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WATCH: Don’t Judge ‘The Place Beyond The Pines’ By These Three Videos

Derek Cianfrance’s The Place Beyond The Pines remains among my favorite unreleased movies since I saw it at the Toronto International Film Festival in September, it’s testament to the movie’s satisfying complexity that these three video clips don’t really convey the emotional wallop that the film packs. Here’s the other thing: I can’t really set these videos up properly without some major spoilers, so I would urge you not to write off the movie if these three excerpts don’t exactly move you. Suffice it to say, the first two clips feature appear, in chronological order in the first third of the movie, where motorcycle stunt driver Luke ( Ryan Gosling ) learns that he fathered a child by Romina (Eva Mendes) and decides that he doesn’t want to be the deadbeat dad that he had as a kid.  Alas, his decision to be a responsible parent involves robbing banks to support his kid, which is not exactly Brady Bunch territory, but Cianfrance uses Luke’s storyline to set up a movie that has some very smart things to say about morality and legacy. Luke and Romina’s story is intertwined with the narrative arc of police officer Avery Cross, played by Bradley Cooper. In the third and final clip, he attempts to inform his superior of corruption in the department and doesn’t exactly meet with a willing audience. The movie only gets more interesting and gripping from there. The Place Beyond The Pines opens on March 29. More on The Place Beyond The Pines:  The Principals Behind The  Pines : Gosling and Cianfrance On Robbing Banks, Fatherhood, Face Tattoos, And More Ryan Gosling: ‘I’m Not Allowed to Have An Opinion’ About The Media’s Coverage Of My Life Follow Frank DiGiacomo on  Twitter . Follow Movieline on  Twitter .

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WATCH: Don’t Judge ‘The Place Beyond The Pines’ By These Three Videos

WATCH: Ryan Gosling Sheds A Manly Tear In ‘The Place Beyond The Pines’ Trailer

“If you ride like lightning, you’re going to crash like thunder,” sounds like something Dennis Hopper  would have said in the 1970s (and, actually, the 80s, too), but the always-compelling Ben Mendelsohn gets the line in Derek Cianfrance’s The Place Beyond The Pines . Although you only hear Mendelsohn deliver it in voiceover in this trailer for the feature, it’s a warning he delivers to his partner-in-crime motorcycle stuntman-turned-bank robber Ryan Gosling in the film. As you can piece together from the clip below (which comes via Yahoo! ),   Gosling turns outlaw to support the surprise son he finds out he has (thanks to a fling with Eva Mendes’ character) and ends up on a collision course with a cop played by Bradley Cooper. (That tear Baby Goose sheds in the church is over his little boy, who’s played by a kid named Anthony Pizza, believe it or not.)  But don’t be like the guy in Yahoo! comments section who thinks the trailer gives away the whole movie.   The Place Beyond the Pines is way more complex than a heist  flick. As the tag line in the trailer reads: “One moment defines your life. One decision becomes your legacy.” I’m curious to see whether Cianfrance has re-edited the film since I saw it at the Toronto International Film Festival . I thought the way he structured the movie  was daring and inspired, if a bit unwieldy in places, but there was some grumbling among the crowd that the movie’s three interlocking stories didn’t fit together so well. The movie opens theatrically March 20. RELATED:  Ryan Gosling: ‘I’m Not Allowed to Have An Opinion’ About The Media’s Coverage Of My Life The Principals Behind The  Pines : Gosling and Cianfrance On Robbing Banks, Fatherhood, Face Tattoos, And More [ Yahoo! ] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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WATCH: Ryan Gosling Sheds A Manly Tear In ‘The Place Beyond The Pines’ Trailer

It’s Ryan Gosling’s Birthday! Watch 9 Essential ‘Mickey Mouse Club’-Era Baby Goose Moments

I don’t care if you’re already sick of the blogosphere’s fawning, today is Ryan Gosling ‘s birthday and that is practically an internet holiday. (Not to mention an actual one. Shout out to the veterans out there.) And unlike you Gosling latecomers out there who jumped on the Baby Goose train after The Notebook , some of us have been faithful fans for almost two decades now, and that kind of lifelong dedication warrants an entire post full of internet videos, okay? So for all my fellow Goslingheads out there I’d like to take a trip back in time to when Baby Goose was not an actual baby, but a pre-pubescent star in the making. A bright shining star who loved that smooth, smooth ’90s R&B. Let’s rewind to his youth and ours. Let’s take it back to the Mickey Mouse Club . Because when I think Ryan Gosling, I think Jodeci: …and Boyz II Men: …and this sweet denim vest: … and answering Mouse Mail with JC Chasez: … and his hometown of Cornwall, Ontario, Canada, “the place where most of the stuff is happening”: … and his early flair for comedy: … and that one time he and Britney Spears and Justin Timberlake and Xtina passed notes in class: … and how he and Justin Timberlake should do a buddy comedy together now that they’re both hot Hollywood properties even though they never seem to hang out in public, and what’s up with that because weren’t they like totally MMC besties? But when it comes to that patented Gosling “Hey Girl” touch, let’s skip ahead a few years to the teenagers-on-a-boat series Breaker High to witness the Baby Goose’s effortless sigh-inducing charms. There’s no doubt about it: Gosling had “Hey girl” down to a science long before “Hey girl” became a thing. You’re welcome, world. If you need me I’ll be working on my art, AKA this . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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It’s Ryan Gosling’s Birthday! Watch 9 Essential ‘Mickey Mouse Club’-Era Baby Goose Moments

