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What Ryan Seacrest’s ‘Today’ Reveal Means For Tomorrow

‘American Idol’ host is setting himself up for a long career and (eventually) the ‘Today’ anchor job with new NBC gig. By John Mitchell Ryan Seacrest Photo: Getty Images This morning on “Today,” Ryan Seacrest confirmed a few rumors and shot down a few others. The “American Idol” and “E! News” host and reality-TV mogul announced that he was officially joining the NBC team, beginning with its prime-time coverage of the London Olympics this summer, and that he would continue on as host of “Idol” while scaling back his on-air work at E! “I’ve worked with the E! network for years, and NBC Universal and E! are in the same family. The plan is for me to join the NBC family and continue to have a role on the E! network,” Seacrest told “Today” anchor Matt Lauer. “The first assignment for me will be with the prime-time team at the Olympics on NBC.” After establishing what he would be doing, Seacrest and Lauer continued through an awkward conversation about what he would not be doing, at least not just yet: gunning to take over Lauer’s anchor job on “Today” when his contract expires later this year. “I see you doing this as long as you want to,” Seacrest said to Lauer when pressed about his rumored negotiations with “Today” producers. “So the question is: How long will you be on the ‘Today’ show?” “We have talked about this, joked about this,” Lauer continued. “There is no tension here.” With Lauer’s future with “Today” still in question, Seacrest’s arrival at NBC brings with it some major implications. Here are the top three: Seacrest Is Being Primed to Replace Lauer During their back-and-forth over whether he’d been approached to replace Lauer, Seacrest played coy, joking that his conversations with “Today” producers “were mostly about filling in to do weather.” He never explicitly denied that he was in talks to host, making the subtext of the conversation pretty clear: the anchor job at “Today” remains Lauer’s as long as he wants it, but Seacrest is largely being brought onboard to wait in the wings and learn the ropes. Lauer is reportedly deep in tough negotiations with “Today” and NBC to remain on the program, and the consensus opinion seems to be that the network is looking to do whatever it takes, including meeting his reported $25 million salary demand, to keep him for the near future. That’s a lot of money, but the “Today” show is a cash cow — generating $450 million in ad revenue in 2010, according to New York magazine — and the net sees Lauer as integral to keeping “Today” on top. Lauer provides the stability that is key to success in morning news and is a master at mixing the serious and the silly, which is important when your job is to both report on the war in Afghanistan and later interview a “Toddlers & Tiaras” pageant mother. Seacrest already has the lighthearted side of things down, but he needs to bulk up his bona fides as a credible journalist. Don’t be surprised if, following his coverage of the Olympics, the various NBC News properties (“Today” included) take him on as a correspondent to cover some serious stuff. They are going to groom him to be a TV news Renaissance man, just like Matt Lauer. Seacrest Poses More of a Threat to the “Today” Ladies Seacrest’s appearance on “Today” pretty much changed the question from “will he” to ” when will he” join the “Today” team and in what capacity. But if they are grooming him to replace Lauer eventually, it will disrupt the chain of succession at “Today.” When Katie Couric left the show, Lauer stepped into the alpha anchor chair, after years of paying his dues as newsreader and co-anchor. Anne Curry would rightfully assume that position if Lauer left, but many have commented that she has had a “rocky transition to her new role” as co-anchor since Meredith Vieira’s departure. Seacrest’s hiring makes it seem like NBC execs are stacking the deck — and not in Savannah Guthrie’s or Curry’s favor. If the “Idol” host leapfrogs Curry somewhere down the road for the lead anchor chair, it will also keep Guthrie from ascending through the ranks the way her colleagues have before her. “Today” won’t demote Curry in any way — and, to be fair, she hasn’t been all that bad — but the lukewarm reception she’s received makes it unlikely she’ll ever be made lead anchor either. Guthrie, however, has more to worry about. She often steps in when Curry or Lauer are out, and if Seacrest is being groomed for Lauer’s spot, producers may opt to have him step up where she normally would. Seacrest Isn’t Going Anywhere Anytime Soon With his plans to continue on as host of “American Idol” and keep his thriving reality-show empire alive on E!, Seacrest will become an even more powerful media figure after he joins NBC. He has his fingers in just about every genre of television except serious news, and that’s essentially what NBC is offering him. In so doing, it also secures his place in the most stable arena in the media canon. The popularity of reality TV ebbs and flows — remember that “Survivor” and “American Idol” were once the top shows on television and now regularly attract only half the audience they did at their peak — so staking your career to it is kind of like building a house on sand. Seacrest has become a mogul by seizing on zeitgeist — “Idol,” the “Kardashian” franchise he built as a producer, his red-carpet work with E! — but he’s also a 37-year-old man who knows the things that have brought him so much success will eventually fade away. But the news never goes out of style. By getting in good with NBC, Seacrest also secures himself the long-term broadcast career he may have otherwise missed out on had he hedged his bets entirely on “Idol” and his reality-TV empire. For a little perspective, the “Today” show has been on the air since 1952 and is the fourth-longest-running television series ever, behind only “Meet the Press,” “The CBS Evening News” and “Hallmark Hall of Fame.” “American Idol” is puttering along with series-low ratings in its 11th season. So what Ryan Seacrest was really announcing this morning on “Today” was his next chapter. Sure, the timeframes haven’t been set and the ink isn’t entirely dry, but his decision to join NBC as an on-air player marks the transition to a new career. It may resemble the old one, but make no mistake: We are being primed for Ryan Seacrest: News Man. What do you think of Seacrest’s announcement? Let us know in the comments!

