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Vince Vaughn And Wife Kyla Weber Expecting A Baby

The actor and his wife will be first-time parents, People magazine reports. By Mawuse Ziegbe Kyla Weber and Vince Vaughn Photo: Jonathan Daniel/ Getty Images Vince Vaughn , the star of bachelor-friendly flicks like Wedding Crashers and Swingers, is starting a family. The actor tied the knot earlier this year with Kyla Weber, and People magazine confirms the newlyweds are expecting their first child together. “They’re having so much fun together and they’re so excited to be first-time parents!” a source told the magazine. Although Vaughn is known for fast-talking his way through bromance-themed flicks, he told People last year that he was ready to settle down. “It’s the first time that I really want to have kids,” Vaughn said. “I’ve been very fortunate in my career, and my life has been about that for so long that you get bored of it. You’re ready for your life to be about other people and other things.” A new baby isn’t the only development in the actor’s life. According to recent reports, Vaughn will star in the Ron Howard-directed “Cheaters,” teaming up with fellow funnyman Kevin James for the comedy. But while the actor is entering a happy chapter in his personal life, he’ll juggle a moral dilemma onscreen: Playing James’ best friend, Vaughn’s character can’t decide whether to tell his friend that his wife is cheating on him. Share your congratulations for Vince and his family in the comments below! Related Artists Vince Vaughn

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Vince Vaughn And Wife Kyla Weber Expecting A Baby

IBD Op-Ed Wonders Where Social Security/Medicare Trustees’ Report Is; Rest of Media Doesn’t

Once again, it’s clear that reading editorials and op-eds at publications like the Wall Street Journal and Investors Business Daily becomes a requirement to be truly informed when a Democratic administration in power. On July 6 , Peter Ferrara at IBD noted that the annual report from the trustees of the Social Security and Medicare system is long overdue, and wondered why: Are Overdue Reports Concealing ObamaCare Impact On Medicare? Every year, the Annual Report of the Social Security Board of Trustees comes out between mid-April and mid-May. Now it’s July, and there’s no sign of this year’s report. What is the Obama administration hiding? The annual report includes detailed information about Social Security and its financing over the next 75 years, produced by the Office of the Actuary of the Social Security Administration. The Congressional Budget Office reported last week in its Long Term Budget Outlook that Social Security was already running a deficit this year. According to last year’s Social Security Trustees Report, that was not supposed to happen until 2015, with the trust fund to run out completely by 2037. With the disastrous Obama economy, the great Social Security surplus that started in the Reagan administration is gone completely. Every year, the federal government has been raiding the Social Security trust funds to take that annual surplus and spend it on the rest of the federal government’s runaway spending, leaving the trust funds only with IOUs backed by nothing but politicians’ promise to pay it back when it’s needed. Now even that annual surplus is gone. How soon will the trust funds run out completely now? … (But) The implications for Social Security aren’t what the Obama administration is hiding by delaying the annual trustees reports. Those annual reports also include information regarding Medicare over the next 75 years. What the administration is trying to hide are sweeping draconian cuts to Medicare resulting from the ObamaCare legislation, which the annual report will document. The administration is trying to delay the report until mid-August, when it’s hoping the country will be on vacation and won’t notice. Or maybe the delay is because the White House is trying to bludgeon the chief actuaries for Medicare and Social Security into fudging the numbers. The Social Security “IOUs backed by nothing but politicians’ promise to pay it back when it’s needed” are from a government that itself has well over $10 trillion dollars in other debt, before counting Fannie Mae, Freddie Mac and a host of other off-the-books liabilities. Then there are the additional tens of trillions in actuarial liabilities. Ferrara didn’t note that the administration announced a delay until June 30 back on April 5 , “so that the new report can reflect the impact of the recently passed health care overhaul.” But they’re now almost two weeks late. What are they waiting for? A really, really busy news day? A Friday night midsummer doc dump? Meanwhile, no one in the rest of the press appears to be the least bit curious. Cross-posted at BizzyBlog.com .