Gangster Squad Gets Back In The Game With New Trailer

The Sean Penn , Ryan Gosling , Josh Brolin starrer was initially set for an early September release, but the tragedy in Aurora, CO at a The Dark Knight Rises showing at a multiplex threw the title into a tailspin. The Ruben-Fleischer-directed film about the L.A. police department’s war against organized crime in the ’40s and ’50s. Gangster Squad is now set for a January release. The original trailer, which played some TDKR showings, depicted a scene in which mobsters open fire at a crowd of moviegoers. The scene was reportedly pivotal to the feature’s plot and producers delayed the pic to re-work film and eliminate the possibility of touching a raw nerve. The trailer opens within explosion and a few shoot-outs. The period piece appears to have gangster Sean Penn up against cop Ryan Gosling, but is there a woman they both share? Who will ultimately rule L.A.? Warner Bros. is now planning a roll out on January 11th. The film also stars Emma Stone, Michael Pena, Anthony Mackie, Nick Nolte and James Carpinello.

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Gangster Squad Gets Back In The Game With New Trailer

Forgive Me Father, But You F-ed Me Up − A Last Look Back At The Toronto International Film Festival

I keep coming back to The Place Beyond the Pines , but it was the movie that defined the Toronto International Film Festival  for me. More than once, I heard the director Derek Cianfrance describe his ambitious and moving film as a movie about “legacy” and how “sometimes you’re born into a world with all of these repercussions that people have made before you” and “have to fight and claw to get out of that.”  Judging from the features and documentaries I saw during my short stay in Toronto, these ideas of legacy and the sins of our fathers — whether they’re our literal or institutional fathers — are weighing heavily on America’s collective psyche. Perhaps this theme resonated with me because I am a father — the sins come with the territory — but after a decade of terrorism, war and economic turmoil, I think that, on a larger psychological scale, even a nice chunk of the 1 percent are freaked about how America’s recent past will affect its future, and that insecurity has seeped into a lot of the art that will be seeing over the next few months. The Place Beyond The Pines , which Focus Features will release in 2013, is essentially about how a fateful encounter between two fathers — one a stunt motorcyclist ( Ryan Gosling ) who has turned to crime to support his son; the other, a cop ( Bradley Cooper) , who has his own daddy issues, carries over into the next generation. I’m oversimplifying the plot, a good portion of which needs to stay under wraps for optimum dramatic impact, but, in the last third of the movie, Cianfrance creates a remarkable amount of tension around the question of whether the sons of Gosling and Cooper’s characters will be damned by the actions of their fathers. A similar theme is at play in Daniel Algrant’s Greetings From Tim Buckley , a movie that features a breakthrough performance from Penn Badgley as Tim’s son, Jeff Buckley, who, like his father, was an extremely talented singer/songwriter. (Based on Badgley’s performance, he has a bright future in film.)  Buckley pere and fils both died young: Tim succumbed to a drug overdose at the age of 28 when his son was just an infant. Jeff drowned in the Wolf River in Memphis, TN when he was 30. Greetings doesn’t deal with their deaths, though. It grapples with the much thornier aspect of Jeff’s life, specifically, his struggle to shake off the weighty ghost of his father — at the post-screening Q&A I attended, Algrant said Greetings producer Fred Zollo described the story as ” Hamlet ” — who he barely knew but who serves as a constant reminder of all he has not accomplished. Tim Buckley had released nine studio albums, achieved critical acclaim and credibility as a political activist by the time he died. Jeff Buckley was just beginning to record his second album when he died. And yet, anyone who has heard his recordings of “Forget Her,” “Lover, You Should Have Come Over” or his ethereal version of Leonard Cohen’s “Hallelujah,” knows that Jeff found himself. But as Algrant and, especially Badgley, reveal, the story is all in the telling.

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Forgive Me Father, But You F-ed Me Up − A Last Look Back At The Toronto International Film Festival

Ryan Gosling, Bradley Cooper and Eva Mendes Head Strong Cast In Powerful The Place Beyond The Pines

