Tag Archives: source-code

Duncan Jones Discussing The Wolverine Directing Job with Fox?

No offense to David Slade or Robert Schwentke , but this is how you get a fanbase excited again for The Wolverine : Over the weekend in London, Source Code director Duncan Jones said he has met with Twentieth Century Fox about replacing Darren Aronofsky at the helm of the Adamantium-covered next chapter in the X-Men franchise. Whether he takes over, however, remains to be seen.

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Duncan Jones Discussing The Wolverine Directing Job with Fox?

Vera Farmiga on Henry’s Crime, Source Code’s Ending and Awards Overload

It’s a very busy time in the life of Vera Farmiga — and that’s even before you factor in the amount of press she’s been doing lately for back-to-back releases Source Code and now Henry’s Crime . Consider the growing family, the directorial debut ( Higher Ground ) and the Oscar-nominated actress’s natural, insatiable curiosity for what’s next . But one thing at a time.

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Vera Farmiga on Henry’s Crime, Source Code’s Ending and Awards Overload

SNL Scorecard: Did a Slew of Cameos Save Elton John’s Show?

What an odd night. Then again, when Elton John was announced as Saturday Night Live ‘s musical guest and host, perhaps an “odd night” should have been expected. But not quite like this.

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SNL Scorecard: Did a Slew of Cameos Save Elton John’s Show?

Weekend Receipts: Hop Pops Up At Number One, Source Code Takes Second Place

Despite the star pedigree of Jake Gyllenhaal and the geek cred of director Duncan Jones, sci-fi thriller Source Code was topped by an animated bunny learning the new true meaning of Christmas Easter. At third place was the haunted house scare-em-up Insidious , possibly launching another profitable franchise for the brains behind Saw . Plus, the hotly debated Sucker Punch fell an astronomical 68.1% from last week — if those number hold, it means it held up slightly better in its second weekend than Street Fighter: The Legend of Chun Li (-68.5%) but not as well as Final Fantasy: The Spirits Within (-67.9%). Your weekend receipts are here.

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Weekend Receipts: Hop Pops Up At Number One, Source Code Takes Second Place

Which Washed-Up ’90s Rapper Will Star Opposite Adam Sandler in I Hate You, Dad?

In case you haven’t heard, Adam Sandler is busy casting his next film I Hate You, Dad , about “a father who moves in with his son and his fiancee, only to immediately start feuding with the bride-to-be.” Sandler will play the father (obviously), Andy Samberg will play the son and Leighton Meester has just joined the cast as the troublesome fiancee. Sandler has also signed on a washed-up ’90s rapper to play a large supporting role. Can you guess which one?

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Which Washed-Up ’90s Rapper Will Star Opposite Adam Sandler in I Hate You, Dad?

Friday Box Office: Hop Jumps To Number One Over Time-Jumping Jake Gyllenhaal

Despite it being about as fun as a tracheotomy, the Easter Bunny exposé Hop won the top spot this Friday night, sending the wibbley-wobbly timey-wimey Source Code to second place. If only you could crap candy too, Jake! And right behind dear ol’ Jake was the haunted house antics of Insidious , scoring a close number three. Your Friday box office is here.

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Friday Box Office: Hop Jumps To Number One Over Time-Jumping Jake Gyllenhaal

Friday Box Office: Hop Jumps To Number One Over Time-Jumping Jake Gyllenhaal

Despite it being about as fun as a tracheotomy, the Easter Bunny exposé Hop won the top spot this Friday night, sending the wibbley-wobbly timey-wimey Source Code to second place. If only you could crap candy too, Jake! And right behind dear ol’ Jake was the haunted house antics of Insidious , scoring a close number three. Your Friday box office is here.

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Friday Box Office: Hop Jumps To Number One Over Time-Jumping Jake Gyllenhaal

