Ex Victoria’s Secret model…Doutzen Kroes…posted some pictures of her partying like a slut…flashing her body…like a slut…in a club…like she was one of the groupies throwing her panties on Doutzen’s Husband when he DJs in Ibiza and he pulls them all backstage, now that his bitch is some old, tired, ex VS model, who has served her purpose and made him kids, allowing him to go back to fucking new models, like he was the casting Director at VS, now that this one is old and forgotten…because there will always be new, fresh, exciting pussy…and I guess Doutzen Kroes is having a hard time accepting that in this “LOOK AT ME”…party slutting..that I appreciate…but I guess I’m not her kid googling my mom at pre-school… It all seems desperate, the best kind of desperate…keep up the good work. The post MILF Doutzen Kroes Does Instagram of the Daay appeared first on DrunkenStepfather .
Chelsea Handler is the fucking worst…but women liked her cunty brand of comedy, they thought it was funny, I just found it bitter that she never made it, not that I ever really listened to it, I didn’t have cable that her show was on, but I just naturally saw her as the attention seeking fame whore who tried to be an actor, and chose comedy instead, because acting didn’t work for her, and girl comedy is just easy to pull off…and requires very little skill especially when you haver writers… So this 50 year old, constant breast implant flashing, makes sense to me, now that she has no show, the one thing she was defined by…because her ego got inflated and she believed she would be the next Letterman..when really she was just a rude bitch…rather than an intelligent voice..up on some Jimmy Fallon low brow shit… So this is her stance, her platform, all she’s got left…and it’s too bad it’s boring as fuck…you know the spirit is there…but the execution is just garbage…I am sure there will be more to come…even if this shouldn’t make anyone cum. The post Chelsea Handler’s Fake Tits Waterski of the Day appeared first on DrunkenStepfather .
Singer’s donation to Country Music Hall of Fame and Museum is second largest in Nashville museum’s history. By John Mitchell Taylor Swift Photo: Getty Images Taylor Swift has a reputation for being a good girl with a big heart, and when you pair that with her sizable bank account, you get one very large charitable donation that will benefit music education for both children and senior citizens. The six-time Grammy winner has donated $4 million to the Country Music Hall of Fame and Museum in Nashville to fund what will now be known as the Taylor Swift Education Center, an exhibit and classroom space scheduled to open in 2014. “In terms of what it will allow us to do, we do education very well now,” museum director Kyle Young told the Associated Press (via Billboard ). “It will allow us to do what we do better, serve more people, develop new programs, and I’m happy to say that as we talked through this opportunity with Taylor, she very much wants to be involved in an advisory capacity in what we do. Is there a better person out there who’s in touch with a young audience? I think not. I was joking we should be paying her to do that. I was only joking.” Swift’s donation is the second largest ever gifted to the museum and is the largest given by a musician. The country-pop megastar has a long history with the Country Music Hall of Fame and Museum. She signed her record contract there and gave one of her first public performances on the building’s plaza. In the past, she has also volunteered her time to the museum’s “All for the Hall” fundraisers. The Taylor Swift Education Center is part of a larger $75 million expansion of the Hall of Fame that will more than double the size of the museum and include a new concert theater and more space for exhibits and archives. The planned education center will be more than 7,500 square feet spread over two stories. It will have its own exterior entrance that will lead to three classrooms and exhibit space. The expansion will allow the museum to dramatically increase its youth education programs, with plans for it to house a “musical petting zoo” and an art classroom where children can make concert posters and other art projects. The center will also give the museum the opportunity to add new programs and workshops for teens and senior citizens. “For Taylor to want to engage herself in the life of this place in such an appropriate way,” Young continued, “every way you slice it and dice it, it’s great.” Related Videos MTV First: Taylor Swift Related Artists Taylor Swift