The night began with a little celebrity-fueled silliness.  As Ryan Gosling arrived at the Princess of Wales Theater in Toronto for the premiere of his latest picture, The Place Beyond The Pines , a crowd of eager fans barged across traffic-stalled King Street to swarm the object of their affection. But once Gosling’s second film with filmmaker Derek Cianfrance — they made the remarkably pure heartbreaker Blue Valentine together — got started, it was clear that the two friends and a remarkable cast that included Bradley Cooper , Eva Mendes and Ben Mendelsohn had made a seriously good movie. [ GALLERY: The Place Beyond The Pines And More TIFF Films Likely To Succeed ] As Cianfrance told the crowd afterward, the movie “is about legacy — about being a father.” Gosling plays a stunt motorcyclist who turns to bank-robbing out of sense of responsibility to a child he fathered; his performance is so indelible that you don’t forget him once he’s left the screen. The remarkable thing is that Cianfrance — who said during the Q&A that the structure of the film was inspired by Psycho — gets Bradley Cooper, who plays a Schenectady, NY cop with adjustable morals, to pick up the baton and carry the movie before handing it off to Dane DeHaan and Emory Cohen, who both give memorable performances as the sons, respectively, of Gosling’s and Cooper’s characters. Indeed, there are so many strong performances in this movie — Mendelsohn is also a standout — that the Academy could have a tough time figuring out who to honor with a nomination. Cianfrance told the crowd that he actually began writing the film before Blue Valentine in 2007 when he was in the process of becoming a father for the second time. “I was thinking a lot about becoming a father again [and remembering that] I had a fire in me.” Sometimes, Cianfrance said, “it had helped” and “sometimes it destroyed things.” Thinking about the son he was expecting, the director said: “I didn’t want him to have the fire.” The Place Beyond The Pines is all about that fire and it leaves a searing impression, though there were some light moments during the Q&A. At the very end of the evening, after Gosling politely brushed off compliments about his sexiness and the tattoos he wears in the film, a woman in the balcony screamed, “Ryan I’m pregnant!” Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Ryan Gosling, Bradley Cooper and Eva Mendes Head Strong Cast In Powerful The Place Beyond The Pines

Tony Scott Did Not Have Brain Cancer; Dick Van Dyke to Receive SAG-AFTRA Honors

Also in Tuesday morning’s round-up of news briefs, the New York Film Festival will debut a portion of a new Oliver Stone project. Paramount nabs Kevin Costner for Kenneth Branagh project. Jim Carrey is being courted for super-hero project. And Italian television warns of a “racy” Venice lineup. Dick Van Dyke to Receive 49th SAG Life Achievement Award The award is SAG-AFTRA’s highest honor given to an actor that exemplifies the “finest ideals of the acting profession.” Van Dyke will receive the honor at the 19th annual Screen Actors Guild Awards, taking place Sunday, January 27th. New York Film Festival to Feature Oliver Stone Debut & More The 50th NYFF will include a sneak preview of Oliver Stone’s The Untold History of the United States , produced as a 10-part mini-series for Showtime. The first three chapters will be presented by NYFF. Additionally, the event will present anniversary screenings of the classics Lawrence of Arabia , Snow White and the Seven Dwarfs and The Princess Bride as part of its 2012 event taking place September 28 – October 14. Around the ‘net… Tony Scott’s Family Says He Did Not Have Brain Cancer Initial reports that Scott’s suicide may have stemmed from brain cancer apparently were incorrect. ABCNews.com initially reported the director suffered from inoperable brain cancer, but family members denied that he was suffering any severe medical issues, USA Today reports . Paramount Gets Kevin Costner for Jack Ryan and Without Remorse Pics The studio had been courting Costner for the Kenneth Branagh-directed Jack Ryan film with Chris Pine as well as the spinoff franchise Without Remorse , Deadline reports . Jim Carrey Being Courted for Kick-Ass 2 It is not clear he’ll accept, but Jim Carrey is being courted by Universal to “play a showy supporting role in Kick-Ass 2: Balls to the Wall , directed by Jeff Wadlow, Deadline reports . Berlusconi TV Channel Slams Venice for “Racy Lineup” A network owned by disgraced former prime minister Silvio Berlusconi said the Venice Film Festival needs an adults-only rating, though its spiel on the films may have been at least somewhat tongue-in-cheek. The festival includes potentially controversial new work from Terrence Malick, Paul Thomas Anderson, Harmony Korine, Brian DePalma and Marco Bellocchio. Venice takes place August 29 – September 8, The Guardian reports .

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Tony Scott Did Not Have Brain Cancer; Dick Van Dyke to Receive SAG-AFTRA Honors