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What Ryan Seacrest’s ‘Today’ Reveal Means For Tomorrow

Is The Fray’s National Anthem Among All-Time Worst?

We look back at the most infamous renditions of ‘The Star-Spangled Banner.’ By James Montgomery The Fray perform the national anthem before the 2012 NCAA National Championship game Photo: Getty Images It seems odd that relaxed-khaki rockers the Fray would inspire acrimony of any sort (unless you hate “Grey’s Anatomy”), but that’s exactly what’s happened following their performance of the national anthem at Monday night’s NCAA national championship basketball game. To be honest, we didn’t think it was that bad, but critics have been savaging the band for their jangly spin on “The Star-Spangled Banner,” calling it everything from “dreadful” to “acoustic, emo and mercifully quick” ( two assessments that could equally have been applied to the actual championship game, now that we think of it). And while they may not be fair, those criticisms automatically add the Fray to the rather lengthy list of truly terrible national anthem performances. From crotch-grabbing comediennes to winded, warbling sprinters, here’s a look at some of the all-time worst. For the record, we don’t think the Fray’s version belongs anywhere on this list, but, hey, anytime you find yourself included alongside Steven Tyler and R. Kelly, you’ve got to be doing something right … right? Roseanne Barr A performance so putrid we’re still talking about it 20 years after the fact. In a move that was either inspired or completely insane (probably both), the San Diego Padres invited the foul-mouthed comedienne to sing the national anthem before a game, and, well, they got everything they could’ve expected … and more. After screeching her way through the song, Barr was showered with boos and showed her gratitude by grabbing her crotch and spitting. Amazingly, this was a huge deal, and she was vilified in the press. Sort of makes you miss the simpler times of H.W. Bush America, doesn’t it? Carl Lewis Hey, he’s an Olympic champion — surely he can sing, right? Wrong. Lewis’ gloriously off-key rendition of the anthem was so bad, people were asking him to give his medals back. As the 20th anniversary of his anthem approaches, it’s difficult to pick the worst (i.e. greatest) moment: His Crayola-colored suit? The part where he cracks a note and, as the crowd jeers, declares “Uh oh! I’mma make up for it now”? Watching members of the Chicago Bulls trying (and failing) to stifle fits of laughter? Nah, you know what? We’re going to go with the New Jersey Nets’ 1993 warm-ups. Those things are still hilarious. R. Kelly Call it the Massacre at Mandalay Bay. Before a big-ticket Vegas boxing match, Mr. Robert Kelly strode to the center of the ring and delivered a delirious, step-show-ready version of the anthem. Sure, he sings it well (since R. Kelly is amazing), but as a sheer stylistic choice, well, this one was a total bomb. Not surprisingly, despite Kelly’s repeated insistences, no one in the audience clapped their hands. Instead, they just booed. Michael Bolton Performing the anthem at Fenway Park, before the Red Sox and the Yankees met for a pivotal 2003 American League Championship game, Bolton made two key errors: One, he totally forgot the lyrics and was forced to read them off the palm of his hand (the crowd lustily booed him for the move), and two, he was Michael Bolton. In Boston. Before a Yankees game. Being from Connecticut wasn’t enough to save him or this performance. Christina Aguilera Poor Xtina. Performing before an audience of millions at Super Bowl XLV, she fumbled pretty much everything: missing notes and screwing up lyrics (we like the part where she goes “the twilight’s last reaming”). She was “devastated” by the mistakes, and since she’s done the anthem so well — and so often — before, we’re willing to forgive this one. Also, we love her on “The Voice.” Steven Tyler Yowch. Tyler delivered a cringe-worthy version of the anthem before the Patriots/Ravens AFC Championship game in January, and not even his sparkly Pats scarf could save him from getting booed. It was wobbly, shouty and even a tad pitchy, dawg. Good thing he’s not responsible for judging a singing competition or anything. Which do you think is the worst anthem? Let us know in the comments! Related Artists The Fray

