Tag Archives: tells-the-story

‘Behind The Candelabra’: Soderbergh Bros Discuss Who’s ‘The Top’ In Liberace’s Bed

I’ve been sold on Steven Soderbergh’s Liberace movie   Behind The Candelabra   since the trailer for the HBO movie hit the web earlier this month. But if you need further convincing, the filmmaker drops some interesting details about the movie in a free-ranging discussion with his younger, gay brother Charley Soderbergh in Out magazine . Behind the Candelabra,  which premieres on HBO on May 26,  tells the story of the flamboyant pianist’s love affair with the much younger Scott Thorson.   Michael Douglas and Matt Damon play the star-crossed lovers, and the trailer, which I’ve posted below, makes the movie look like an over-the-top romp through the back pages of Las Vegas-style opulence. But it’s also reassuring to read Soderbergh tell his lookalike brother, who’s an Atlanta-based hair stylist, that Behind The Candelabra is not going to be an empty exercise in camp: ” I wanted the movie to be very generous to Lee and Scott. I took them seriously, and I took the relationship seriously. It was a real relationship that was derailed because of some very odd external forces, some of them social and some professional. But there was an extended period where they were fat and happy. And if Lee hadn’t worked in a business where he thought that was a problem, or being gay was a problem, I think there would have been a very different outcome. It’s compelling to watch the two of them together. It’s sort of a  Thelma & Louise  thing—they decide to jump off the cliff together. Another fascinating segment of the interview has the brothers Soderbergh discussing scenes from Behind The Candelabra in which Liberace and Thorson argue over porn and who will be “the top” and who will be “the bottom” in the bedroom. As Charley points out, the debates aren’t that different from ones he’s witnessed between straight couples. Out:  One of the most distinctive scenes, perhaps because it’s so rare to see it portrayed honestly in a movie, was the argument they have about who will be a top or a bottom. SS:  Whenever you’re in a sexual relationship that lasts long enough, at some point someone is going to hit on something that they want to do and the other person doesn’t want to do. That’s unfortunate, because it’s really hard to put that genie back in the bottle once it’s come out. If you’re lucky there’s some synchronicity that works out, and on the second Tuesday of every month, you get to do that. That’s absolutely a conversation straight couples have all the time. It doesn’t necessarily have the same significance, but oh, absolutely. CS:  I’ve been privy to conversations between a married male and female couple when one of them wants to try it and the other is balking. And the physical implications are the first thing they’re afraid of, and the social implications are the second thing. So we have two layers of fear. And I just stand there with a smile on my face, thinking,  I can’t wait to see how you work this out. SS:  It’s one of my favorite scenes in the film because it is so blunt and so funny. “Why am I the Lucy in this relationship?” CS:  “Because I’m the bandleader and have the nightclub act.” SS:   That’s [screenwriter] Richard [LaGravenese] really hitting one out of the park. But it is fascinating, because you have Scott saying, “I’m OK with  this , but I’m not OK with  that .” And Lee doesn’t understand, because to him it seems like hypocrisy. I find that really true to life, in the sense that our feelings about sexuality aren’t necessarily linear. Everybody’s got some dot on a line with 10 points on it, and one is out of sync or in the wrong order. It’s a very complex, powerful area of our lives, and it creates really fascinating emotions and delusions and omissions. And I thought,  What an interesting conversation, especially if Lee’s the one in the power position. CS:  Another part of that scene is, “I don’t know how you can watch that stuff,” referring to the porn on the TV. “How does he get it in his mouth?” I’ve talked to gay and straight couples who say, “I don’t know why you watch that stuff, it makes me feel unloved.” And the other one is like, “It’s no big deal!” The brothers also engage in a lively discussion of their childhood that includes a substantial discussion of the cult film, The 5,000 Fingers of Dr. T, which they watched every Christmas. It’s worth checking out. More on Behind The Candelabra :  WATCH:’ Behind The Candelabra’ Trailer — Will Movie Convey Liberace’s Cultural Impact? Follow Frank DiGiacomo on  Twitter. Follow Movieline on  Twitter. [ Out ]

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‘Behind The Candelabra’: Soderbergh Bros Discuss Who’s ‘The Top’ In Liberace’s Bed

Kate Winslet: Confirmed for Divergent!

