’s a tour de force sequence, and one that manages to outdo a similar one in Hereafter with little effort. But it’s what follows that’s enough to evoke a physical reaction, as Maria trudges through the wreckage, too stunned to notice the tattered muscles exposed in the gaping wound in her leg. The suffering Watts portrays — she climbs, dripping blood and crying in pain, into a tree and in a later scene coughs up what looks like lung tissue — looks all too agonizingly real, and enabling that requires a committed and deeply believable bit of acting. But watching her ordeal is enough to make you feel shaky, and almost as troubling are the sequences that follow in which Henry trudges through the splintered remains of their hotel, looking for the rest of his family, either alive or dead. The Impossible drops you into the experience of living through the tsunami in specific, achingly realized detail, then pulls back to provide a happier ending. After so much anguish, the need to balance it out with something positive is understandable, but it’s difficult not to be aware of just how much Bayona is yanking on heartstrings as he arranges for near misses and hospital misunderstandings, teary phone calls and kindly old women (Geraldine Chaplin!) providing companionship to forlorn children. Any glimpses of good amidst the destruction are welcome, but after that jarring, unforgettably immediate account of the tsunami, the latter half of The Impossible is so disappointingly movie -ish, tying a bow on the events after portraying them too vividly to allow them to be wrapped so neatly. It wrings out tears with an industrious efficiency that leaves you feeling manhandled after the exhilarating, terrifying footage that’s unfolded before. Follow Alison Willmore on Twitter . Follow Movieline on Twitter .
Before seeing these awesome pics of an awesome shirt of Awesome Petra Nemcova….I pretty much forgot she existed…It’s like her fiance never died in the tsunami….and all it took was bringing out the tits to remind us she’s still here…and that she climbed up a fucking tree that day and wasn’t swept away with the motherfucker they never found….and I appreciate her efforts…to keep his memory alive…cuz motherfuckers…I like me some titties….in public….in see through shirts so see through she might as well not be wearing a shirt…but maybe I am just emotional cuz I survived a Central American earthquake I didn’t even notice til the power went out…cuz I was at a bar drunk chatting up a tranny….and my world is always set on fucking vibrate….I’m a cockroach people…not going anywhere…. These pics are almost a week old – but I am in Central America and thus new to me….like every Adam Levine song is new to these people….
It is human instinct to try and survive anything, from nuclear holocausts and planet-killing asteroids, to killer viruses and zombies. However, if we try to brush all our fears aside for a minutes and analyze what’s in store for us in the aftermath of the apocalypse, we’d probably be holding an end of the world party right where Ground Zero would be, and get vaporized in an instant and in the process be spared from the following: 1. The Smell Unless the disaster that will end our world is a huge solar flare that will give new meaning to the phrase “scorched earth”, there will be hundreds of thousands, maybe even millions of survivors all over the world. On the other side of the coin will be BILLIONS of dead and rotting bodies, both animal and human. And if zombies are walking the planet, the smell would be exponentially worse. Not even industrial strength Lysol would suffice to wipe the stink away for eons to come. 2. Food and Water Shortages Comets, asteroids, nuclear weapons, an alien invasion, the shifting of the Earth’s crust or a deluge worthy of Noah are all cataclysms that involve massive destruction of property, infrastructure, and food and water supplies. No sense surviving the initial impact only to die, extremely painfully at that, of starvation and dehydration a short time later. A zombie apocalypse, on the other hand, tends to keep malls and grocery shops intact even as billions of people become the walking dead or end up as food for the walking dead. That means lots of canned goods and other processed foods for survivors who are lucky or smart enough to hole up in a shopping mall or a supermarket. That, however, leads directly to… 3. Dying of a heart attack or stroke from eating canned goods regularly Canned goods are a good source of sodium, but sodium, when taken in excess, increases blood pressure and puts anyone at risk for a heart attack or a stroke. And eating canned goods three times daily for their typical two-year duration surely qualifies as taking in excessive sodium, don’t you think? 4. Being made a sex slave by marauding gangs We all know the cliché about bad situations bringing out the worst in people. The problem is, this is one cliché that has proven to be true throughout history. And an apocalypse will be worse, as all bets would be off then. Forget law and order; it’s human decency that would be flushed down the toilet should the apocalypse come. Murder and rape would become a part of everyday life, because, let’s face it, there really are people in this world who get off on that sort of thing. Imagine those people coming together to form a gang and roaming around hunting for survivors. No one would want to end up like those women in Stephen King’s The Stand where the bad guys run a length of barbed wire across their vajayjays just for kicks. 5. No Electricity No more TV, computers, video games, A/C, movies and ice cold beer. Again, power plants would probably still be operational after a zombie or virus apocalypse, but who will be left to run them? We’ll have a meltdown faster than you can say “tsunami”. 6. No More Sports The NFL, MLB, NHl and the NBA will be gone, and so will be the cheerleaders who, for a lot of people, are the only reason they watch games live in the first place. No more LeBron James to hate , and no more Maria Sharapova upskirts. Taking its place will be death matches where food or other supplies are offered up as prizes. Now that would be a neat idea, if only it would have TV coverage, but electricity would be a thing of the past by then, so no dice. 7. No More Porn ‘Nuff said. 8. No Internet Facebook, Google+, YouTube and gossip blogs will all be but a memory. If anyone out there’s actually having an end-of-the world bash at any predicted Ground Zero sites, count me in for front row tickets. 9. Not Knowing Who “The Mother” is In How I Met Your Mother If the apocalypse pushes through on December 21, 2012 as that ancient calendar and millions of other doomsayers predicted, then How I Met Your Mother will have just started its projected eighth and final season by then, and the identity of the mother will not have been revealed just yet, before the world as we know it ends. Unless Neil Patrick Harris survives and you bump into him leading one of those marauding gangs mentioned above or something. 10. No More Justin Bieber, Rebecca Black… …On second thought, THIS might be a good enough reason to try to survive an apocalypse after all! Related Posts: 10 Zombie Jesus Tattoos 8 Things I Like About Transformers: Dark of the Moon Top 10 Former ’90s Child Stars Gone Naked 10 Celebrity Virgins – Or So They Claim To Be 20 of the Prettiest Women in Porn Today
“It’s better to burn out than to fade away.” These words were penned by Neil Young in his famous song, “Hey Hey, My My,” but took on new meaning when Kurt Cobain quoted them in his suicide note. Grunge rocker. Music pioneer. Rock God. Troubled individual. Kurt Cobain was all of those things and more, and his legend has only grown since his death. R.I.P. Kurt Cobain – A Tribute Cobain died from a gunshot wound inflicted in what police ruled a suicide. He was not found dead on April 8, but died April 5, 1994 – 17 years ago today. Controversy still swirls around his death and legacy, but this much is certain: His music and lyrics reflected much inner turmoil, came along at a unique time for rock, and won over millions of fans, cementing his place in history. Above is a tribute to Kurt Cobain to mark this sad occasion. Follow the jump for one of the Nirvana frontman’s most memorable performances … Nirvana – Come As You Are (Unplugged In New York)
Britney Spears’ music video for “Till The World Ends” doesn’t drop until tomorrow, but the Spears Marketing Machine leaked a 30-second teaser to hold us over. The second single from Femme Fatale , following “Hold It Against Me,” ” Till The World Ends ” has been heralded by many Spears fans as her best track in years. It’s waaay better than HIAM, in THG’s opinion. We can only hope the video measures up to the song, a thoroughly catchy Britney hit. Here’s the video tease: Britney Spears – Till The World Ends Video Teaser
