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Wakefield and Castleford struggle to square circle in golden triangle | Andy Wilson

Wakefield and Castleford – like Featherstone – provide rich talent for rugby league but financial problems could consign them to the Championship. Time to mention the M-word? Since the spring of 1995, it has been probably the most toxic subject in British rugby league, and therefore avoided by anyone with any sense. But harsh financial reality has driven the possibility of a merger between Wakefield Trinity and Castleford Tigers very firmly back on to the agenda. With less than a year before each of the existing 14 Super League clubs will have to submit applications for the next round of licences, the old Yorkshire rivals are in serious trouble. Not so much on the field, where Wakefield in particular continue to punch well above their weight, currently only one place and two points behind Hull KR, who occupy the eighth play-off position. But last Sunday’s home capitulation against Wigan suggested that even the renowned tactical and motivational abilities of John Kear and his coaching team will struggle to come close to a repeat of last year’s remarkable fifth-placed finish. That is not surprising, because for various reasons Kear has lost Danny Brough, Terry Newton, Shane Tronc and Cain Southernwood from the squad with which Trinity started the season, and the club’s tight financial situation has allowed him to sign only comparatively cut-price replacements in Paul Cooke, Danny Kirmond and Charlie Leaeno. Castleford are only two points behind Wakefield after their nervy win against the Catalans Dragons on Tuesday night, but they too are running with a cheaper squad than they had in February, after releasing the expensive but underperforming Australian scrum-half Brent Sherwin several months before the end of his contract. Neither of the clubs can afford to spend close to the £1.65m salary cap that the Super League this week voted to retain for 2011. But an even greater worry for their supporters is the long-running and ongoing uncertainty over their plans to move to new grounds a couple of junctions apart on the M62. The Rugby Football League has already made it pretty clear that without tangible progress on those grounds there will be no new licence from 2012. So officials at both clubs are only too aware that as things stand, they may well be competing for a single Super League place from 2012. But there must also be a chance that neither bid will be accepted, leaving Wakey and Cas with the stark choice of standing alone in the Championship – or coming together to stay in the Super League. Featherstone Rovers, who complete the “golden triangle” of clubs where so many outstanding players have been nurtured over the last century or more, are the interested third party, just as they were when the merger was first mooted – with a hamfisted attempt to impose it from above as part of the original Super League plans. They are currently sitting pretty, six points clear at the top of the Championship table, and enjoying their best season since 1998 under the former Leeds coach Daryl Powell. They also have arguably the best ground of the three, with realistic-sounding plans to develop it further rather than moving to a new site, and Rovers would have every right to some smug satisfaction were they to be awarded a licence from 2012 ahead of Wakefield and Cas, after missing out on the original Super League cut in 1996 merely because they happened to have had a bad season at exactly the wrong time. But there is no guarantee of that happening, either – and even if it did, it is hard to see Featherstone being any stronger in the Super League than Castleford and Wakefield are currently. As in 1996, there are powerful, logical reasons for the three rivals to come together and form a club that could challenge for honours on a regular basis, rather than scramble to survive. It is the bigger clubs, and especially Leeds, who benefit most from the current situation, as it allows them to pick off the best players from arguably the game’s most fertile nursery – either as youngsters, as in the case of Rob Burrow who played his junior rugby with Featherstone Lions, or when they have established themselves, as Gareth Ellis had with Wakefield before joining the Rhinos. Already this season Wakefield have lost Brough to Huddersfield and Southernwood to Bradford, and Castleford are as powerless to prevent Michael Shenton leaving for St Helens at the end of his contract as Featherstone were when another England centre, Paul Newlove, moved to Bradford and then Saints in the mid-1990s. Despite the levelling effect of the salary cap, which brings such sides as Leeds, Wigan, Saints, Hull and Warrington within more realistic reach of smaller clubs, it is now more than 16 years since any of the three in question won a major trophy – and even Castleford’s memorable triumph over Wigan in the 1994 Regal Trophy final is slightly soured by the knowledge that building the team to win it left the club with horrendous financial problems. But rugby league is a passionate game where supporters’ commitment to their local clubs has tended to outweigh cold, hard logic – and there’s nothing necessarily wrong in that. It is for those supporters – including the wealthier ones who keep the clubs afloat – to decide what happens next and nobody has yet been brave enough even to suggest publicly the idea of a merger. Instead Wakefield and Cas continue on their frantic scramble to start work on their new grounds by this time next year, while battling equally desperately to remain competitive on the field – and on this season’s evidence, an increasing proportion of those supporters choose to stay away. I’m not daft enough to advocate a merger. It’s not my place to do so. The sole purpose of this column is to note the real danger that Wakefield, Castleford and Featherstone will all be playing in the Championship from 2012, and that the area’s young players will no longer have even a struggling Super League option. Given that background, do not be surprised if someone finally sticks their head above the parapet, and asks the game’s most difficult question. Thoughts on the above welcome as always, from inside or outside the golden triangle, and also your answers to a hypothetical question that sprung to mind watching Queensland’s crushing victory in the second State of Origin match from Brisbane this week: how would England do against New South Wales? Wakefield Trinity Castleford Super League Rugby league Andy Wilson guardian.co.uk