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IBD Op-Ed Wonders Where Social Security/Medicare Trustees’ Report Is; Rest of Media Doesn’t

Most Transparent Administration Ever Makes Effective Reporting from Gulf a Felony

Effectively reporting on the Gulf oil spill is now a Class D felony, punishable by a fine of up to $40,000. That’s right, the most transparent administration in history has made it a felony, effective July 1, to get within 65 feet of what the Coast Guard determines are essential recovery efforts. According to Anderson Cooper, officials tried to up that number to 300 feet. Cooper, who claimed federal officials prevented CNN on two occasions from taking photographs in the gulf, seemed frustrated when he reported on the new laws the day they went into effect. The press is “not the enemy here” he pleaded. The new policies, he said, make it “very easy to hide failure, and hide incompetence.” Cooper also let loose this zinger: “Transparency is apparently not a priority with [Coast Guard Commandant] Thad Allen these days.” Ouch (full video and transcript below the fold – h/t Ron Robinson ). This is but the latest in a string of incidents that seem to have much of the country — and if Cooper is any indicator, at least a few journalists — questioning the sincerity of candidate Obama’s pledges of transparency, openness, and respect for the press. But these new regulations on press coverage of the spill have not garnered as much attention as perhaps they should — certainly not as much as similar moves during the Bush administration’s response to Hurricane Katrina (a fact that Cooper notes). Shortly after the Hurricane hit, according to the Washington Post , “FEMA refused to take reporters and photographers along on boats seeking victims in flooded areas, saying they would take up valuable space needed in the recovery effort and asked them not to take pictures of the dead.” The Post touted claims that the FEMA policy was “in line with the Bush administration’s ban on images of flag-draped U.S. military coffins returning from the Iraq war” — clearly drawing a comparison to other Bush policies rife with accusations of politically-motivated censorship. So far, the Post is silent on the criminalization — a much stronger statement of administration policy than the refusal to allow embedded reporters on rescue efforts — of media coverage in the Gulf. With a scant few exceptions, the legacy media are silent on the issue. But for his part, and to his credit, Cooper issued a heartfelt call for more press transparency: …the Coast Guard today announced new rules keeping photographers and reporters and anyone else from coming within 65 feet of any response vessel or booms out on the water or on beaches — 65 feet. Now, in order to get closer, you have to get direct permission from the Coast Guard captain of the Port of New Orleans. You have to call up the guy. What this means is that oil-soaked birds on islands surrounded by boom, you can’t get close enough to take that picture. Shots of oil on beaches with booms, stay 65 feet away. Pictures of oil-soaked booms uselessly laying in the water because they haven’t been collected like they should, you can’t get close enough to see that. And, believe me, that is out there. But you only know that if you get close to it, and now you can’t without permission. Violators could face a fine of $40,000 and Class D felony charges. What’s even more extraordinary is that the Coast Guard tried to make the exclusion zone 300 feet, before scaling it back to 65 feet. Here is how Admiral Allen defends it. (BEGIN VIDEO CLIP) ALLEN: Well, it’s not unusual at all for the Coast Guard to establish either safety or security zones around any number of facilities or activities for public safety or for the safety of the equipment itself. We would do this for marine events, fireworks demonstrations, cruise ships going in and out of port. (END VIDEO CLIP) COOPER: So, this is the exact same logic that federal wildlife officials used to prevent CNN on two occasions from getting pictures of oiled birds that have been collected, pictures like — like the — well, that we’re about to show you which are obviously deeply disturbing, pictures of oiled gulls that we just happened to catch. Suddenly, we were told after — after that day we couldn’t catch it anymore. So, keeping prying eyes out of marshes, away from booms, off the beaches is now government policy. When asked why now, after all this time, Thad Allen said he had gotten some complaints from local officials worried people might get hurt. Now, we don’t know who these officials are. We would like to. But transparency is apparently not a high priority with Thad Allen either these days. Maybe he is accurate and some officials are concerned. And that’s their right. But we’ve heard far more from local officials about not being able to get a straight story from the government or BP. I have met countless local officials desperate for pictures to be taken and stories written about what is happening in their communities. We’re not the enemy here. Those of us down here trying to accurately show what’s happening, we are not the enemy. I have not heard about any journalist who has disrupted relief efforts. No journalist wants to be seen as having slowed down the cleanup or made things worse. If a Coast Guard official asked me to move, I would move. But to create a blanket rule that everyone has to stay 65 feet away boom and boats, that doesn’t sound like transparency. Frankly, it’s a lot like in Katrina when they tried to make it impossible to see recovery efforts of people who died in their homes. If we can’t show what is happening, warts and all, no one will see what’s happening. And that makes it very easy to hide failure and hide incompetence and makes it very hard to highlight the hard work of cleanup crews and the Coast Guard. We are not the enemy here. We found out today two public broadcasting journalists reporting on health issues say they have been blocked again and again from visiting a federal mobile medical unit in Venice, a trailer where cleanup workers are being treated. It’s known locally as the BP compound. And these two reporters say everyone they have talked to, from BP to the Coast Guard, to Health and Human Services in Washington has been giving them the runaround. We’re not talking about a CIA station here. We’re talking about a medical trailer that falls under the authority of, guess who, Thad Allen, the same Thad Allen who promised transparency all those weeks ago. We are not the enemy here.

