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Child Tells Cops Before Father Is Arrested For Human Trafficking, “Those Are My Daddy’s Hoes”

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Robert Burton of Miami was sentenced yesterday for to 15 years in prison for human trafficking. He beat and strangled a woman he forced into…

Child Tells Cops Before Father Is Arrested For Human Trafficking, “Those Are My Daddy’s Hoes”

Jovan Belcher 911 Call: Released, Horrifying

The frantic 911 call placed by Jovan Belcher’s mother after the NFL player’s girlfriend was shot Saturday has been released, and is not for the faint of heart. Belcher’s mother begged her son’s dying girlfriend, Kasandra Perkins, to stay alive while pleading for an ambulance shortly after the athlete shot her. Jovan Belcher 911 Call “She’s still breathing but please hurry,” a distraught Cheryl Shepherd says on the recording of her 911 call with Kansas City emergency dispatchers. “I don’t know how he (inaudible), they were arguing, please hurry.” She also is heard encouraging Kasandra Perkins to stay alive. “Stay with me, the ambulance is on the way. Stay with me Kasandra, stay with me,” Shepherd yells, adding that the bleeding Perkins is “just barely” awake. When a dispatcher asked about Belcher, Shepherd says only: “He left.” When police arrived at the couple’s home at about 7:50 a.m., they found Perkins’ body on the floor of the master bathroom with multiple gunshot wounds. The Kansas City Chiefs linebacker, 25, had murdered Perkins, 22, at their home, then drove to Arrowhead Stadium and shot himself in the head. He and Perkins have a three-month-old child. Jovan Belcher ‘s suicide took place in front of Chiefs general manager Scott Pioli and Coach Romeo Crennel. The tragedy has set off widespread debate – and even a strong Bob Costas gun control statement – and turned the NFL world on its head for the past week. Our hearts go out to Cheryl and her grandchild.

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Jovan Belcher 911 Call: Released, Horrifying

Bigfoot DNA Test Proves Creature is Totally Real … Maybe

Bigfoot is totally real. At least that’s what veterinarian Melba S. Ketchum claims after a five-year study of more than 100 DNA samples that she believes comes from the elusive hairy beast. Under Ketchum’s direction at DNA Diagnostics in Nacogdoches, Texas, a team of researchers has concluded that the creature may be a human relative. One that somehow developed around 15,000 years ago as a result of a hybrid cross between Homo sapiens (modern humans) and an unknown primate. While many people have claimed to have seen the creature over the years, its existence has never been confirmed, despite a plethora of photos and footprints. The ongoing search is the subject of Animal Planet’s “Finding Bigfoot” TV series. “Well, it came to me, I didn’t go after it, that’s for sure,” Ketchum said of the evidence of Bigfoot’s existence in an exclusive interview with The Huffington Post . “I did not believe in it. But my lab did a lot of animal testing, and we did species identification. We didn’t have any hits on anything interesting until five years ago.” Ketchum’s professional work includes nearly 30 years in genetics research and forensics, and has yet to pass the scrutiny of independent researchers. After her team attempted DNA sequencing of hair samples from an alleged Bigfoot encounter, however, they say they found some unusual things in the hair. There wasn’t enough DNA to conclusively verify what they were seeing in the material, but DNA Diagnostics later received more samples to investigate. Those included hair, blood, saliva and urine, all reportedly from Bigfoot sightings. Ketchum’s team believes that over the past five years, the team has successfully found three Sasquatch nuclear genomes – an organism’s hereditary code. That, they believe, proves that the animal is real and a human hybrid. Ketchum’s study showed that part of the DNA her team sequenced revealed an unknown primate species, she said, which suggests that Bigfoot is a real creature. “They’re not any of the large apes – they are a separate lineage,” Ketchum said. “My personal theory is that it probably branched off and evolved in parallel with the rest of the primate lineage.” Bigfoot, she says, is a being “crossing with female Homo sapiens.” But skeptic Benjamin Radford told Live Science is not convinced. The scientist raised doubts about the outcome of this latest attempt to give credibility to Bigfoot . “If the data are good and the science is sound, any reputable science journal would jump at the chance to be the first to publish this groundbreaking information,” Radford said. Radford, in critiquing the findings, suggests that if the mitochondrial DNA is identical to Homo sapiens (modern humans), it could mean one of two things: “The first, endorsed by Ketchum, is that Bigfoot ancestors had sex with women about 15,000 years ago and created a half-human hybrid species currently hiding across North America.” “There is, however, another, simpler interpretation of such results: The samples were contaminated.” “Whatever the sample originally was – Bigfoot, bear, human or something else – it’s possible that the people who collected and handled the specimens accidentally introduced their DNA into the sample, which can easily occur with something as innocent as a spit, sneeze or cough.” Not so, counters Ketchum. “Early on, we started getting human results on the mitochondrial DNA – that’s maternally inherited and it can show where you’re from,” Ketchum said. “Different labs had already tested alleged Sasquatch samples in the past, and all of these labs were getting human results, so they just threw it out.” “We split the samples with another forensic lab – one worked on it manually while the other did it robotically, extracting the DNA – and we ran several tests.” “That confirmed there was no contamination. And we ended up getting human sequences on many samples.” Bigfoot: Real or fake?   Real! Fake! View Poll »