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Wakefield and Castleford struggle to square circle in golden triangle | Andy Wilson

Katy Perry Explains ‘California Gurls’ Video, Frame By Frame

Pop star puts a ‘naughty twist’ on Candy Land for the new clip. By Jocelyn Vena Katy Perry In ‘California Gurls’ Video Photo: Capitol Katy Perry released her pastel-colored, candy-coated new video for “California Gurls” on Tuesday (June 15). In the clip, Perry is dressed in little or nothing and trounces around Candyfornia trying to save her California Gurls from Snoop Dogg’s Sugar Daddy and his Gummi Bear minions. Of course, with the help of some smooth dance moves and a whipped-cream-dispensing bra, the ladies dethrone the evil ruler. Perry sat down with MTV News to walk fans through the behind-the-scenes action. “I like the idea of this being like a board game,” she said. “It’s kind of like Candy Land. That was probably one of my favorite games to play growing up. I like to bring back those pure childhood moments and give them a little bit of a naughty twist, of course!” In the video, Katy travels through Candyfornia, trying to save her pals. “One of the first girls that I rescue out of the music video, one of the first California Gurls, is a girl that we’ve named Bubblicious Betty, and she’s caught in a bubble that Snoop Dogg has put her in from the Bubblicious volcano. “I continue on through Candyfornia,” she added. “I get caught in the candy-cane snake place, where it gets really dicey. I don’t know which tree stalk to climb so that I can get to the cotton-candy clouds.” The video’s elaborate set design gave Perry and her team the chance to really use their imaginations. “It was really exciting doing all of the set production,” she said. “We took over this huge movie set, basically, and we built the gingerbread house, and it has hearts and pink and color. I think it’s got so much color in it.” Of course, the video also has clothes that manage to dazzle the senses as well. “Diesel made me those shorts, which is really cool,” she said. “They bedazzled the Daisy Dukes. And then, of course, towards the end, after I have picked out all of the California Gurls that have been frozen in Candyfornia because Snoop is the evil Mister Oz-like figure, we go to his sugar castle on sugarcane beach, and we tell him who’s boss.” Having Snoop play the bad guy was one of the genius ideas that went into making this video, as was the popsicle that meets a sad end. “I was talking to the director when Snoop was doing his verse, [and] I was like, ‘I really want there to be a melting-popsicle guy,’ ” she revealed. “I just love stuff like that. I think I belong in Japan, in some alternate universe. I think this music video is a little bit my love for all things cute, confectionary and Japanese [and] childhood.” When fans watch the video, two looks will stand out: the cupcake bra and the chest-mounted frosting cannons. “I will tell you that those cupcake bra boobies, they were a little bit heavy and they were interesting,” she said. “It was really fun making these costumes. They’re all one-of-a-kind, and I love the Bettie Page moment in the red and the whipped-cream cans.” So how does it end? Well, Katy wins, of course. “I had the idea for the end shot,” she said. “I want Snoop to be covered in sand like we beat him!” What do you think of the “California Gurls” video? Let us know in the comments! Related Artists Katy Perry

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Katy Perry Explains ‘California Gurls’ Video, Frame By Frame

