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‘American Idol’ A ‘Constant Struggle’ For Erika Van Pelt

‘I think a lot of your fate rides on what sort of light [the judges] shed on you,’ latest castoff tells MTV News. By Christina Garibaldi Photo: FOX “American Idol” fans might still be scratching their heads as to why Erika Van Pelt was sent home on last week’s episode. With a brand-new makeover , the singer took on Billy Joel’s “New York State of Mind” and received mostly positive feedback from the judges, so when she was eliminated, it not only shocked fans, but Van Pelt as well. “I’ve been in the bottom [for] four consecutive weeks. I wasn’t surprised at that. Getting eliminated, I felt a little robbed, I can’t lie,” she told MTV News on Monday (March 26). “Everything happens for a reason.” Looking back at her time on “Idol,” Van Pelt said she felt “confused” by the judges’ remarks , especially for her latest performance, and feels that their changing critiques may have swayed voters. “I think a lot of your fate rides on what sort of light [the judges] shed on you,” Van Pelt said. “For me, I was doing ‘New York State of Mind,’ which is a ballad, and every time Billy Joel has ever performed it, he’s been sitting behind a piano, he’s not dancing around, and [Jennifer Lopez] made some comments about me planting my feet. I just wasn’t feeling it. I don’t feel like I need to jump around to sing. There are a few other contestants on the show that do nothing but stand there and sing, and they don’t say anything to them. [At] the very least, they get standing O’s, and they like that. I just felt it was a constant struggle for me.” Yet Van Pelt doesn’t feel like she was the only contestant receiving contradicting feedback week after week. “There are a lot of really great performers,” Van Pelt said. “Even my personal favorites have gotten some really sort of questionable feedback. I thought their performances were great, and they’d get slammed by the judges. It’s a weird thing. I feel like you never really know.” This summer, Van Pelt will join the other top 10 contestants on tour, where she said she will finally be able to show fans who she really is. “I felt like I was kind of kept in a box a little bit,” Van Pelt said of her time on “Idol.” “It’s just reality, just the structure of the show didn’t allow me to show who I really am as an artist. I have a lot of facets, and I’ve felt like they may have pegged me as this one thing and pushed me in that one direction, but I got a lot going on.” Were you surprised Erika was eliminated? Let us know in the comments. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ A ‘Constant Struggle’ For Erika Van Pelt