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Bigfoot DNA Test Proves Creature is Totally Real … Maybe

Reading Rainbow Remix: LeVar Burton Auto-Tuned!

PBS has released a remixed Reading Rainbow video montage, and it’s as awesome as it sounds. The show, starring LeVar Burton, aired for 30 years and is still teaching kids each year how to read, through reruns and a 2012 digital re-launch as an iPad app. Host and producer Burton picked a different theme each week – maps, inventions, etc. – and go from there. The hip Reading Rainbow remix pays homage to him: Reading Rainbow Remix The latest in a series of remixed PBS icons was produced by Symphony of Science’s John D. Boswell (a.k.a., melodysheep) for the PBS Digital Studios YouTube channel. Earlier this year, they produced a similarly unreal Mister Rogers remix .

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Reading Rainbow Remix: LeVar Burton Auto-Tuned!

2013 Oscar Predictions: Oscar Index Evaluates The Best Director Race

You’re done gorging on turkey, which means only one thing: ‘Tis the season to be stuffed with Oscar punditry. Movieline ‘s Institute For the Advanced Study of Kudos Forensics has awoken from its L-Tryptophan slumber to provide you with our latest Oscar Index , which evaluates the contenders for Best Director. The latest Index on Best Picture can be found here , and over the course of the long weekend, we’ll be weighing in on the Best Actor, Actress and Support Actor and Actress races. How The Oscar Index Works With each award category that we track, we’ll present four different rankings. Movieline Executive Editor Jen Yamato , Managing Editor Brian Brooks and myself will each provide our personal weekly rankings of the movies and actors in the running, and then those results will be weighted and averaged to determine an official Movieline ranking for each category. Let’s begin: Best Director In terms of perception, the Best Director category has been fairly static for a while now, but that should change next week as Les Misérables   and Zero Dark Thirty   screen for critics and reaction to them begins to flow through the blogosphere. Up to this point, the strong standings of the directors of those films, respectively, Tom Hooper and Kathryn Bigelow , has been almost pure buzz, so their positions could rise or fall sharply once actual scenes and performances can be scrutinized. Until then, Steven Spielberg remains the auteur to beat despite Lincoln ‘s  at-times sloggy pace, and Ben Affleck is holding strong as his Argo continues to do well at the box office and on the word-of-mouth exchange.  The Master director Paul Thomas Anderson could use a Harvey Weinstein-style reheating,  and Ang Lee may need a different kind of PR campaign after he annoyed critics, including Movieline’s Alison Willmore  and the New York Times’ A.O. Scott ,, by undercutting the often-breathtaking visual narrative of Life of Pi with a cliched journalist-interviews-story-subject framing device. That could result in Lee falling in favor harder than the zebra hits the lifeboat in his film. Frank DiGiacomo’s Picks Jen Yamato’s Picks Brian Brooks’ Picks 1.  Steven Spielberg  1.  Tom Hooper  1. Steven Spielberg 2.  David O. Russell  2.  Steven Spielberg  2. Ben Affleck 3.  Kathryn Bigelow  3.  Ben Affleck  3. Ang Lee 4.  Ben Affleck  4.  Kathryn Bigelow  4. Michael Hanecke 5.  Tom Hooper  5.  David O. Russell  5. Benh Zeitlin And the leaders are… Movieline’s Top 5 Best Director Contenders: 1. Steven Spielberg ( Lincoln ) 2. Ben Affleck ( Argo ) 3. Tom Hooper ( Les Misérables) 4. Ang Lee ( Life of Pi ) 5. David O. Russell ( Silver Linings Playbook ) Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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2013 Oscar Predictions: Oscar Index Evaluates The Best Director Race