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Is The Fray’s National Anthem Among All-Time Worst?

‘American Idol’ ’80s Night Leaves Hollie Cavanagh Living On A Prayer

Joshua Ledet, Jessica Sanchez and Skylar Laine shine during the top eight’s trip back in time. By Adam Graham Joshua Ledet and Jessica Sanchez on “American Idol” Photo: Fox The “American Idol” top eight traveled back to the ’80s on Wednesday (April 4), and were helped along the way by guest mentors Gwen Stefani and Tony Kanal. Each contestant took the stage twice — once for a solo and once for a duet with a fellow contestant. The trip back in time paid off big for Skylar Laine, who made a huge surge forward in the competition. Laine said that after winding up in the bottom three last week, she was hesitant to return with another upbeat song, so she bagged doing Dolly Parton’s “Nine to Five” in favor of Bette Midler’s “Wind Beneath My Wings.” The gamble paid off: Laine received a standing ovation from the judges, and cameras caught Lopez mouthing, “That was so beautiful!” as the song was ending. “You know what you just said to America with that performance? Do not count me out,” Lopez told her. “You just told ’em you could sing with the best of everybody who’s here, and you can. Amazing!” Jackson called it Laine’s “best performance on the show to date” and Tyler called it “the beginning of a great career.” Laine received one of three standing ovations Wednesday; the other two belonged to Joshua Ledet. He earned the evening’s first standing O with his version of “If You Don’t Know Me By Now,” and later earned the second for his duet of George Michael and Aretha Franklin’s “I Knew You Were Waiting (For Me)” with Jessica Sanchez. His take on Simply Red’s 1989 hit — a cover of Harold Melvin & the Blue Notes’ 1972 original — had Lopez gushing, “Lord, lord, lordy lordy lordy, it was spectacular!” while Jackson raved, “I wanted to stand up from beginning to end!” Tyler’s judgment was positive but wrapped in mystery; “It wasn’t too much over-the-top, and it was way over-the-top, so it was just perfect,” he said. (Say what?) On her own, Sanchez — or was it her alter ego, “BB Chez”? — revisited the songbook of Whitney Houston, which originally brought her frontrunner status back when she knocked “I Will Always Love You” out of the park. This time she took on Houston’s 1985 #1 smash “How Will I Know,” earning another set of raves from the judges in the process. “Your vocals just make everything go away for me,” Lopez told her, while Tyler said, “Everything you do is beautiful, everything you do is great.” Jackson dubbed her one of the evening’s “gotta have it” performers, the term he was using for the evening for performers with the most gusto. DeAndre Brackensick got positive remarks for his version of DeBarge’s “I Like It,” which he started out singing in the crowd before making his way up to the stage. The judges called it “natural” (Lopez) and “captivating” (Tyler), with Jackson calling it “amazing” and comparing Brackensick to a 2012 version of DeBarge. “It was one of my best performances from you,” he told him. Phillip Phillips was called “great” by all three judges for his version of Genesis’ “That’s All,” which he performed alongside his brother on guitar. “You’re just a wildflower, aren’t you?” Tyler told him. “You just love being who you are, and that transcends.” (Coherence, you see, isn’t exactly Tyler’s strong suit these days.) Colton Dixon’s version of Cyndi Lauper’s “Time After Time” was lifted mostly from Quietdrive’s cover of the song, which Dixon copped to at the end of the performance. It didn’t matter: He scored with the judges. “You could do a record right now,” Tyler told him, while Jackson told him he made it his own and celebrated him for being “current.” The song’s drummer also earned a fair amount of praise for his performance on the song. Elise Testone, who had scored big in recent weeks after a decidedly rocky start, suffered a setback with her lackluster version of Foreigner’s “I Want to Know What Love Is,” which never quite found its footing. While Lopez gave it a qualified “really great,” Tyler said it wasn’t the right song for