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T.I. Gets King’s Welcome At ’11 BET Hip Hop Awards

Newly freed Tip opened the show, while Eminem, Rick Ross, Young Jeezy, many more electrified crowd at show airing October 11. By Rob Markman T.I. at the 2011 BET Awards Photo: Chris McKay/ Getty Images ATLANTA — It was only fitting the “King of the South” made his regal return on a stage so close to where his troubles began back in 2007, but also so near where he first got his start in the game. After completing his 11-month prison sentence on Thursday, T.I. opened the 2011 BET Hip Hop Awards with Young Jeezy as the two performed the Snowman’s new single “F.A.M.E.” The awards show, which taped at the Atlanta Civic Center on Saturday, is set to air on Tuesday, October 11; comedian Mike Epps hosted with assistance from Da Brat. While T.I. arguably provided the show’s grandest moment, Rick Ross and his Maybach Music crew, Lupe Fiasco, Big Sean, Heavy D, DMX and Wiz Khalifa all electrified the crowd with hyped-up performances throughout the night. Rap legend LL Cool J received the show’s highest honor when he was presented with the I Am Hip-Hop Award for his career of achievements in music, movies and television. The awards show’s black carpet was equally star-studded. Rival rap crews like Ross’ Maybach Music rubbed shoulders with G-Unit’s newest members Shawty Lo and Kidd Kidd in a show of peace, love and appreciation for the culture. As most fans know, BET’s pre-taped rap ciphers typically generate some the of the ceremony’s most buzz-worthy moments, with memorable performances from Kayne’s G.O.O.D. Music crew, Mos Def and the Roots’ Black Thought going viral in recent years. This year, the network upped the ante adding more rhyme ciphers than ever before. MCs like French Montana, Tech N9ne, Big K.R.I.T., Busta Rhymes, Ludacris, Maybach Music Group, Slaughterhouse, Yelawolf and Eminem all traded rhymes while DJ Premier spun the beats. Among the leading nominees are Lil Wayne (who earned a record-setting 18 nods), Chris Brown, Nicki Minaj and Waka Flocka Flame, while stars like NBA star Amar’e Stoudemire, Tracee Ellis Ross and Nelly were among the presenters. Tune in to the 2011 BET Hip Hop Awards on Tuesday, October 11, at 8pm ET to see who took home the prizes! Related Artists T.I.

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T.I. Gets King’s Welcome At ’11 BET Hip Hop Awards

Kanye West Makes Paris Fashion Week Debut

West unveils womenswear collection before star-packed crowd, including Lindsay Lohan, Jared Leto and Ciara. By James Montgomery Kanye West at his Paris Fashion Week debut Photo: Antonio de Moraes Barros/ WireImage Kanye West made his Paris Fashion Week debut Saturday night (October 1), launching a womenswear line with a high-profile show that was sexy, swaggering and, of course, incredibly stylish. Before an audience that included fashion heavyweights like Vogue Editor in Chief Anna Wintour, designer Alexander Wang and photographer Terry Richardson — not to mention celebs like Lindsay Lohan, Jared Leto and Ciara — West paraded a host of different looks, from daringly cut dresses and color-block pants to body-hugging tracksuits and high-end hoodies. West draped his models in flowing fabrics, leather and fur, propped them up on beaded stilettos and even gave each a matching “Yeezi” nameplate chain to wear on the catwalk. And for an artist to whom subtlety is often a foreign concept, West displayed an unerring attention to the tiny details, as evidenced by the collection’s artfully beaded ensembles, knitted tops and even fur-covered backpacks — all of which had the crowd murmuring with approval. For a more detailed account of all the looks, check out the MTV Style blog, which was in attendance and kept a running diary of West’s fashion debut. Though it was his first-ever showing, West’s bow was also one of the most-hyped events of Paris’ annual fashion week, with bloggers hyping stories that he had spent 14,000 pounds on fabric and trimmings at London haberdasheries and speculating that his show would feature only the models he mentioned in his song “Christian Dior Denim Flow.” The actual location for the show was kept a closely guarded secret, with invitations being mailed the day before the event, a move that only further added to the frenzy. And given the buildup, it seemed only natural (and, in keeping with Fashion Week tradition) for West to start his show some 45 minutes after the supposed 9:30 p.m. start time. But that didn’t seem to bother those lucky enough to gain entry into Paris’ Lycee Henri IV (a posh secondary school taken over by West’s team for the event), who chatted beneath soft purple lighting while waiting for the first models to walk. At show’s end, West emerged to applause, wearing a simple white T-shirt, black pants and a pair of Jordans. After taking his bow, he posed for photos backstage with his models, and speculation began that his collection (which doesn’t yet have a name) might actually be called Yeezi, as the nameplates seemed to hint. For complete coverage of Kanye West’s Paris Fashion Week debut , check out the MTV Style Blog . Related Photos Kanye West Debuts ‘Dw’ Line At Paris Fashion Week Related Artists Kanye West