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Most Transparent Administration Ever Makes Effective Reporting from Gulf a Felony

Beyonce’s ‘Why Don’t You Love Me’ Almost Didn’t Happen, Bama Boyz Say

‘It was the last one we expected her to pick,’ song’s producers reveal. By Steven Roberts Beyonc

Media Applaud Teen Abortion on ‘Friday Night Lights’

NBC’s “Friday Night Lights” wants to tackle more than football players. In a bold move for scripted dramas, which usually shy away from taboo issues, the July 9 episode of the network drama featured a high school-aged character deciding to have an abortion, declaring it was “the right thing to do.” The plotline earned praise from many in the media. Entertainment Weekly’s Ken Tucker praised “Friday Night Lights” for delivering “one of its finest hours ever.” In a July 10 blog post , The Atlantic’s Tony Lee noted that he was impressed by the “nuanced, apolitical manner” that the writers used to convey the dilemma facing this pregnant teenage girl. Lee described the episode as “devoid of political posturing or grandstanding,” ignoring the fact that the writers’ decision to include a pro-choice decision is itself a political statement. While the characters did not deal lightly with the issue, the show’s justification for the abortion relied on several common pro-choice arguments, including economics and self-interest. The pregnant student, Becky Sproles, worried she wouldn’t be able to care for a baby. Her confidant, high school principal Tami Taylor, advised Sproles that she would tell her own daughter to “think about her life, think about what’s important to her and what she wants.” That position earned support from Slate . Writer Emily Bazelon said Taylor’s advice for Sproles to “think about her life” was “the perfect thing” to say in that situation.  New York Times writer Ginia Bellafante called the storyline “remarkable,” noting the rarity of abortions on television shows since the 1970s. Bellafante said that unlike more recent shows that presented both arguments in the abortion debate fairly, “Friday Night Lights” chose instead to hold to its “quasi-Marxist understanding that economics dictate everything.” The episode did include mentions of alternatives to abortion, including crisis pregnancy centers and adoption agencies. But Bellafante acknowledged that the “opposing view,” that is, the pro-life view, “was depicted as obtuse and out of touch.” 

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Media Applaud Teen Abortion on ‘Friday Night Lights’

Harvey Pekar 1939 – 2010

Comic-book writer Harvey Pekar, whose “American Splendor” was made into a 2003 film starring Paul Giammati, has been found dead in his Ohio home. http://www.newsnet5.com/dpp/news/local_news/cleveland_metro/comic-book-writer-ha… http://www.theagencygroup.com/artistphotos/HarveyPekar.jpg added by: lvp