Katy Perry’s ‘California Gurls’ Video: So Sweet It Hurts

The queen of ‘Candyfornia’ battles Snoop Dogg in a cavity-inducing fantasy world. By James Montgomery Katy Perry in “California Gurls” Photo: Capitol As if the electric-blue wig , bedazzled bikini and chest-mounted frosting cannons didn’t give it away, let me be the first to tell you that Katy Perry’s “California Gurls” video is just slightly over-the-top. Like, all the way over it … with whipped cream and cherry on top. Yes, the “Gurls” video — which premiered Tuesday (June 15) on MTV.com — is three minutes and 54 seconds of deliciously gaudy, delightfully ridiculous eye candy, a sugar-coated overload of confectionery gone haywire, cotton-candy clouds, gingerbread paths and Gummi Bears with bad attitudes. It is bright and brash and very likely to give you a toothache. Like the song, there is nothing understated about it. Directed by Mathew Cullen of the creative group known as Motion Theory, “California Gurls” re-imagines the Golden State as “Candyfornia,” a magical, cavity-inducing land where Sunset Boulevard becomes “Sundae Blvd” and the Hollywood sign rests on a whipped-cream mountain (the iconic Capitol Records building is also slyly inserted, constructed entirely of what appear to be vanilla wafers). Perry is the queen, parading down pastoral candy landscapes (which resemble the surrealist, saccharine work of artist Will Cotton , if you want to get deep about it). All appears to be well until Snoop Dogg — who plays the evil Sugar Daddy — begins to pull strings, in an attempt to wrest control of Candyfornia away from Queen Katy. From there, we have a battle between good and evil, as Perry attempts to free her Candyfornia cohorts from a variety of sweet traps (bubblegum, Jell-O, etc.) while Snoop readies his army of loyal Gummi Bears for the final showdown. Of course, there’s also time for KP to ascend into the heavens, strip naked, suggestively nibble cotton candy and perform a dance routine with her Gurls — because what kind of pop video would this be if there weren’t? Eventually, she climbs to Snoop’s castle to do battle, vanquishing him and his minions by firing frosting from her chest, in a scene that plays out in gratuitous slow-motion, basically for the heck of it. And then, at the clip’s end, Snoop is buried up to his neck in sand, surrounded by Perry and her Gurls. Not surprisingly, everything ends happily ever after … the Queen of Candyfornia is returned to her throne, the evil Sugar Daddy is banished, and dentists around the world rejoice, dreaming of the business this super-saccharine video will surely create. Brush twice a day, kids. What do you think of the new “California Gurls” video? Share your reviews in the comments. Related Artists Katy Perry Snoop Dogg

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Katy Perry’s ‘California Gurls’ Video: So Sweet It Hurts

TV Bites: Networks Pack Up Hawaii Five-O, Sons of Anarchy and More For Comic-Con

‘Modern Warfare 2’ Resurgence Pack Released On Xbox Live

Downloadable pack adds five new maps for online combat. By Russ Frushtick ‘Modern Warfare 2’ Resurgence Map Pack screenshot Photo: Infinity Ward With Thursday’s (June 3) release of new maps for “Modern Warfare 2,” the biggest entertainment launch of 2009 has gotten a little bigger. Called the Resurgence Pack, this download-only content is available exclusively on Xbox Live and adds five maps to the game’s online multiplayer modes. The Resurgence Pack is a mix of new and old. Three of the maps are made up of completely original content, while the remaining two are based on popular maps from the original “Modern Warfare.” Here’s a brief rundown of what you can expect to see in each of the maps: Fuel This wide-open map set around an oil refinery is one of the largest yet seen in “Modern Warfare 2.” Separated between two main buildings, the design encourages a focus on rooftop sniping, as well as window-to-window combat. Trailer Park Much smaller and more cramped than Fuel, Trailer Park takes place in and around a variety of motor homes and picnic tables. The tightly spaced lots mean numerous corridors and choke points, so if you’re lacking in quick reflexes, you’re going to have some trouble here. Carnival The only thing scarier than clowns? Nothing. But guys with guns is a close second. Carnival takes place on abandoned fairgrounds, with rides and attractions left to rust. The map is broken up into themed areas ranging from the futuristic to the medieval, and players can use obvious landmarks such as castles and rocket ships to coordinate their efforts. Strike Returning from the original “Modern Warfare,” Strike features a Mideast setting and some reasonably frantic urban combat. Small changes were made to some of the buildings in Strike, requiring new tactics for success. Vacant Set in an abandoned Russian office complex, Vacant is the second returning map. Its popularity peaked during the original “Modern Warfare” beta, so its return should be appreciated by many. The developers made some tweaks to the layout of the map, though, so players should take it slow the first time through. The Resurgence Pack is available on Xbox Live for 1,200 Microsoft Points ($15). The pack will see release on PlayStation 3 and PC later this summer. For more on “Modern Warfare 2,” check out Multiplayer.MTV.com .