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Kanye West Makes Paris Fashion Week Debut

Tia And Tamera Mowry Had ‘No Friends,’ On ‘When I Was 17’

‘Having a show and going to school was horrible,’ twins say on next episode, which premieres Saturday at 11 a.m. ET on MTV. By Lauren Kearney Tia and Tamera Mowry Photo: MTV It’s easy to assume that having a major television show while attending high school would make you the most popular kid in class. But for twins Tia and Tamera Mowry, stars of the ’90s sitcom “Sister, Sister,” it was a serious bummer to their social life. “Having a show and going to school was horrible. Really, really bad. We had no friends,” the twins say on the next episode of “When I Was 17,” premiering Saturday at 11 a.m. ET on MTV. The girls’ childhood friend Jessica blamed their lack of friends on their busy schedule. “They didn’t go to school all the time because they were working on the set, so I’m sure it was difficult for them to form friendships,” she explains. But the girls had a different side of the story. If anyone doesn’t remember, “Sister, Sister” was about twins who were separated at birth, run into each other in a department store and move in together with their adoptive mom and dad. “I can remember the kids picking on us. They would literally scream at us and say, ‘Your show sucks!’ ” Tamera recalls. Tia wasn’t about to take that lying down. “Then I would say, ‘Well, the checks don’t!’ ” she laughed. And who has the last laugh now? The twins do, with their current reality show, “Tia & Tamara,” bringing Style Network its highest ratings ever. Bet they wish they were your friends now, girls! “When I Was 17” — this week featuring Tia and Tamera Mowry, Jamie Foxx and Chris Bosh — premieres Saturday at 11 a.m. ET on MTV. Related Videos Preview ‘When I Was 17’ Featuring Tia And Tamera Mowry

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Tia And Tamera Mowry Had ‘No Friends,’ On ‘When I Was 17’

Jamie Foxx Clarifies Hairdo, On ‘When I Was 17’

‘I had the major curl, not the Jheri curl,’ he explains on new episode, airing Saturday at 11 a.m. ET/PT on MTV. By Sara Waber Jamie Foxx Photo: MTV Jamie Foxx reveals the appalling misconception of his hairdo during the ’80s on this week’s episode of “When I Was 17,” airing Saturday at 11 a.m. ET/PT on MTV. “When I was 17, I had the major curl, not the Jheri curl,” Foxx says. “A lot of people get it twisted and confused, and they say ‘Jheri curl.’ ” What’s the difference, you’re wondering? He explains, “I had the little curls in the front and the big ones in the back.” His friend Gilbert shares who else worked this ‘do: “I would link the major curl to women or pimps, for the most part.” But growing up in a small town in Texas, Jamie’s major curl must have helped him stand out from the crowd. “Where I grew up was Terrell, Texas, right outside of Dallas: 12,000 people, a small town where everybody knew everybody,” he says. Besides maintaining his hairdo, Foxx tells us how he spent the rest of his time when he was 17: “It was just real simple. It was about having a crush on a girl, walking her from the football stadium, holding hands. You go park, and the cops bang on the door, ‘What y’all doing?’ ” Nobody likes a flattened major curl. “When I Was 17” — this week featuring Jamie Foxx, Tia and Tamera Mowry, and Chris Bosh — airs Saturday at 11 a.m. ET/PT on MTV. Related Videos Preview ‘When I Was 17’ Featuring Tia And Tamera Mowry

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Jamie Foxx Clarifies Hairdo, On ‘When I Was 17’