Yup, an Oscar winner has been cast in Divergent . Following weeks of speculation it’s been confirmed that Kate Winslet will play a key role in the adaption of this wildly popular novel. She will come on board as Jeanine Matthews, the most powerful member of the Erudite faction and someone who pens articles to smear the Abnegation faction. Divergent tells the story of a teenager (Shailene Woodley) in the future, as she looks to break free from her homogeneous society, one that divides people based on human traits. She leaves her sect and joins its rival, where she falls for a young man played by the recently cast Theo James .

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Kate Winslet: Confirmed for Divergent!

Spring Breakers Review: Boobs, Beer, and the Party-Girl Ideal

Harmony Korine’s Spring Breakers is essentially a movie without a purpose. It’s a sensationalized film about sensationalism, and while it gets away with very little in the way of plot or character growth for much of the film, the ending seems to cast away any sense of obligation to make a grander point one way or the other about youth culture and depravity. Spring Breakers is shot like a music video. It’s cut like a music video. Its characters think they’re in a music video. Taking their cues from MTV, James Franco, Selena Gomez, Rachel Korine, Ashley Benson, and Vanessa Hudgens ’ characters spend no mental energy at all on anything but image. In one scene Franco, who wonderfully transforms into his subtly terrifying character “Alien,” actually gives the girls an MTV Cribs -style tour of all of his “sh*t,” bragging about his money, his guns, his Scarface DVD that plays on repeat, and even his collection of “shorts in every color” (pretty sweet right?). The film tells the story of four college girls – Selena Gomez ’s character being the least open to debauchery, based on a somewhat superficial adherence to Christianity – who want desperately to go on Spring Break and “see the world.” They do whatever it takes to get there, including stealing a car and robbing a restaurant’s patrons, all in the hopes of reaching some fetishized party-girl ideal. They long for the “image” of Spring Break. When it doesn’t pan out, they shove their messy experiences into that image, and wax delusional about how magical the world seems when you don’t have to deal with any of its problems. And when those problems do arise, the girls begin to drop out, heading home by bus, dejected and depressed, and out of the film forever. While Korine seems to have interesting ideas about what greed and childish egoism can lead a person to do, Spring Breakers is more of a collection of party-culture imagery than an exploration of that culture. The opening montage of beer being showered over bare breasts lets the audience know right away what they’re getting into (and for those who are interested: the bare breasts do keep coming). What Korine does best in Spring Breakers is make the audience anxious. From the off-putting “gun-cocking” sounds that accompany many of the cuts between scenes, to the frenetic camerawork, oddly-colored scenes, and reliance on repetition (Korine uses several takes of the same dialogue, looped one after the other, often set in different locations), Korine set out to make viewing Spring Breakers an uncomfortable experience. And when we as the audience finally have somebody speaking for us, when Gomez’s character gets as uncomfortable as we do with Alien and his cohorts, she disappears from the film almost instantly, leaving us feeling trapped in the discomfort. RATING: 2.5/5

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Spring Breakers Review: Boobs, Beer, and the Party-Girl Ideal

Still I Rise: Viola Davis Says Eff The Hollyweird BS And Vows “I’ll Never Play A Maid Again!”

We hear ya Vi, ain’t nobody got time for that! After defending The Help from accusations that the roles were setting Black people back half a century last year, Hollyweird actress Viola Davis is finally admitting she is rather tired of playing a downtrodden black soul! Via US Weekly reports : Viola Davis has been there, done that. The actress, who earned an Academy Award nomination for her role as a Southern maid in 2011′s The Help, says she has no intention of playing a domestic worker ever again. In her latest film, Beautiful Creatures, Davis plays a librarian named Amma. The character is a hybrid of two characters, a maid and librarian, who first appeared in the popular book series by authors Kami Garcia and Margaret Stohl. “I’m tired of that,” Davis, 47, tells CNN of playing a housekeeper. “Me and Octavia [Spencer], Aunjanue Ellis, Roslyn Ruff — we all played maids in The Help and it was fabulous. It’s a fabulous story because we were personalized and all of those things, but I think that people need to see an African American in the 21st century integrated in the life of this town and family who’s not in servitude.” Directed by Richard LaGravenese, Beautiful Creatures tells the story of an ordinary high school student, Ethan Wate, who falls in love with a potentially dangerous caster named Lena Duchannes. Davis praised newcomers Alden Ehrenreich and Alice Englert for bringing the characters to life on the big screen. “They weren’t thinking about, ‘Everything is resting on my shoulders, how are people going to receive the movie?’ That is not your job as an actor,” Davis tells CNN. “They were artists doing their job, in the moment, without vanity, with courage. And that’s what I respected about them, I really did. There’s no sense of stress in any of them. It was wonderful to watch.” Beautiful Creatures is in theaters Feb. 14. SMH. NOW she’s tired of playing a maid? She sure wasn’t talking this yang last year. Wonder what made her see the light? Oh yeah all the attention she got from playing a maid. Talk about irony. Do you think Viola will regret her vow if Hollywood comes to her with another blockbuster with lots of juicy maid parts? You can do it Viola. You is kind, you is smart, you is important!!!!