Toronto International Film Festival Finalizes Roster

The 37th Toronto International Film Festival added more titles Tuesday, completing a lineup that includes 289 features of which 146 are world premieres from 72 countries. Among the titles revealed today are Cannes Palme d’Or winner Amour by Michael Haneke, Everyday by Michael Winterbottom, Like Someone in Love by Abbas Kiarostami and Me and You by Bernardo Bertolucci. The festival touted its huge list of directors and actors expected to attend the event, which takes place September 6 – 16. The festival revealed titles in its Masters and Discovery sections as well as events planned for its conversational “Mavericks series.” TIFF will also host its Docs Conference for a second year, expanding the event to two days and it will allow for public participation. The event will kick off with a keynote from HBO Documentary Films’ Sheila Nevins. Among this year’s directors expected to attend are: Rian Johnson, Noah Baumbach, Deepa Mehta, Derek Cianfrance, Sion Sono, Joss Whedon, Neil Jordan, Lu Chuan, Shola Lynch, Barry Levinson, Yvan Attal, Ben Affleck, Marina Zenovich, Costa-Gavras, Laurent Cantet, Sally Potter, Dustin Hoffman. Baltasar Kormákur, J.A. Bayona, Rob Zombie, Peaches and Paul Andrew Williams. Actors expected to attend include: Bruce Willis, Joseph Gordon-Levitt, Jackie Chan, Tom Hanks, Halle Berry, Bill Murray, Robert Redford, Riz Ahmed, Ryan Gosling, Robert De Niro, Stephen Dorff, Dennis Quaid, Jennifer Connelly, Billy Bob Thornton, Bradley Cooper, Penelope Cruz, Marion Cotillard, Colin Firth, Kate Hudson, Kiefer Sutherland, Gwyneth Paltrow and many more. “These Masters films represent cinema’s living legacy,” said Piers Handling, Director and CEO, TIFF. “We are proud to present new work from directors as renowned as Manoel de Oliveira, Michael Haneke, Bernardo Bertolucci and Abbas Kiarostami. All 14 filmmakers command the respect of audiences, critics and above all their filmmaking peers.” 2012 Toronto International Film Festival additions with descriptions provided by the event. Masters: Amour by Michael Haneke, Austria/France/Germany North American Premiere Screen legends Jean-Louis Trintignant and Emmanuelle Riva are ineffably moving as an elderly couple facing their own mortality in the Palme d’Or-winning new work by modern master Michael Haneke (The White Ribbon). Beyond the Hills (Dupa Dealuri) by Cristian Mungiu, Romania/France North American Premiere Palme d’Or winner Cristian Mungiu (4 Months, 3 Weeks and 2 Days) returns with this magisterial drama about a young Romanian woman who sets out to retrieve her childhood friend from “captivity” in a remote Romanian monastery, and soon comes into violent conflict with the archaic strictures of this traditional community. Everyday by Michael Winterbottom, United Kingdom World Premiere Everyday tells the story of four children separated from their father, and a wife separated from her husband. The father, Ian (John Simm), is in prison. The mother, Karen, (Shirley Henderson) has to bring up a family of four children by herself. Filmed over a period of five years, Everyday uses the repetitions and rhythms of everyday life to explore how a family can survive a prolonged period apart. Gebo and the Shadow (Gebo et l’ombre) by Manoel de Oliveira, Portugal/France North American Premiere Cinematic legends Jeanne Moreau, Claudia Cardinale and Michael Lonsdale star in the new film from legendary Portuguese master Manoel de Oliveira. In Another Country (Da-Reun Na-ra-e-suh) by Hong Sang-soo, South Korea North American Premiere South Korean master Hong Sang-soo teams with French superstar Isabelle Huppert for this inventive and wonderfully witty three-part film, in which three different but strikingly similar women — all named Anne, and all played by Huppert — meet and interact with the same group of people in a seaside Korean town, with each encounter producing a set of intriguing new outcomes and new possibilities. Like Someone in Love by Abbas Kiarostami, Japan/France North American Premiere An old man and a young woman meet in Tokyo. She knows nothing about him; he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of 24 hours bears no relation to the circumstances of their encounter. Me and You by Bernardo Bertolucci, Italy North American Premiere In Italian master Bernardo Bertolucci’s first feature in 10 years, Lorenzo is a quirky 14-year-old loner who plans to fulfill his teenage dream of happiness by hiding out in his apartment building’s abandoned cellar. To escape his overwrought parents, Lorenzo will tell them that he is going away on a ski trip with school friends. For an entire week, he will finally be able to avoid all conflicts and pressures to be a “normal” teenager. But an unexpected visit from his worldly older half-sister Olivia changes everything. Their emotional time together will inspire Lorenzo to come to terms with the challenge of casting aside his disguise of troubled youth and prepare to soon be thrown into the chaotic game of adult life. Night Across the Street (La Noche de Enfrente) by Raúl Ruiz, France/Chile North American Premiere Three intersecting ages of a man who can see approach of death. Three rival souls. The final testament of Raúl Ruiz. Pieta by Kim Ki-duk, South Korea North American Premiere In the new film by controversial Korean auteur Kim Ki-duk, a brutal man employed by a loan shark is forced to reconsider his violent lifestyle when a mysterious woman appears claiming to be his long-lost mother. But, as his attachment to her grows, he begins to discover the gruesome and tragic secret that made her seek him out. Something in the Air (Après mai) by Olivier Assayas, France North American Premiere At the beginning of the seventies, Gilles, a high school student in Paris, is swept up in the political fever of the time. Yet his real dream is to paint and make films, something that his friends and even his girlfriend cannot understand. For them, politics is everything, the political struggle all-consuming. But Gilles gradually becomes more comfortable with his life choices, and learns to feel at ease in this new society. Student by Darezhan Omirbayev, Kazakhstan North American Premiere Master director Darezhan Omirbayev transposes Dostoevsky’s Crime and Punishment to modern-day Kazakhstan, in this tale of a university student who takes the ruthless social Darwinist principles of his post-communist, pirate-capitalist society to their murderously literal extreme. When Day Breaks