REVIEW: After All That Turkey, ‘Liz & Dick’ Serves A Heaping Helping Of Lindsay Lo-Ham

Given the off-the-charts camp factor in the tantalizing prospect of Lindsay Lohan  playing Elizabeth Taylor , Lifetime might prize descriptions of Liz & Dick as “trashy” or “awful.” So the network might harbor mixed emotions in reading that the movie about Taylor and her tumultuous romance with Richard Burton is actually pretty good, all things considered, despite an inevitably episodic nature and one glaringly unnecessary device. Such fact-based TV movies are rare these days, but this post-Thanksgiving telecast is just hammy enough to generate numbers rivaling the hordes of paparazzi that dogged the not-always-happy couple. The movie’s secret weapon, it turns out, isn’t Lohan at all, but rather New Zealander Grant Bowler (barely recognizable from a small part on True Blood ) as the dashing, often-drunken Burton, who classes up the movie in much the way Burton’s classically trained Shakespearean actor played off Taylor’s lifelong movie star. Directed by Lloyd Kramer from a script by Christopher Monger, the narrative is framed, somewhat unfortunately, by having the two speak directly to the camera against a stark black backdrop, in what approximates a kind of posthumous interview about their relationship. While it offers another means of getting inside their heads, it has a certain beyond-the-grave quality — exalting their epic love, yes, but feeling too much like something from one of the Mitch Albom movies Kramer helmed. “I fell for you the moment I saw you,” Burton tells her (and Bowler has the rich Welsh baritone down pat), one of several lines of dialogue — including “My heart is broken, and you have the smashed pieces” — seemingly calibrated to appeal both to those willing to embrace the romance and those eager to approach the movie like a screwball comedy. The first 30 minutes or so are devoted, appropriately, to the beginning of their torrid affair on the set of Cleopatra , where the two go a bit too quickly from squabbling to screwing, essentially under the noses of their respective spouses. In this case, the adage, “If the trailer’s rocking, don’t come knocking,” more than applies. After that, Liz and Dick engage in epic fights, spend money like drunken sailors, take refuge from the prying press by living on a yacht, and struggle through Burton’s bouts of melancholy over failing to win Oscars, including when she earned her second for Who’s Afraid of Virginia Woolf   while he was overlooked. OK, so there’s plenty of fun to be manufactured watching the movie — and even drinking games, like taking a swig every time a doctor or associate delivers bad news. Still, Bowler is quite good as Burton, and Lohan certainly is adequate, barring a few awkward moments, thanks largely to the fabulous frocks and makeup (courtesy of Salvador Perez and Eryn Krueger Mekash, respectively) she gets to model. Moreover, there is something strangely fascinating about a couple so madly hot for each other as to be unable to find equilibrium or peace, as well as how the Taylor-Burton pairing helped pave the way for a more aggressive (and intrusive) breed of celebrity journalism. The movie also benefits from the revelation about Taylor saving Burton’s love letters long after his death, which came more than a quarter-century before hers. In a sense, the producers shrewdly used Lohan — no stranger to the tabloids herself — as a publicity multiplier, but they needn’t have worried. Because while Liz & Dick is wobbly at times, the movie ultimately stands on its own. RELATED: Liz-aster! 5 Critics Damn Lindsay Lohan’s performance in ‘Liz & Dick’ − With Faint Praise And Sheer Scorn Follow Movieline on Twitter.  

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REVIEW: After All That Turkey, ‘Liz & Dick’ Serves A Heaping Helping Of Lindsay Lo-Ham

Uma Thurman Joins Lars Von Trier’s Nymphomaniac; Bernardo Bertolucci Heads To AFI Fest: Biz Break