‘Twilight Saga: Eclipse’ Leads New Teen Choice 2010 Nominees

Film has 17 collective nods; ‘Glee’ and Miley Cyrus have 13. By Gil Kaufman Taylor Lautner in “The Twilight Saga: Eclipse” Photo: Summit Entertainment No matter which way you slice it, the night of August 9 is likely to be a big one for “The Twilight Saga: Eclipse.” With final nominations announced on Monday (July 12), the teen vampire drama leads all nominees at the Teen Choice Awards 2010 with 17 nods total, including 11 for Taylor Lautner. Among the new nominees for the Katy Perry-hosted show revealed on Monday were: Justin Bieber, B.o.B, Taio Cruz, Drake and Eminem in Choice Summer Music Star Male, with Miley Cyrus, Ke$ha, Lady Gaga, Perry and Rihanna all nominated in the female category. As for Choice Summer Song, it will be Gaga (“Alejandro”) against B.o.B with Hayley Williams (“Airplanes”) , Travie McCoy with Bruno Mars (“Billionaire”) , Perry again with Snoop Dogg (“California Gurls”) and Ke$ha (“Your Love is My Drug”) . The Choice Summer Movie race has major firepower, with a battle brewing between: “The A-Team,” “Despicable Me,” “Grown Ups,” “Inception,” “The Karate Kid,” “Knight and Day,” “The Last Airbender,” “Salt,” “The Sorcerer’s Apprentice” and “The Twilight Saga: Eclipse.” Male movie stars vying for the prize include: Zac Efron in “Charlie St. Cloud,” Taylor Lautner and Robert Pattinson in “The Twilight Saga: Eclipse,” Adam Sandler in “Grown Ups” and Jaden Smith in “The Karate Kid,” while the female category will focus on: Cameron Diaz in “Knight and Day,” Selena Gomez in “Ramona and Beezus,” Angelina Jolie in “Salt,” Emma Roberts in “Twelve” and Kristen Stewart in “The Twilight Saga: Eclipse.” With “Eclipse” leading all nominees followed by Miley Cyrus and “Glee” with 13 each, the Teen Choice awards will be handed out by Khloe, Kim and Kourtney Kardashian, Logan Lerman, Zachary Levi, Ryan Sheckler and Yvonne Strahovski, who join previously announced presenters David Archuleta, Kristen Bell, John Cena, Miranda Cosgrove, Zac Efron, Victoria Justice, Jim Parsons and Shailene Woodley. Nominations were also announced in the categories: Choice Summer TV show (which includes bids for “Make It Or Break It,” “The Secret Life of the American Teenager” and “So You Think You Can Dance”), Choice Male Summer TV Star (with “American Teenager” stars Ken Baumann and Daren Kagasoff earning nominations alongside “True Blood” star Stephen Moyer) and Choice Female Summer TV Star (with Nikki Blonksy of “Huge” going up against “True Blood” heroine Anna Paquin and “Teenager” star Shailene Woodley). Fans aged 13-19 years old can vote once each day for all of their favorite nominees at www.TeenChoiceAwards.com . Who are you rooting for in this year’s Teen Choice Awards? Let us know in the comments, and be sure to vote! Related Photos The Year In ‘Glee’ ‘The Twilight Saga: Eclipse’ Related Artists Miley Cyrus

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‘Twilight Saga: Eclipse’ Leads New Teen Choice 2010 Nominees