by Goran Paskaljevic, Serbia/Croatia/France World Premiere Misha Brankov is a retired music professor. One morning he receives a letter requesting him to contact the Jewish Museum in Belgrade. At the museum, he learns that during some excavations on the sewers at the city’s Old Fairgrounds, an iron box was found, in this same place where during the Second World War an infamous concentration camp was set up for Serbian Jews and Gypsies. The contents of the box will change the Professor’s life. Maverick Series: In Conversation With… Jackie Chan Actor, director, writer, producer, comedian, stuntman, action choreographer and martial artist Jackie Chan continues to do it all. His tireless work in more than 100 films over four decades has made him a global icon. There may be no corner of this planet where his face — and fists — are unknown. In this exclusive Mavericks Conversation, Chan will discuss the full range of his career. In a Festival exclusive, he will also offer a sneak preview glimpse of his upcoming film, Chinese Zodiac. Moderated by Cameron Bailey. Sons of the Clouds: The Last Colony Produced by and starring Academy Award®-winning actor Javier Bardem, Álvaro Longoria’s documentary Sons of the Clouds: The Last Colony examines the current political turmoil in Northern Africa, and the role of the Western world’s realpolitik foreign policies. These policies have generated tremendous instabilities that have erupted into violence and chaos. The film focuses on Western Sahara, the last African colony according to the UN, and a region on the brink of war. The film follows Bardem’s personal journey through the path of world diplomacy and the devastating reality of an abandoned people. Following the North American premiere screening, Bardem joins Longoria onstage to discuss how he discovered this catastrophic human rights issue, and his determination to bring the cause of the Saharan refugees to the attention of the UN Assembly. The Pervert’s Guide to Ideology Depending on one’s view, the philosopher and academic superstar Slavoj Žižek is a genius, madman, contrarian, clown, sensationalist, radical leftist, scourge of liberals, or all the above. What he never fails to be is wildly entertaining and provocative. Director Sophie Fiennes reunites with the very funny provocateur Žižek for the sequel to their collaboration The Pervert’s Guide to Cinema. Žižek examines film clips, both famous and obscure, for their overt and hidden ideological implications, tracing their connections to current times, while Fiennes does a masterful job editing Žižek’s commentary into film scenes and placing him into clever recreations of famous film sets. Fiennes and Žižek (making his first visit to the Festival) will engage in an onstage discussion following this world premiere screening. West of Memphis From Academy Award-nominated director Amy Berg, in collaboration with first-time producers Damien Echols and Lorri Davis along with acclaimed Academy Award-winning filmmakers Peter Jackson and Fran Walsh, comes West of Memphis — a powerful examination of a catastrophic failure of justice in Arkansas. This infamous case of three teenagers — known as the West Memphis Three — who were imprisoned for a heinous crime despite overwhelming evidence of their innocence, has galvanized grassroots supporters and high-profile advocates such as Johnny Depp, Eddie Vedder, Peter Jackson, Fran Walsh and musician Natalie Maines. Told and made by those who lived it, Berg’s unprecedented access to the inner workings of the defence allows the film to show the investigation, research and appeals process in a way that has never been seen before. A pre-taped video introduction by Jackson precedes the screening, which is followed by a live discussion about the case and the movement it inspired with Berg, Echols, Davis, Maines and Depp. Moderated by Thom Powers. Discovery: 7 Boxes by Juan Carlos Maneglia, Tana Schémbori, Paraguay International Premiere It’s Friday night in Asunción and the temperature is 40ºC. Víctor, a 17-year-old wheelbarrow-boy, dreams of becoming famous and covets a cell phone in Mercado 4. He is offered the chance to deliver seven boxes with unknown contents in exchange for $100. This sounds like an easy job but it soon gets complicated. Something in the boxes is highly coveted. Víctor and his persecutors find themselves caught up in a crime they know nothing about. Starring Celso Franco, Lali González, Víctor Sosa and Nico García. Augustine by Alice Winocour, France International Premiere Paris, winter 1885. At the Pitié-Salpêtriere Hospital, Professor Charcot is studying a mysterious illness: hysteria. Augustine, 19 years old, becomes his favourite guinea pig and the star of his demonstrations of hypnosis. The object of his studies will soon become the object of his desire. Starring Soko, Vincent Lindon and Chiara Mastroianni. Blancanieves by Pablo Berger, Spain/France World Premiere Once upon a time, there was a little girl who never knew her mother. She learned the art of her father, a famous bullfighter, but was hated by her evil stepmother. One day she ran away with a troupe of dwarfs and became a legend. Set in southern Spain in the 1920s, Blancanieves is a tribute to silent film. Starring Maribel Verdú and Daniel Giménez Cacho. Boy Eating the Bird’s Food by Ektoras Lygizos, Greece North American Premiere A 22-year-old boy in Athens has no job, no money, no girlfriend and no food to eat. He has only a canary bird and a beautiful singing voice. When he finds himself without a home, he must seek shelter for his bird. Starring Yiannis Papadopoulos. The Brass Teapot by Ramaa Mosley, USA World Premiere John and Alice are in their 20s, married, very much in love, and broke. In high school, gorgeous Alice was voted “most likely to succeed” but now she’s just trying to make ends meet while her friends are enjoying the good life. Her husband John, loving but immature, just wants to get the bills paid. After they get into an accident and end up at a roadside antique shop, Alice is uncharacteristically drawn to shoplift a brass teapot. It isn’t long before they realize this is no ordinary teapot. Starring Juno Temple, Michael Angarano, Alexis Bledel, Alia Shawkat, Bobby Moynihan, Stephen Park, Billy Magnussen and Debra Monk. Burn It Up Djassa by Lonesome Solo, Ivory Coast/France World Premiere In the busy streets of Abidjan, Tony, an out-of-school youth, scrapes together a living by hawking cigarettes but he soon turns to violence. Shot in 