Also in Wednesday morning’s round-up of news briefs: IDFA, the world’s biggest documentary film festival picks its opening feature. Tim Burton and Helena Bonham Carter are set for London Film Festival honors. Wes Anderson adds to his next project. And Ryan Reynolds eyes a psychological thriller. AFI Fest Taps Bernardo Bertolucci as Guest Artistic Director The Oscar-winning Italian director and screenwriter has selected four features for his special sidebar program at the festival including 42nd Street (DIR Lloyd Bacon), La Regle du Jeu (DIR Jean Renoir), Sunrise (DIR F.W. Murnau) and Vivre Ca Vie (DIR Jean-Luc Godard). In addition, the festival will present Electric Chair , a behind-the-scenes film about the making of Bertolucci’s new movie, Me and You . Bertolucci has written and directed over 25 films, including The Last Emperor and Last Tango in Paris . The 2012 AFI Fest takes place November 1 – 8 in Los Angeles. Wrong Time Wrong Place to Open 25th International Documentary Film Festival Amsterdam The film is described by the world’s biggest documentary festival as “an essay on the insignificance of life and the role played by chance.” The non-fiction feature directed by John Appel revolves around the events of July 22nd, 2011 in Norway, when 77 people were killed in the bomb attacks in Oslo and the shootings on the island of Utoya. IDFA will take place November 14 – 25 in Amsterdam, The Netherlands. Tim Burton and Helena Bonham Carter to Receive London Film Festival Honors Burton and Bonham Carter will receive the British Film Institute’s highest honor, the BFI Fellowship at the 56th BFI London Film Festival, which opens October 20th, which will open with Burton’s Frankenweenie . Around the ‘net… Uma Thurman Joins Lars von Trier’s Nymphomaniac Thurman has joined the cast in the controversial Danish director’s erotic drama in a role that is unclear. Nymphomaniac stars Charlotte Gainsbourg, Stellan Skarsgard, Shia LaBeouf, Jamie Bell, Stacy Martin, Connie Nielsen and Christian Slater. The film will be released in both soft and hard core versions in 2013, THR reports . Ralph Fiennes to Star in Wes Anderson’s Grand Budapest Hotel The film is Wes Anderson’s follow-up to his successful Moonrise Kingdom . The project also stars Bill Murray, Jude Law and Owen Wilson, Deadline reports . Ryan Reynolds Eyes The Voices Reynolds is in early talks with Mandalay Vision and Vertigo Entertainment to star in the psychological thriller that will be directed by Marjane Satrapi from a script by Paranormal Activity ‘s Michael R. Perry. His possible role revolves around a strange bathtub factory worker who longs for the attention of a co-worker. Their relationship takes a sudden murderous twist, but his evil speaking cat and benevolent talking dog lead him to salvation, Deadline reports .

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Uma Thurman Joins Lars Von Trier’s Nymphomaniac; Bernardo Bertolucci Heads To AFI Fest: Biz Break

Frankenweenie Trailer Resurrects Tim Burton’s Short Film

They say it is good to get a child a pet because its mortality will acclimate the youngster to the concept of death. Clearly Tim Burton never saw it that way. Frankenweenie , the much beloved cult short that, ostensibly, got him fired from Disney in the 1980s, is back with a feature length 3D IMAX release from Disney this autumn. Yeah, there had to’ve been a li’l victory dance at Chez Burton on that one. The studio’s marketing is revving up in earnest, announcing a Comic-Con panel and its world premiere at Austin’s genre-friendly Fantastic Fest’s opening night on September 20th. The trailer offers two-and-a-half minutes of the expected Edward Gorey-by-way-of Brooklyn Renegade Craft Fair that, as I’m sure you are well aware, has no small share of its fans. One of the more interesting things about the upcoming film will be doing a compare and contrast on the voice talent versus the short. Shelly Duvall is now Catherine O’Hara? But I love them both! Daniel Stern switched for Martin Short? Don’t make me choose! The great Paul Bartel was a voice in the original, but, alas, his death in 2000 makes it impossible for him to join this time. Unless… is there a way, you think, to resurrect idiosyncratic character actors? The film, of course, looks terrific, though I’m curious to see if the Burton schtick is enough to get kids – normal kids – to overcome their natural disinclination for black & white. With the financial windfall Burton handed Disney with Alice in Wonderland (as Warner Bros. scratches its head over Dark Shadows ) and the licensing juggernaut that is The Nightmare Before Christmas , I’m sure they were more than happy to throw the director a bone (zing!) on what was, I’m surmising, a not terribly expensive production. Either way, Frankenweenie looks like the only movie on the horizon that will be appropriate to watch while both in your jammies and drinking absinthe.

