Tag Archives: quentin-tarantino

Quvenzhané Wallis Becomes Youngest Actor Nominated for Oscar [FULL LIST]

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The nominations for the 2013 Academy Awards were revealed this morning. While there weren’t too many surprises, the one shocker is the Best Actress nomination…

Quvenzhané Wallis Becomes Youngest Actor Nominated for Oscar [FULL LIST]

Quentin Tarantino ‘Annoyed’ By NPR Question About Sandy Hook

The lessons of Quentin Tarantino’s interview with Terry Gross on NPR?   He has a high tolerance for “viscera” and a low tolerance for questions that attempt to connect Sandy Hook and other incidents of actual violence to the kind found in movies. The Django Unchained director became audibly peeved when Gross asked him the question that every reporter feels compelled to ask filmmakers in the wake of the Connecticut shootings. Here’s NPR’s transcript of the awkward, testy exchange. I’ve taken the liberty of putting Tarantino’s comments about how linking Sandy Hook to violence in movies is “disrespectful” to those who died. I agree with Tarantino. Connecting the shooting to movie-making trivializes what happened in Connecticut, which, as Ross A. Lincoln pointed out in his post on The Hollywood Reporter ‘s poll on media violence, doesn’t bring this country any closer to figuring out how to prevent tragedies like Sandy Hook and Aurora from happening. GROSS: So I just have to ask you, is it any less fun after like the massacre at Sandy Hook Elementary, like, do you ever go through a period where you lose your taste for movie violence? And movie violence is not real violence, I understand the difference. But still, are there times when it just is not a fun movie experience for you – either to be making it that way or to be in the audience for something like that? TARANTINO: Not for me. GROSS: So it’s so completely separate, that the reality of violence doesn’t affect at all your feelings about making or viewing very violent or sadistic… TARANTINO: Sadistic? I don’t know. I do know what, I don’t know. I think, you know, you’re putting a judgment on it. GROSS: No, no, no… TARANTINO: You’re putting a judgment on it. GROSS: The characters are sadistic. The characters are sadistic. I’m not talking about, you know, the filmmaker. I’m talking about the characters. I mean, the characters are undeniably sadistic. TARANTINO: Mm-hmm. When you say after the tragedy, what do you mean by that exactly? GROSS: Well, like… TARANTINO: Do you mean like on that day would I watch “The Wild Bunch?” Maybe not on that day. GROSS: Or in the next few days, like while it’s still – while it’s still really fresh in your – while the reality – yeah. TARANTINO: Would I watch a kung fu movie three days after the Sandy Hook massacre? Would I watch a kung fu movie? Maybe, ’cause they have nothing to do with each other. GROSS: You sound annoyed that I’m… (LAUGHTER) TARANTINO: Yeah, I am. GROSS: I know you’ve been asked this a lot. TARANTINO: Yeah, I’m really annoyed. I think it’s disrespectful. I think it’s disrespectful to their memory, actually. GROSS: With whose memory? TARANTINO: The memory of the people who died to talk about movies. I think it’s totally disrespectful to their memory. Obviously, the issue is gun control and mental health. Although it’s not in the transcript t hat NPR posted, at an earlier point in the interview, Tarantino explained that he did tone down some of the violence in Django Unchained . As Samuel L. Jackson mentioned during my interview with him  in December, his favorite scene in the movie, which was cut, involved his character burning off the captured Django’s nipples with a hot poker. The Playlist  also points out that another scene that was briefly glimpsed in the trailer but excised from the movie, involved the rape of Broomhilda. (You can find these scenes in Tarantino’s script for the movie, which the Weinstein Company has posted here .) When Gross asked Tarantino, “What are your limits for..what’s your sensibility for how much splatter, how much violence, how much sadism” in a movie “feels right, like it’s part of the genre” and how much feels like “exploitation,” the filmmaker replied: “I could handle a lot more than I put in this movie,” adding: ” I have a tolerance for viscera, more than the average person.”   But, he explained that after screening earlier, more brutal cuts,  “I traumatized the audience” when his goal was to have them “cheering Django” at the movie’s end.  “If you don’t cheer at the end, I haven’t done the job,” he said.