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Still I Rise: Viola Davis Says Eff The Hollyweird BS And Vows “I’ll Never Play A Maid Again!”

WATCH: ‘Sound City’ Trailer Offers Glimpse Of Dave Grohl’s Love Letter To Rock ‘N’ Roll’s Pre-Digital Era

Foo Fighters frontman and former Nirvana drummer Dave Grohl will make his directorial debut — and a smart tax write-off — at the Sundance Film Festival with the premiere of Sound City , a documentary about the legendary Van Nuys, California recording studio where Nirvana’s Nevermind , Neil Young’s After The Gold Rush and  Fleetwood Mac’s Rumours  were recorded among many influential classics . If you’re a Foo fan like me, or you saw Grohl’s controversial acceptance for Best Rock Performance at the 2012 Grammys, then you know the guy loves analog recording. As he said then, “It’s not about what goes on in a computer” that makes great rock ‘n’ roll but the “human element.” Well, he took a lot of crap for that speech, in part, because Foo Fighters’  Wasting Light album — which led to the Grammy — was recorded on all analog equipment but then went through a digital post-production process. But I have a feeling that Grohl will get his point across in Sound City , which tells the story of the funky studio with the magic vibe.  Sound City ceased to operate as a recording studio in 2011, but still houses sound stages. Grohl now owns the Neve 8028 analog recording console that was instrumental to its allure. I’m sure it helped him research the picture. Check out Tom Petty, Stevie Nicks  and all the other rock greats in the clip. Related Story: Dave Grohl’s Sound City Love Letter: Read What’s Behind the Rocker’s Directing Debut Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter. 

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WATCH: ‘Sound City’ Trailer Offers Glimpse Of Dave Grohl’s Love Letter To Rock ‘N’ Roll’s Pre-Digital Era

Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Quentin Tarantino has one of the most eagerly awaited films of 2012 and most audiences won’t get a first glimpse until Christmas, but that hasn’t stopped speculation that it may be an Oscar contender and may be one of the Pulp Fiction filmmaker’s best to date. Yet, Django Unchained may be the beginning of his filmmaking sunset, the director hinted. In an interview with Playboy , Tarantino said that he doesn’t want to be an “old-man filmmaker,” and saying flat-out that he wants to “stop at a certain point.” “Directors don’t get better as they get older. Usually the worst films in their filmography are those last four at the end. I am all about my filmography, and one bad film fucks up three good ones … When directors get out-of-date, it’s not pretty.” Tarantino, who has the big 5-0 staring him in the face said he wants to come out on a creative high-note, but he’s not quite sure when that end may come, though he seems to think he’s most of the way there. “I’m on a journey that needs to have an end and not be about me trying to get another job,” he said. “I want this artistic journey to have a climax. I want to work toward something. You stop when you stop, but in a fanciful world, 10 movies in my filmography would be nice. I’ve made seven. If I have a change of heart, if I come up with a new story, I could come back. But if I stop at 10, that would be okay as an artistic statement.” Beyond retirement, Tarantino gave some insight to his creative process and the use of an occasional (or maybe not-so-occasional) joint while tapping his creative juices. While he partakes, he said he’s completely grounded while in production. “I wouldn’t do anything impaired while making a movie,” he offered. “I don’t so much write high, but say you’re thinking about a musical sequence. You smoke a joint, you put on some music, you listen to it and you come up with some good ideas. …I don’t need pot to write, but it’s kind of cool.” Continuing, he added that he is apt to take liberties with history in order to give the audience an unexpected twist and to simply make stories his own: “You turn on a movie and know how things are going to go in most films. Every once in a while films don’t play by the rules. It’s liberating when you don’t know what’s happening next. …I thought, What about telling these kinds of stories my way – rough and tough but gratifying at the end?” Initially, Tarantino had sought out Will Smith as Django, the title lead in the film about a slave-turned bounty hunger who sets out to rescue his wife from a brutal plantation owner, but then momentum segued toward Jamie Foxx. “[Will and I] spent quite a few hours together over a weekend when he was in New York doing Men in Black 3 . …I think half the process was an excuse for us to hang out and spend time with one another. …It just wasn’t 100 percent right, and we didn’t have time to try to make it that way.” About Leonardo DiCaprio’s villain, Calvin Candie, Tarantino said that he despised the character, which is an about-face of sorts for the filmmaker who typically finds an affinity with his bad guys. “I hated Candie, and I normally like my villains no matter how bad they are. …what I’m always trying to do…is get you to kind of like these guys, despite on-screen evidence that you shouldn’t. Despite the things they do and say and despite their agenda. I also like making people laugh at fucked-up shit.” And should the filmmaker retire as he has hinted, might he settle down? Tarantino gives his take on a more domesticated – Quentin Tarantino: “If I had a wife, I would probably be more polite. She would make me write thank-you notes, which I won’t do on my own. I wouldn’t be such a caveman. If I want to live in Paris for a year, what the fuck? I can. I don’t have to arrange anything; I can just do it. If there is an actor or director I want to get obsessed with and study their films for the next 12 days, I can do that. The perfect person would be a Playmate who would enjoy that.” [ Source: Playboy ]