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Frankenweenie Trailer Resurrects Tim Burton’s Short Film

Tim Burton’s Frankenweenie Heads for Traveling Exhibit

Tim Burton’s Frankenweenie may have to wait until early October before it hits screens, but movie fans will have a chance to get an early look at images from the stop-motion animated feature during an exhibition tour beginning next week in Barcelona, Spain that continues on to seven countries including the U.S. Frankenweenie revolves around a boy and his dog, Sparky. After his dog is lost unexpectedly, he conducts a science experiment to bring him back to life, but then faces monstrous consequences. The exhibition, which will feature original sketches drawn by Burton in addition to displays of props, pets and puppets, will head to the U.S. in time for Comic-Con in San Diego (July 11 – 15). Other countries on tap for the Frankenweenie show include France, England, Japan, Mexico and Canada, courtesy of Walt Disney Studios which will release the film in the fall. Martin Landau, Martin Short, Robert Capron, Winona Ryder and Conchata Ferrell star in the film directed by Burton who co-wrote with John August. This is not the first time Tim Burton’s creations have made “live appearances” outside the theater for the public. In 2009 the filmmaker had a major retrospective of his creations ranging from Edward Scissorhands to Sweeney Todd , among others, that included hundreds of paintings, drawings, storyboards, puppets and other work surveying his over one-dozen films. The popular exhibit opened at New York’s Museum of Modern Art (MoMA) and eventually traveled to locations throughout the world. [Source: International Business Times ]

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Tim Burton’s Frankenweenie Heads for Traveling Exhibit

Dark Shadows Slumps Behind History-Making Avengers

Johnny Depp wanted his and Tim Burton’s gothic vampire comedy Dark Shadows to be anything but Twilight . Mission accomplished, I suppose: The film fizzled into a very distant second place behind another jaw-dropping performance by The Avengers , which continued to rewrite the blockbuster history books in its second weekend. Your Weekend Receipts are here. 1. The Avengers Gross: $103,163,000 ($373,182,000) Screens: 4,349 (PSA $23,721) Weeks: 2 (Change: -50.3%) This week in record-breaking: En route to the $1 billion threshold — which it reached Sunday — Disney’s superhero juggernaut stole the distinction of best second weekend ever from Avatar (whose own mark was $75.6 million) and experienced the best-ever second-weekend hold by a film that opened to more than $120 million. (We’ll no doubt get obscurer and obscurer as this thing rolls on.) It also became the fastest movie to reach $300 million and then $350 million domestically. Most observers conclude that a top-three all-time berth is likely on the domestic front — displacing The Dark Knight — but perhaps more mind-blowing is the likelihood of Joss Whedon’s film to rocket all the way to No. 4 all-time globally — behind Avatar, Titanic and Harry Potter and the Deathly Hallows Part 2 — within the the next week . And it’s still got Tuvalu’s GDP beat . What can one say, other than, “Good luck, Battleship “? 2. Dark Shadows Gross: $28,805,000 (new) Screens: 3,755 (PSA: $7,671) Weeks: 1 The long-gestating Burton/Depp reimagining of the ’60s/’70s supernatural cult-soap darling performed pretty much as well as you might expect a long-gestating Burton/Depp reimagining of the ’60s/’70s supernatural cult-soap darling to perform: Soft — at least soft by Burton/Depp standards , which have been good for at least twice Dark Shadows ‘ opening two of the last three times they got together (2010’s Alice in Wonderland and 2005’s Charlie and the Chocolate Factory ). Meanwhile, from atop its mountain of Avengers cash, Disney snickers knowingly in anticipation of the sixth installment of the lucrative Depp/Verbinski franchise it has on the way next summer in the way of The Lone Ranger AND the potential for Burton/Depp to rekindle their box-office fire with an Alice in Wonderland sequel. John Carter who ? 3. Think Like a Man Gross: $6,300,000 ($81,917,000) Screens: 2,052 (PSA $3,070) Weeks: 4 (Change: -22.3%) Meanwhile, how about that lucrative Tim Story/Taraji P. Henson partnership?! What? No? OK. 4. The Hunger Games Gross: $4,400,000 ($386,902,000) Screens: 2,531 (PSA $1,738) Weeks: 8 (Change: -21.3%) Gary Ross/Lenny Kravitz ? Ugh, fine . 5. The Lucky One Gross: $4,055,000 ($53,721,000) Screens: 2,839 (PSA: $1,428) Weeks: 4 (Change: -24.5%) Someone had to finish fifth. [Figures via Box Office Mojo ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Dark Shadows Slumps Behind History-Making Avengers