Talkback: Samuel L. Jackson Really Wants This Interviewer To Drop An N-Bomb

You might have heard the shocking news that Django Unchained features copious use of the word ‘nigger’. I know! I can’t understand why a film set in the antebellum South, featuring numerous unrepentant slaveowners, during a time when black people were considered barely human as a matter of course, would have so many n-bombs. Sure, the word is almost exclusively spoken by villains or by black people to refer to themselves, and sure, it is one of the few aspects of the film that is 100% historically accurate, but come on. How rude of Quentin Tarantino to include it and make the harsh depiction of the slavery era even more uncomfortable. I’m kidding, the fake controversy is incredibly stupid 1 , and feels to me like the rush to blame movies and video games for terrible acts of public violence, because that’s easier than actually facing our demons head-on 2 . Maybe that’s why Samuel L. Jackson had a bit of fun during an interview with FOX Houston’s film critic Jake Hamilton over the issue. About 14 minutes into the the video below, Hamilton started to ask Jackson about the controversy, and this happened: I feel for Hamilton of course. His refusal to use the word and stir up a hornet’s nest of both real and fake outrage is understandable, but of course, it’s just a word. I would hope we’re at a place where we can use it in context – like I did here – without anyone mistaking you for a racist. Perhaps Jackson’s position that the taboo just gives the word more power is the correct one. Either way, this was hilarious. What do you think, readers? Sound off in comments. 1. Speaking of stupid, we’re not giving Drudge hits, but surely you read about his recent Django-inspired N-word tirade. Yeah. 2. BTW, Louie C.K. was right ; being white and male is like winning the lottery. [ Source: Gawker ]

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Talkback: Samuel L. Jackson Really Wants This Interviewer To Drop An N-Bomb

Movie Nudity Report: Django Unchained, Les Miserables, Tabu

Quentin Taratino ’s latest shoot ‘em up, Django Unchained (2012), opened Christmas day and brought us the present we really wanted, Kerry Washington topless. Epic musical Les Miserables (2012) also opened on the 25th, but the only skin there was the heaving corset clad cleavage of Anne Hathaway and Helena Bonham Carter . In limited release, the title of the Portuguese drama Tabu (2012) refers to a mountain, but the movie also features the peaks and valleys of Ana Moreira . She’s worth a climb! More after the jump!

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Movie Nudity Report: Django Unchained, Les Miserables, Tabu

Why Spike Lee Won’t See “Django Unchained” [VIDEO]

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Quentin Tarantino’s slave western has been drawing criticism from the day the trailer was released and comments from the controversial director have not helped. RELATED: Samuel…

Why Spike Lee Won’t See “Django Unchained” [VIDEO]

Terrence Malick’s ‘To The Wonder’ Trailer Hints At Love Torn Asunder

Javier Bardem booms out, “You shall love (pause) whether you like it or not.” Bardem is seen dressed as a priest in ‘To The Wonder,’ the latest film by Terrence Malick , which debuted at the Venice Film Festival . The trailer opens with a couple walking across what looks like a bridge over the Seine in Paris who then head to what looks like the tidal island Mont Saint-Michel before heading back to more suburban locales and then pastoral expanses. Starring Ben Affleck, Rachel McAdams, Olga Kurylenko and Bardem, the film was originally set to star Christian Bale who later dropped out. The feature by the reclusive Malick is a romantic drama centered on an American man who is torn between the woman who moved to the U.S. to be with him (Kurylenko) and the appearance of a local woman from his past (McAdams) as his marriage falls apart. The film managed to polarize audiences in Venice. Full text of Bardem’s voiceover in the trailer below. You shall love whether you like it or not. Emotions, they come and go like clouds. Love is not only a feeling; you shall love. To love is to run the risk of failure, the risk of betrayal. You fear your love has died; perhaps it is waiting to be transformed into something higher. Awaken the divine presence which sleeps in each man, each woman. Know each other in that love that never changes. [ Source: The trailer is exclusive to TheFilmStage.com via Huffington Post ]

