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Tiesto’s ‘In The Booth’: Watch An Exclusive Teaser!

EDM star’s new Web series debuts Thursday. By Akshay Bhansali Ti

Swizz Beatz’s Megaupload Draws Fire For Promos

Universal Music Group issues take-down notice for videos starring Kanye West, Kim Kardashian. By Rob Markman Swizz Beatz Photo: Jason Merritt/ Getty Images Swizz Beatz has a number of different hustles: record producer, rapper and shoe designer. It turns out the Bronx-born hit-maker is also the CEO of the file-sharing site Megaupload, which at the moment has drawn a bit of fire from Universal Music Group, the record company where Swizz was once signed. In an effort to raise the company’s profile, Megaupload has been releasing video testimonials from big-name artists like Kanye West, Diddy, will.i.am and Swizz’s wife, Alicia Keys, along with celebrities like Kim Kardashian. In the promotional videos, the big-name stars express their support of the site, which allows users to send large media files — sometimes pirated materials such as entire movies and albums. According to the New York Post, Universal Music Group issued a take-down notice to YouTube, one of the sites where the promotional videos appeared. UMG is claiming that none of their artists (Kanye West, Diddy and will.i.am) were authorized to appear in the clips. Swizz’s company contends that no individual artist ever filed a take-down. “We have never received any word that any artist has [individually] filed a take-down . . . [we have] legally binding agreements with the performers that appear in the video . . . They promised that they had the rights to enter into that agreement and it’s not interfering with any third-party rights,” a Megaupload rep told the Post. While it wasn’t widely known that Swizz Beatz served as CEO, his name and title is listed on the “About Us” page on the Megaupload website. Related Artists Swizz Beatz

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Swizz Beatz’s Megaupload Draws Fire For Promos

Fedde Le Grand Talks Remix Anthems, ‘Dark Light Sessions’

‘Music and the whole process of music itself should be organic,’ Dutch DJ/producer tells MTV News. By Adam Stewart Fedde Le Grand Photo: Flamingo Recordings A course in Fedde Le Grand 101 would have to include the hit “Put Your Hands up for Detroit” and a track that proved to be dance-floor gold for the Dutch DJ/producer, 2007’s “Let Me Think About It.” But Le Grand loyalists know that he scored those smashes while appeasing the underground with bombs like “Amplifier” and “Control Room.” Now, he’s bringing that particular alchemy to his “Dark Light Sessions,” a new show on Sirius XM’s Electric Area. MTV News recently caught up with the Flamingo Recordings founder, and he talked about the kickoff of “Sessions” last November. Le Grand also opened up about his big 2011, detailing how he’ll top himself in the months to come. “Not everyone can come to your shows,” Le Grand told us of creating the radio series, which launched its third installment last Friday; the next is due mid-February. “I think it’s such a great way to show or let people hear your view on music at the moment, because it’s very current.” The advent of “Dark Light Sessions” was a fitting cap to a major year for Le Grand, whose massive re-works topped the Beatport.com charts on more than one occasion. His 2011 was highlighted by remixes of Coldplay’s “Paradise” and his summer anthem “So Much Love,” a remix of “Love’s Such a Wonderful Thing” by the Real Thing. Of “So Much Love,” Le Grand explained, “I found the original sample from the ’70s band. I just loved the re-work Tom Bangalter did before it was one of my favorite tracks. So, for me, it only made sense to put it more in a ‘now’ kind of way, so I could play it again. We were able to clear the original sample and that’s how it started.” While sampling and bootlegging are key tools for the thriving dance music industry, the SOPA (or Stop Online Piracy Act) legislation could have far-reaching consequences for the genre. Le Grand said he encourages practices like sampling, though, and the growing desire to reincarnate classic dance tunes. As an example, he pointed out Arno Cost’s “Body Rum,” which is derived from a bootleg of Le Grand’s “Metrum.” “I actually only support it. I play that edit; I think it’s great,” he said. “Music and the whole process of music itself should be organic,” he added. “I had the same thing about two years ago with a track I did called ‘Amplifier.’ Someone put a vocal on it and it kind of went its own way. So I think it’s great that things keep evolving and recycling that way.” But it isn’t just bootlegs and remixes that are keeping Le Grand busy these days. Along with label co-founder and fellow producer Funkerman, the Flamingo Recordings imprint has helped usher in some of the most influential music the genre has heard in years, staying away from the all-too-familiar progressive house blueprint. Joining Flamingo alumni such as Baggi Begovic, Rene Amesz and vocalist Mitch Crown is recent sensation Deniz Koyu , whose records are currently smashing eardrums the world over. When Le Grand first heard Koyu’s “Grunge,” he assumed he had been signed for years. “My mind was just blown by the sound and everything. It’s a record that works really well and still has a coolness to it,” he said. Le Grand and Koyu have been busy in the studio with Johan Wedal getting ready for the release their latest three-way collaboration, “New Day.” And one can only imagine who the boys brought into the studio behind closed doors “I have a whole lot of people I’d love to work with,” Le Grand said, listing Sia and Janelle Mon