11 days in Abidjan, Burn It Up Djassa breathes new life into Ivory Coast film. Starring Abdoul Karim Konaté, Adélaïde Ouattara, Mamadou Diomandé and Mohamed Bamba. Call Girl by Mikael Marcimain, Sweden/Ireland/Norway/Finland World Premiere Stockholm, late 1970s. Within a stone’s throw of government buildings and juvenile homes lies the seductive world of sex clubs, discotheques and private residences. Call Girl tells the story of how young Iris is recruited from the bottom of society into a ruthless world where power can get you anything. Starring Pernilla August, Sofia Karemyr, Simon J Berger, Sven Nordin, David Dencik, Ruth Vega Fernandez, Josefin Asplund, Magnus Krepper and Kristoffer Joner. Clip by Maja Milos, Serbia North American Premiere Jasna is a beautiful girl in her mid-teens, leading a crude life in postwar Serbia. With a terminally ill father and dispirited mother, she is disillusioned and angry with everyone and everything, including herself. Having a huge crush on a boy from school, she goes on a spree of sex, drugs and partying, constantly filming with her mobile phone. Still, in that very harsh environment – love and tenderness emerge. Starring Isidora Simijonovic, Vukašin Jasnic, Sanja Mikitišin, Jovo Makisc and Monja Savic. The Color of the Chameleon by Emil Christov, Bulgaria World Premiere This is a story without innocents. A maniacal informant creates his own phantom secret-police department. He recruits a group of intellectuals to spy on each other and uses his secret archive to wreak havoc on the government. Secret policing reveals its dark nature not only in its nauseating cruelties, but in its deviant pleasures. Starring Ruscen Vidinliev, Irena Milyankova, Rousy Chanev, Deyan Donkov, Svetlana Yancheva and Samuel Finzi. The Deflowering of Eva van End by Michiel ten Horn, The Netherlands World Premiere The Deflowering of Eva van End is a tragicomedy about the van End family who, after the arrival of an impossibly perfect German exchange student, can no longer imagine how they ever managed to live with their imperfect selves. Starring Vivian Dierickx, Abe Dijkman, Tomer Pawlicki, Jacqueline Blom, Ton Kas and Rafael Gareisen. Detroit Unleaded by Rola Nashef, USA World Premiere Caught between the cultures of contemporary Detroit and traditional Arab-America, Sami works behind the bulletproof glass of a 24-hour gas station with his cousin Mike. Inside this unique East-side neighborhood, the once university-bound Sami is forced to put his dreams aside and resign himself to a world composed of junk food, overpriced Tigers baseball memorabilia, and cheap, long-distance phone cards. And then the beautiful Naj walks in. Starring E.J. Assi, Nada Shouhayib, Mike Batayeh, Mary Assel, Akram El-Ahmar and Steven Soro. Eat Sleep Die by Gabriela Pichler, Sweden North American Premiere When the forceful young Muslim Swedish/Balkan factory worker Raša loses her job, she must navigate the unemployment system. With no high school diploma, no job – but her boots deeply stained with the mud of the small town she grew up in – Raša finds herself on a collision course with society and its contradictory values and expectations. First time amateur actors play all of the main characters in the film. Starring Nermina Lukac, Milan Dragišic, Peter Fält, Ružica Pichler and Jonathan Lampinen. Fill the Void by Rama Burshtein, Israel North American Premiere Fill the Void tells the story of an Orthodox Hassidic family from Tel Aviv. Eighteen-year-old Shira is the youngest daughter of the family. She is about to be married to a promising young man of the same age and background. It is a dream come true and Shira feels prepared and excited. When her 28-year-old sister, Esther, dies while giving birth to her first child, Shira’s promised match is postponed. When Shira’s mother finds out that Esther’s widower may leave the country with her only grandchild, she proposes a match between Shira and the widower. Shira will have to choose between her heart’s wish and her family duty. Starring: Hadas Yaron, Yiftach Klein, Irit Sheleg, Chaim Sharir, Razia Israely, Hila Feldman, Renana Raz, Yael Tal, Michael David Weigl and Ido Samuel. The Interval by Leonardo Di Costanzo, Italy North American Premiere A boy and a girl have been locked up in an enormous abandoned building in Naples. The boy has been forced by a Camorra gang to act as her jail-keeper. But as the hours go by, hostility gives way to a form of exchange and when the Camorra gang members make their appearance at sunset, the pair are different from what we were expecting. Starring: Francesca Riso, Alessio Gallo, Carmine Paternoster, Salvatore Ruocco, Antonio Buil, Jean Yves Morard Janeane from Des Moines by Grace Lee, USA World Premiere A conservative housewife wants to “take America back” in the 2012 election, but a tough economy causes some difficulties in her life, leading her to confront Republican contenders as they criss-cross her state during the Iowa Caucuses. But will anyone hear her story? Starring Jane Edith Wilson, Michael Oosterom, Mitt Romney, Michele Bachmann, Rick Santorum, Rick Perry and Newt Gingrich. La Sirga by William Vega, Colombia/France/Mexico North American Premiere Alice is helpless. War memories invade her mind like threatening thunder. Uprooted by the armed conflict, she tries to reshape her life in La Sirga, a decadent hostel on the shores of a great lake in the highlands of the Andes. There, on a swampy and murky beach, she will try to settle down until her fears and the threat of war resurface again. Starring Joghis Seudin Arias, David Fernando Guacas, Julio César Roble, Heraldo Romero and Floralba Achicanoy . The Land of Eb by Andrew Williamson, USA World Premiere The Land of Eb relates a compassionate portrait of the Marshallese diaspora in Kona, Hawaii from the point of view of a hard-working and loving family man. Jacob forgoes cancer treatment in order to provide for his family when he’s gone. An insightful and ultimately joyful reminder of the lasting effects of the nuclear age. Starring Jonithen Jackson, Rojel Jonithen, Jeff Nashion and Hilary Monson. Nights with Theodore by Sébastien Betbeder, France World Premiere A party in a Parisian flat. Theodore meets Anna. Later in the night, while walking through Paris, they decide to climb the fence of Buttes-Chaumont Park. There, they will share their first night and they will continue to come back until this strange attraction begins to separate them. In Nights with Theodore, fiction meets