Steve Angello Proves ‘Size’ Matters As Miami Music Week Wraps

Size Records label head packs his lineup with all-star beatsmiths like Max Vangeli, AN21 and Junior Sanchez at closing show. By Sam Hendrick and Akshay Bhansali Tim Mason performs at the Fountainbleu in Miami on Sunday Photo: MTV News MIAMI — As Miami Music Week wrapped up, MTV News went back to where it all began, heading again to the Fontainebleau on Sunday for another massive record-label showcase. Swedish House Mafia stalwart Steve Angello , joined by the brigade of ferocious all-stars that make up his Size Records, took over the same stage that deadmau5 and his Mau5trap crew owned just a day before. But while the Mau5strap set inspired fans through experimental sonic patterns, Size came with one mission in mind: To lay down banger after banger, many of them Beatport.com -charting hits produced by members of the Size team. The third edition of the always highly anticipated Size Records party featured proven beatsmiths — some EDM vets, some newcomers. Indeed, Angello presided over a staggering lineup that included Max Vangeli, AN21, Junior Sanchez, Third Party, Tim Mason, Qulinez and Wayne & Woods. Size newbies Wayne & Woods kicked off the night. The duo were followed by Qulinez, who delivered an impressive set highlighted by their smoldering bomb “Troll.” Tim Mason pleased the crowd by covering hit singles “The Moment” and “Anima”; Third Party took over from him with a strong set that featured their 2011 smash “Duel” and their newest single, “Feel.” Feeling a bit of hometown nostalgia, MTV News was excited to see the return of legendary New York house icon Junior Sanchez to the Size closing party. The Brobot boss kept the hands in the air for virtually his entire set, playing recent anthems like Otto Knows’ “Million Voices” and the Dirty South/ Usual Suspect collabo “Walking Alone.” Junior also drew smiles from the crowd with his unique blend of Jay-Z and Kanye’s “N—as in Paris” and Swedish producer Avicii’s “Levels,” a mash that was appropriately titled “N—as in Sweden.” Coming on last (but certainly not least) on the long list of talented openers were Max Vangeli and AN21, who were greeted with the energy one might expect for two of Size’s original signees. Showing no signs of nerves, the pair put on a set fit to introduce their label’s frontman. They doled out heavy party tracks like Dada Life’s “Kick out the Epic Mother—-er”. Sir Steve finally hit the decks, and partygoers at the Fontainebleau bum-rushed the stage, eager to rock out with the Size boss. And Angello obliged, unleashing track after track by tapping his SHM arsenal and much more. Fans danced in fits to Swedish House Mafia’s “Greyhound”; Michael Calfan’s “Resurrection” fused with Cold Play’s “Paradise”; and Nari & Milani “Atom,” among other hits. Angello just smiled, seemingly well aware of the euphoric chaos he was creating. Unfortunately, Angello was forced to cut his set short at around 11:30 p.m. Still, what fans will probably remember is that the Size guys came correct this year, laying down the perfect ending to Miami Music Week. Miami Music Week is a wrap, but stick with MTV News as we continue to roll out the latest EDM news and behind-the scenes interviews with your favorite dance music stars! Related Artists Swedish House Mafia

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Steve Angello Proves ‘Size’ Matters As Miami Music Week Wraps

‘Hunger Games’: Five Best Scenes Not In The Movie

We recognize the big-screen adaptation’s time constraints, but we missed these moments from the book. By Fallon Prinzivalli Jennifer Lawrence in “The Hunger Games” Photo: Lionsgate Translating a novel into a Hollywood blockbuster is not an easy task. Since there is limited time, a lot of the juicy tidbits get lost in translation. With a book as popular as “The Hunger Games,” fan criticism lurks at every turn and the screenwriters are careful to include as many of the beloved scenes as possible. Luckily, the adaptation of the book to the big screen left this weekend’s moviegoers extremely pleased. While we are understanding of the time constraints — the movie is already over two hours — there were a few key “Hunger Games” book scenes we would have loved to see in the film. Wanna win a Hunger Games special edition HP laptop from MTV News? Click here to enter! For those of you who have yet to read the book, there are spoilers ahead. (Also, what are you waiting for?! If you enjoyed the movie, the book will fill in all the missing details.) From Haymitch’s drunken fall to District 11’s respect for Katniss to Katniss’ fight to get back to Peeta, here are our picks for the five key scenes from the book not in the movie: Haymitch Falling Offstage at the Reaping From the start of the Reaping scene with Prim stopped dead in her tracks to the end when Katniss is escorted to her holding room, the audience is left shaking in their seats. Katniss volunteering in place of Prim saw quite a few audience members already in tears too. In the novel, before Effie begins her infamous “Happy Hunger Games!” speech, there is a quick scene where Haymitch is so drunk he falls off the stage. It adds a little comic relief to his introduction, but it also sets up the mentor’s troubled state and shows the effect the Games had on him years later as a grown man. Peeta’s Father Bringing Katniss Cookies In the book, before Katniss and Peeta board the train for the Capitol, Katniss gets a surprise visitor: Peeta’s dad, the District 12 baker, brings her a plate of cookies and informs her that he’ll make sure Prim is eating. It’s a touching gesture that confuses Katniss at first. She is familiar with Mr. Mellark because he buys the squirrels she hunts in the woods, but he has no obligation to her or her family. Katniss comes to believe it is because everyone merely tolerates her but they cannot help but love innocent, friendly Prim. The scene sets the audience up for Katniss’ distrust of Peeta throughout the book. District 11 Sending Katniss Bread The District 11 uprising after Rue’s death in the movie adaptation is absent from the novel. In lieu of this scene, Katniss is sent a sponsor gift containing a loaf of bread. During their training before the Games, Peeta explained to Katniss the different types of bread in each district, and Katniss immediately recognizes the loaf as coming from District 11. In recognition of the gift, she says a thank you to the district out loud. While the movie scene shows the power Katniss already possesses against the Capitol, the book scene slowly sets up the other districts’ willingness to trust her. Katniss Telling Peeta the Story of Prim’s Goat While Katniss attempts to nurse Peeta back to health — to no avail, as his leg gets worse — a feverish Peeta asks her to tell him a story. Knowing that the Capitol and Gamemakers are listening to every word, she leaves out the details of her and Gale hunting in the woods and tells him the story of how she bought Prim’s goat, Lady. After selling a young buck at the Hob, Katniss has enough money to buy Prim a nice birthday present. She passes on a hairbrush and cloth for a dress in favor of an injured goat. Prim loves animals, and with her mother’s help, they were able to nurse Lady back to health. The milk from the goat helped the Everdeens survive after their father’s death. Katniss’ ability to open up to Peeta adds to the love-triangle dynamic. The more Katniss reveals about herself to Peeta, the more she starts to care for him and vice versa, whereas Gale was around to experience these moments with her. Katniss Screaming for Peeta After the Games One of the more powerful scenes in the book comes when Katniss and Peeta are airlifted out of the arena and onto a hover craft. Katniss sees Peeta being taken away, but at the time, she is unaware of the reason. As they are separated, Katniss begins pounding on a glass door while screaming Peeta’s name. While the audience is left to wonder whether Katniss is really in love with Peeta, this scene shows that, regardless of whether it was all an act, she cares about him. Later on, this scene is replayed in front of the Capitol during an interview with Caesar Flickerman and shows that the star-crossed-lovers act just might save her life — at least for now. What did you think of The Hunger Games? Give us your review on Facebook ! Check out everything we’ve got on “The Hunger Games.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Photos The Hunger Games

