More than 2,000 fans are expected to camp out near L.A.’s Nokia Theatre ahead of Monday’s ‘Breaking Dawn — Part 2’ premiere. By Kara Warner Fans camp out before the “The Twilight Saga: Breaking Dawn Part 2” premiere in Los Angeles Photo: Tibrina Hobson/ FilmMagic
The people behind The Hobbit are no fans of what they perceive as imitators. Warner Bros., New Line Cinema and MGM as well as Hobbit producer Saul Zaentz are taking backers of low-budget pic Age of the Hobbits for trademark infringement. The plaintiffs say that movie label The Asylum, which is behind a slate of “mock-busters” that spoof Hollywood movies, is “free-riding on the marketing campaign of Peter Jackson’s upcoming string of Hobbit pics, beginning next month with The Hobbit: An Unexpected Journey . Producers of the Jackson film called Age of the Hobbits an “international and willful attempt to trade on the popularity and goodwill” of the filmmaker’s The Lord of the Rings and Hobbit films, according to BBC. And producers are not looking for any compromise either. They are asking for all “infringing and ad materials and packaging for The Asylum’s Hobbit to be destroyed, claiming it may “divert customers and potential customers away from the Hobbit films.” The Zaentz Co which controls the trademark rights to the Tolkien book has also threatened legal action. Age of the Hobbits is due for a DVD and online release December 11th, just three days before the U.S. opening of Jackson’s Hobbit . “Age of the Hobbits is about the real-life human subspecies, Homo Floresiensis, discovered in 2003 in Indonesia, which have been uniformly referred to as ‘Hobbits’ in the scientific community,” noted Asylum in a statement, adding that it is therefore “protected under the legal doctrines of nominal and traditional fair use.” Aylum also said a Google search of ‘hobbits’ and archaeology would turn up a dozen of disparate articles. Asylum’s previous “mock-busters” include Transmorphers , based on Michael Bay’s big budget movie Transformers , and The Da Vinci Treasure , which took its name from The Da Vinci Code , directed by Ron Howard and starring Tom Hanks. [Source: BBC ]
Here’s Emma Roberts pulling Amanda Bynes’ go-to paparazzi defense move : putting her bag in front of her face. But since she’s wearing short shorts, all it does is give us a better look at Emma’s long pasty white legs. You know, you’d think from all the times we’ve seen her in shorts, Emma would’ve gotten a tan at some point. Whoever’s putting sunscreen on her needs to ease up a bit. Not that I blame him though, if that was my job I’d probably get carried away too. » view all 20 photos Related Articles: Emma Roberts Needs A Hand Bra Emma Roberts Takes Her Little Boobs Out Emma Roberts’ Long Legs In Skinny Jeans Emma Roberts Rocks The Short Shorts Photos: WENN.com
Tony Scott’s dramatic and still-mysterious leap to his death in August has grounded the Top Gun sequel . The New York Times reported that the film, which was being planned by the filmmaker, the star of the original, Tom Cruise, and producer Jerry Bruckheimer, has “fallen apart” in the wake of Scott’s suicide . If there is a silver lining to the story, it’s that a 3D version of the original Top Gun may be released in February 2013. Earlier this year, Legend3D, which specializes in converting two-dimensional films into the more eye-popping format, completed a conversion of the film, which, the Times notes, “as a way to whet the world’s appetite for a sequel.” Since Scott leapt to his death from the Vincent Thomas Bridge in Los Angeles on Aug. 19, however, Paramount, the studio behind both the original Top Gun and its sequel, is “considering a release in February, perhaps beginning with a one-week exclusive showing on domestic Imax screens.” [New York Times] The paper also reports that the studio is treading carefully because it does not want to seem insensitive or exploitative. Although the Los Angeles coroner officially ruled Scott’s death a suicide, questions remain about his reasons for taking his own life. According to the Times , the filmmaker’s brother, Prometheus director Ridley Scott has asked a number of people who knew and worked with his sibling not to discuss his “life or demise.” Tony Scott’s last work appears to be the below Diet Mountain Dew commercial featuring Dallas Mavericks and HDNet owner, billionaire Mark Cuban . Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.
