Tag Archives: wachowskis

See Jurassic World’s Bryce Dallas Howard Get Tricera-topless!

Jurassic World is non-nude, but you can see all 3 Bs from Bryce Dallas Howard in 2006’s Manderlay . Power is back on the Starz! Network with a bouncy nude sex scene from Lela Loren , and the Wachowskis are bringing Sci-Fi skin to the Netflix original Sense8 .

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See Jurassic World’s Bryce Dallas Howard Get Tricera-topless!

Channing Tatum, Mila Kunis Go Sci-Fi in First ‘Jupiter Ascending’ Trailer: Watch Now

The Wachowskis lift the curtain on their secretive project, revealing a first look at their space-set saga. By Sophie Schillaci

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Channing Tatum, Mila Kunis Go Sci-Fi in First ‘Jupiter Ascending’ Trailer: Watch Now

Stephen King Tale Heads To Big Screen; Weekend Box Office Newcomers Tracking Weak: Biz Break

Also in Friday afternoon’s round-up of news briefs: The estate of author William Faulkner is suing over a quote used in Woody Allen ‘s Midnight in Paris ; Iranian dissident filmmaker Jafar Panahi wins a major peace prize; And a preview of the weekend’s Specialty Release newcomers. Box Office Weekend Looks Soft with Holdovers Set to Outpace Newcomers Cloud Atlas , and Silent Hill Revelation may not gross more than holdover Argo . Teen comedy Fun Size and surfing drama Chasing Mavericks are also tracking soft, THR reports . William Faulkner Estate Is Suing Over a Quote Used In Midnight in Paris The Faulkner estate is suing distributor Sony Pictures Classics for copyright infringement, commercial appropriation and for violating the Lanham Act. In Midnight in Paris Gil Pender, the disillusioned Hollywood screenwriter played by Owen Wilson, says, “the past is not dead. Actually, it’s not even past. You know who said that? Faulkner. And he was right. And I met him, too. I ran into him at a dinner party,” Deadline reports . Stephen King Tale Heads to the Big Screen King’s fantasy-horror Mercy is an adaptation of Stephen King’s short story Gramma . British actress Frances O’Connor will star in the project that Peter Cornwell will direct from a script by Matt Greenberg. The story concerns a mother with two young sons who come to discover their ailing grandmother is a witch, THR reports . Iranian Filmmaker/Dissident Jafar Panahi Wins 2012 Sakharov Prize for Freedom of Thought The European Parliament awarded the prize to Panahi and a dissident lawyer, Nasrin Sotoudeh in a “message of solidarity and recognition to a woman and a man who have not been bowed by fear and intimidation.” Panahi’s films are known for their humanist perspective on life in Iran, often focusing on the hardships of children, the poor and women. He won the Camera d’Or at the 1995 Cannes Film Festival, A.P. reports . Specialty Release Preview: The Loneliest Planet , Orchestra of Exiles , Pusher , The Zen of Bennett Two music-oriented documentaries are rolling out in this weekend’s Specialty arena. Tribeca Film Festival 2012 doc  The Zen of Bennett will begin a slow release with the focus on legendary Tony Bennett. Orchestra of Exiles heads to theaters trailing the Israeli Philharmonic to various cities along with the film about its WWII origins. Sundance Selects will bow Julia Loktev’s long-time-in-coming The Loneliest Planet ,, starring Gael García Bernal and Hani Furstenberg in a limited release. And Radius TWC will open its first pickup title Pusher in select cities, Deadline reports .

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Stephen King Tale Heads To Big Screen; Weekend Box Office Newcomers Tracking Weak: Biz Break

For Your Consideration: Go Against The Ninja With ’80s Martial Arts Discovery ‘Miami Connection’