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‘Hunger Games’: Five Best Scenes Not In The Movie

‘Hunger Games’ Ignites Box Office: Experts Weigh In

One box-office watcher tells MTV News the book adaptation was ‘the hottest party around and nobody wanted to be left out.’ By Kevin P. Sullivan Wes Bentley as Seneca Crane in “The Hunger Games” Photo: Lionsgate We all knew “The Hunger Games” would debut to enormous opening-weekend numbers, but few could have predicted just how quickly the fire would spread. The YA adaptation opened to an incredible $155 million weekend, passing up “The Twilight Saga: New Moon” and “Spider-Man 3” to have the third-highest opening weekend behind “The Dark Knight” and “Harry Potter and the Deathly Hallows, Part 2.” Early predictions had “The Hunger Games” opening at a respectable $70 million, not even half the actual total and in range of this year’s “The Lorax,” another recent box-office surprise. As the release drew nearer, analysts bumped up the predicted total to a range of $125 million to $130 million. The reason for the initially low prediction lies with another YA series, according to Jeff Bock of Exhibitor Relations . “Many people were comparing this to the original ‘Twilight’ film, which grossed $69 million its opening weekend,” Bock said. “Even though the book series was a huge success, many other young adult novels have been translated to film recently and failed to produce the next ‘Harry Potter’ or ‘Twilight,’ so, as an unproven commodity, expectations were tempered a bit with ‘The Hunger Games.’ Even Lionsgate was estimating that the film would debut with a three-day weekend gross of $75 million earlier in the week; they certainly didn’t expect it to nearly eclipse that number on opening day.” Wanna win a Hunger Games special edition HP laptop from MTV News? Click here to enter! The strong push out of the gate came from a combination of an aggressive marketing campaign by Lionsgate and groundswell created by fans of Suzanne Collins’ best-selling books. Gitesh Pandya of Box Office Guru said it was a precise combination of those key factors that led to such an explosive opening weekend. “The record opening was driven by the loyal fanbase, which is humongous, along with a carefully crafted marketing push that intrigued them and also drew in new audiences in time for the movie’s release,” Pandya said. “Marketing was a key component to the massive debut, as the film wasn’t over-promoted to the point of repelling people. Lionsgate turned the opening weekend of ‘Hunger Games’ into the hottest party around and nobody wanted to be left out.” Lionsgate is certainly not wasting any time in trying to repeat the magic of their biggest hit to date. Production on the sequel, “Catching Fire,” is scheduled to begin this summer with a release tentatively set for November 2013. Pandya believes the next adventure of Katniss Everdeen could even go bigger. “Studios knew to stay out of the way of ‘Hunger Games,’ which is why no other film opened wide this weekend. But now they know how big of a juggernaut it is, and if history is any indicator, the opening of ‘Catching Fire’ will be even bigger in November 2013,” Pandya said. “And unless Disney changes its superhero date, we’re going to see a big-brother battle as Liam Hemsworth’s ‘Catching Fire’ will open just one week after Chris Hemsworth’s ‘Thor 2.’ ” What did you think of The Hunger Games? Give us your review on Facebook ! Check out everything we’ve got on “The Hunger Games.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Videos MTV Rough Cut: ‘The Hunger Games’ Related Photos Inside ‘The Hunger Games’ Capitol ‘Hunger Games’ Cast Hits NYC