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Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Quentin Tarantino has one of the most eagerly awaited films of 2012 and most audiences won’t get a first glimpse until Christmas, but that hasn’t stopped speculation that it may be an Oscar contender and may be one of the Pulp Fiction filmmaker’s best to date. Yet, Django Unchained may be the beginning of his filmmaking sunset, the director hinted. In an interview with Playboy , Tarantino said that he doesn’t want to be an “old-man filmmaker,” and saying flat-out that he wants to “stop at a certain point.” “Directors don’t get better as they get older. Usually the worst films in their filmography are those last four at the end. I am all about my filmography, and one bad film fucks up three good ones … When directors get out-of-date, it’s not pretty.” Tarantino, who has the big 5-0 staring him in the face said he wants to come out on a creative high-note, but he’s not quite sure when that end may come, though he seems to think he’s most of the way there. “I’m on a journey that needs to have an end and not be about me trying to get another job,” he said. “I want this artistic journey to have a climax. I want to work toward something. You stop when you stop, but in a fanciful world, 10 movies in my filmography would be nice. I’ve made seven. If I have a change of heart, if I come up with a new story, I could come back. But if I stop at 10, that would be okay as an artistic statement.” Beyond retirement, Tarantino gave some insight to his creative process and the use of an occasional (or maybe not-so-occasional) joint while tapping his creative juices. While he partakes, he said he’s completely grounded while in production. “I wouldn’t do anything impaired while making a movie,” he offered. “I don’t so much write high, but say you’re thinking about a musical sequence. You smoke a joint, you put on some music, you listen to it and you come up with some good ideas. …I don’t need pot to write, but it’s kind of cool.” Continuing, he added that he is apt to take liberties with history in order to give the audience an unexpected twist and to simply make stories his own: “You turn on a movie and know how things are going to go in most films. Every once in a while films don’t play by the rules. It’s liberating when you don’t know what’s happening next. …I thought, What about telling these kinds of stories my way – rough and tough but gratifying at the end?” Initially, Tarantino had sought out Will Smith as Django, the title lead in the film about a slave-turned bounty hunger who sets out to rescue his wife from a brutal plantation owner, but then momentum segued toward Jamie Foxx. “[Will and I] spent quite a few hours together over a weekend when he was in New York doing Men in Black 3 . …I think half the process was an excuse for us to hang out and spend time with one another. …It just wasn’t 100 percent right, and we didn’t have time to try to make it that way.” About Leonardo DiCaprio’s villain, Calvin Candie, Tarantino said that he despised the character, which is an about-face of sorts for the filmmaker who typically finds an affinity with his bad guys. “I hated Candie, and I normally like my villains no matter how bad they are. …what I’m always trying to do…is get you to kind of like these guys, despite on-screen evidence that you shouldn’t. Despite the things they do and say and despite their agenda. I also like making people laugh at fucked-up shit.” And should the filmmaker retire as he has hinted, might he settle down? Tarantino gives his take on a more domesticated – Quentin Tarantino: “If I had a wife, I would probably be more polite. She would make me write thank-you notes, which I won’t do on my own. I wouldn’t be such a caveman. If I want to live in Paris for a year, what the fuck? I can. I don’t have to arrange anything; I can just do it. If there is an actor or director I want to get obsessed with and study their films for the next 12 days, I can do that. The perfect person would be a Playmate who would enjoy that.” [ Source: Playboy ]