Mark Basseley Youssef , the California man behind Innocence of Muslims , is going to prison, although not for the Islam-goading movie he made. The Associated Press (via the New York Daily News ) is reporting that U.S. District Court Judge, Christina Snyder, sentenced Youssef — who’s also been identified in media reports as Nakoula Basseley — to one year in the big house after he admitted to four of eight alleged probation violations stemming from a 2010 bank fraud conviction, including obtaining a fraudulent California drivers license. None of the violations had to do with the content of “Innocence of Muslims,” a film that depicts Mohammad as a religious fraud, pedophile and a womanizer. The movie sparked violence in Libya and other parts of the Middle East, killing dozens. Although a film as amateurishly made as Innocence of Muslims should be a crime, Youssef’s inflammatory film is protected under the First Amendment. As George Clooney told Movieline , the film excerpt that appeared on YouTube “made me mad and I’m not Muslim,” adding: “The simple truth is that in order to make [democracy] work, the idiots get to have their say, too. Read more of Movieline’s coverage on Innocence of Muslims : After Innocence Of Muslims, 2 Possible Muhammad Pics On The Way Innocence of Muslims Filmmaker Nakoula Basseley Unmasked By New York Tabloids Was Inflammatory Innocence Of Muslims Film Directed By Karate Cop, Happy Hooker Schlock Veteran? Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.
This week’s new DVD releases make it easy to put a little Highbrow dark chocolate in your Lowbrow crunchy peanut butter and enjoy a satisfying double feature . Whether you’re in the mood for serious German cinema (that mixes in some genre tropes) or ass-kicking science fiction (flavored with pungent political satire), there’s plenty for all tastes this week. HIGH: Fritz Lang: The Early Works (Kino Classics; $39.95 DVD) WHO’S RESPONSIBLE: This trio of early works by legendary German director Fritz Lang includes an adaptation of the classic opera Madame Butterfly and two films Lang co-wrote with his then-wife Thea von Harbou that feature actor Rudolf Klein-Rogge — two key collaborators on Lang’s masterpiece, Metropolis . WHAT’S IT ALL ABOUT: 1919’s Harakiri , the Madame Butterfly adaptation, tells the story of a Japanese girl and her doomed romance with a European officer who abandons her. The Wandering Shadow (1920), Lang and von Harbou’s first collaboration, follows a woman fleeing from a sex scandal and her eventual shot at redemption. Four Around the Woman , from 1921, sees a socialite falling victim to a crime…or is she involved in a blackmail plot? WHY IT’S SCHMANCY: Before he fled Nazi Germany, before M and Metropolis , even before Spies and the Dr. Mabuse movies, Fritz Lang was a successful filmmaker in Weimar-era Germany, when Expressionism was the happening thing. For scholars who wanted to explore the master’s entire oeuvre, however, many of Lang’s earliest films were difficult to access. Harakiri was one of four films Lang made in 1919, his first year as a director. And yes, the film has German actors performing in yellowface, but at least the filmmakers bothered to get genuine Japanese costumes and artifacts from the Hamburg Anthropological Museum. This DVD features restorations mastered from 35mm elements. WHY YOU SHOULD BUY IT: Fritz Lang: The Early Works should appeal to more than just Lang completists. Anyone who cares about the roots of movies or just wants to check out silent cinema at its most vibrant should pick up this collection. LOW: They Live (Collector’s Edition) (Scream Factory; $19.93 DVD, $29.93 Blu-Ray) WHO’S RESPONSIBLE: Written (under the pseudonym “Frank Armitage”) and directed by John Carpenter; starring “Rowdy” Roddy Piper, Keith David, Meg Foster. WHAT’S IT ALL ABOUT: A homeless drifter (Piper) finds a stash of special sunglasses that allow him to see the truth about the world around him: the rich and powerful are actually aliens who are destroying the planet and manipulating humans with subliminal messages in the media that induce people to consume mindlessly and to conform. WHY IT’S FUN: Released in 1988, Ronald Reagan’s last year in office, They Live is one of the most stinging satires of the Gipper’s era. Carpenter basically implied that yuppie-ism and the rest of the decade’s excesses were the product of cultural manipulation. (Okay, so extraterrestrials were behind the whole thing, but it’s an intriguing idea.) And if you’re not in the mood to look for political perspective, there are gross aliens and crazy shoot-outs and a fight scene between Piper and David that goes on…and on…and on…into cinema legend. WHY YOU SHOULD BUY IT (AGAIN): This new Collector’s Edition features great new goodies, including interviews with Foster (who’s still got Those Eyes), David and Carpenter, plus previously unseen footage from the original TV spots for the movie and a featurette on the visual style, scoring and stunts. (There’s also a Carpenter-Piper commentary track that’s been previously available.) Alonso Duralde has written about film for The Wrap, Salon and MSNBC.com. He also co-hosts the Linoleum Knife podcast and regularly appears on What the Flick?! (The Young Turks Network) . He is a senior programmer for the Outfest Film Festival in Los Angeles and a pre-screener for the Sundance Film Festival. He also the author of two books: Have Yourself a Movie Little Christmas (Limelight Editions) and 101 Must-See Movies for Gay Men (Advocate Books). Follow Alonso Duralde on Twitter. Follow Movieline on Twitter.