her and Jackson said she was pitchy throughout and “out of tune everywhere for me.” But the evening’s most poorly received performance came from Hollie Cavanagh. Not only did the 18-year-old Texan get slammed by the judges for her version of the “Flashdance” theme “What a Feeling,” but something strange happened while she was being critiqued: The “Idol” audience, which usually boos at the first hint of criticism, was dead silent throughout the process. It was the most quiet an “Idol” crowd has been all season, and it was almost disconcerting to watch. “Your pitch was all over the place, I’m sorry to tell you,” Tyler told her, silence filling the studio, while both Jackson and Lopez told her she needs to stop listening to her advisers and feel the songs. But of any feelings gathered on the show, it feels like the fate of Cavanagh — who landed in the bottom two last week — could be sealed. What did you think of “Idol” on Wednesday? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 11 Top 13 Contestants

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‘American Idol’ ’80s Night Leaves Hollie Cavanagh Living On A Prayer

Chase & Status ‘Over The Moon’ With Album’s Success

British duo released their sophomore album, No More Idols, in the U.S. this week. By Akshay Bhansali Will Kennard and Saul Milton of Chase & Status Photo: Gareth Cattermole/ Getty Images If a jam-packed show at Miami’s Ultra Music Festival , production collaborations with Rihanna and a sold-out U.S. tour are any indication, America is thirsting for British EDM duo Chase & Status. Saul “Chase” Milton and Will “Status” Kennard released their second album, No More Idols, in the U.S. this week via Casablanca Records. The album, released in Europe in January 2011, is certified platinum in the U.K., with more than 500,000 units sold. “We’ve been over the moon with the success of No More Idols, ” Kennard told MTV News recently. “It was beyond belief for us, really, and true, tunes have been floating around here for a while, but it’s getting a proper release.” Kennard described the “proper release” as a “big, full package” with plenty of remixes, including efforts by Feed Me, Nero and Dillon Francis. The deluxe edition will include a DVD and exclusive content from their 2011 No More Idols Tour. No More Idols runs a gamut of EDM , with a bit of grime, dubstep, drum n’ bass, rock and more. It houses hit U.K. singles in “End Credits” featuring vocalist/actor/friend Plan B, rock-ish hit “Hypest Hype” featuring Tempa T, and the cinematically exquisite “Blind Faith” featuring Liam Bailey, among others. The hit album has galvanized quite a following Stateside, and Kennard said he and Milton are grateful for the unexpected attention. “It’s an exciting time for electronic dance music, and we are just proud to be a part of it,” Kennard said. “We did the tour last year, and we thought it was going to be a wash out, really, because you’re a million miles away from home. The record didn’t get picked up by radio. So on and so forth. And then you go and do these clubs and these shows, and they are sold out full to the brim with people knowing all the words and everything. And it’s a great feeling, man.” Chase & Status plan to bring their live show — often accompanied by drummer Andy Gangadeen, James Brown and vocal collaborators Rage, Tempa T, and Liam Bailey — to Indio, California’s Coachella Valley Music and Arts Festival. Save for a few festival gigs, the duo now mean to hunker down in their lab and hope to complete their third album by year’s end. They are still in the early stages, tinkering around with sounds, but they say inspiration is all around them. “You can’t ignore what Skrillex has done,” Milton revealed. “We are good friends with Sonny. He’s a class act, but musically he’s just done something really incredible and just run with it. Nero as well . Odd Future, we are massive fans of what they do.” “I love Die Antwoord ,” Kennard added. “Love what they are doing. A$AP Rocky is really cool. Kill the Noise. … There is so much exciting, inspiring stuff.” What do you think of Chase & Status’ No More Idols ? Leave your comment below! Related Artists Chase & Status