Jason Derulo ‘Let It All Hang Out’ On Future History

Sophomore album is ‘an open book on my life,’ singer tells MTV News. By Christina Garibaldi Jason Derulo Photo: MTV News Jason Der

’50/50′: The Reviews Are In

Most critics think the comedy about cancer proves anything can be funny. By Eric Ditzian Anna Kendrick and Joseph Gordon Levitt in “50/50” Photo: Summit Entertainment When Will Reiser first found out he had cancer, he and his comedy-writer buddies (including Seth Rogen and “Pineapple Express” scribe Evan Goldberg) would jokingly wonder if Reiser’s disease would bring them all a Make-a-Wish opportunity to hang with Led Zeppelin. That rock-and-roll dream never came true, but Reiser’s battle with, and eventual remission from, cancer did gift them all with one thing: “50/50,” a comedy (out now) that is drawing rave reviews from critics and is being discussed as a possible contender come awards season. Though not all reviewers have found it easy to find yuks in a deadly serious topic, far more point to the film as an example that nothing is out of bounds when it comes to art and comedy; handled deftly, anything can lead to laughter and learning. The Story “Adam Lerner (Joseph Gordon-Levitt) is a nice guy with a great job at a Seattle NPR station, a promising relationship with up-and-coming artist Rachael (Bryce Dallas Howard), a best-friend-since-high-school named Kyle (Seth Rogen) to hang with — and, as he learns to his horror in a doctor’s office, cancer. … Also woven deftly into the mixture is Anna Kendrick as a young (very young) therapist assigned to work with Adam; [Anjelica] Huston as the kind of mother who explains ‘I want you to know that I smothered him because I love him’ to anyone who will listen. … It’s not a perfect movie, but it doesn’t matter. ’50/50′ takes on a bold subject and makes us laugh and cry. I thought I didn’t want to see a cancer comedy; I was wrong.” — Moira McDonald, The Seattle Times The Laughs “Scenes where the pals trash a piece of once-important memorabilia in a backyard rampage and the after-effects of pot-laden cookies scored at the chemotherapy clinic show loopily grinning Gordon-Levitt at his best. Kudos to [director Jonathan] Levine for not letting Rogen’s very funny comedic bits overshadow the proceedings. The actor dials it down ever so slightly and isn’t afraid to be the butt of jokes — watch for Gordon-Levitt’s spot-on Rogen impersonation. The suggestion a bald head and a cancer diagnosis could be the ultimate pickup leverage leads Adam and Kyle into funny territory. But the hilarity turns with the exploration of deeper relationships as Adam finds new friends among the genial stoners of all ages at the chemo clinic.” — Linda Barnard, Toronto Star The Writing “[Reiser] draws on his personal battle with a rare form of that disease. His success rate in the delicate balance between comedy and the profound devastation of such an illness is much greater than 50/50, but the film is not without its tonal lapses. … Reiser has written his characters with an indelible sweetness and vulnerability, which allows the cast to deliver performances with some depth. So a situation such as Kyle insisting that Adam and he should cruise girls at a bar looking for sympathy lays — Cruisin’ with the Big C as it were — comes off as quite funny as does Adam’s first chemo session where he ingests weed-laced sweets created by a fellow patient’s wife and floats out of the hospital afterwards.” — Kirk Honeycutt, The Hollywood Reporter The Dissenters “In the pantheon of tastelessness designed to make you laugh at diarrhea, menstruation, masturbation, yeast infections, fellatio and worse, you can now add a stupid horror called ’50/50.’ Artificial, irresponsible, filthy and forgettable, it knocks itself cross-eyed trying to make you roar with laughter at chemotherapy, with the nauseating Seth Rogen milking most of the yuks. But a stoner comedy about cancer? I don’t think so.” — Rex Reed, The New York Observer The Final Word “The reason ’50/50′ works is it’s not trying to force us into any particular emotion. It fits in the emerging category of sad-man comedies such as ‘Up in the Air’ and ‘Crazy, Stupid Love,’ telling its downbeat tale with tenderness, sincerity and warmth. ’50/50′ isn’t a cancer buddy comedy or a male weepie but a message movie. The message is that you can tackle pretty much any subject matter and tell a story any way you want to onscreen as long as it’s absorbing.” — Colin Covert, Minneapolis Star Tribune Check out everything we’ve got on “50/50.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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’50/50′: The Reviews Are In

