Tag Archives: certain-regard

Weekend Receipts: Four New Openings Can’t Keep a Good Man Down

The last weekend before summer blockbuster madness ensues proved to be a wrenching one for Hollywood, which watched as four new openings stumbled out of the gate behind tested literary thoroughbreds Think Like a Man and The Lucky One . Is the Apatow comedy machine broken? Has America lost its taste for the Stath? Your Weekend Receipts are here. 1. Think Like a Man Gross: $18,000,000 ($60,868,000) Screens: 2,015 (PSA $8,933) Weeks: 2 (Change: -46.5%) Congratulations go out once more to the team at Screen Gems, which has finally learned that when it comes to box-office gambles, a king still beats a queen 10 times out of 10. 2. The Pirates! Band of Misfits Gross: $11,400,000 (new) Screens: 3,358 (PSA: $3,395) Weeks: 1 3. The Lucky One Gross: $11,325,000 ($39,927,000) Screens: 3,175 (PSA: $3,567) Weeks: 2 (Change: -49.7%) In the battle of adorable clay figurines going through the narrative motions, the Aardman Animation effort Pirates narrowly edged out Zac Efron and Taylor Schilling’s second lukewarm week of getting their Sparks on . 4. The Hunger Games Gross: $11,250,000 ($372,455,000) Screens: 3,572 (PSA $3,149) Weeks: 6 (Change: -23.3%) OK, let’s have a contest: With a terrific week-to-week hold yet with The Avengers , Dark Shadows and Battleship en route over the next three weekends, on what date will The Hunger Games break $400 million domestic? The person who guesses closest without going over gets to direct Catching Fire . 5. The Five-Year Engagement Gross: $11,157,000 (new) Screens: 2,936 (PSA $3,800) Weeks: 1 Despite generally good reviews and its Apatow imprimatur, Engagement joined the likes of Speed Racer , Whatever Works , United 93 and The Interpreter to become the latest Tribeca opening-night selection to underwhelm at the domestic box office. Only the franchise entries Shrek Forever After really delivered after such a distinction, prompting the question on everyone’s my tongue this morning: Is there such a thing as a Tribeca curse? Discuss! Or… not. 6. Safe Gross: $7,720,000 (new) Screens: 2,266 (PSA $3,406) Weeks: 1 7. The Raven Gross: $7,250,000 (new) Screens: 2,203 (PSA $3,291) Weeks: 1 Whatever. Wal-Mart awaits, thanks for playing. [Figures via Box Office Mojo ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Weekend Receipts: Four New Openings Can’t Keep a Good Man Down

How to Make the Most of Your Film Studies Degree

“[I]f I had to stand up in front of students and justify the real-world utility of a Film Studies major, I’d say, “OK, maybe if you want to be in the industry you can bust your ass and end up as an assistant in the marketing department for Pixar. Maybe you’ll even get health insurance. But we’re moving into a service economy, and most of you will end up working at Wal-Mart, and the way that Film Studies will be useful to you will be when you try to pick up someone in a bar, you’ll have something to talk about, because everybody likes to talk about movies.” Your move, Gary Ross . [ Vetoxa via Looker ]

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How to Make the Most of Your Film Studies Degree

Cannes Adds 7 to 2012 Lineup

The upcoming Cannes Film Festival added additional titles to its Official Selection Monday, including American title Gimme The Loot which screened last week at the San Francisco International Film Festival. Today’s additions join the 22 other films in the official selection and 16 in the event’s Un Certain Regard section as well as the previously announced Critics Week lineup . Additionally, the fest said the montage film Final Cut – Hölgyeim És Uraim by György Pálfi (Hungary), produced by Béla Tarr, which will close Cannes Classics on Saturday, May 25. Titles added to the Cannes official selection : Trashed by Candida Brady (UK) – Special Screening The Sapphires by Wayne Blair (Australia, 1st film) – Midnight Screening Maniac by Franck Khalfoun (USA/France) – Midnight Screening   Djeca by Aida Begic (Bosnia-Herzegovina) – Un Certain Regard Gimme the Loot by Adam Leon (USA) (1st film) – Un Certain Regard Renoir by Gilles Bourdos (France), at the closing ceremony – Un Certain Regard

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Cannes Adds 7 to 2012 Lineup

Cannes 2012: Robert Pattinson, Kristen Stewart, Shia LaBeouf Officially Join the Competition

