Tag Archives: lorene-scafaria

‘Seeking A Friend For The End Of The World’: The Reviews Are In!

Cataclysmic comedy starring Keira Knightley and Steve Carell has critics divided. By Kevin P. Sullivan Patton Oswalt and Steve Carrell in “Seeking a Friend for the End of the World” Photo: Critics are decidedly split on Lorene Scafaria’s ” Seeking a Friend for the End of the World ” and whether its cataclysmic hijinks are cute or phony. Here is our roundup of reviews for “Seeking a Friend for the End of the World.” The Story “At least it’s an ambitious misfire from the filmmaker, screenwriter Lorene Scafaria making a rocky directing debut. The movie ponders what people would do with their final days if the end were a fait accompli . Will anarchy reign or will humanity win out? Will Dodge (Carell) and Penny (Knightley), relative strangers living in the same apartment building, find each other, and love, before the planet and the asteroid collide? Or will they die alone? Lots of potential for a really tragic love story — from here to eternity, literally.” — Betsy Sharkey, Los Angeles Times Steve Carell “The sad sack in question is Dodge, a New York insurance salesman played by Steve Carell with the air of melancholy that serves, in his big-screen roles, as the functional equivalent of a ‘Don’t Call Me Michael Scott’ T-shirt. Mr. Carell has a penchant for wounded and wistful romantic roles. Here, as in ‘Dan in Real Life’ and ‘Crazy, Stupid, Love,’ he is a nebbishy guy so far out of the Darwinian sexual rat race that he becomes irresistible to women.” — A.O. Scott, The New York Times Keira Knightley “Penny feels equally underwritten, which leaves the awkward sight of Knightley, evidently still stuck in ‘A Dangerous Method’ mode, straining to appear girl-next-door cute while her facial expressions scream ‘mental patient.’ “— Peter Debruge, Variety The Director “Screenwriter Lorene Scafaria (the similarly fey ‘Nick and Norah’s Infinite Playlist’) is over her head in her feature directing debut, unable to establish a consistent tone in a movie that flirts with black comedy, satire, romantic comedy and touchy-feely earnestness without really delivering any of them.” — Lou Lumenick, New York Post The Final Word “What it doesn’t have is a way of making sense of its comic and dramatic strains, together, in the same movie. Carell and Knightley work hard to bring life and truth to each stage of a dawning friendship. By the end, though, Dodge and Penny have had one too many affirming encounters that feel engineered, not lived.” — Michael Phillips, Chicago Tribune Check out everything we’ve got on “Seeking a Friend for the End of the World.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘Seeking A Friend For The End Of The World’

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‘Seeking A Friend For The End Of The World’: The Reviews Are In!

Why You’re All Wrong About That’s My Boy

Well, not all of you. Just the ones on the haterade-swilling Anti-Sandler train, “an unconscious social ideology that protects Hollywood’s status quo” according to everyone’s favorite provocateur, Armond White : “Sandler’s key challenge notes the derangement of social values, beginning with the celebrity young Donny endured silliness doesn’t prevent Sandler from accurately pinpointing our social hypocrisy. That’s what W.C. Fields used to do Despite its deliberate ribaldry and outrage, That’s My Boy poignantly reminds the elite class of its forgotten virtues Sandler dares to express feelings about family, ethnicity, friendship – the realpolitik of genuine social interaction. [ City Arts ]

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Why You’re All Wrong About That’s My Boy

Kristen Stewart Tops Forbes List of Highest Paid Actresses

And doesn’t it make sense? With the final installment of the mega franchise coming out, how could there not be a ton of cash? Notes the publication, “At this point, could anyone else play Bella Swan in Twilight ?” Good point! The publication, which dishes out the super rich and famous wealth numbers annually said Stewart made an estimated $12.5 million plus a share of the profits from the mega-franchise in her last two stints on Twilight , but she also made more cash via Snow White and the Huntsman this past year. According to Forbes Stewart’s total earnings between May 2011 and May 2012 totaled a whopping $34.5 million. Not bad for a 22 year-old. She is the youngest person on the list by 16 years. In the previous year, the actress ranked 5th in the list (tied with Julia Roberts). And coming in second on the list is Cameron Diaz who is estimated to have earned $34 million in the same time period. Her big cash cow came courtesy of Bad Teacher , which Forbes noted only cost $20 million to make but brought in $216 million worldwide. Last year’s top earning actresses were Angelina Jolie and Sarah Jessica Parker who each cha-chinged $30 million between May 2010 and May 2011. [Source: Forbes ] And what do you think of these numbers?