This week’s new DVD releases make it easy to put a little Highbrow dark chocolate in your Lowbrow crunchy peanut butter and enjoy a satisfying double feature . Whether you’re in the mood for serious German cinema (that mixes in some genre tropes) or ass-kicking science fiction (flavored with pungent political satire), there’s plenty for all tastes this week. HIGH: Fritz Lang: The Early Works (Kino Classics; $39.95 DVD) WHO’S RESPONSIBLE: This trio of early works by legendary German director Fritz Lang includes an adaptation of the classic opera Madame Butterfly and two films Lang co-wrote with his then-wife Thea von Harbou that feature actor Rudolf Klein-Rogge — two key collaborators on Lang’s masterpiece, Metropolis . WHAT’S IT ALL ABOUT: 1919’s Harakiri , the Madame Butterfly adaptation, tells the story of a Japanese girl and her doomed romance with a European officer who abandons her. The Wandering Shadow (1920), Lang and von Harbou’s first collaboration, follows a woman fleeing from a sex scandal and her eventual shot at redemption. Four Around the Woman , from 1921, sees a socialite falling victim to a crime…or is she involved in a blackmail plot? WHY IT’S SCHMANCY: Before he fled Nazi Germany, before M and Metropolis , even before Spies and the Dr. Mabuse movies, Fritz Lang was a successful filmmaker in Weimar-era Germany, when Expressionism was the happening thing. For scholars who wanted to explore the master’s entire oeuvre, however, many of Lang’s earliest films were difficult to access. Harakiri was one of four films Lang made in 1919, his first year as a director. And yes, the film has German actors performing in yellowface, but at least the filmmakers bothered to get genuine Japanese costumes and artifacts from the Hamburg Anthropological Museum. This DVD features restorations mastered from 35mm elements. WHY YOU SHOULD BUY IT: Fritz Lang: The Early Works should appeal to more than just Lang completists. Anyone who cares about the roots of movies or just wants to check out silent cinema at its most vibrant should pick up this collection. LOW: They Live (Collector’s Edition) (Scream Factory; $19.93 DVD, $29.93 Blu-Ray) WHO’S RESPONSIBLE: Written (under the pseudonym “Frank Armitage”) and directed by John Carpenter; starring “Rowdy” Roddy Piper, Keith David, Meg Foster. WHAT’S IT ALL ABOUT: A homeless drifter (Piper) finds a stash of special sunglasses that allow him to see the truth about the world around him: the rich and powerful are actually aliens who are destroying the planet and manipulating humans with subliminal messages in the media that induce people to consume mindlessly and to conform. WHY IT’S FUN: Released in 1988, Ronald Reagan’s last year in office, They Live is one of the most stinging satires of the Gipper’s era. Carpenter basically implied that yuppie-ism and the rest of the decade’s excesses were the product of cultural manipulation. (Okay, so extraterrestrials were behind the whole thing, but it’s an intriguing idea.) And if you’re not in the mood to look for political perspective, there are gross aliens and crazy shoot-outs and a fight scene between Piper and David that goes on…and on…and on…into cinema legend. WHY YOU SHOULD BUY IT (AGAIN): This new Collector’s Edition features great new goodies, including interviews with Foster (who’s still got Those Eyes), David and Carpenter, plus previously unseen footage from the original TV spots for the movie and a featurette on the visual style, scoring and stunts. (There’s also a Carpenter-Piper commentary track that’s been previously available.) Alonso Duralde has written about film for The Wrap, Salon and MSNBC.com. He also co-hosts the Linoleum Knife podcast and regularly appears on What the Flick?! (The Young Turks Network) . He is a senior programmer for the Outfest Film Festival in Los Angeles and a pre-screener for the Sundance Film Festival. He also the author of two books: Have Yourself a Movie Little Christmas (Limelight Editions) and 101 Must-See Movies for Gay Men (Advocate Books). Follow Alonso Duralde on Twitter. Follow Movieline on Twitter.