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Chase & Status ‘Over The Moon’ With Album’s Success

Whitney Houston’s Final Autopsy Results Revealed

Loose pills and a small spoon with a ‘white crystal like substance’ were found in late singer’s hotel room. By Kara Warner Whitney Houston Photo: Lester Cohen/ WireImage Although the official cause of Whitney Houston’s death was recently announced as accidental drowning , the L.A. County coroner released its final report Wednesday (April 4) that provides new details about Houston’s condition when authorities arrived on the scene at the Beverly Hilton on February 11. According to the report obtained by People and E! Online , Houston complained of a sore throat so she decided to take a bath before getting ready for Clive Davis’ pre-Grammy party. When Houston’s assistant returned to the hotel room after running an errand, the singer was face down in the bathtub in 13 inches of “extremely hot” water, which caused a burn on Houston’s back. When police arrived on the scene, they found an open bottle of champagne, bottles of prescription drugs and loose pills scattered about the room. In the bathroom, they found an ashtray with several cigarette butts and a small spoon with a “white crystal like substance in it and a rolled up piece of white paper.” The report also states that the white substance was found on a small mirror. Kristy McCracken of the Beverly Hills Police Department wrote in her final report that she reasoned Houston “possibly overdosed on a narcotic substance, prescription medications, over the counter medications and alcohol” and noted a “bloody purge” coming out of Houston’s nose, as well as minor abrasions on her face, arms and legs. Aside from the traces of cocaine, Benadril, the muscle relaxer Flexeril, marijuana and Xanax found in the toxicology screening, the report cited Houston’s body as being “well built, muscular and fairly well nourished.” The man who performed the autopsy, Dr. Christopher Rogers, chief of the coroner’s Forensic Medicine Division, and chief medical examiner-coroner Lakshmanan Sathyavagiswaran wrote that Houston’s drowning was due to the effects of atherosclerotic heart disease and cocaine use. They also detected mild emphysema, pulmonary edema and leiomyomas (benign tumors) in her uterus. Houston was laid to rest in her hometown of Newark, New Jersey , on February 19. Related Videos Farewell To A Legend: Whitney Houston’s Funeral Related Photos Whitney Houston: A Life In Photos Related Artists Whitney Houston

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Whitney Houston’s Final Autopsy Results Revealed