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Kristen Stewart Tops Forbes List of Highest Paid Actresses

REVIEW: Seeking a Friend for the End of the World Falters With Forced Romance

If the world were ending imminently — say, in three weeks — would you throw off the shackles of social confines and indulge in every crazy impulse the moment inspired? Would you seek out your loved ones in order to spend your last days in their company? Would you just stay put and continue on as normal right up until the final moment?  Seeking a Friend for the End of the World , the directorial debut of  Nick and Norah’s Infinite Playlist writer Lorene Scafaria, combines a deviously tragicomic take on the approaching annihilation of mankind with a irritatingly unconvincing and unnecessary love story. Until romance reluctantly but unavoidably creaks into the story (seeking a friend, my ass), the film starts off so well, exploring the most prosaic of upcoming apocalypses as seen through the eyes of Dodge ( Steve Carell ), a man whose life has been largely unexceptional and is now about to come to an end, along with most everyone else’s. (One of the film’s nice touches is an overheard radio broadcast about how the planet’s best and brightest are being gathered into some kind of ark — a standard issue global cataclysm plot point never touched on again, because the characters in this film aren’t exceptional enough to be plucked up.) At the outset beginning, he and his wife listen to a news announcement about how a last effort to stop a giant asteroid headed toward us has failed, and that impact was in an estimated 21 days. She looks at him, and then runs for the hills, never to be seen again. For a while, Dodge keeps going into work at his insurance company, where his boss notes that the few remaining employees are allowed to dress like it’s casual Friday every day, and wonders if anyone would like to take over as CFO. On the TV, there’s news that air travel has ended and cell phones are no longer working. At a dinner party being thrown by Dodge’s friends Warren (Rob Corddry) and Diane (Connie Britton), polite talk about what attendees plan to do with the rest of their time (one member suggests she’s going to finally take that pottery class she’s been meaning to) devolves into wild debauchery, getting the children drunk and someone arriving with hard drugs like you would a nice bottle of wine for the table. “I regret my entire life,” Dodge says, and seems ready to let that be the sentiment with which he waits out Armageddon, until he has a chance encounter with his neighbor Penny ( Keira Knightley ), a flaky, teary Brit who has just broken up with her boyfriend Owen (Adam Brody) and now mourns the fact that she has no way to make it back to England to see her family one last time. She also has a pile of his letters that were accidentally put in her box — three years worth — including one from his high school girlfriend saying he’s the love of her life. Penny has a car and Dodge knows someone who has a plane, and the two make a deal to help each other get where they need to go. Seeking a Friend for the End of the World is primarily a meander through random encounters on the road toward Dodge’s old sweetheart, most of them wild-eyed but sweet — aside from a riot that springs up in Los-Angeles-barely-pretending-to-be-New-York, where the pair live, the film’s world is good-hearted even when faced with impending doom. Whether encountering survivalists or the dedicated, giddy employees of a chain restaurant, everyone quivers with a delirious what-the-hell vibe that’s melancholy and amusing. Our obsession with the apocalypse is stronger than ever — it practically merits its own movie subsection, if its too scattered to be a genre. There’s no reason why the end of the world shouldn’t get the romantic comedy treatment, but the connection that springs up between Dodge and Penny feels awkward and forced. It’s not just that Carell is 22 years older than Knightley, or that the process in which he falls in love with her consists of him staring puppy-dog like while she weeps on the phone to her family — it’s that the idea of two people finding an unexpected connection to one another and offering up kindness in desperate times is actually much more touching than the insistence that they’re last-minute soulmates. Carell and Knightley have no spark of romantic chemistry between them — in fact, they actually clash in more interesting ways, with Dodge being a morose wet blanket and Penny coming across as a disaster who tends to allow major mistake to happen and then cry about them. The things they stumble onto — dinner in an abandoned house, a line of people headed to the beach — have a warm, wistful tangibility to them, in the way that you’d think the conscious gathering of last experiences would. Seeking a Friend for the End of the World ‘s effusive declarations of love just seem like the stagey stuff of movies — they’ve got nothing on the moment in which Dodge lies on the carpet and listens the Walker Brothers’ “The Sun Ain’t Gonna Shine (Anymore)” on vinyl while he waits for the earth to be destroyed. Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: Seeking a Friend for the End of the World Falters With Forced Romance

REVIEW: The Vow Barely Gets By With Rachel McAdams (and One Very Handsome Steak)