Friends, let me tell you about a little movie called Miami Connection : One part ’80s rock ‘n’ roll musical, another part martial arts extravaganza, this forgotten gem made in 1987 by future Tae Kwon Do Grandmaster Y.K. Kim is the cult pic of the year. When else will you ever see a team of multicultural orphan BFF rock musicians-slash-college students take on biker ninjas and economically frustrated rival bands in totally ’80s suburban Florida, complete with insanely catchy original tunes AND a throwaway plot involving “stupid cocaine?” I’ll tell you when: Never. The goodly folks at Drafthouse Pictures unearthed Miami Connection by accident after blind-screening a print bought for $50 from the internet. Miami Connection isn’t just bad-great, it’s got a real heart at its core, and that heart beats to the rhythm of ditties like “Against the Ninja” (sample mid-song chant: “TAE KWON/TAE KWON — TAE KWON DO!”) and “Friends Forever” (sample lyric: “Friends for eternity, loyalty, honesty/We stick together through thick and thin”). Their band name? Dragon Sound. In the spirit of awards season and to celebrate next week’s theatrical re-release of Miami Connection — its original run consisted of a handful of theaters in Florida in 1987, accompanied by critical and commercial rejection — Drafthouse has created a series of For Your Consideration ads. Movieline is proud to exclusively present for your consideration, for Best Song (yes, maybe of all time), “Against the Ninja” co-written and sung by the film’s leading lady, Kathee Collier: Collier is unfortunately very tough to Google for a “Where Are They Now” update, but Kim and the rest of Dragon Sound made it to Austin, TX in September for Fantastic Fest . Suffice to say it’s possible Collier single-handedly kept the ’80s in hairspray, pumps, and white lace bodysuits. I only hope she’s out there somewhere humming along and relishing in her memories as anyone who’s seen Miami Connection will be for months. Miami Connection opens in select theaters starting on November 2. For a full list of cities & dates visit http://drafthousefilms.com/film/miami-connection. To request a screening in your city through Tugg, visit http://www.tugg.com/titles/miami-connection. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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For Your Consideration: Go Against The Ninja With ’80s Martial Arts Discovery ‘Miami Connection’

REVIEW: Ambitious ‘Cloud Atlas’ Is By Turns Glorious, Ridiculous and Moving

As is often the peril with movies of giant ambition,  Cloud Atlas walks a crooked line between the glorious and the ridiculous, its reach unencumbered by sensible decisions or restraint. Adapted with reasonable faithfulness from a novel of equally epic sweep by British author David Mitchell, the film spans eras and genres, intertwining tales of men at sea in the 1850s with a 1970s conspiracy-based mystery with a dystopian future Seoul. Through these settings and the characters that populate them, the movie highlights themes of reincarnation and of the warring nature of mankind as empathetic and self-sacrificing versus competitive and brutal. Directed by Tom Tykwer and Lana and Andy Wachowski , Cloud Atlas  matches the scope of its settings and its motifs with an equally bold filmmaking choice: it reuses its actors in different roles in the different story threads, recasting them with the help of make-up and prosthetics across ethnicities and sometimes genders. Halle Berry   plays the Jewish wife of a 1930s Belgian composer in one storyline and an African-American journalist in San Francisco in another. Hugo Weaving plays a female nurse working in a modern British old age home and an incarnation of the devil in a distant future version of Hawaii. Tom Hanks is a duplicitous 19th century doctor picked up in the Chatham Islands and the thuggish Cockney author of a popular novel in the present day. It’s a wild choice that underscores the film’s suggestion of the transmutation of souls. As the main character — who’s marked by a comet-shaped birthmark and played by various actors — makes his/her way through the eons and different lives, the recurrence of performers provides a visual reminder of this theme, tying together narratives that are wildly diverse in tone and content. It’s also a technique that provokes some unavoidable amusement. Despite the quality of the production, there’s only so much that can be done to plausibly turn Korean star Bae Doona into a freckled white aristocrat, Ben Whishaw into a blonde woman or Jim Sturgess into an Asian rebel leader. And yet, there’s something fiercely admirable about the film’s dedication to this particular type of color-blind casting, even when it fails. (Well, almost color-blind — the black characters are all played by black actors.) Its hero, after all, is a soul, so why stand on ceremony about the malleable bodies in which it, and others, are housed? That protagonist starts off, in the earliest story, as a villain — Dr. Henry Goose (Hanks), who treats the naive Adam Ewing (Sturgess) on their trip to San Francisco by ship in the mid-1800s with a medicine that is quite deliberately making him worse. He is reborn, in the ear between World Wars, as Robert Frobisher (Whishaw), an English composer whose love affair with another man gets him disinherited, he leads to him working for an established talent named Vyvyan Ayrs (Jim Broadbent) who’s not as benign an employer as Frobisher would like. In the 1970s, he’s become a she — Luisa Rey (Berry), a Californian journalist whose investigation into a nuclear plant cover-up lands her in danger. In 2012, she’s Timothy Cavendish (Broadbent), an aging publisher who gets both lucky and unlucky with a hit book and who finds himself committed to a militant nursing home from which he’d like to escape. In New Seoul in the near future, he’s become Sonmi-451 (Bae), a cloned waitress at a chain restaurant who experiences an awakening from the conscripted life that labor “fabricants” are intended to have. And in the far-flung reaches of the film’s timeline, she’s become Zachry (Hanks), one of a small community of peaceful villagers living in Hawaii after the collapse of civilization and trying to avoid the savage cannibalistic faction the remaining humans on the island have become. These stories connect within each other and, unlike the nesting doll structure of Mitchell’s novel, they’re intercut. The film stays with one story for long minutes or dips into another for a brief glimpse. Every thread is, in essence, about the powerful oppressing the powerless and what it takes to put oneself at risk to help others, whether it be an escaped slave stowaway or a manufactured corporate server. Despite the showiness of the structure, it’s the films smaller moments that leap out as emotionally wrenching: an encounter with an old love at the top of a cathedral, a man carrying his sick friend out to sit in the sun, a rallying cry at a pub. Cloud Atlas strives continually for transcendence and only sometimes grasps it, but the sincerity with which it pursues the emotion and the very idea of the reverberating impact selfless actions can have is quite moving. It’s rare, these days, to see a movie declare its aims for greatness so openly and without a leaden sense of self-importance. And though the film doesn’t achieve all of its goals, it does offer an indelibly powerful vision of a throughline from the past to today and on through the end of things, that expresses faith in the ability of people to overcome animalism. It’s spiritual but entirely humanistic, and salvation, when it comes, arrives from within or from other people — an outrageous, silly and beautiful ode to the better nature of mankind. Follow Alison Willmore on Twitter. Follow Movieline on Twitter.

