Marique Schimmel is a dutch model. She showed her nipples in Vogue Italia. Nipples are fashionable….when they are in Vogue, but when they are on a nipple fetish site they are considered porn…and when they are on any website that isn’t a fashion site, they are considered porn, and if they are out in public they are considered obscene, and if they are in a MOVIE, they get a parental warning, even though the whole purpose of nipples is for parents… We live in a ridiculous hypocritical society. Where brands pretend to be wholesome, while execs are getting fucked up the ass by tranny hookers on business trips, while the wife and kids are at home, popping prescription pills and showing a little intentional cleavage when the neighbor walks by, because of a need to feel wanted or loved… It’s like nipples are basic human function…but the Mormons and Christians and whoever the fuck else decided that in America – that’s obscenity…in Europe that’s Fashion…it’s like can’t we figure out international policy on nipples so I can land a fucking AXE deodorant spray ad without being told I’m a porn site. It’s annoying.
Kim Kardashian wore this shirt out with her baby for the paparazzi. This was low level attention seeking, kinda like leaking a sex tape. It was one of those “call the paparazzi, I am going out topless, they’ll eat this shit up”…staged bullshit to keep her on the map… Even though, she’s too fucking fat to not be seen on the map, like the Great Wall of China, you can see this bitch from Space…and not just in the form of the porn DVD one of the astronauts brought up with him, because let’s face it, despite making her millions, or even hundreds of millions…it’s not that good…and either are her mom tits, clearly implants, doing what they are doing… They just remind me that society is fucking doomed. That’s what Kim Kardashian’s legacy is… GET HER SEX TAPE HERE She’s a classy bitch. Isn’t she. TO SEE THE REST OF THE PICS CLICK HERE
‘It’s Santa’s Workshop, but all Gaga stuff,’ DJ White Shadow tells MTV News of over-the-top Barneys display in New York. By Jocelyn Vena Lady Gaga premieres the Lady Gaga Workshop at Barneys New York Photo: Getty Images On Monday night, Lady Gaga launched the holiday-themed Gaga’s Workshop at Barneys in New York. It was an event that brought out some of the city’s biggest fashionistas, many members of the Haus of Gaga (including the event’s curator and Gaga’s stylist Nicola Formichetti) and the Mother Monster herself. DJ White Shadow, who produced several tracks on Gaga’s Born This Way, was on hand providing tunes for the big shindig. “They spent a lot of time on the installations,” he told MTV News on Tuesday afternoon (November 22). “I didn’t understand what it was until I walked up to it. It’s Santa’s Workshop, but all Gaga stuff. But the windows are super cool. They had a video installation, they had a mockup of the motorcycle on the [ Born This Way ] cover that’s spinning all the time and a Gaga crystal kingdom.” While the party and Gaga’s presence made for a hectic night, White Shadow kept partygoers dancing without any chaos. “I totally skirted around all the insanity,” he said. “[Gaga] went one way and I went the other way. I saw her parents and some friends I haven’t seen in a while. “There was some very fashionable people there,” he added. “There was a guy that had a mop on his head — like, legit, it looked like a mop — and then there was people like 17 feet tall with a nipple hanging out, and then there’s me, someone who hasn’t shaved in five days,” he joked. At Gaga’s Workshop, there are many products to pick from, ranging from chocolates to leather jackets, but there was one item that really caught White Shadow’s eye. “I just was perusing the goods … and there were some books that were her favorite books, and they have a special Barneys cover. I was trying to grab small things,” he recalled. “But there’s these hulking giant candles [in the shape of Gaga’s head] that you light from the top. It’s like you light the candles in the back and then the wax drips down through the eyes of the candle. So I was pretty impressed with it. I definitely procured one.” If that’s not enough Gaga-fied gifts in your life, next week, she’s dropping a holiday EP. A Very Gaga Holiday will include four songs that will also be featured on ABC’s “A Very Gaga Thanksgiving,” airing Thursday. What tracks made the final cut? “White Christmas” and “Orange Colored Sky,” as well as the BTW tracks “Yo