‘Glee’-Cap: Will Pops The Question

And he isn’t the only one — check out our musical recap of the latest episode! By Jim Cantiello The cast of “Glee” on Tuesday’s episode Photo: FOX Tuesday night’s “Glee” was all about Will Schuester’s proposal to longtime germaphobe girlfriend Emma, and since he apparently lacks any adult friends, he enlisted his glee-club “family” to help out. They pitched potential songs, ranging from a kick-ass “Moves Like Jagger/ Jumping Jack Flash” mash-up to a sensitive Rachel Berry cover of David Guetta and Usher’s “Without You.” But it was the girls’ “The First Time Ever I Saw Your Face” that awakened Mercedes’ old feelings for Trouty Mouth. Meanwhile, Becky went after the man she loves — fellow handi-capable student Artie — and viewers sat and watched their brief relationship sour. Bummer. Bigger bummer? Finn’s mom revealed the real way his soldier dad died. Biggest bummer? No Klaine. It was an intense episode filled with belly laughs, several Kleenex-grabs, synchronized swimming, random guest stars and a shocking Finn/Rachel proposal cliffhanger. And it inspired this piano ballad musical “Glee”-cap. Hit play on the embedded video below to check it out, and sing along with the lyrics. I think I hit my head while watching “Glee” this week ‘Cause things got cray A “Grease” homage, but Sam is way more buff than Travolta And not as gay (happy) Enter Coach NeNe Leakes She’s funnier and draggier than anything Eddie Murphy’s done in years Then Helen Mirren speaks as Becky’s brain I guess Ryan Murphy’s “no guest stars” rule disappeared Will asks the kids to pick a song for his proposal ‘Cause he has no real friends and it’s starting to freak me out And in the last half-hour of the show, things got extra dark And they tried really hard to bum me out Surprise! Your dad died! He OD’d thanks to PTSD from the Army Not cool Artie leads Becky on She gets confused ’cause she has Downs Then Artie almost drowns in a pool I’m getting whiplash from the tone LMAO-ing then, hell no, now I’m crying! And then Finn proposed NOOOOOOOOOOO! If there’s a double wedding, to the door I am heading I think I hit my head while watching “Glee” this week ‘Cause things got cray It broke my mind so now I’ll just be here And dancing like Lana Del Rey [ Jim slowly turns in a circle, occasionally touching his hair, looking like a cat paralyzed in fear. ] What did you think of this week’s “Glee”? Leave your thoughts in the comments! Related Videos Musical ‘Glee’-Caps Of Season 3

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‘Glee’-Cap: Will Pops The Question

Evanescence Take Fans Inside ‘My Heart Is Broken’ Video

Clip doesn’t premiere until Monday, but you can get an exclusive behind-the-scenes look right now! By James Montgomery Evanescence Amy Lee in her video for “My Heart Is Broken” Photo: Wind-Up Records Last month, Evanescence invited MTV News to the set of their “My Heart Is Broken” video, where frontwoman Amy Lee told us about the dreamlike inspiration behind the clip (the 1988 British horror film “Paperhouse”) and the nightmarish reasons she wrote the song in the first place: namely, the ongoing issue of sex trafficking. “A lot of times when I write, I just sort of make up words, and something will stick, and I’ll be like, ‘Oh, that’s from my subconscious. That’s what I need to write the song about,’ ” she explained. “And that’s sort of what happened [with the song]. I was like, ‘I think I’m writing about this thing; it’s on my heart,’ just imagining being in such a trapped place and how that might feel, so the song was actually inspired by that idea.” So obviously, the video means an awful lot to Lee and her bandmates — which is why they chose to work with noted director and photographer Dean Karr, who filled the video with imagery that recalls both dreams and nightmares. And though the full “My Heart Is Broken” video doesn’t premiere until Monday, Evanescence is giving fans a behind-the-scenes look at the clip’s creation, with a making-of clip they sent exclusively to MTV News. As you’ll see — and hear — making “My Heart Is Broken” was a labor of love, for both the band and their director, one filled with fiber optics, elaborate costumes and, of course, striking, surreal imagery. But why don’t you just have a look for yourself: Above, direct from Evanescence to you, is an exclusive look at the making of “My Heart Is Broken.” What are you expecting from the new Evanescence video? Let us know in the comments below! Related Videos MTV First: Evanescence Related Artists Evanescence