In The Vow , Rachel McAdams plays Paige, a Chicago sculptor who’s wife to Leo (Channing Tatum), the owner of a recording studio. The two are talking about starting a family, clearly giddily in love, when they get into a car accident that results in Paige taking a slow-motion header through the windshield. She sustains a brain injury that leaves her with amnesia, losing all memory of meeting and having a relationship with Leo. He finds himself having to convince the woman he married of the depth and strength of their connection when to her he might as well be a stranger. While all of the above is true of the film, the second from Michael Sucsy (who also directed the 2009 Drew Barrymore/Jessica Lange Grey Gardens ), it buries the lede, which is that Paige is missing everything that happened in the last few years — not just Leo, but moving to the city from the upscale suburb of Lake Forest in which she grew up, leaving law school to become an artist, breaking off her engagement with smarmy attorney Jeremy (Scott Speedman) and cutting ties with her family after a giant fight, the details of which we don’t learn until late in the film. She’s shocked to find that she gave up straightening her hair, that she lives in a funky loft and wears boho clothing, that she’s become a vegetarian and, if the gasp she gives when told that Barack Obama is president and she voted for him is any indication, that she only relatively recently became a Democrat. Indeed, Paige has forgotten how to be a hipster. Post-trauma, to Leo’s bemusement, she orders blueberry mojitos, wears prim dresses, gets highlights and declares her favorite book to be The Beach House by James Patterson. Leo first encountered Paige after a series of major life changes (we see, in flashback, how they met at the DMV) and had never met her parents, played by Sam Neill and Jessica Lange, before their arrival at the hospital shortly after she comes out of her coma. Stuffily dressed and taut faced, they have a campy suburban gothic air to them, and are delighted to be able to welcome their daughter back into their lives as if they’d never fought in the first place — which they essentially didn’t, since she has no memory of it. The two parties wage cultural warfare over the dazed Paige, one side offering the comforts of the familiar, including her family and posh childhood home, the other the urban life and love she chose instead. These themes of what makes up one’s identity, and whether Paige is still the woman with whom Leo fell in love without the experiences that came to define her, are a lot more solid than the romance aspects of  The Vow . McAdams can turn up the charisma and make (almost) any role grounded and watchable, even multiple ones involving time travel and memory loss. Tatum is like a very handsome steak. Unfortunately, he’s the one saddled with the swoony, Nicholas Sparksesque burdens in the story, from a voiceover about love and fate delivered in an earnest monotone, to spelling out “MOVE IN?” in blueberries when serving Paige breakfast, to accidentally complementing the aesthetic merits of her scrap pile instead of the sculpture in progress she’s working on. He just isn’t expressive enough an actor to carry all of Leo’s pining and heartbreak, as he suffers through Paige’s unintended cruelty as she tries and fails to connect with him and the person she used to be. “I’m so tired of disappointing you,” she tells him after he reacts with exasperated sadness to her inability to remember their past, and it’s an unintended consequence of the casting that she seems reasonable and right in considering moving on, and that one doesn’t feel the need to blubber in response, “But you’re meant to be together !” The Vow,  which is based on the story of real-life couple Kim and Krickitt Carpenter, doesn’t turn out to be as gauzily sentimental as its beginning (or its marketing materials ) suggests; though this probably isn’t intentional, it ends up making the argument that one’s romantic memories don’t tend to translate well when shared, as Leo walks Paige through the things they used to do as a couple, from the restaurant in which they used to eat (named, heh, Cafe Mnemonic) to the lakeside spot where they would skinny dip. But the most loving gesture in the film is its consideration that what may be best for someone’s happiness is letting them go, no matter how painful that may be. The ending is — spoiler alert? — an upbeat one, but it’s one the film drifts into, no last-minute gallop through an airport or desperate clinch in the rain. It’s a more grown-up conclusion than you’d expect, but feels anticlimactic when taken in the context of the story’s wobbles between realism and glossy, larger-than-life love story. Seriously, couldn’t he have restored a house for her or something? Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: The Vow Barely Gets By With Rachel McAdams (and One Very Handsome Steak)

Steve Carell, Keira Knightley and the End of the World: Three Great Tastes That Taste Great Together?

I’ll admit it: I groaned a bit when word first broke that Steve Carell and Keira Knightley were set to play opposite each other in a romantic comedy set against the end of the world. Knightley, I dreaded, would be reduced to playing May-December arm candy to Carell in her first non-heavy project since Bend it Like Beckham . But as the first trailer for Lorene Scafaria ‘s Seeking a Friend for the End of the World demonstrates, maybe I shouldn’t have worried so much. Maybe . Carell and Knightley play neighbors who set out on a road trip to find their respective loved ones before the world ends after an asteroid is discovering hurtling towards Earth. Scafaria, who penned the zingy hipster romance Nick and Norah’s Infinite Playlist , makes her directorial debut working from her own script, and from the looks of things this could offer unexpected sorts of laughs, not to mention the rare comic turn by Knightley. That said, Carell seems to be pulling his straightlaced shtick yet again, and Knightley’s afghan-wearing Brit veers dangerously toward manic pixie dream girl territory; will her carefree ways open up his stuffy world view? Will she help him find his way to his high school sweetheart’s arms, only to find she’s fallen in love with him? I hope not. I hope End of the World surprises me. At least we’ll get Melanie Lynskey, Patton Oswalt and Gillian Jacobs to add some colorful bits along the way. Verdict: Tentatively going along for the ride. [via Yahoo ]

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Steve Carell, Keira Knightley and the End of the World: Three Great Tastes That Taste Great Together?

Ashton Kutcher and Lorene Scafaria: Not Dating, Rep Claims

According to his rep, Ashton Kutcher will not be ringing in the new year with a new romantic interest on his arm. Following a Tweeted photo of himself and Lorene Scafaria in Italy this week, chatter naturally grew that the actor and the screenwriter were now an item . But the two “are just friends,” Kutcher’s rep tells People . “They are working on a potential project together about an Italian soccer team.” Well, that does make sense. Ashton knows a lot about scoring. Scafaria previously dated Adam Brody and wrote the screenplay for Nick and Nora’s Infinite Playlist . Kutcher, of course, split from Demi Moore this year after she got sick of his wandering penis.

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Ashton Kutcher and Lorene Scafaria: Not Dating, Rep Claims