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‘Modern Warfare 2’ Resurgence Pack Released On Xbox Live

‘Prince Of Persia: The Sands Of Time’: Boys Town, By Kurt Loder

Jake Gyllenhaal, swashbuckler Jake Gyllenhaal Photo: MTV News Okay, Jake Gyllenhaal’s sudden, suntanned muscularity suggests Malibu Beach more than it does ancient Persia; and one wonders if ancient Persians said things like “Watch your back” and “I need a drink.” Still, “Prince of Persia: The Sands of Time” seems (I’m guessing) like a pretty great Arabian-adventure movie for kids. It’s made in the classic Disney style: no sex, no swearing, and lots of action with very little blood. So if you know a kid — of the male persuasion, ideally — you might want to take him to see it. You might also want to wait at a bar while he does so. The movie is based on a long-evolving video game created by Jordan Mechner, who came up with the story for the film, too. It’s the sort of story whose hazy details could only be ignored by a kid waiting impatiently for the next eruption of swordplay, rope-swinging and bad-guy noggin-conking. Gyllenhaal plays Dastan, a commoner who was adopted as an urchin, for reasons we can hurry right past here, by the good King Sharaman (Ronald Pickup), who raised the boy along with his two sons, Garsiv (Toby Kebbell) and Tus (Richard Coyle). Also lurking about is the lads’ uncle, Nizam (Ben Kingsley, wearing enough eye shadow to put him in danger of drawing harem duty). As the tale gets underway, Nizam brings news that the holy city of Alamut (the names in this picture might have been concocted from random grabs of Scrabble tiles) is supplying weapons to Persia’s enemies. The now-grown Dastan is heroically helpful in storming Alamut’s battlements, and once inside draws the attention of the resident Princess Tamina (Gemma Arterton). After some preliminary squabbling (the traditional prelude to a chaste Disney kiss), she eventually informs him that Alamut is the repository of “the beating heart of all life — the sandglass of the gods.” You’d never guess it from the outside. The sandglass turns out to be located in the handle of a golden dagger, of which Dastan, for some typically hazy reason, is in possession. Pressing a button on this magical artifact summons a fiery wind that allows the dagger’s wielder to go back one minute in time and undo whatever terrible things may need to be undone. Such a thing soon ensues: King Sharaman dons a robe that someone has given him as a gift and … it kills him. (The haze thickens.) Dastan is quickly fingered as the malefactor and must flee into the desert with Tamina. Out among the dunes they encounter a character named Sheik Amar (Alfred Molina), who presides over a desert settlement where he stages ostrich races “every Tuesday and Thursday.” (As you always suspected of ostrich races, they’re fixed.) When the duplicitous Amar learns that there’s a reward out for Dastan’s capture, the prince and his princess are forced to flee again, this time under cover of an ostrich stampede, which I must say is something to see. Dastan now rashly decides that the time is right to return home to attend the funeral of his father, and to try to determine who is responsible for his death. (Men with an overabundance of eye shadow are of course always prime suspects.) Various trials must be endured along the way — a trudge through the Valley of the Slaves, an onslaught of black-clad, whip-flicking Hassassins (the hashish-stoked killers of legend, but here — this being a Disney film — apparently drug-free). In the end, Dastan and Tamina make it back to his native castle and … so forth and so on. Producer Jerry Bruckheimer really knows his way around this sort of great big money-stuffed movie, and here he delivers everything you might expect. The action is excitingly staged (some of the wild roof-leaping suggests that the urban acrobatics of parkour were devised far earlier than we’d thought), although the CGI varies from beautiful (the hilltop city of Alamut) to whatever (that fiery wind). There are some funny touches, too — Molina in particular seems to be having a ball. Most amusing, though, is the fact that, in the grand tradition of Hollywood movies about long-ago foreigners, all the main parts are played by Brits — except for that of Gyllenhaal, of course, who nevertheless affects a British accent in solidarity with his fellow Persians. Despite his tanned buffness, however, Gyllenhaal is a little too laid-back for serious swashbuckling; and Arterton, a good actress in other pictures, here falls back on her basic gorgeousness, occasionally inflected with a curious lip twitch that she really ought to have looked at. But then if you feel that acting quality is a serious concern, you’re not the target audience for this hard-charging fantasy epic. Fortunately, the bar’s right down the street. Check out everything we’ve got on “Prince of Persia: The Sands of Time.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘Prince Of Persia: The Sands Of Time’ ‘Prince Of Persia: Sands Of Time’ Clips Related Photos ‘Prince of Persia: The Sands of Time’ Red Carpet ‘Prince of Persia: The Sands of Time’ Official Stills