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Evanescence Take Fans Inside ‘My Heart Is Broken’ Video

‘American Idol’: Where Are Katharine McPhee, Leah LaBelle Now?

We also check in with Justin Guarini, Ruben Studdard, Constantine Maroulis and more ‘Idol’ alumni before season 11 kicks off. By Jim Cantiello Katharine McPhee Photo: Getty Images “American Idol” kicks off its 11th season Wednesday night with its first of eight audition episodes. But before we’re inundated with a new batch of contestants (many of whom we’ll forget about by June), let’s play catch-up with some noteworthy alums. Sure, our Kellys and Carries have remained household names throughout the years, but others — like Katharine McPhee and Leah LaBelle — are poised to have their biggest post-“Idol” years yet. Let’s check in with standouts from seasons one through five: Season One The One You Know : Kelly Clarkson’s fifth studio album, Stronger, is selling just fine, even if recent “Ron Paul sales bump” rumors were proven to be a bunch of hooey. The original Idol just kicked off her latest tour last week. On the radio, you’ll hear “Mr. Know It All” approximately 17 times an hour, until it’s replaced by new single “Stronger (What Doesn’t Kill You).” The Goofy One : Justin Guarini hasn’t released a full-length album since 2005’s Stranger Things Have Happened, but the inaugural runner-up kept busy in 2011 appearing in Broadway’s “American Idiot” as well as touring companies of “Rent” and “Chicago.” On a personal note, the crooner and his wife had a baby boy last April. And yes, since “Idol,” he’s chopped his signature “Felicity-meets-Sideshow Bob” locks. Season Two The One You Know : Clay Aiken can be seen in promos for the upcoming season of “Celebrity Apprentice,” accusing a teammate of being patronizing — all in the name of charity. Although his last few albums haven’t made a big dent in pop culture, Clay still remains the fourth-best-selling “Idol” contestant ever, right behind the holy trinity. (That’s Underwood/Clarkson/Daughtry, obviously.) The One You Shouldn’t Count Out Just Yet : Most of America hasn’t paid much attention to the Velvet Teddy Bear since “Sorry (2004),” and Ruben Studdard finally realized fans like him best when he sings about calendars. Studdard kicked off 2012 with a well-reviewed single called “June 28th (I’m Single)” about his recent divorce. The catchy throwback jam is currently climbing the urban charts, so don’t be surprised if his upcoming album moves some serious units when it lands in March. The One You Had No Idea Was On “Idol” : Ashley Hartman had a six-episode stint on the first season of “The O.C.” as Summer and Marissa’s buddy Holly. Turns out Simon Cowell’s “You should act, not sing” critique was correct! Season Three The One You Know : Seventh-placer Jennifer Hudson spent 2011 promoting her sophomore album, I Remember Me, but her turn as Weight Watchers’ official spokesperson kept her skinny body in the spotlight and earned her a book deal. The Oscar winner’s turn as Winnie Mandela has yet to be released in the U.S., but she’ll appear as a nun in the Farrelly Brothers’ “Three Stooges” big-screen update this year. Might we suggest a remake of Lily Tomlin’s “The Incredible Shrinking Woman” next? The One We Can’t Stop Rooting For : Fantasia, Fantasia, Fantasia. Your 2010 album