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REVIEW: Ambitious ‘Cloud Atlas’ Is By Turns Glorious, Ridiculous and Moving

Press-Shy Wachowski Siblings Go Public For ‘Cloud Atlas’ And LGBT Cause

Despite their enormous successes, the Wachowskis are known for being among the more press-shy filmmakers in Hollywood. But for their latest opus, the sprawling, soul-stirring Cloud Atlas (co-directed with Tom Tykwer), the duo have blazed a trail talking up their ambitious passion project — partly, as Lana Wachowski explains, because of the film’s deeply personal connection to her own recent transformation. The film, adapted from David Mitchell’s novel, tells six interconnected nested stories across the span of hundreds of years, following the same souls evolving through multiple lifetimes. The cast, including Tom Hanks , Halle Berry , Jim Sturgess , Jim Broadbent, Ben Whishaw , James D’Arcy, Hugh Grant, Hugo Weaving, and Doona Bae, play multiple parts often under make-up and prosthetics in the gender- and race-bending ensemble. [ GALLERY: First images from sci-fi opus Cloud Atlas ] Lana Wachowski, a bubbly and luminous presence on the Cloud Atlas press tour with her bright pink dreads and beaming smile, spoke of the privacy she and brother Andy fought for years to protect — and why it was important to trade that veil now, with the world watching. “Anonymity enables you to inhabit civic space, and that way of being in the world is very important to us,” said Lana over the weekend in Beverly Hills. “We like the access that anonymity gives you to the world. As soon as you give it up, you give up a part of your human experience, your humanity.” The decision to peel back the curtain for the first time in 13 years was a tough one, but co-director Tykwer’s experience with press was encouraging and Lana’s opportunity to raise awareness for and give voice to the LGBT experience compelled the Wachowskis to submit to interviews and appearances for their $100 million indie film (which incredibly enough given their past work on the game-changing Matrix series, is their most ambitious and challenging project to date). “When I was a kid one of the reasons that I was depressed about my life and my situation was that there weren’t people like me — there weren’t transgendered people in Hollywood,” Lana offered. “I didn’t even know a writer that was transgendered. There was this feeling that because I was the way I was I would not be able to do something that I imagined that I wanted to do. It would be closed to me, it would be denied me just because of who I was.” “By being more public I, perhaps, am fulfilling a role in my own life in terms of a sort of Cloud Atlas ian consequence, a past life and future life,” she continued. “In a way, I am a future life for that younger part of me looking for someone like me, a role model like me. And if I can suggest to younger people or other LGBT people that it is possible to be in Hollywood and be trangender or is possible to be a writer and be transgender and that gives them hope or lets them shed fear about being who they are, then it’s worth it to sit down with [journalists].” Added Andy: “It’s worth it for me to give up my anonymity as well for that young Lana out there as well. Solidarity to all of our LGBT brothers and sisters out there.” Cloud Atlas hits theaters October 26. Read more on the film here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Press-Shy Wachowski Siblings Go Public For ‘Cloud Atlas’ And LGBT Cause