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‘Prince Of Persia: The Sands Of Time’: Boys Town, By Kurt Loder

Unfortunately Trying To Look Up Gwenyth Paltrow’s Skirt of the Day

I have no standards or self control…I can’t help myself…i know she is ugly….but I can see up her skirt….I know I never understood why celebrities like Brad Pitt and other dudes were dating her…I figured it was a PR thing cuz there was a time she was at the top of her game…I knew it wasn’t for her looks cuz she looks like some kind of fucking muppet…but she’s flashing her ass cheek, showing off a bit of her mommy parts…and as disgusted as I am by it…I am sucked in….I’ve made this my life…and I can’t turn my back on an upskirt now…even though I should, just be thankfully it is only one picture. Pics via PacificCoastNews

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Unfortunately Trying To Look Up Gwenyth Paltrow’s Skirt of the Day

Emma Watson’s Harry Potter Legs of the Day

Harry Potter always makes me feel uncomfortable because I know more adult men were into the series than little kids…and I know in watching the first show that those adult men were thinking about how excited they will be the day Emma Watson turns 18 so that their virgin loser sexual fantasies about wizard pussy doesn’t break any kiddie porn laws…..watching and waiting….movie release after ovie release….and many awkward discussions with their friends on their virgin loser geek message boards about when they can look at her and jerk off…and I’m pretty sure that time has come and gone, but here are some pics of her legs in a car, in a dress that you can’t look up, but I have faith in your computer skills and ability to do a 3D model of this to use for your special alone time…which is a lot more humilating than regular alone time, which is all the time. I just hope no virgin geeks were killed in the process of posting these pictures…I know how crazy legs can drive a motherfucker who has never fucked before… Pics via Pac

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Emma Watson’s Harry Potter Legs of the Day

Kate Moss Topless on the Beach Pictures of the Day

Kate Moss gets dirty on the beach, because let’s face it she gets dirty everywhere, but that’s just something that happens when you have unprotected sex with people who have shared needles and fucked numerous groupies on the regular, like every one of her rockstar boyfriends that she is drawn to because I guess models like rockers and rockers like models when they aren’t too busy banging teenage fans at their concerts, and none of that matters, cuz she’s topless, and AIDS is a non issue since we’re not fucking her, and since you can’t get AIDS for looking at pictures of her topless, lonely perversion can be a pretty good fucking deal sometimes….and this is one of those times… To See the Other Picture Follow This Link GO

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Kate Moss Topless on the Beach Pictures of the Day

Adrien Brody vs. Gay Goats

It’s not easy to be an actor who inexplicably owns a castle ! So says Adrien Brody, who had a recent problem with the gay goats he accidentally bought: “The more well-endowed goat took a liking to the other one and I swear it was traumatic. There was a lot of crying and goat noises and I felt incredibly guilty and I didn’t know what to do…It’s best when you have goats that are that gay to just let them free.” [ Ace Showbiz via Towleroad ]

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Adrien Brody vs. Gay Goats