Mary J. Blige Responds To Burger King Ad Criticism

‘If you’re a Mary fan, you have to know I would never allow an unfinished spot like the one you saw go out,’ she says in a statement to TMZ. By Kara Warner Mary J. Blige Photo: Scott Weiner/PictureGroup In the wake of the headlines and harsh criticism generated by the debut and subsequent removal of Mary J. Blige’s Burger King ad , the Queen of Soul has finally spoken out on the matter. According to a statement Blige issued to TMZ , the final version of the commercial — in which Blige appears standing on top of a table belting out the ingredients of the fast-food chain’s new Crispy Chicken Wrap to the soundtrack of her single “Don’t Mind” — was not what the singer thought she signed up for. “I agreed to be a part of a fun and creative campaign that was supposed to feature a dream sequence. Unfortunately, that’s not what was happening in that clip,” Blige told the website. “I understand my fans being upset by what they saw. But, if you’re a Mary fan, you have to know I would never allow an unfinished spot like the one you saw go out.” The ad received harsh criticism from fans, particularly those in the black community who complained that the content promoted a negative stereotype. Burger King immediately pulled the ad from its YouTube channel, but claimed it did so because of music-licensing issues . The company said it hopes to have the “ads back on the air soon,” though they did not specify if the ads would be the same or if they would edit a new version. Rumors have surfaced that Blige received $2 million for the ad — and she’s not the only one. Other celebrities promoting the burger chain’s new menu include soccer star David Beckham, actress Salma Hayek and late-night host Jay Leno. What did you think of Mary J.’s Burger King ad? Let us know in the comments. Related Artists Mary J. Blige

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Mary J. Blige Responds To Burger King Ad Criticism

David Banner Wants $1 For His LP With Chris Brown, Lil Wayne

Rapper aims to change music-distribution system by releasing Sex, Drugs and Videogames for online donations. By Rob Markman David Banner Photo: MTV News David Banner has seen his share of ups and downs in the music biz. After running through deals with indie rap label Penalty and then Universal, the Mississippi rapper/producer has been inspired to do things a little differently for his next album. “What I am trying to do is make the two most important parts of the musical equation … important again: That’s the artist and that’s the fans,” Banner told MTV News of what he dubs the 2M1 Movement. On May 22, Banner will release Sex, Drugs and Video Games as a free download on LiveMixtapes.com and bypass traditional record-distribution methods by giving music directly to his fans. DB hopes to fund the LP — anchored by the singles “Believe” and “Let Me In” (featuring Tank) — with fan donations to his own website. “Corporate entities have made the artists and the fans feel like they’re not important, where, without them, it all would fall,” he explained. Banner’s goal is to get 2 million fans to support financially; judging from the album’s high-profile guest list, it seems like it’s worth the money. “You got 16 songs from everybody from Chris Brown to Snoop Dogg, Lil Wayne, A$AP Rocky, Big K.R.I.T., 2 Chainz, all of my people that’s featured on it, and we got 16 videos,” he said. “And I’m asking for is a minimum donation of $1 at DavidBanner.com .” In the end, Banner aims to build a reliable base of fans he can speak to directly, whether he is selling an album or rallying support for social issues. “People think it’s about the money, but it’s not. What it’s about is creating a power structure of 2 million people that we keep activating,” he explained. What do you think of David Banner’s 2M1 Movement? Tell us in the comments! Related Artists David Banner

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David Banner Wants $1 For His LP With Chris Brown, Lil Wayne

Why Isn’t Justin Bieber In Far East Movement Video?