‘Source Code’: Five Hidden Pop-Culture Influences

Director Duncan Jones was inspired by everything from ‘Grand Theft Auto’ to ‘Quantum Leap.’ By Eric Ditzian Jake Gyllenhaal in “Source Code” Photo: Summit Entertainment “Moon” wasn’t some slick Hollywood production. Director Duncan Jones didn’t have a studio’s deep pockets to dip into for “Avatar”-level visual effects. Instead, he built a miniature replica of a lunar base on which star Sam Rockwell got up to his strange activities. And it worked. The movie was a sci-fi stunner. So it’s no surprise Jones eyed a similar approach for his next feature, the Jake Gyllenhaal-starring “Source Code.” “We talked about using model miniatures for ‘Source Code,’ but the time frame was working against us,” Jones said, citing his star’s schedule. “So we used a lot of CGI.” Thus all those train explosions in the film — and there are a dizzying number — were created in a computer rather than in the real world. That’s rather fitting, after all, based on what the film is all about. “Moon,” though, is just one of the pop-culture influences on “Source Code” that Jones alerted us to in a recent chat. Read on for four more (and check back Monday for five secrets about the production that were simply too spoiler-filled to reveal before opening weekend). The Michel Gondry Connection Gyllenhaal plays a helicopter pilot named Captain Colter Stevens who’s part of an ultra-secret government program that sends him into the past — in another man’s body, eight minutes before a terrorist detonates a bomb onboard a commuter train, to be precise — again and again in an effort to discover the bomber’s identity and prevent the next attack. As a practical matter, that means the story revisits the same eight-minute sequence over and over and over. Jones’ challenge was to make this recurring event never seemed repetitious. For inspiration, he turned to Michel Gondry. “I remember hearing about how Gondry used to do music videos — he did Daft Punk and stuff like that,” Jones said. “He used to graph everything out and had these intricate diagrams of how to do things. So I took a shot at it that way and lifted out all of the repetitions that occur in the film, and then created a camera map about how I can revisit this event in a different way each time. That was the technical level. “Then on a narrative level,” he added. “I ensured new characters were introduced for each one. You never see the same thing twice.” The “Eternal Sunshine of the Spotless Mind” Connection The “Source Code” link to Gondry doesn’t end with music videos. Jones also tapped Louis Morin, the visual-effects supervisor on “Eternal Sunshine,” to oversee the CG work on the new movie — in particular, those recurring train explosions. “He’s got that beautiful blend of being a real technical expert and also an artist,” Jones said. “We worked out how to make each of the explosions have its own personality and be visceral and scary. In the storyboards, we made sure the camera angles made the explosions feel up close and personal to the scale of the effect. Then in the animatic phase, where the objects are moving, you start to get a sense of textures and how much dirt is thrown in the air. You start to tweak it and get the visceral impact.” The “Grand Theft Auto” Connection For all the high-intensity train explosions, perhaps the film’s single-most astonishing shot is one of Gyllenhaal jumping off a moving train. Simple enough. But what makes it extraordinary is that the camera never cuts away and you see Gyllenhaal tumble and spin and wind up bloodied and bruised on the pavement. “It’s a tribute to ‘Grand Theft Auto,’ ” Jones explained. “When you’re driving around at high speed in that computer game and you open the door and jump out of the car, the camera doesn’t cut away; it stays with you as you roll. I wanted to do that shot because I’d never seen it in a movie before. “That was some cutting-edge post-production effects,” he continued. “We played a game of chicken with the technology to make sure it was capable of doing that by the time we were ready to do the effect. Fortunately, things meshed at just the right time.” The “Quantum Leap” Connection Of all the sci-fi productions to come before it, “Source Code” might put viewers most in the mind of “Quantum Leap.” Jones, too, immediately thought of that NBC series when he read the script. Ever the playful auteur, the director decided to recruit the show’s star to get what he called “a little tip of the hat in there.” “I don’t know if you noticed, but Scott Bakula does a little cameo,” he revealed. “He’s the voice of Colter’s father. He even says, ‘Oh boy,’ in the middle of their phone conversation, as a little clue!” Check out everything we’ve got on “Source Code.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘Source Code’ ‘Source Code’ Exclusive Clips

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‘Source Code’: Five Hidden Pop-Culture Influences

Could Leaked Sex Photos Suddenly Make Breaking Dawn More Appealing to Non-Twilight Fans?

Believe it or not, there is still a subset of moviegoers who have no interest in seeing anything Twilight -related. These audience members stayed strong in spite of societal pressure to see sequels New Moon and Eclipse , suffocating media coverage of its stars’ real-life romance and even the intriguing revelation that Pattinson will deliver a baby with his own teeth in a future installment. But can the strongest Twilight hater resist Bill Condon’s Breaking Dawn after seeing the sexy leaked photos of Bella and Edward consummating their illicit relationship, one thrust at a time?

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Could Leaked Sex Photos Suddenly Make Breaking Dawn More Appealing to Non-Twilight Fans?

Weekend Forecast: Will Hop Poop Jelly Beans of Victory All Over Source Code, Insidious, and King George VI?

Now that everyone’s seen the opening six minute sequence , Zack Snyder’s Sucker Punch is poised to empower its way to a box office comeback in its second week of release. Just kidding; April Fools came early this year! Oh, laughs . (Sadface, Sucker Punch .) There’s plenty more where that came from as we head into this week’s candy coated weekend forecast. Monday morning prediction: Cadbury eggs and jelly beans for everyone at Universal!

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Weekend Forecast: Will Hop Poop Jelly Beans of Victory All Over Source Code, Insidious, and King George VI?