Ambitious Cloud Atlas and Lana Wachowski Debut With First Trailer and Images

October’s Cloud Atlas is as dense and ambitious as it sounds from what I hear, and the newly unveiled five-minute trailer is almost as confounding as it is beautiful to look at. But regardless of how vaguely The Fountain -ish the nested story feels — jumping through time and various incarnations of cast mates (including Tom Hanks, Halle Berry, and Jim Sturgess) as they repeat life in six different eras from the 19th century Pacific to the post-apocalyptic future — the trio of directors at the helm, including Lana Wachowski in her first post-Larry feature credit, should make things very interesting. Fittingly, Cloud Atlas explores themes like rebirth and transformation, so in a way the adaptation of David Mitchell’s award-winning novel feels like a perfect project for Lana’s debut. (She directs alongside brother Andy and Tom Tykwer.) One of the storylines involves a seafarer, a futuristic clone, and another Tom Hanks in the wild; all of them, and all of us, are connected, according to the trailer. But Tykwer and the Wachowskis know theirs is a tough movie to sell, so they put together an adorable director’s commentary to introduce their trailer: “I think it started as a joke,” the trio begin, finishing each others’ sentences. “‘Why don’t we make a movie together?’ But it became this ongoing fantasy. It had to be something we’d never seen before, but it had to remind us of the kind of movies we watched over and over, the kind of movies that made us want to watch movies. Big screen movies! Massive in scope! But relevant to a normal life, to human beings. It would have drama and comedy. Romance! But it had to be political, philosophical. Lots of action, set in the past and the future, every genre.” Verdict: Iiiiinteresting . Still a tough sell for most audiences, but interesting … gorgeous imagery, a somewhat unwieldy trailer, but Lana and Tom and Andy won me over with their giggly enthusiasm. Meanwhile, new images from the film have debuted, showing more of the cast and their divergent (but connected, somehow) stories. Click on the image below for more and leave your impressions below.

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Ambitious Cloud Atlas and Lana Wachowski Debut With First Trailer and Images