Two contestants will go home on Wednesday’s results episode. By Adam Graham Astro on “X Factor” Photo: FOX Teen rapper Astro addressed his blow-up last week and promised to not let his fans down again during Tuesday’s (November 22) performance episode of “The X Factor,” which found the competition’s top nine contestants dedicating their performances to special people in their lives. Astro, the 15-year-old Brooklyn rapper who had a near meltdown and almost refused to perform after landing in the bottom two on last week’s results episode, explained in a pre-packaged introduction he “didn’t know how to control my emotions” last week and he “could have handled it better.” He then went on to address the situation further in an original song he performed set to Jay-Z’s “Show Me What You Got,” in which he rapped, “Got my head in the right place and I’m back to win.” Before the judges weighed in on his song, he explained to his fans, “To Team Astro and all the Astronauts across the world, but mostly hip-hop, I’ll never let you down again.” Simon Cowell, who harshly criticized Astro for his attitude last week, took to the young MC’s apology. “The music business needs unpredictability,” Cowell said, explaining he admired Astro for speaking his mind. His mentor L.A. Reid went with the cooler-heads approach as well. “As long as you keep a good head on your shoulders and always do your very best, you’ll be fine,” he told him. Here’s how the rest of the evening’s performances shook out. The Girls Rachel Crow opened the show and dedicated Yolanda Adams’ “I Believe” to her adoptive parents. The performance sparkled, and never one to exaggerate, Abdul said Crow was proof angels exist on earth. Melanie Amaro enjoyed her biggest moment yet on the show, and following her performance of R. Kelly’s “The World’s Greatest” she excitedly celebrated onstage, shouting out her upbringing in the Virgin Islands. Cowell said she is needed in the competition, and Nicole Scherzinger stopped the show to give her a hug, nearly giving ultra time-conscious host Steve Jones a heart attack. And L.A. Reid showed another lapse in his musical knowledge when he criticized Drew for not singing “age appropriate” material, after the 15-year-old sang 19-year-old Demi Lovato’s “Skyscraper.” That put Cowell on the offensive, and he spat back at his rival, “I’m sick to death of your pointless, stupid criticism,” going on to call it “unfounded,” “inaccurate” and “complete and utter rubbish.” In this case, we sort of have to agree with Cowell. The Boys Marcus Canty dedicated Boyz II Men’s “A Song for Mama” to his own mama, who was sitting at the foot of the stage, and earned unanimous praise from the judges. “I’ve worked with some great singers, you are as great as any great singer I’ve ever worked with,” Reid told him, while Cowell said Canty put himself back in the competition with the performance. Chris Rene, meanwhile, sang a mix of the Beatles’ “Let It Be” and his own “Young Homie,” which he sang in the early audition rounds. “You reminded everyone why we liked you,” Cowell said, echoing the sentiments of all the judges. The Over 30s Josh Krajcik closed the show singing the Rolling Stones’ “Wild Horses” alone at his piano, surrounded by a series of spotlights that made him look like a prisoner in some sort of light jail. Abdul called the burrito maker “larger than life” and Cowell said he was “outstanding,” while Scherzinger told him, “Beyond this competition, I strongly believe your music can change the world.” LeRoy Bell took on Sarah McLachlan’s “Angel,” the soundtrack to way too many of those wrenching animal cruelty awareness ads, and dedicated the song to his late mother. The judges thought it was his best performance, save for Reid, who called it “heartfelt for sure, but not your very best.” The Group Lakoda Rayne, the sole remaining group in the competition, chose to sing Taylor Swift’s “You Belong With Me” — an odd choice for a dedication, though they were celebrated by the judges. But Cowell seemed to already be acknowledging their fate when he said, “I genuinely wish two people weren’t going home tomorrow.” Yes, two acts are slated to get the ax during Wednesday’s results episode — so much for the warmth of the season! — which is also set to feature performances by Kelly Clarkson and Bruno Mars. What did you think of Tuesday’s “X Factor”? Did you believe Astro’s explanation for his behavior? Let us know in the comments!