Back to Me was full of retro nuggets like the Grammy-winning “Bittersweet” and shoulda-been-a-hit “Collard Greens and Cornbread,” but just when your music career gets back on track, your life spins out of control. Here’s hoping you can turn your personal drama into big-screen gold when you star as Mahalia Jackson in your first official feature-film role. The One You Shouldn’t Count Out Just Yet : Leah LaBelle barely made the top 12 back in 2004 — when she was a cocky 17-year-old with shaky vocals living under the shadow of a Bulgarian pop-star mother — but the 25-year-old just made headlines by getting signed to L.A. Reid’s Epic Records under the guidance of heavyweights Jermaine Dupri and Pharrell Williams. Seriously! The One You Had No Idea Was On “Idol” : Soap fans might remember Duke Buchanan on “One Life to Live” before he was killed by a tornado in 2006. The Matthew Morrison look-alike got his start on “Idol” as a semifinalist. Season Four The One You Know : In 2011, country megastar Carrie Underwood starred in a hit film, “Soul Surfer,” reached her 11th #1 single on a duet with Brad Paisley and finally surpassed Kelly Clarkson as the biggest-selling “Idol” winner ever. She’s got a new album on the way and hinted that she’ll be participating in “something special” with Steven Tyler, fueling a rumor that she’ll be taking the CMT “Crossroads” stage with the new “Idol” judge and — randomly — ’90s band Sugar Ray. The Goofy One : Constantine Maroulis finally got some respect with a Tony-nominated turn in Broadway’s “Rock of Ages” in 2009. Constantine fans might be bummed that he won’t be reprising the Drew role in the big-screen adaptation coming out in 2012, but keep your eyes peeled, because director Adam Shankman gave him a quick walk-on appearance as a producer. The One You Had No Idea Was On “Idol” : Prior to winning the sixth season of “Nashville Star,” Melissa Lawson made it to the top 75 during Hollywood Week on “Idol.” Season Five The One You Know : Daughtry’s 2011 album Break the Spell went gold in December. Chris and the band will be hitting the road for their second headlining tour this March. The One You Shouldn’t Count Out Just Yet : Katharine McPhee’s career has been full of starts and stops. But now that she’s on NBC’s high-profile midseason replacement “Smash” (including an inescapable ad campaign that claims to be “introducing” McPhee to America’s living rooms), expect to see the season five runner-up reach new heights. You saw her hobnobbing with Hollywood’s elite at the Golden Globes this past Sunday. Twelve months from now, you may just see her onstage holding a Globe of her own. The Goofy One : Taylor Hicks got some love last April when Jimmy Fallon and Stephen Colbert invited him to appear on “Late Night With Jimmy Fallon” during Colbert’s cover of Rebecca Black’s “Friday,” a performance that instantly went viral and showed that Hicks is still as charmingly offbeat as you remember. The other goofy alum of season five, Kellie Pickler, is ready to show her mature side with a traditional country album, 100 Proof, out next week. On Thursday, Jim will check in with standouts from seasons six through 10. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos On The Red Carpet At The Golden Globes MTV News Extended Play: Kelly Clarkson Related Artists Katharine McPhee