Florence And The Machine Almost Went Gaga On Ceremonials

In new interview with Billboard, Florence Welch reveals she nearly worked with Lady Gaga and Katy Perry’s hitmaking teams. By James Montgomery Florence Welch on the cover of Billboard magazine Photo: Billboard Florence Welch graces the cover of the new issue of Billboard magazine (on stands now), and inside, she talks about the making of Ceremonials, her brand-new album with the Machine due November 1 here in the States. Welch began work on Ceremonials (the follow-up to their 2009 breakout Lungs ) more than 18 months ago, and during those early stages, they toyed with the notion of making the new album with the same hitmakers responsible for Lady Gaga and Katy Perry’s success. But eventually, as she told the magazine, Welch decided against it because it would be too much of a departure. “I love Lady Gaga and I love Katy Perry and R&B and rap music. … I love big, American pop music. … So the label said, ‘Do you want to go over to America to work in that scene?’ And I was like, ‘Yeah, OK. Maybe I could bring my own take on it,’ ” she recalled. “It got put in the diary to go out for a week, to start writing the new record. And then the diary got sent to me, and I looked at it and just went, ‘No … I can’t do that. This is too weird. I can’t just suddenly leave behind everything that made Lungs. ‘ ” Instead, she decided to work with producer Paul Epworth (most recently known for Adele’s multi-multi-platinum 21 ), and yet, sessions kept getting delayed due to Florence’s continued success in the U.S., thanks in no small part to her show-stealing performance at the 2010 Video Music Awards . Eventually, with Epworth working on tracks in his London studio and Welch recording vocals in U.S. studios during days off from her tour, the duo finished some 40 tracks, 12 of which made the cut for Ceremonials (a total of 20 will be included on the album’s deluxe version, Billboard reports). “I’m pretty surprised at how prolific I’ve been, to be honest. When making the first album, I think I wrote a song about every six months,” Welch said. “The first album was so much about the vocals carrying it. This time I really wanted to give the music space to breathe and for the band to be able to experiment.” Of course, though she was under the gun to finish the new album, Welch says she never felt pressure — mostly because she’d already felt it during the making of her first album. “Nothing could have been harder than making the first record, so I was prepared for the onslaught this time,” she said. “There was a huge amount of media scrutiny on me. … Those conditions of people waiting and waiting, that expectance, everyone talking about you … those are the conditions that I did my first album in. This one, by comparison, is much easier. I came into it having a much clearer idea of what sound I wanted to make and a much clearer idea of what was going to happen after the record was finished.” What are you expecting from Florence’s next album? Let us know in the comments! Related Artists Florence + the Machine

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Florence And The Machine Almost Went Gaga On Ceremonials

Sarah Gadon Is New Class’ ‘Most Likely To Wear A Corset’

Roles in ‘Dream House’ and the upcoming ‘Cosmopolis’ set her up for a long career, especially in period periods. By Jocelyn Vena, with reporting by Josh Horowitz Sarah Gadon Photo: Toby Canham/ Getty Images Sarah Gadon has been acting for more than a decade, but now is really her time to shine. This year alone, she appeared in David Cronenberg’s Freudian flick “A Dangerous Method” and Mary Harron’s “The Moth Diaries,” and this week, she gets her scare on in “Dream House,” alongside Daniel Craig, Naomi Watts and Rachel Weisz. Up next, Gadon, 24, re-teams with Cronenberg on the Robert Pattinson-starring “Cosmopolis.” Her work in period pieces and her ethereal, striking looks certainly make her the perfect candidate to stay trapped in a time when women wore more restrictive clothing. That’s why she’s MTV Movies New Class ‘ “Most Likely to Wear a Corset … A Lot.” MTV : We’re always looking for the next exciting talent, and it’s not like you just started acting, so does it feel like a particularly exciting time where all that hard work is paying off? Gadon : You go through different arcs in your career. I think when I was younger, I was definitely into the performance side of the industry. I came to acting through that way, and then having gone to university and studied cinema studies and watching tons of films and understanding film theory and making a conscious choice of working with auteur director marks a new chapter in my development as an artist. MTV : You mentioned some of the directors, Mary and David, two geniuses, talented individuals; how do you build on that? Because that sets the bar high going forward. Gadon : I think when you work with really wonderful directors who have a really strong vision, it lets you as an artist set the tone for your own career. So for me, it’s not necessarily having that kind of notoriety. I’m interested in great work and working with people that have a singular vision, and I think the work dictates that. MTV : Can you give me a sense of Elise [in “Cosmopolis”] and how she interacts with Rob’s character? Gadon : I think it’s a really interesting film, and I don’t want to give away too much, but I think in a really kind of pared-down version of the film, it’s about a young millionaire who loses everything in the course of a day. And I play his new wife, so I’m one of the only characters that really kind of comes in and out of the story throughout the film. We have breakfast, lunch and dinner together, and those are going to be some interesting meals. MTV : Is there someone to emulate? Gadon :Yeah, of course there is. I think there are so many great actresses out there. I think Tilda Swinton is terribly interesting. I think she’s fascinating. I love her work. For more on all the up-and-comers who make up MTV’s New Class , go to TheNewClass.MTV.com . For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Videos MTV Movies: The New Class