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‘Hunger Games’ Ignites Box Office: Experts Weigh In

Justin Bieber Takes A ‘Leap’ With ‘Boyfriend’

‘He’s an incredible, incredible writer and amazing vocalist,’ producer Mike Posner tells MTV News about Bieber’s new single. By Jocelyn Vena Justin Bieber Photo: Getty Images Justin Bieber dropped his bumping new single “Boyfriend” on Monday (March 26), teasing his next album, Believe. It’s a grinding, midtempo song that hears Bieber proclaiming all the ways he can make a girl happy (swag and fondue included!). Co-produced and co-written by “Cooler Than Me” singer Mike Posner, the song shows growth from Bieber’s “Baby” days. When MTV News caught up with Posner last week, he told us what it was like to hit the studio with Bieber (and co-producer and co-writer Mason Levy) for the track. “I’ve known [Bieber’s manager] Scooter [Braun] for a few years, so I actually ran into Scooter at a Clippers game and told him I would love to work with Justin,” Posner said. “I got the opportunity to write with Justin. I didn’t really know what to expect at first, but he’s an incredible, incredible writer and amazing vocalist. “Because I’m an artist myself, I can be pretty selective on who I produce for and who I make beats for … and really what I’m looking for is an amazing vocalist, somebody that can sing better than I can,” he continued. “And the other thing is somebody that’s willing to not try to make something that succeeds within the matrix of what pop music is now, but makes something that moves that matrix to where it is, and Justin was willing to take that leap with me.” Bieber spoke to Ryan Seacrest on his radio show hours after the song’s world premiere Monday, explaining why this was the perfect track to kick off the Believe era. “It was a really hard choice. I mean, we had so many songs, so many uptempos we could release, [that] I thought, ‘Let’s slow it down,’ ” he said, adding that there are already plenty of fast songs all over the radio. “It’s just something a little bit more mature, but it’s also something I think I’m ready for.” While fans and industry insiders had been wondering what a more grown-up Bieber would sound like, he said he tried to block out all the noise when making the track. “There’s so many people that are going to give me opinions, but I’m the only one who can ultimately make those decisions, because I’m going to have to live with my career for the rest of my life. So I thought this was the perfect single,” he said, adding that this song “was me all the way; it is a representation of me.” And Bieber said “Boyfriend” perfectly sets up what’s coming next. “It’s kind of classic,” he said of the album. “The songs, I feel, won’t get old. The music is very fresh, but it’s also — I’m taking a lot from old-school music, a lot of Michael Jackson, a lot of old R&B, a lot of old pop. It’s pretty special.” What do you think of “Boyfriend”? Share your reviews in the comments below! Related Videos Happy Birthday, Justin Bieber! Related Photos Justin Bieber’s Birthday: Celebrating 18! Related Artists Justin Bieber