Channing Tatum, Serious Actor: The Outlook For America’s Most Ambitious Beefcake

He may look like an impossibly chiseled slab of flesh – and, well, he is – but this past weekend Channing Tatum proved to America (and that foreign country called Hollywood) that he is capable of much more. With Magic Mike wildly overperforming at the box office to the tune of $39 million, it’s time to acknowledge that this one-time piece of eye-meat has opened the door to a new chapter in his career. It’s widely known that it was Tatum who approached auteur Steven Soderbergh with the idea for Magic Mike , as the film was inspired by Tatum’s own experiences as a male stripper when he was 18. For as long as he’s been entertaining audiences, Tatum has been seen primarily as nothing more than an object, but his aspirations are clearly to have a career that involves some brains, too. Below, we take a look at where one of the most buzzworthy actors in the world is headed, by way of his upcoming films. The Bitter Pill Tatum will appear opposite Rooney Mara in his next feature, which is apparently Soderbergh’s penultimate flick. The film stars Mara as a woman caught in a love triangle between her husband (Tatum), who has recently gotten out of prison, and her doctor, played by Jude Law. Catherine Zeta-Jones and Vinessa Shaw round out the cast. The film is billed as a “psychopharmacological thriller,” so whatever that means, expect a dark, gritty, intellectual tone, somewhere between Soderbergh’s last two pics: Contagion and Haywire (which also featured Tatum). This is clearly a film that should enable Tatum to show off some acting chops once again, and going up against a natural talent like Mara is sure to bring out the best in him. G.I. Joe: Retaliation Well, the guy’s got to put bread on the table, too. The last G.I. Joe film was woefully received by critics, but it made $300 million worldwide, enough to cover its $175 million budget (although with P&A expenditures and how revenue is divided, it’s unlikely Paramount made real money on it). In any event, this is the side of Tatum we’ve come to expect to see – but how much longer he’ll work these roles remains in question. Clinging on to action films for as long as possible is certainly a plausible route, but as the careers of co-star Bruce Willis or, say, Harrison Ford indicate, it’s not always the wisest one. Foxcatcher This is a great example of the type of highbrow fare Tatum has had trouble breaking into (until now). A long-gestating project for Moneyball helmer Bennett Miller, Foxcatcher is based on the true story of an eccentric, schizophrenic millionaire who would up building an enormous wrestling facility on his property – and then killing a US Olympic team wrestler. Mark Ruffalo will play the wrestler, Tatum will play his brother, and Steve Carrell has been cast as the schizophrenic. It’s obviously not the lead role, but visibility in a project like this – which could even be up for awards consideration – is a step in the right direction for Tatum’s serious side. White House Down This, like G.I. Joe , is basically standard genre fare, albeit with a little more prestige: Tatum will play a Secret Service agent tasked with protecting the President (rumor has it Jamie Foxx will play the commander-in-chief) from an imminent terrorist threat. Maggie Gyllenhaal is also on board. The film will be going head-to-head next year with a similarly themed project titled Olympus Has Fallen , starring Gerard Butler. (Now that’s a guy who needs a career makeover!) Jupiter Ascending The Wachowskis’ follow-up to the hotly anticipated Cloud Atlas adaptation will be an original film whose concept makes Cloud Atlas seem simplistic. (If you haven’t read Cloud Atlas , get thee to a bookstore!) The idea, in a nutshell, is that the film takes place in a world where DNA is the most highly prized commodity, and different strains of DNA enable humans to achieve different goals. One woman (Mila Kunis) has a perfect genetic code – too perfect! – and so bounty hunter Channing Tatum is dispatched to, well, dispatch of her. Unfortunately for the powers that be, they fall in love. Whether they succeed or fail, the Wachowskis always aim big, and this film has the potential to be a huge crowd-pleaser in the realm of Blade Runner or, of course, The Matrix . Lego: The Piece of Resistance Tatum will voice Superman in this animated film from Phil Lord and Chris Miller , who directed him in 21 Jump Street , another recent profile-booster that showcased Tatum’s talents. Tatum hasn’t done an animated film yet, so this is a smart expansion of what he’s capable of from a business standpoint, as well as with regard to his personal brand; being able to appeal to kids helps soften him out from getting typecast as the guy in the action movies. Plus: It’s Channing Tatum as Superman – LEGO Superman, but still. The Contortionist’s Handbook This adaptation of a 2002 novel has been in development since 2010, but Tatum (who is also a co-producer) is still looking to get it made. Tatum would star as a forger and con artist who is constantly creating new identities in order to evade the law. There’s no director attached, so it’s tough to say which direction the adaptation might head in, but the novel was released to acclaim upon publication, and it sounds like it might turn into a passion project for Tatum. Cast your own predictions for Channing Tatum’s post- Magic Mike output below. Zachary Wigon is a writer based in New York. His work has appeared in the New York Press , NYLON , and Filmmaker Magazine , among many other outlets. He tweets @zachwigon .

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Channing Tatum, Serious Actor: The Outlook For America’s Most Ambitious Beefcake

The Best At What They Do: 5 Directors To Replace Darren Aronofsky In The Wolverine

Since Darren Aronofsky recently decided to vacate the director’s chair of The Wolverine (presumably to tend to his fabled scarf collection ), there hasn’t been too much buzz as to who might replace him at the helm of the mutant -prequel sequel reboot -whatever it is. Because we here at Movieline are nothing if not servicey, allow me to offer up five suggestions as to who might take over America’s favorite Canadian mutant as he travels to Japan, fights ninjas and falls in love with the daughter of Yakuza crimeboss.

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The Best At What They Do: 5 Directors To Replace Darren Aronofsky In The Wolverine