documentary to show the mysteries and fantasies of Buttes-Chaumont Park. Starring Pio Marmaï and Agathe Bonitzer. Mushrooming by Toomas Hussar, Estonia North American Premiere Politician Aadu and his wife set out to pick mushrooms on a day when he gets a call from a journalist confronting him with suspected corruption. By coincidence, the married couple find themselves in a car with a pompous rock idol named Zäk. After discovering the spot his wife chose to pick mushrooms is full of vacationers, Aadu decides to find a quieter place. The woods where he ultimately ends up however, are perhaps too deep and inhospitable. Finding a way out may not be easy. This black comedy, with touches of political satire, aims at the often unscrupulous behaviour of contemporary politicians and media stars on their way to power and popularity. Starring Raivo E. Tamm, Elina Reinold, Juhan Ulfsak, Üllar Saaremäe and Hendrik Toompere Jr. Our Little Differences by Sylvie Michel, Germany International Premiere The seemingly harmonious relationship between the prestigious Doctor, Sebastian and his Bulgarian cleaning lady, Jana, develops into a vicious power game, when her daughter Vera and Arthur, the doctor’s son, vanish without a trace. Starring Wolfram Koch, Bettina Stucky, Leonard Bruckmann, Silvia Petkova, Wilhelm Eilers, Cornelia Brunig, Katharina Kubel and Jacqueline Macaulay. Out in the Dark by Michael Mayer, Israel/USA North American Premiere Two young men—a Palestinian grad student and an Israeli lawyer—meet and fall in love amidst personal and political intrigue in this striking debut feature. As their relationship deepens, Nimer is confronted with the harsh realities of a Palestinian society that refuses to accept him for his sexual identity, and an Israeli society that rejects him for his nationality. Starring Nicholas Jacob and Michael Aloni. Satellite Boy by Catriona McKenzie, Australia World Premiere While trying to save his home from being bought up by developers, a young Aboriginal boy becomes lost in the Outback with his smart-mouthed friend, and must call on the wisdom and survival skills passed down to him by his grandfather (played by legendary Australian actor David Gulpilil) in order to lead them out of the wilderness. Starring David Gulpilil, Cameron Wallaby, Joseph Pedley, Rohanna Angus and Dean Daley-Jones. Wasteland by Rowan Athale, United Kingdom World Premiere Battered, bruised and under arrest, Harvey Denton sits in a police interview room facing interrogation. Clutching a stack of eyewitness statements, Detective Inspector West has no doubt as to Harvey’s part in a foiled robbery and his subsequent attempted murder of local businessman Steven Roper. Denying nothing, Harvey agrees to tell his version of events in full. As the story unfolds, we discover that a malevolent and unjust act perpetrated by Roper put Harvey in prison and now he has a score to settle. What unfolds is a tense and exhilarating heist of unexpected proportions. Starring: Luke Treadaway, Iwan Rheon, Matthew Lewis, Gerard Kearns, Timothy Spall, Vanessa Kirby and Neil Maskell. Canadian films previously announced in the Discovery programme include: Jason Buxton’s Blackbird, Igor Drljaca’s Krivina, Kate Melville’s Picture Day and Kazik Radwanski’s Tower. TIFF Kids: Nono, The Zigzag Kid by Vincent Bal, Belgium/The Netherlands World Premiere Nono wants to be like his father – the best police inspector of the world – but he gets into trouble all the time. Two days before his Bar Mitzvah, he’s sent away to his uncle Sjmoel, in order to keep to the straight and narrow. However, during the train ride Nono gets a last chance to prove himself. Along with master burglar Felix Glick – an old acquaintance of his father – he’s able to stop the train. He then enters a world of disguises, chases, French chansons, and of Zohara, a mysterious lady whose secrets will change Nono’s life forever. TIFF Docs: Monday, Sept 10 Keynote Conversation with Sheila Nevins 9:30 – 10:45 am Sheila Nevins, the President of HBO Documentary Films, speaks on the topic of “How Far Can Documentaries Go?” in a conversation moderated by film critic John Anderson. Nevins makes her first trip to the Festival with two films that she executive produced: Mea Maxima Culpa: Silence in the House of God and First Comes Love. Making History: A Conversation with Ken Burns and Shola Lynch 11 am – 12:15 pm Acclaimed filmmakers Ken Burns (The Central Park Five) and Shola Lynch (Free Angela and All Political Prisoners) talk about directing historical documentaries in a conversation moderated by author and filmmaker Nelson George (Brooklyn Boheme). The Fruit Hunters sneak preview 1 pm – 2:15 pm Yung Chang (Up the Yangtzee; China Heavyweight) presents an exclusive sneak preview of selected scenes from his much-anticipated new film The Fruit Hunters, based on the best-selling book. World Premiere of Rafea: Solar Mama 2:30 pm – 4:30 pm Egyptian-American filmmakers Jehane Noujaim (Control Room) and Mona Eldaief present the world premiere of Rafea:Solar Mama, a documentary that follows an illiterate mother from Jordan to the Barefoot College in India that trains impoverished women in technology for solar energy. The film is part of the ambitious Why Poverty? series coming this fall. After the film, the directors will take part in a conversation with commissioning editors Nick Fraser (BBC’s Storyville) and Mette Meyer Hoffman (DVTR / Denmark). Tuesday, Sept 11 World Premiere of The Last White Knight 9:30 am – 11:30 am Filmmaker Paul Saltzman (Prom Night in Missisissippi) presents the world premiere of his latest work The Last White Knight. A former civil rights worker and 1960s activist, Saltzman returns to Mississippi to meet a man who once attacked him — Byron “Delay” De La Beckwith, the son of the man convicted of murdering Medgar Evers — in this affecting documentary about racism, the South (new and old) and the possibilities of reconciliation. Maximizing the Education Market 11:45 am – 12:45 pm Leading distributors who specialize in bringing documentaries to the educational market discuss how filmmakers can maximize opportunities in this area. Co-presented by DOC Toronto. New Trends in Documentary Broadcasting 1:15 – 2:15 pm Representatives from leading broadcast brands in North America discuss new initiatives for documentaries on their channels. Fight Like Soldiers, Die Like Children 2:30 – 4:30 pm Director Patrick Reed (Triage), producer Peter Raymont and the general-turned-author and advocate Romé