Phillip Phillips gets mostly rave reviews and Joshua Ledet praised on path to what appears to be another all-male finale. By Gil Kaufman Joshua Ledet performs on “American Idol” Photo: Frank Micelotta/ Getty Images You can understand if the contestants on “American Idol” make some bad song choices when left to their own devices. But on Wednesday night’s triple-play episode, in which Phillip Phillips, Jessica Sanchez and Joshua Ledet had to sing a judge’s choice, a tune picked by mentor Jimmy Iovine and one of their own, the selections were … bizarre. With only two songs from the current millennium, the top three reached back, sometimes way back on a night when it became clear that Sanchez is too green, Ledet is just the right shade of blue(s) and Phillips is, well, whatever he wants to be because he’s probably going to win no matter what happens. So, who made it thisclose, but is probably headed home tonight and who can get their big-boy pants pressed for the finale? Read on to find out! Joshua Ledet : Randy Jackson picked the Etta James song “I’d Rather Be Blind” for Josh, who busted out the retro mic and some sleepy soul for a performance that simmered but took way too long to boil. It was solid, but even Jennifer Lopez seemed a tad bored with it and it didn’t push him any closer to this century. (It was cute, though, how a Kraft commercial using the same song aired right after Ledet performed. Synergy!) Josh went big with his choice, John Lennon’s “Imagine.” And because he’s a preacher’s kid, he skipped the “no religion too” verse. The pageant-y, 1970s AM lite radio arrangement flattened out the song’s emotion, which Ledet tried to pump back in courtesy of some swooping gospel moments. It was a heartstring-tugging layup, but if you really listened it sounded like coasting, or, as JLo politely deemed it, “pulled back and controlled.” Jimmy hit Josh in his sweet spot with Mary J. Blige’s “No More Drama.” Someone knows what they’re doing. From the manic bouncing to the nearly out-of-control, bedazzled jacket-dropping spazz at the end, Josh murdered it. That alone made up for the other two tame performances and locked him into next week’s finale. A- Phillip Phillips : Steven Tyler was going for melody with “Beggin'” by Madcon. But what he likely did was send tens of millions of “Idol” watchers to Google to find out … who the hell Madcon is? So, a 2008 cover of a 1967 Four Seasons hit by an obscure Norwegian dance duo? Wouldn’t you know it, strummy P managed to make it sound like, oh man, do I even need to say it? (Rhymes with Shave It Bath Hues.) The jammy, vanilla soul frat party rocker is exactly what I expect a P Phil album to sound like. “New Springsteen?” Really Steven? The sexy sax player was back for Phil’s choice, “Disease” by Matchbox 20. Yeah, that Matchbox 20. It was moody, conga-y, mid-tempo and so intense he had to sit down on some road cases just to contain the, um, intensity? Like Ledet’s “Imagine,” this one felt too easy, like a sprinter pulling up in the final 20 yards to avoid injury after looking over his shoulder and realizing he’s got it. In a rare bit of real talk from the panel, Lopez called it “easy flowing” and said it lacked the “wow performance” element. Phil’s dad loved Jimmy’s choice of Bob Seger’s “We’ve Got Tonight,” and Iovine dared the pawn shop worker to ignore the 1978 hit’s melody. Without his guitar, Phil was forced to awkwardly stroke and caress his thigh as he muscled through the heartland ballad. Between the sappy strings and the suggesting hand fidgeting Phillips looked like he was waiting out the clock in detention. Randy, of course, called it the “perfect song” and Phil’s best performance. So, now all you have to do to win this thing is sing the melody of the song and not worry about actually hitting the notes correctly? I give up. You can have him, America. Remember how awesome that nighty-night song was when you don’t buy his album in December. B Jessica Sanchez : Lopez aimed for Sanchez’s sweet spot with Mariah Carey’s “My All,” but ended up trapping the singer in a breathy lower register that made Jessica’s powerhouse voice sound weak and pitchy. The snoozy lullaby robbed the high schooler of a big moment and may have punched her card home. Did Randy mention he’s worked with Mariah? Well, if he thought that was one of the best renditions of a Carey song ever on TV, Carey should lose his number. In the ultimate brown noser move, BeBe chose Aerosmith’s power anthem “I Don’t Want to Miss a Thing.” I kept waiting for girls in swimsuits or evening gowns to start parading around her, but this kind of Velveeta ballad is her sweet spot and while she didn’t move the bar any higher, it’s exactly what America wanted to hear. But, ugh, that last shouty note was as off as Jennifer’s pink pantsuit. Iovine went retro with 1970’s “I’ll Be There” by the Jackson 5, which despite what he argued, didn’t really make Sanchez seem contemporary, and dropped her back down into that lower range that doesn’t do her favors. When she kept it up high, Sanchez sounded strong and confident, but the lazy tempo didn’t provide the rocket fuel she needed to lock in a spot next week. B- Who do you think nailed it last night? Who deserves to go home? Let us know in comments below. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 11 Performances