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Justin Bieber Takes A ‘Leap’ With ‘Boyfriend’

Justin Bieber Channels Justin Timberlake On ‘Boyfriend’

Lead Believe single dropped at midnight on Monday. By Jocelyn Vena Justin Bieber Photo: Kevin Winter/ Getty Images Tween dream swagger is all over Justin Bieber ‘s lead Believe single, “Boyfriend.” Taking several cues from Justin Timberlake’s early post-‘NSYNC work, the track amps up Bieber’s credibility as a teen idol and remixes it with the type of production work longtime pop music fans can appreciate. Lyrically, it sounds a bit silly at times (like when Bieber proposes he and his girl eat fondue by the fire), but Bieber’s delivery of the lines proves that at 18, he’s willing to take the steps to progress forward in the world of pop. Sometimes it seems a little too similar to the way the other Justin delivers lines, but “Boyfriend,” co-produced and co-written by Mike Posner, is light-years beyond the sugary sweet “Baby.” The song opens pretty sparsely, with just a thumping beat, a “woo” noise and Bieber’s sing-songy rap, before a guitar comes in as Bieber makes his plea to win a girl over. The chorus will have girls dancing around thanks to its bumping beat and chugging R&B-influenced instrumentation. He sings, “I could be a gentleman/ Everything you want/ If I was your boyfriend/ I’d never let you go/ I’d never let you go,” before rapping, “Tell me what you like.” Bieber uses some form of the word “swag” no fewer than four times on the track, including the somewhat perplexing line, “Swag, swag, swag on you.” But regardless of what Bieber detractors might have to say, his Beliebers, who have aged right along with their idol, will appreciate his more grown-up sound on the record. The song officially dropped at midnight on Monday. Believe will be released later this year. As for the video, his manager, Scooter Braun, tweeted that it’s already in the works. Related Artists Justin Bieber Justin Timberlake

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Justin Bieber Channels Justin Timberlake On ‘Boyfriend’

‘Hunger Games’ Star Jennifer Lawrence: What’s Next?