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‘American Idol’: Where Are Katharine McPhee, Leah LaBelle Now?

Adele’s 21 Ties Titanic Soundtrack With 16th Week At #1

British belter’s smash album catches up to 1997 blockbuster album with its 16th non-consecutive week atop the Billboard chart. By James Montgomery Adele Move over James Cameron (and Celine Dion): Adele just landed her Sweet 16th. Yes, once again the British belter’s 21 album tops the Billboard 200 chart, according to figures provided by Nielsen SoundScan, the 16th (non-consecutive) week it sits at #1. The mark ties it with the soundtrack to the 1997 blockbuster “Titanic,” which was buoyed by Dion’s massive “My Heart Will Go On.” Up next for Adele? Well, first, it’s Billy Ray Cyrus’ Some Gave All, which topped the Billboard charts for 17 weeks in 1992, followed by Garth Brooks’ Ropin’ the Wind, which was #1 for 18 weeks. Then, it’s the 1992 soundtrack to “The Bodyguard,” which, powered by Whitney Houston’s takes on “I’m Every Woman” and “I Will Always Love You,” spent 20 weeks atop the Billboard albums chart. Oh, and Elvis Presley’s Blue Hawaii, which also spent 20 weeks at #1. Rarefied air, indeed. 21 sold more than 104,000 copies to take the top spot, easily outpacing the week’s biggest debut, the David Crowder Band ‘s Give Us Rest, which sold nearly 51,000 copies to open at #2. The Black Keys ‘ El Camino holds strong at #3 for a second week, selling more than 36,000 copies and moving past the 500,000 mark in total sales in the process. Drake ‘s Take Care (nearly 32,000 copies sold) and Snow Patrol ‘s new Fallen Empires (nearly 31,000 copies) round out the top five. Young Jeezy ‘s TM 103: Hustlerz Ambition is in at #6, with sales of nearly 24,000 copies, followed by Rihanna ‘s Talk That Talk at #7 (nearly 22,000 copies), Coldplay ‘s Mylo Xyloto at #8 (nearly 20,000 copies), Nickelback ‘s Here and Now at #9 (19,000-plus copies) and the 40th installment of the ubiquitous Now compilation, which comes in at #10 with sales of more than 17,000 copies. Outside the top 10, there were debuts by Yo Gotti, whose Live From the Kitchen sold more than 16,000 copies to open at #12, Rebelution’s Peace of Mind (#13, also posting sales of more than 16,000 copies), critical darling Lana Del Rey’s self-titled EP (#20, nearly 14,000 copies sold) and the soundtrack to “Joyful Noise,” which bowed at #21 with sales of more than 13,000 copies. Related Artists Adele Drake Young Jeezy

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Adele’s 21 Ties Titanic Soundtrack With 16th Week At #1

‘Hunger Games’ Sequel Recruits Writer Simon Beaufoy

‘Slumdog Millionaire’ scribe takes over ‘Catching Fire.’ By Kevin P. Sullivan Jennifer Lawrence and Liam Hemsworth in “Hunger Games” Photo: Lions Gate Back in November, Deadline reported that Lionsgate already had a short list of writers they wanted to pen the sequel to “The Hunger Games.” According to the report, Simon Beaufoy, the writer behind the Academy Award-winning “Slumdog Millionaire” script, topped the list. Now the Los Angeles Times is reporting that not only has Beaufoy signed on to write “Catching Fire,” but that director Gary Ross will return as well. There had been no direct confirmation that Ross would return, and until “The Hunger Games” comes out, there probably won’t be, but as things stand, Ross will likely direct. Ross and author Suzanne Collins originally planned to reteam for the “Catching Fire” script, after having collaborated on the “Hunger Games” screenplay. Postproduction work on the first film and the looming proposed release date for the second didn’t allow Ross to begin work on the sequel. Beaufoy, whose other writing credits include “127 Hours” and “The Full Monty,” will adapt Collins’ book, with Ross overseeing. There are four films planned for the three-book series. The final book, “Mockingjay,” will likely be split into two flicks if the producers stick to their original plan. The first film of the series — starring Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth — is scheduled for release March 23. For now, “Catching Fire” is scheduled to hit theaters November 22, 2013. The stars of “The Hunger Games” are all expected to return, per sequel clauses in their contracts. Check out everything we’ve got on “The Hunger Games.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos The ‘Hunger Games’ Cast Answer Your Burning Twitter Questions ‘The Hunger Games’: 2011 In Review Reactions To The First ‘Hunger Games’ Trailer Related Photos The Hunger Games

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‘Hunger Games’ Sequel Recruits Writer Simon Beaufoy