The Cannes Film Festival revealed its 2012 lineup this morning in Paris, with a competition heavy on male auteurs — and films featuring Croisette-ready stars like Robert Pattinson ( Cosmopolis ), Kristen Stewart ( On the Road ), Brad Pitt ( Killing Them Softly ), Shia LaBeouf and Tom Hardy ( Lawless ). Lee Daniels’s Precious follow-up The Paperboy (starring Zac Efron and Nicole Kidman) is also among the 22 films screening in competition, along with Wes Anderson’s opening night film Moonrise Kingdom . Other competition highlights include new work from veterans David Cronenberg, Michael Haneke, Ken Loach, Cristian Mungiu, Thomas Vinterberg, Walter Salles and Abbas Kiarostami. They are joined by fellow Cannes returnees Bernardo Bertolucci and Takashi Miike, who will screen their new films out of competition. And 2012 Sundance Film Festival competition winner Beasts of the Southern Wild by Benh Zeitlin joins the festival’s Un Certain Regard lineup along with 16 other titles. Competition : Moonrise Kingdom by Wes Anderson (Opening Film) Amour by Michael Haneke The Angels’ Share by Ken Loach After The Battle by Yousry Nasrallah Beyond the Hills by Cristian Mungiu Cosmopolis by David Cronenberg Holy Motors by Leos Carax The Hunt by Thomas Vinterberg Killing Them Softly by Andrew Dominik In Another Country by Hong Sang-soo In the Fog by Sergei Loznitsa Lawless by John Hillcoat Like Someone in Love by Abbas Kiarostami Mud by Jeff Nichols On the Road by Walter Salles The Paperboy by Lee Daniels Paradise: Love by Ulrich Seidl Post Tenebras Lux by Carlos Reygadas Reality by Matteo Garrone Rust and Bone by Jacques Audiard Taste of Money by Im Sang-soo You Haven’t Seen Anything Yet by Alain Resnais Out of Competition : Thérése Desqueyroux by Claude Miller (Closing Film) Me and You by Bernardo Bertolucci Madagascar 3: Europe’s Most Wanted by Eric Darnell, Tom McGrath, Conrad Vernon Hemingway & Gellhorn by Philip Kaufman Midnight Screenings: Dario Argento’s Dracula by Dario Argento Ai To Makoto by Takashi Miike 65th Birthday: Une Journée Particuliére Un Certain Regard : 7 Days in Habana by Benicio del Toro, Pablo Trapero, Julio Medem, Elia Suleiman, Juan Carlos Tabio, Gaspar Noe, Laurent Cantet 11.25 The Day He Chose His Own Fate by Koji Wakamatsu Antiviral by Brandon Cronenberg Beasts of the Southern Wild by Benh Zeitlin Confession of a Child of the Century by Sylvie Verheyde Después de Lucia by Michel Franco The Pirogue by Moussa Toure La Playa by Juan Andrés Arango Laurence Anyways by Xavier Dolan Le grand soir by Benoit Delepine, Gustave Kervern God’s Horses by Nabil Ayouch Loving Without Reason by Joachim Lafosse Miss Lovely by Ashim Ahluwalia Mystery by Lou Ye Student by Darezhan Omirbayev Trois Monde by Catherine Corsini White Elephant by Pablo Trapero Special Screenings : A Musica Segundo Tom Jobim by Nelson Pereira Dos Santos The Central Park Five by Ken Burns, Sarah Burns, David McMahon Polluting Paradise by Fatih Akin Journal de France by Claudine Nougaret, Raymond Depardon Les Invisibles by Sebastien Lifshitz Mekong Hotel by Apichatpong Weerasethakul Roman Polanski: A Film Memoir by Laurent Bouzereau Villegas by Gonzalo Tobal

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Cannes 2012: Robert Pattinson, Kristen Stewart, Shia LaBeouf Officially Join the Competition

The Chatroom Trailer: Sad Face Emoticon

By being both an entry in the Un Certain Regard category at this year’s Cannes Film Festival and also the latest from famed Japanese horror director Hideo Nakata (the original versions of The Ring and Dark Water ), Chatroom is saddled with a lot of advance expectations. And once the trailer begins with the sound of a modem dialing up, you unfortunately know it won’t possibly be able to match them. Log on to Prodigy and check it out.

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The Chatroom Trailer: Sad Face Emoticon