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Sarah Gadon Is New Class’ ‘Most Likely To Wear A Corset’

Emma Watson, ‘Perks’ Co-Stars Do ‘New Class’ Boogie In Exclusive First Look

‘I was waiting for this story, for this script, for this moment, for these people to do it with me,’ Watson says of ‘The Perks of Being a Wallflower.’ By Eric Ditzian, with reporting by Josh Horowitz Emma Watson Photo: Nick Harvey/ WireImage The post- “Harry Potter” education of Emma Watson began, in a way, at Brown University. Searching for her first film after completing the boy-wizard franchise, the Ivy League actress found some unlikely career advisors in the form of her fellow college students, who told her that she simply had to sign up for “The Perks of Being a Wallflower,” an adaptation of Stephen Chbosky’s seminal novel. “Honestly, I had never read the book before, but a lot of my friends at Brown were hugely into it, and when I told them I had this script, they were crazy excited,” Watson told MTV News. And just that like, through the pop-culture schooling of her peers, she’d found a flick to carry her away from Hogwarts and toward a Hollywood second act. It’s fitting, then, that with “Perks” on her r

B.o.B Reveals Album Title, Strange Clouds

The follow-up to his breakout The Adventures of Bobby Ray is tentatively due in ‘early spring.’ By James Montgomery B.o.B Photo: Kevork Djansezian/Getty Images B.o.B teamed up with Lil Wayne on the brand-new “Strange Clouds,” and apparently he liked the result so much he’s decided to name his album after it. During an interview with Atlanta radio station V-103 , B.o.B confirmed that the follow-up to his massive The Adventures of Bobby Ray album would, in fact, be called Strange Clouds. The singer spoke about the lead-off single, saying it just seemed like the logical choice to launch the next phase of his career. ” ‘Strange Clouds’ … is the first single off my sophomore album, [which is] actually titled Strange Clouds, ” he told V-103. “Wayne actually got on it pretty quick. It was a quick turnaround. We were kind of debating on it, man, but we just felt like this is the song that should go first. I feel really strong about it and I like to take my time with music. “When you do a song with somebody, it’s basically like you’re starting a business with that person … it creates a lot of opportunities,” he continued. “I’m glad that he blessed me with a verse, man, and it’s the first single off my album, so I’m excited about it.” B.o.B added that Strange Clouds would hit stores in “early spring,” adding that, “I want it to be sooner!” Earlier this year, he told MTV News that fans should expect “some surprises” on the new disc and subsequently called it “a real special project.” And though the title track features Weezy, producer Jim Jonsin recently let it be known that folks expecting a sequel to The Adventures of Bobby Ray — and the sundry of features it, uh, featured — might be disappointed, because Strange Clouds is very much a B.o.B project. “What Bob wanted to do was go into the lab himself and spend his time creating what he wanted his album to have, the direction he wanted,” Jonsin told MTV News. “So we’re waiting on him to come back with that house that he’s built so we can go ahead and put all the fixtures in and try to help with it.” Related Artists B.o.B

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B.o.B Reveals Album Title, Strange Clouds