Paris Hilton Tackling ‘Whole New Genre’ On Next Album

Hilton is working with Afrojack and childhood friends LMFAO for her sophomore record. By Jocelyn Vena, with reporting by Josh Horowitz Paris Hilton Photo: Getty Images Paris Hilton famously declared that “Stars are Blind” on her 2006 single. Now, she’s hoping to recapture some of that musical magic on the follow-up to her self-titled debut. She’s hooking up with club-music producer extraordinaire Afrojack for the record and is knee-deep in getting it done. “I’ve been in the studio all day recording my new album,” she told MTV News at the Weinstein Golden Globes afterparty. And if fans think she’ll be channeling some sugary sweet pop on this next release, they’d better think again. “It’s completely different from my last album. I’m going with a whole new genre. I have Afrojack executive-producing the entire album. So we’ve just been coming up with the most incredible tracks,” she teased. “I was just in the studio with RedFoo the other night, so we’re going to be doing my new single with LMFAO .” Given how ubiquitous LMFAO is these days, a Paris/LMFAO track could be the perfect combination to reintroduce the world to Paris Hilton, pop star. “I’m so excited. The music’s turning out so great and I can’t wait to release it this summer. Two nights ago [I recorded the song with LMFAO],” she said, describing the session as “awesome.” “I’ve known them since I was a little girl. We grew up together ’cause our parents are friends, so I’m just so proud of them and all their success and what they’ve done ’cause they’ve just created this whole ‘Party Rock’ brand and it’s just so awesome.” Noting that she grew up singing in the choir and can also play violin, piano and guitar, Paris defends her choice to record another album. “I think a lot of people don’t know that music is my passion since I was a little girl,” she said. “I’m very musically talented. This is more my thing [musically on this album], more of a club scene, more dance. … The single’s done; it’s in the can. That’s probably going to be out [within] the next month or two.” Hilton isn’t just singing for her new record — she’ll also be trying her hand at singing on the big screen when she works with “Repo! The Genetic Opera” director Darren Bousman on his next project. “I’m about to do a film with my friend Darren Bousman. He has a new musical that’s coming up called ‘The Devil’s Carnival,’ ” she said. “It’s about Hell, it’s a musical and it’s different.” Are you looking forward to new music from Paris Hilton? Tell us on our Facebook page! Related Videos On The Red Carpet At The Golden Globes Related Artists Paris Hilton

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Paris Hilton Tackling ‘Whole New Genre’ On Next Album

Amber Rose Doesn’t ‘Forgive’ Kanye West

‘He was just being a mean, negative person, and that’s one of the main reasons why I’m not with him,’ model tells ‘RapFix Live.’ By Rob Markman, with reporting by Sway Calloway Amber Rose on “RapFix Live” Photo: Natasha Chandel/ MTV News Kanye West admits his flaws — well, in song at least: On his 2011 single “Runaway,” the Louis Vuitton Don was apologetic about how he treated ex flame Amber Rose, owning up to his wrongs. He took things a step further during his Watch the Throne Tour with Jay-Z, giving the audience love advice while performing the song. During the November 2 stop, ‘Ye sent a special shout to ex-girlfriend Amber Rose in the model’s hometown. “To the city of Philly, I want to thank y’all for making the incredible person that this song was made for,” he said while performing “Runaway” in Philadelphia. “At first, I was like, ‘Wow, maybe he is sorry for just not being a good guy and not treating me the way I want to be treated and talking down to me,’ amongst other things,” Rose said on last week’s “RapFix Live.” “I instantly was like, ‘I forgive him.’ ” To her, it all seemed very sincere. “When I first saw it, I was like, ‘Yo, I forgive him.’ I let that go. I went through the crying and the heartbreak and all that stuff, and I moved on, and I’m so happy now that I actually have a gentleman, a great guy that I love so much,” Rose said of current boyfriend Wiz Khalifa . “Then after he called me an incredible person in my hometown, he said, ‘Never find love in a strip club.’ And that’s when I was like, ‘You know what? Take your apology and shove it up your ass, because I don’t want to hear it.’ ” The “Never find love in a strip club” line wasn’t from the Philly concert, though it is a Yeezy lyric from the Throne’s “New Day,” in which West passes life lessons to his unborn son. “New Day” was actually released in August, months before the concert, and in the song, Kanye makes no mention of Amber’s name, but it still rubbed the beauty the wrong way. According to Amber, who feels the lyric was a shot at her, the ex-couple didn’t meet in a gentlemen’s club. “He didn’t meet me in a strip club; he knows he didn’t meet me in a strip club,” she said. “He was just being a mean, negative person, and that’s one of the main reasons why I’m not with him. He’s that; I don’t want that negativity in my life. Don’t apologize and then say something like that. It’s just rude, and it’s mean, and it’s not true.” Later in her “RapFix Live” interview , Rose broke down crying because of the way some of ‘Ye’s overzealous fans have treated her in public. “I have people throwing things at me in the street because they’re fans of Kanye,” Amber said before she started to cry on set. “I’m just crying because I don’t deserve to be bullied like that. I’m a nice girl. I don’t bother anybody. I keep my mouth shut because I don’t want any trouble.” Related Videos ‘RapFix Live’ With Amber Rose And Yo Gotti Related Artists Kanye West

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Amber Rose Doesn’t ‘Forgive’ Kanye West