‘He’s behind the camera,’ the group jokes to MTV News about Biebs’ absence from ‘Live My Life’ clip. By Jocelyn Vena Far East Movement Photo: MTV News Justin Bieber proclaims that he just wants to “Live My Life” on the hook for Far East Movement’s latest track. The Dirty Bass single is a feel-good, fist-pumping anthem about, well, living your life. The dance-music-making crew opened up to MTV News about hooking up with the “Boyfriend” singer and bringing him into their world of dirty beats and even dirtier bass. “We got to thank him for being in our world for us,” Kevin Nishimura said about the experience of hitting the studio with Bieber. “When we met with him, [it was like] ‘Let’s do a song that caters to that audience that’s outside the Far East Movement shows going, “We can’t get in, but we live that life.” ‘ And there’s that audience that’s in the club popping the bottles, doing that thing, living that.” Finding that perfect balance and hooking up with the hitmaking teen wasn’t hard since the guys of Far East Movement are all about music encompassing everything and everyone. In their world, there are no restrictions. “We’re always about all-inclusiveness, no matter your race, your sex, whatever it be,” they said. “That’s the type of music we make. So with Justin, it was definitely unexpected as far as both audiences, but it makes sense.” When the guys dropped the party-themed clip for the track, which also features LMFAO, Bieber was noticeably absent from the clip. It follows both Far East Movement and LMFAO as they make their way through a European city, dancing through the streets and riding on an animal-print, double-decker bus. “Just for the record — ’cause we’ve been seeing people like, ‘Where is he in the video?’ — he’s behind the camera,” Nishimura joked. “We sent him one of those party-favor cards saying, ‘You are invited to the Far East Movement/Justin Bieber video shoot,’ but he was working on his thing, you know. He’s got a new single out, his album, so he couldn’t make it. But he said, ‘No matter what, I’m gonna party tonight.’ So it’s all love.” RedOne produced the song. Dirty Bass drops May 8. Are you feeling the Far East Movement/ Justin Bieber team-up? Let us know in the comments! Related Artists Far East Movement Justin Bieber

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Why Isn’t Justin Bieber In Far East Movement Video?

Nicki Minaj Warns She’ll Never Be ‘One-Dimensional’

‘I went from being a caricature in people’s eyes to becoming someone with a lot of layers,’ Minaj tells Shade 45’s ‘Sway in the Morning.’ By Rob Markman, with reporting by Sway Calloway Nicki Minaj Photo: Slaven Vlasic/ Getty Images There’s more to Nicki Minaj than just a pink wig and her funny voices. Rap’s reigning queen has evolved from a budding New York MC to an omnipresent figure in music and pop culture. She’s come a long way since her 2007 Playtime Is Over mixtape. “I think I went from being a caricature in people’s eyes to becoming someone with a lot of layers,” Nicki told MTV News correspondent Sway Calloway when she appeared on his “Sway in the Morning” Shade 45 radio show on Tuesday. Nicki spoke with Sway and co-host Devi Dev about a range of topics — from her over-the-top 2012 Grammy performance to working with Madonna — but Nicki seemed most eager to emphasize that as many strides as she’s made in her career, her superstar qualities were always there on the inside. “You just gotta realize that I’m never gonna be one-dimensional,” she said. “Even my core fans I think, at times, thought I was one-dimensional when I was doing mixtapes. However, even on the mixtapes, I was singing and I did a song called ‘Can Anybody Hear Me’ on one of my mixtapes where I was singing and talking about being a female rapper and trying to get signed.” “Can Anybody Hear Me” appeared on her 2009 tape Beam Me Up Scotty and featured Nicki spitting about her difficulty securing a record deal. Funny when you think about all of the success she’s now obtained. “When it rains, it pours for real/ Def Jam said I’m no Lauryn Hill/ You can’t rap and sing on the same CD/ The public won’t get it, they got A.D.D.,” Nicki rapped back in ’09. Minaj has since broken down those barriers and her latest album, Pink Friday: Roman Reloaded, is the ultimate brush-off to naysayers who once told Nicki what she couldn’t do. “It’s just been peeling back the layers and now I think the ultimate layer was me saying, ‘Now I’m gonna do whatever kind of music I want to do and you’re free to not like it,’ ” she said. “This new album, Roman Reloaded, when I tell you I am not nervous, I am not fearful; all of those emotions left.” The Young Money superstar’s second album balances her hard-core rap sensibilities with pop tracks produced by RedOne and Dr Luke. Critics have been lukewarm , but Nicki doesn’t want to choose between the two distinct musical genres; it’s all derived from a feeling, she said. “My story is not gonna always entail a hard hip-hop beat, but sometimes it is,” she explained. “A lot of the tracks on this album are just a hard hip-hop beat and just spittin’ and that’s why I enlisted some people like [Cam’ron] and 2 Chainz and the legendary Nas.” What do you think of Roman Reloaded ? Tell us on our Facebook page! To celebrate the release of Pink Friday: Roman Reloaded, we will be examining the “Evolution of Nicki Minaj” throughout the week. Check MTV News every day to see how the Southside Jamaica, Queens, Barbie went from a promising mixtape standout to rap’s reigning queen. Related Videos The Evolution Of Nicki Minaj Related Artists Nicki Minaj