A horror movie, two Bradley Cooper films and a return to Katniss Everdeen are all in the works. By Kara Warner Jennifer Lawrence at the “Hunger Games” premiere Photo: Getty Images For those of you who rushed out to the theater to see Jennifer Lawrence and company in this weekend’s box-office blockbuster “The Hunger Games,” how good was Lawrence as Katniss? If you were as delighted and moved by Lawrence’s performance as we were, you’re probably wondering what the Oscar nominee will be up to next. Lucky for you, we have a few answers! Here’s a little rundown of what to expect from Lawrence and where to see more of this talented, charming and all-around likable leading lady. (Side note: Before she jumps right into another project, we hope Lawrence takes a vacation of some sort and gets a little rest and relaxation after her extensive, worldwide promotional tour for “Games.” We loved seeing the cast at so many events and so dressed up, but she has to be exhausted!) Anyway, we have to wait until fall until we get another Lawrence film. The first is the horror/thriller “House at the End of the Street,” co-starring Elisabeth Shue. In the film, Lawrence and Shue play a mother/daughter duo who get wrapped up in the mystery of a murder in a small town. Shortly after the September 21 release of “House at the End of the Street,” fans will see a very brief appearance by Lawrence in “Devil You Know,” playing the younger version of Rosamund Pike’s character Zoe. In November, we’ll see Lawrence in “The Silver Linings Playbook,” the first of two films co-starring Bradley Cooper . “Silver Linings” revolves around a man who tries to put his life back together after spending years in a mental institution. “I just wrapped a movie called ‘The Silver Linings Playbook,’ ” Lawrence told MTV News recently. “And then I’m going to go shoot another Bradley Cooper movie. It’s not a Bradley Cooper movie — Bradley Cooper’s in the movie — it’s a Jennifer Lawrence movie with Bradley in it,” she joked. “Bradley Cooper and I are going to come out with a Jennifer Lawrence/ Bradley Cooper box set.” Their second film together is “Serena,” about a Depression-era couple who face personal complications when they learn that Lawrence’s character cannot bear children, which has a negative impact on the future of their lumber company. Fun fact about “Serena”: Lawrence’s role was originally intended for Angelina Jolie. “I’m not at the status where I have her roles. I have her leftovers, let’s be clear,” she joked of taking over for Jolie. “She left it for me. I have her garbage. No, that’s a wonderful place to be. I’m an actor digging through Angelina Jolie’s garbage. I’ve made it.” Shooting on “Serena” has yet to start. After her work on “Serena,” we’re all hoping Lawrence will be back playing Katniss for “Catching Fire” or getting painted to play Mystique in the yet-to-be-announced sequel to “X-Men: First Class.” Because “Fire” has a November 22, 2013, release date already locked in place, we’re betting Lawrence will be back wielding a bow and arrow before she’s spending countless hours in the makeup chair to “get painted again” for “X-Men.” Check out everything we’ve got on “The Hunger Games.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Videos MTV Rough Cut: Jennifer Lawrence Live From ‘The Hunger Games’ Red Carpet Premiere Related Photos Meet Katniss From ‘Hunger Games’: Jennifer Lawrence

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‘Hunger Games’ Star Jennifer Lawrence: What’s Next?

‘Hunger Games’ Rakes In $155 Million At Box Office

‘Games’ had third-highest opening ever, beating out all ‘Twilight Saga’ movie openings and every non-sequel ever made. By Ryan J. Downey Josh Hutcherson in “The Hunger Games” Photo: Lionsgate Much like Katniss Everdeen herself, “The Hunger Games” ‘ aim was true. When it comes to box-office records, it’s hard to keep a good book down. “The Hunger Games” beat all of the “Twilight Saga” movies and every single non-sequel ever with the third-biggest opening weekend of all time. The big-screen adaptation of the first novel in the massively popular young adult trilogy collected $155 million domestically, a figure that was just $3.4 million less than “The Dark Knight” opening in 2008. (“Harry Potter and the Deathly Hallows, Part 2” is still #1 with $169.1 million). Audiences gave the movie a CinemaScore of “A.” “The Hunger Games” collected an estimated $19.7 million in midnight screenings alone. Librarians, academics and bookworms of all stripes should note that all of the movies in the top five “all-time” list are based on some sort of printed source material. “Potter,” “Dark Knight,” “Hunger Games,” “Spider-Man 3” ($151 million) and “The Twilight Saga: New Moon” ($142 million) were, of course, all drawn from either novels or long-running comic book characters. “The Hunger Games” made another $59.3 million overseas, which is about on par with the debuts of the opening installments in both the “Twilight” and “Harry Potter” franchises. The next installment in author Suzanne Collins’ trilogy, “Catching Fire,” will see its film adaptation arrive in November of next year. But “Hunger Games” star Jennifer Lawrence will be back in theaters well before that. The 21-year-old Oscar nominee’s new horror flick, “House at the End of the Street,” is due September 21. MTV News will exclusively unveil the full trailer for the movie online this Thursday morning. The latest from “Hush” director Mark Tonderai will see Lawrence in a role much different than skilled archer Katniss Everdeen, as she’ll play a high school student who gets tangled up with a guy who has very dark secrets. “House” had an estimated production budget of $7 million for Relativity Media, which is standard issue for the genre. That’s quite a bit less than the $78 million Lionsgate spent on “The Hunger Games,” but the indie studio surely isn’t sweating that number: It’s already the biggest movie on record for the home of the “Saw” franchise. “The Hunger Games” had an 85 percent score on Rotten Tomatoes at press time, which is exactly the same as last weekend’s #1 film, “21 Jump Street.” The comedically driven movie version of the earnest late ’80s TV drama about cops who went undercover in high schools was #2 this week with $21.3 million, for a total of $71 million. “Dr. Seuss’ The Lorax,” which enjoyed the eighth-highest debut for an animated movie earlier this month, was #3 with $13.1 million and a $177.3 million total. “John Carter” was #4 with $5 million for a $62.3 million total, and “Act of Valor” rounded out the top five with $2 million for a $66 million total. Although those totals are similar, “John Carter” carried a reported production budget of $250 million while “Valor” was made for $12 million. Check out everything we’ve got on “The Hunger Games.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘The Hunger Games’ MTV Rough Cut: ’21 Jump Street’ Related Photos The Hunger Games