Two contestants will go home on Wednesday’s results episode. By Adam Graham Astro on “X Factor” Photo: FOX Teen rapper Astro addressed his blow-up last week and promised to not let his fans down again during Tuesday’s (November 22) performance episode of “The X Factor,” which found the competition’s top nine contestants dedicating their performances to special people in their lives. Astro, the 15-year-old Brooklyn rapper who had a near meltdown and almost refused to perform after landing in the bottom two on last week’s results episode, explained in a pre-packaged introduction he “didn’t know how to control my emotions” last week and he “could have handled it better.” He then went on to address the situation further in an original song he performed set to Jay-Z’s “Show Me What You Got,” in which he rapped, “Got my head in the right place and I’m back to win.” Before the judges weighed in on his song, he explained to his fans, “To Team Astro and all the Astronauts across the world, but mostly hip-hop, I’ll never let you down again.” Simon Cowell, who harshly criticized Astro for his attitude last week, took to the young MC’s apology. “The music business needs unpredictability,” Cowell said, explaining he admired Astro for speaking his mind. His mentor L.A. Reid went with the cooler-heads approach as well. “As long as you keep a good head on your shoulders and always do your very best, you’ll be fine,” he told him. Here’s how the rest of the evening’s performances shook out. The Girls Rachel Crow opened the show and dedicated Yolanda Adams’ “I Believe” to her adoptive parents. The performance sparkled, and never one to exaggerate, Abdul said Crow was proof angels exist on earth. Melanie Amaro enjoyed her biggest moment yet on the show, and following her performance of R. Kelly’s “The World’s Greatest” she excitedly celebrated onstage, shouting out her upbringing in the Virgin Islands. Cowell said she is needed in the competition, and Nicole Scherzinger stopped the show to give her a hug, nearly giving ultra time-conscious host Steve Jones a heart attack. And L.A. Reid showed another lapse in his musical knowledge when he criticized Drew for not singing “age appropriate” material, after the 15-year-old sang 19-year-old Demi Lovato’s “Skyscraper.” That put Cowell on the offensive, and he spat back at his rival, “I’m sick to death of your pointless, stupid criticism,” going on to call it “unfounded,” “inaccurate” and “complete and utter rubbish.” In this case, we sort of have to agree with Cowell. The Boys Marcus Canty dedicated Boyz II Men’s “A Song for Mama” to his own mama, who was sitting at the foot of the stage, and earned unanimous praise from the judges. “I’ve worked with some great singers, you are as great as any great singer I’ve ever worked with,” Reid told him, while Cowell said Canty put himself back in the competition with the performance. Chris Rene, meanwhile, sang a mix of the Beatles’ “Let It Be” and his own “Young Homie,” which he sang in the early audition rounds. “You reminded everyone why we liked you,” Cowell said, echoing the sentiments of all the judges. The Over 30s Josh Krajcik closed the show singing the Rolling Stones’ “Wild Horses” alone at his piano, surrounded by a series of spotlights that made him look like a prisoner in some sort of light jail. Abdul called the burrito maker “larger than life” and Cowell said he was “outstanding,” while Scherzinger told him, “Beyond this competition, I strongly believe your music can change the world.” LeRoy Bell took on Sarah McLachlan’s “Angel,” the soundtrack to way too many of those wrenching animal cruelty awareness ads, and dedicated the song to his late mother. The judges thought it was his best performance, save for Reid, who called it “heartfelt for sure, but not your very best.” The Group Lakoda Rayne, the sole remaining group in the competition, chose to sing Taylor Swift’s “You Belong With Me” — an odd choice for a dedication, though they were celebrated by the judges. But Cowell seemed to already be acknowledging their fate when he said, “I genuinely wish two people weren’t going home tomorrow.” Yes, two acts are slated to get the ax during Wednesday’s results episode — so much for the warmth of the season! — which is also set to feature performances by Kelly Clarkson and Bruno Mars. What did you think of Tuesday’s “X Factor”? Did you believe Astro’s explanation for his behavior? Let us know in the comments!
What to make of elite journalists trading their quills and cameras for water guns and a few laughs with the White House subjects they’re supposed to be covering? Glenn Greenwald writes that “all of this just helpfully reveals what our nation’s leading ‘journalists’ really are: desperate worshipers of political power who are far more eager to be part of it and to serve it than to act as adversarial checks against it—and who, in fact, are Royal Court Spokespeople regardless of which monarch is ruling.” In case you missed it, media bigwigs such as CNN’s Wolf Blitzer and Ed Henry got wet and wild at chez Biden over the weekend, giddily tweeting things like “Rahm was chasing Mrs Biden & she hid behind me so i got in his crosshairs—now i know how Sestak felt.” Glenn Greenwald / Salon: About all of this, Ambinder writes: “Does an afternoon of leisure with senior administration officials violate journalistic ethics?
Out in the Nevada desert, in a complex encircled by barbed wire and guards, a millionaire motelier who believes in UFOs and prayer—but not the Big Bang—is building the world’s first private space station. And it’s inflatable. The vision is President Barack Obama’s: Let private entrepreneurs take over the space race from bloated NASA. But someone needs to build the rockets and space hotels to make it work. Robert T. Bigelow, of Bigelow Aerospace and the Budget motel chain, believes he can build the space stations, and others will be able to fly paying customers, including NASA astronauts, into orbit—all for less money than NASA and other government space agencies currently pay to transport and host spacemen and spacewomen. Truthdig is not entirely convinced this is such a good idea. In a year of oil spills, runaway Toyotas and toxic happy meals, we’re not so sure about turning over exploration of the final frontier—and transportation of our astronauts—to private profiteers.
For years the RIAA has defended the use of DRM, much to the dislike of millions of honest customers who actually paid for their music. Now, in a shocking turnaround, the outfit seems to have come to the realization that DRM does more harm than good and has officially declared its death. added by: atomiclegion 6 responses
MacGyver may have been corny at times, but the show was and still is ground breaking television, way more significant than it gets credit for. added by: JaminDime 3 responses