Sean Penn Blames Media for Failures in Haiti Recovery

Appearing on Monday’s CBS Early Show, actor Sean Penn described ongoing relief efforts in Haiti following January’s earthquake and condemned the media for its lack of coverage of the disaster beyond the initial weeks: “I think that the media has played an enormous part in the failures that are still going on today and the recovery here and the relief operations.” Those comments from Penn were prompted by co-host Harry Smith wondering: “People would be curious why you went in the first place. And then, why you stayed. What’s the best answer for that?” Penn replied: “…if they’re wondering that, then that would be an indictment of the American and the international press that came here in the immediate aftermath of this devastating earthquake.” Penn explained: “The United States sent its military, that did an extraordinary job in immediate relief….And then when they went on with other deployments, when the amputations en masse stopped, the media left.” Smith gave absolutely no reaction to Penn’s scathing criticism, but simply went on to tout praise for the left-wing actor’s work on the island nation: “I was reading the comments of a lieutenant general from the U.S. Southern Command who you came in contact with. And he said, ‘you know, maybe I don’t agree with Sean Penn’s politics but I can tell you this, he’s a doer, not a talker….I applaud the leadership he has shown. He doesn’t have to do this.'” While teasing the exclusive interview earlier in the show, Smith gushed over Penn: “Sean Penn went to Haiti right after January’s devastating earthquake….He has made a serious life commitment to these folks….one person who has been there much of the last six months, very much under the radar, doing really the Lord’s work there, quite frankly, is Sean Penn.” This is not the first time Smith has fawned over Penn’s work. On the February 23, 2009 broadcast, Smith described how he “wept openly” at Penn’s portrayal of gay activist Harvey Milk in the movie ‘Milk.’ On March, 7, 2010, CBS foreign correspondent Lara Logan did a profile piece on Penn’s work in Haiti for the network’s Sunday Morning program. At one point, Logan asked: “Does it make you angry when people talk about, you know, ‘Sean Penn, the Hollywood star, the movie star, coming in and trying to do something,’ and they’re kind of cynical about it?” Penn replied: “I haven’t had an awful lot of time to pay attention to them. You know, do I hope that those people die screaming of rectal cancer? Yeah, you know, but I’m not going to spend a lot of energy on it.” Here is a full transcript of Smith’s July 12 interview with Penn: 7:30AM TEASE HARRY SMITH: Also ahead this morning, a big Hollywood name takes on a big job. Sean Penn went to Haiti right after January’s devastating earthquake. His organization is now taking care of some 50,000 refugees. He has made a serious life commitment to these folks. He’s going to tell us exclusively about the challenges Haiti faces six months after the quake in just a little bit. 7:45AM TEASE SMITH: Still ahead, we’re going to go to Haiti and talk exclusively to actor and activist Sean Penn. He has been there almost nonstop since January’s deadly earthquake. He’s got quite a story to tell. We’ll get it from him in a couple of minutes. 8:00AM TEASE SMITH: Six months to the day since the earthquake in Haiti, and one person who has been there much of the last six months, very much under the radar, doing really the Lord’s work there, quite frankly, is Sean Penn. He joins us exclusively in just a couple of minutes to talk about the work that needs to be done there and the gaping reality gap between what needs to be done and what is actually getting accomplished. So, we’ll talk to him in just a couple of minutes. ERICA HILL: Beyond sobering, unfortunately. 8:08AM SEGMENT SMITH: Six months after Haiti’s earthquake, the numbers are still staggering. Between 220 and 300,000 died. Another 300,000 were injured. And about 1.5 million people still are homeless. That is as we head into hurricane season. Before the quake, actor Sean Penn had never been to Haiti. He has been there almost full time since January, building a relief organization that is helping tens of thousands of survivors. And Sean Penn joins us exclusively from Port-au-Prince this morning. Sean, good morning. SEAN PENN [CEO, J/P HAITIAN RELIEF ORGANIZATION]: Good morning. [ON-SCREEN HEADLINE: Six Months Later; Sean Penn on Haiti Relief Efforts] SMITH: In the six months that you have spent, most of the last six months that you have spent there in Haiti, what is the most important thing you have learned there? PENN: Well, I think there’s a – there’s a tremendous coordination issue between the international agencies, the government of Haiti. And so, what happens, is that floods and floods of money come in when people are seeing immediate trauma and the drama that goes along with that. And then there are agencies, big agencies, that have a lot of time sorting out the ways to best spend the money and that have the detailed capacity to do it. And so, what happens is that you get six months down the line and those things that would be preventative have not been put in place to – in any legitimate measure. And so, I think that there’s a big learning curve here and something that we’re going to have to take away with us for disasters to follow and the disasters that are likely to continue happening in Haiti. SMITH: People would be curious why you went in the first place. And then, why you stayed. What’s the best answer for that? PENN: Harry, I’ll tell you, the very best answer for that is, frankly, that if they’re wondering that, then that would be an indictment of the American and the international press that came here in the immediate aftermath of this devastating earthquake. The United States sent so much money. The United States sent its military, that did an extraordinary job in immediate relief, the most decisive action of any organization so far to date in this country. And then when they went on with other deployments, when the amputations en masse stopped, the media left. And so many of the questions and criticisms could have been answered. People could understand what’s going on here, they could understand the heart and the courage of the Haitian people and the necessity for the coordination efforts that still are not happening, in anything close to an effective way. I think that the media has played an enormous part in the failures that are still going on today and the recovery here and the relief operations. SMITH: You know, it’s interesting. I was reading the comments of a lieutenant general from the U.S. Southern Command who you came in contact with. And he said, ‘you know, maybe I don’t agree with Sean Penn’s politics but I can tell you this, he’s a doer, not a talker.’ And he said, ‘Sean knew how to work, both with the U.N., break its bureaucracy down.’ He said, ‘I applaud the leadership he has shown. He doesn’t have to do this.’ Why do you do it? PENN: You know, I came here – I’d never been to Haiti before, but I came here with a group of people who would all have their own answers for that and we found ourselves surrounded by thousands of others who would, again, have their own response to that. But I guess generically is the best way to answer it, is that you come to Haiti, in our case we came down with the idea of spending about two weeks and trying to help out. And there’s something that takes over and it’s really an obligation because you see the strength of the people who have never experienced comfort and the gifts that that can give to people like myself and to our country and culture. You see the enormous gaps. And you see that at least in your own small way, it’s each of us, every agency in its own small way, that chips into what is such an immeasurable problem here and one that Sanjay Gupta early on had said – had called ‘awful, indelible, fixable.’ And it is fixable. And it’ll be – you know, it remains to be seen whether or not the American people, the world community, are going to join together and maintain the kind of commitment that the United States military showed here and to do this completely rather than to do a cosmetic emergency response and then let a country that’s been suffering for so long suffer that much longer. SMITH: Sean Penn, we thank you very much for doing what you’re doing down there and also for taking a few minutes to clue us into just what it’s like there in Haiti six months later. Thank you so much. PENN: Thanks for bringing attention to it. SMITH: Alright, you bet.