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‘Hunger Games’ Rakes In $155 Million At Box Office

Lady Gaga, ‘Smash’ Creators Win GLAAD Media Awards

Gaga was one of top winners at Saturday night’s 23rd annual GLAAD Media Awards. By Gil Kaufman Lady Gaga Photo: Leon Neal/AFP PG-13 rating for the upcoming documentary, “Bully.” Other winners included: “Dancing With the Stars” (Outstanding Reality Program), for including the story line of transgender dancer Chaz Bono last season, the HBO film “Cinema Verite” (Outstanding TV Movie or Mini Series), a film focused on the life of a black lesbian teenager, “Pariah” (Outstanding Film — Limited Release), “Battle Against Bullying” from ABC World News with Diane Sawyer (Outstanding TV Journalism Segment) and the “Batwoman” comic book by J.H. Williams III and W. Haden Blackman (Outstanding Comic Book). More awards will be handed out on April 21 in Los Angeles and June 2 in San Francisco. Related Photos The Evolution Of: Lady Gaga Related Artists Lady Gaga

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Lady Gaga, ‘Smash’ Creators Win GLAAD Media Awards

The Wanted Keeping U.S. Debut Album ‘Upbeat’

New single, ‘Chasing the Sun,’ is in ‘same vein as ‘Glad You Came,’ ‘ Tom Parker tells MTV News. By Jocelyn Vena, with reporting by Sway Calloway The Wanted Photo: MTV News The Wanted will officially drop their U.S. debut album next month. They’ve been busy in the studio working on tracks to follow up their smash single, “Glad You Came.” And with so much enthusiasm coursing through America for boy bands , the guys are looking forward to launching this next phase in their careers. “You know, I think from the start when we were in the U.K. we got our first single, which was ‘All Time Low,’ and it set itself up,” Tom Parker told MTV News about the band’s control over their music. “And we all agree on a certain sound and ‘Glad You Came’ was probably as [far as] we went in terms of difference in sound, but we all kind of come to an agreement to keep it upbeat, usually.” Parker adds that when they do stray from that sound it doesn’t always work out. “We did a ballad and it wasn’t that great, if I’m honest with you,” he said. “We’ve got a new one called ‘Chasing the Sun,’ which is gonna go out to radio soon, so look out for it. It’s in the same vein as ‘Glad You Came’; it’s upbeat.” Now that they are knee-deep in getting their U.S. debut together, Jay McGuiness explains that despite the size of the group, the guys make decisions pretty easily. “We’re all pretty laid-back in coming to a decision that we all agree with,” he said. “We’re not gonna lie: Two years ago we were bitches to the record label, but now we’ve grown enough. We know what we’re doing now. We’re enjoying ourselves.” And that means that they are aiming to make something that will get American audiences pumped. Siva Kaneswaran added, “To be in the U.S. is amazing, but just as long as we go out there and be ourselves and the U.S. takes us as we are, we’re just coming over here to have a laugh.”

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The Wanted Keeping U.S. Debut Album ‘Upbeat’