‘At a time like this, we can’t risk partisan bickering and political posturing,’ Romney tells his supporters in Boston. By Emily Blake Mitt Romney concedes in Boston on Wednesday Photo: Emmanuel Dunand/ AFP/ Getty Images
Brad Pitt faces off against zombies in the first peek at World War Z , the anticipated and notoriously troubled book adaptation that has Hollywood aflutter. Are those notorious behind-the-scenes woes evident from these 30 seconds of footage? More importantly: Will Pitt’s gloriously shaggy mane keep its luster as he flees from these hordes of CG zombies? Entertainment Tonight has the first look (they’ll debut a full peek on November 8): Even compensating for the annoying infotainment voice-over and terrible picture quality, this just a little… underwhelming. This is the kind of I Am Legend -esque zombie CG $170 million and counting buys you? That said, I do love me some Mireille Enos even if my brain isn’t ready to accept the idea of her and Pitt as a couple. Does not quite compute. I look at her frantically on the phone with Pitt in this trailer tease and think of Linden frantically on her flip phone with her neglected teenage son, chewing Nicorette, hunting down perps in Seattle while being the worst mother ever. And then I think back to The Killing , which I loved even if it was two seasons of red herrings and Holderisms, because remember Holder? God , I loved him. I’d like to think Holder would survive a zombie apocalypse. Hiding out underneath a hoodie, calling zombies names like “home slice.” Yeah. Give me that movie. World War Z zombie-runs into theaters on June 21, 2013. Let’s hope seven months is enough time to make those CG effects look vaguely realistic. Leave your thoughts below. [ Entertainment Tonight ]
Steel yourself, cinephiles: A sequel to the 1942 classic Casablanca , one of the greatest films of all time , could happen in the near future. But while practically 99 percent of all Hollywood sequels and spin-offs seem like cash-grabs that have no good reason for existing, is there a case to be made for revisiting the saga of star-crossed lovers Rick and Ilsa in Casablanca 2 ? Consider the source of said would-be sequel, per the New York Post : Original Casablanca screenwriter Howard Koch, who shared the Oscar for Best Writing with fellow scribes Julius J. Epstein and Philip G. Epstein. Blacklisted a few years after Casablanca became a hit, Koch penned a sequel in 1980 revolving around the grown son of Rick Blaine (Humphrey Bogart) and Ilsa Lund (Ingrid Bergman), who goes searching for his father in the Middle East. Unearthed by The Post ‘s Lou Lumenick, Koch’s 1960s-set Return to Casablanca synopsis goes a little something like this: “[Laszlo and Ilsa] attempt to locate Rick after he and Renault left to join the Free French forces opposing Rommel in North Africa. They have had no success. After leaving Casablanca for America, Ilsa learned she was pregnant. She gave birth to a boy who grew up in America. The real father of the boy, it turns out, was not Laszlo but Rick. He was conceived the night Ilsa came to Rick’s place to plead for the Letters of Transit . . . The secret was not kept from Laszlo, but being the kind of man he was and owing so much to Rick, he adopted the child and treated him as his own son. The boy was named Richard, and he grew up to be a handsome, tough-tender young man reminiscent of his father. He had been told the truth about his origin and has a deep desire to find his real father, or at least more about him, since Rick’s heroic at actions in Casablanca have become legendary. Richard finds himself very much a stranger in the Arab world, a world now under Arab rule since the expulsion of the Germans and Vichy French who occupied Casablanca during the war.” Richard becomes involved with an Arab guerilla fighter named Joan as he searches out the truth of his father’s fate in the script, which Warner Bros. passed on in 1989. Producer Cass Warner, grand-niece of Jack Warner, took up Koch’s cause and brought it back to the studio, who turned it down again – but, she says, left open a window of opportunity. “Warner Bros. passed on it a year, a year and a half ago,” Warner told The Post. “But they indicated they were willing to revisit this if I could find a filmmaker they were interested in working with.” And who in young Hollywood could play the son of Rick and Ilsa today? Let Casablanca expert Aljean Harmetz weigh in: “Certainly not Robert Pattinson , though maybe that guy who’s popping up everywhere, Joseph Gordon-Levitt .” Yes, “that guy” Joseph Gordon-Levitt would be a solid choice. He could even sing an acoustic cover of “As Time Goes By” for the sequel soundtrack! Or, you know, David Thomson’s pick : Tom Hardy . But seriously, as perfect as Casablanca ‘s wonderfully ambiguous, utterly romantic unhappy ending is, don’t we all wonder what became of Rick and Ilsa? (And their respective chosen life partners, Laszlo and Renault?) A part of me loves the idea of finding out that they waited out the war and found their way back to one another again, the way we always hoped deep down inside that they would, pulled by that invisible thread that time, place, and violent world-changing upheaval couldn’t sever. Or maybe, probably, that wouldn’t be nearly as satisfying as it sounds now. How would you like to see a Casablanca follow-up unfold, if at all? [ New York Post ]