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Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Harmony Korine’s ‘Spring Breakers’ Gets A Spring ’13 Release

The timing is perfect: Harmony Korine’s co-ed caper Spring Breakers , starring former tween queens Selena Gomez and Vanessa Hudgens, Ashley Benson, Rachel Korine, a RiFF RaFF-channeling James Franco , and all the VICE-ready skankster stars one film can hold, is set for a spring 2013 release via A24 and Annapurna Pictures. The tale of four bikini-clad college students bent on having the craziest spring break ever (under the guidance of Franco’s blinged-out rapper) debuted at the Venice Film Festival before making a splash in Toronto this fall. Per a press release, A24 and Annapurna, led by producer/indie dream-maker Megan Ellison, “plan a Spring 2013 release with heavy promotion around spring break.” In other news: Duh. SPRING BREAKERS tells the story of four sexy college girls as they plan to fund their spring break getaway by robbing a fast food joint. But that’s only the beginning… At a motel room rager, fun reaches its legal limit and the girls are arrested and taken to jail. Hungover and clad only in bikinis, the girls appear before a judge but are bailed out unexpectedly by Alien (James Franco), an infamous local thug and amateur rapper who takes them under his wing and leads them on the wildest Spring Break trip in history. `Rough on the outside but with a soft soul on the inside, Alien wins over the hearts and dreams of the young SpringBreakers, and leads them on a Spring Break they never could have imagined. Mark your calendars now for the “incredibly mainstream and wildly subversive” pic, which also stars Gucci Mane and the duo known as the ATL Twins. Parents, lock up your teenage daughters now. [ Deadline ]

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Harmony Korine’s ‘Spring Breakers’ Gets A Spring ’13 Release

Jared Leto’s ‘Artifact’ & ‘Beasts Of The Southern Wild’ Nominated For IFP Gotham Audience Award

Oscar hopeful Beasts of the Southern Wild and Artifact , actor Jared Leto ‘s documentary — he’s credited as Bartholomew Cubbins — about his band 30 Seconds to Mars, are among the five films that have made it to the final round of IFP’s Gotham Independent Film Audience Award contest. Beasts, which was directed by Benh Zeitlin , turns out to be the only non-documentary nominated: The other three contenders include Kirby Dick’s  Invisible War , about rape in the military;  Burn , Brenna Sanchez and Tom Putnam’s documentary about Detroit firefighters, and Jonathan Kalafer’s  Once in a Lullaby: The PS 22 Chorus Story ,  which tells the story of how the fifth-grade chorus at a Staten Island public school came to perform at the 2011 Oscars. The first round voting took place from October 18 – 31, during which 31 audience award-winning films from the top 50 US and Canadian film festivals were narrowed through online voting to the five films with the highest number of votes. Round two of voting will take place until Nov. 18, and the winner will be announced at the Gotham Awards in New York on Nov. 26.  Filmgoers can vote online for their favorite film . Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Jared Leto’s ‘Artifact’ & ‘Beasts Of The Southern Wild’ Nominated For IFP Gotham Audience Award

Jared Leto’s ‘Artifact’ & ‘Beasts Of The Southern Wild’ Nominated For IFP Gotham Audience Award

Oscar hopeful Beasts of the Southern Wild and Artifact , actor Jared Leto ‘s documentary — he’s credited as Bartholomew Cubbins — about his band 30 Seconds to Mars, are among the five films that have made it to the final round of IFP’s Gotham Independent Film Audience Award contest. Beasts, which was directed by Benh Zeitlin , turns out to be the only non-documentary nominated: The other three contenders include Kirby Dick’s  Invisible War , about rape in the military;  Burn , Brenna Sanchez and Tom Putnam’s documentary about Detroit firefighters, and Jonathan Kalafer’s  Once in a Lullaby: The PS 22 Chorus Story ,  which tells the story of how the fifth-grade chorus at a Staten Island public school came to perform at the 2011 Oscars. The first round voting took place from October 18 – 31, during which 31 audience award-winning films from the top 50 US and Canadian film festivals were narrowed through online voting to the five films with the highest number of votes. Round two of voting will take place until Nov. 18, and the winner will be announced at the Gotham Awards in New York on Nov. 26.  Filmgoers can vote online for their favorite film . Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Jared Leto’s ‘Artifact’ & ‘Beasts Of The Southern Wild’ Nominated For IFP Gotham Audience Award