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Nicki Minaj Warns She’ll Never Be ‘One-Dimensional’

Nicki Minaj Warns She’ll Never Be ‘One-Dimensional’

‘I went from being a caricature in people’s eyes to becoming someone with a lot of layers,’ Minaj tells Shade 45’s ‘Sway in the Morning.’ By Rob Markman, with reporting by Sway Calloway Nicki Minaj Photo: Slaven Vlasic/ Getty Images There’s more to Nicki Minaj than just a pink wig and her funny voices. Rap’s reigning queen has evolved from a budding New York MC to an omnipresent figure in music and pop culture. She’s come a long way since her 2007 Playtime Is Over mixtape. “I think I went from being a caricature in people’s eyes to becoming someone with a lot of layers,” Nicki told MTV News correspondent Sway Calloway when she appeared on his “Sway in the Morning” Shade 45 radio show on Tuesday. Nicki spoke with Sway and co-host Devi Dev about a range of topics — from her over-the-top 2012 Grammy performance to working with Madonna — but Nicki seemed most eager to emphasize that as many strides as she’s made in her career, her superstar qualities were always there on the inside. “You just gotta realize that I’m never gonna be one-dimensional,” she said. “Even my core fans I think, at times, thought I was one-dimensional when I was doing mixtapes. However, even on the mixtapes, I was singing and I did a song called ‘Can Anybody Hear Me’ on one of my mixtapes where I was singing and talking about being a female rapper and trying to get signed.” “Can Anybody Hear Me” appeared on her 2009 tape Beam Me Up Scotty and featured Nicki spitting about her difficulty securing a record deal. Funny when you think about all of the success she’s now obtained. “When it rains, it pours for real/ Def Jam said I’m no Lauryn Hill/ You can’t rap and sing on the same CD/ The public won’t get it, they got A.D.D.,” Nicki rapped back in ’09. Minaj has since broken down those barriers and her latest album, Pink Friday: Roman Reloaded, is the ultimate brush-off to naysayers who once told Nicki what she couldn’t do. “It’s just been peeling back the layers and now I think the ultimate layer was me saying, ‘Now I’m gonna do whatever kind of music I want to do and you’re free to not like it,’ ” she said. “This new album, Roman Reloaded, when I tell you I am not nervous, I am not fearful; all of those emotions left.” The Young Money superstar’s second album balances her hard-core rap sensibilities with pop tracks produced by RedOne and Dr Luke. Critics have been lukewarm , but Nicki doesn’t want to choose between the two distinct musical genres; it’s all derived from a feeling, she said. “My story is not gonna always entail a hard hip-hop beat, but sometimes it is,” she explained. “A lot of the tracks on this album are just a hard hip-hop beat and just spittin’ and that’s why I enlisted some people like [Cam’ron] and 2 Chainz and the legendary Nas.” What do you think of Roman Reloaded ? Tell us on our Facebook page! To celebrate the release of Pink Friday: Roman Reloaded, we will be examining the “Evolution of Nicki Minaj” throughout the week. Check MTV News every day to see how the Southside Jamaica, Queens, Barbie went from a promising mixtape standout to rap’s reigning queen. Related Videos The Evolution Of Nicki Minaj Related Artists Nicki Minaj

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Nicki Minaj Warns She’ll Never Be ‘One-Dimensional’