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Toronto International Film Festival Finalizes Roster

End Of Watch’s Red Band Trailer Doesn’t Keep It Subtle

Jake Gyllenhaal and Michael Peña are two Los Angeles cops on patrol, though they clearly see more action than most. The two are on a hit-list after they after they happen upon a drug kingpin’s stash of bling, guns and cash. The Toronto International Film Festival premiere just debuted its Red Band Trailer and a day-in-the-life of these policemen clearly does not involve traffic stops and jaywalkers – at least not that much. The trailer starts off with a violent bust in what looks like a back alley and a decent dose of expletives (so be warned). A smooth-skulled Gyllenhaal and Peña continue on with their rounds in what looks like a part of L.A. that makes headlines but not of the Hollywood glam sort (unless it becomes fodder for a movie of course). End of Watch also stars Anna Kendrick, Cody Horn and America Ferrera. End of Watch is directed by David Ayer, whose directorial debut Harsh Times also took place in South Central L.A. John Lesher produced the feature, which will be released September 28th in the U.S. Synopsis: Academy Award-nominee Jake Gyllenhaal and Michael Peña star in the action thriller End of Watch as young Los Angeles police officers Taylor and Zavala as they patrol the city’s meanest streets of south central Los Angeles. The film creates a riveting portrait of the city’s most dangerous corners, the cops who risk their lives there every day, and the price they and their families are forced to pay.

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End Of Watch’s Red Band Trailer Doesn’t Keep It Subtle

Hey Girl, Here’s That Ryan Gosling Coloring Book You’ve Been Waiting For

“Want” doesn’t quite capture the glory of the hottest thing to hit the publishing world this week: The Ryan Gosling coloring book, which yes, you need in your life. As do I. When it comes to the Baby Goose, you deserve to treat yo’ self, girl. I LOVE MEL ‘s Colour Me Good: Ryan Gosling coloring book offers 15 pages of Gosling sketches just begging to be lovingly filled in by the adoring Gosling fan. “Use your felt tips to colour in Ryan Gosling driving, eating, kissing, standing, walking, and all manner of handsome activities!” cries the back cover, adorned with a drawing of Gosling at the wheel a la Drive . At just £7.50/about $12 a pop you can’t afford not to compulsively buy it now. How can you pass up the chance to draw yourself in as Lars’s real girl? (Thanks to Lauren R. for sending this my way knowing I’d have my credit card out faster than you can say “Ryan Gosling shirtless.”) More info at I LOVE MEL . [via LAist ] Previously : Make Your Own Yarn Ryan Gosling: Some Heroes Are Crocheted Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Hey Girl, Here’s That Ryan Gosling Coloring Book You’ve Been Waiting For