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Sean Penn Blames Media for Failures in Haiti Recovery

Roseanne Barr: Republicans ‘Cherish the Freedom to Have Sex with Small Children’

Eccentric comedian and former talk show host Roseanne Barr claimed on her blog July 8 that Republicans are avid kiddie porn viewers who like to have sex with young children. The liberal activist and comedy queen was blogging about sicko children’s author K.P. Bath, who was just slapped with a six years prison term for child porn possession last week. In a item titled ” typical republican child porn consuming geek ,” Barr posted a mug shot of Bath and wrote that he was “a typical republican who loves reagan and palin and despises the ‘nanny state’ and socialism.” “[K. P. Bath] cherishes the freedom to have sex with small children, as all [R]epublicans do,” Barr continued. She then added, in parentheses, “just kidding, sort of.” Barr, who pals around with Michael Moore and Code Pinkers, has become known for scribbling bone-headed political commentary on her personal blog. In April, she blogged that Catholics who take their children to church should lose custody of their kids, and in 2008 she referred to Israel as a “NAZI state.” Despite her nutty, and often grammatically incorrect rantings, some media personalities have still given Barr air time. Last December she was interviewed on the “Joy Behar Show” on CNN Headline News, where she claimed Sarah Palin was a “slave to right-wing men.” She’s also appeared on ” Real Time with Bill Maher ” and ” Jimmy Kimmel Live .”

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Roseanne Barr: Republicans ‘Cherish the Freedom to Have Sex with Small Children’

‘Sorcerer’s Apprentice’ Star Nicolas Cage Was A ‘Mischievous Kid’ During Filming

‘I have to make it amusing for me,’ actor says of acting opposite CGI. By Eric Ditzian, with additional reporting by Josh Horowitz Nicolas Cage in “The Sorcerer’s Apprentice” Last summer, MTV News visited the New York City set of “The Sorcerer’s Apprentice” on a night when the production had commandeered Bowling Green park in Lower Manhattan. Stars Nicolas Cage and Alfred Molina, in the roles of ultra-power magicians, were furiously battling it out in what would become one of the film’s climactic scenes. But without the benefit of computer-generated plasma bolts — colorful beams of magical energy — the actors looked a bit silly as they grunted and gesticulated and pretended to emit powerful forces from their hands. And, yep, the actors felt pretty silly too. “There were even moments when I said, ‘I really hope this turns out. Does anyone else feel ridiculous?’ ” co-star Jay Baruchel said, more than a year later. “I would say to Jay, ‘Are we in trouble yet?’ ” added Cage. “It has to be like that. You have to have a bit of a mischievous kid in the back of the classroom to make it interesting,” Cage said. “I have to make it amusing for me, which means there has to be some level of mischief and public disruption.” The finished product, of course, looks quite a bit different than what we viewed that night on the set, thanks to Disney’s typically eye-popping visual-effects work . Cage and the other sorcerers utilize ornate rings to conjure up their magic. Originally, though, the filmmakers had a very different idea about how they wanted the supernatural energy to work onscreen. “I was in Hungary making another movie and I got a call from [producer] Jerry Bruckheimer and [director] Jon Turteltaub and they said, ‘We want you to maybe wear bracelets and hit these bracelets and that’s when the magic happens,’ ” explained Cage. “Interesting, but I said, ‘No, it has to be a ring because I have to use my hands.’ It’s like conducting. I really wanted to be able to conduct the magic into happening. … It’s more beautiful to use your hands than just smashing your wrists together.” Check out everything we’ve got on “The Sorcerer’s Apprentice.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘The Sorcerer’s Apprentice’

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‘Sorcerer’s Apprentice’ Star Nicolas Cage Was A ‘Mischievous Kid’ During Filming