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Terrence Malick’s ‘To The Wonder’ Trailer Hints At Love Torn Asunder

Quentin Tarantino Says Slavery Still Exists Via ‘Mass Incarcerations’ & The ‘War On Drugs’

Quentin Tarantino says slavery continues in the United States.  The outspoken filmmaker — whose spaghetti southern Django Unchained unflinchingly depicts the brutality of slavery — stoked the debate on race Tuesday night when he appeared on the Canadian television talk show  George Stroumboulopoulos Tonight   to suggest that the United States’ “war on drugs” and  its “mass incarcerations” of black men is “just slavery through and through.”  Tarantino didn’t cite these figures, but he could have: According to the   New York Times,  half of the 2.3 million Americans in prison or jail are black, an astonishing figure when compared to 2011 U.S. Census information that indicates blacks comprise only 13.1 percent of the country’s population. In other words, he’s got a point, and this is a conversation our country should stop avoiding. Tarantino was promoting Django Unchained , which opens Christmas Day, on Stroumboulopoulos’ CBC show when he made the controversial comments, and it will be interesting to see whether they get any traction in the U.S.— especially since the national debate is now focused on gun control in the wake of the Newtown, Conn. shootings. A spokesman for George Stroumboulopoulos Tonight provided Movieline with a video clip of Tarantino’s segment and a transcript of his comments. Check them out below and let me know whether you agree with Tarantino’s remarks in the comments section. George Stroumboulopoulos: So you know this film is gonna deal with the conversation about race in America today, people will talk about it. What do you feel about where it’s at? Quentin Tarantino: Uh… It’s… You know, there is… On a day-to-day, day-in, day-out basis for most people in America, it’s okay. Things have gotten a lot better. People are a little too sensitive to talk about stuff, and that’s a drag, but you know that’s, that’s how it is. But on a bigger level, it’s very depressing. This whole thing of the, this “war on drugs,” and the mass incarcerations that have happened pretty much for the last 40 years has just decimated the black male population. It’s slavery, it is just, it’s just slavery through and through, and it’s just the same fear of the black male that existed back in the 1800s. And uh, you know there’s a reason – I mean, especially having even directed a movie about slavery, and you know the scenes that we have in the slave town, the slave auction town, where they’re moving back and forth. Well that looks like standing in the top tier of a prison system and watching the things go down. And between the private prisons and the public prisons, the way prisoners are traded back and forth. And literally all the reasons that they have for keeping this going are all the same reasons they had for keeping slavery going after the whole world had pretty much decided that it was immoral. GS: Right. Business first. QT: Because it’s like, because it’s an industry. And one, what are we gonna do with all these people that are let loose, you know, these black people let loose, and two, what are we gonna do about all of the people that make money off of this industry? READ MORE on Django Unchained: Quentin Tarantino Defends Violence in ‘Django Unchained’ Samuel L. Jackson Says He Burned Off Jamie Foxx’s Nipples In Cut ‘Django Unchained’ Scene [ George Stroumboulopoulos Tonight , New York Times , U.S. Census Bureau ] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Quentin Tarantino Says Slavery Still Exists Via ‘Mass Incarcerations’ & The ‘War On Drugs’

Quentin Tarantino Defends Violence in ‘Django Unchained’

Filmmaker Quentin Tarantino defended the heavy dosage of violence in Django Unchained , his latest film starring Jamie Foxx , Christoph Waltz , Leonardo DiCaprio , Kerry Washington and Samuel L. Jackson . As with many of his past offerings, Tarantino’s Oscar hopeful includes a graphic depictions of blood and gunshot victims. Tarantino was asked about the violence over the weekend in New York in the wake of the tragedy in a Connecticut elementary school that left 26 dead, most of them children. At a Saturday press event, Tarantino said that real-life violence is the fault of perpetrators and didn’t appear to accept a correlation between incidents like the weekend’s massacre in Newtown, CT and violence on the big screen. “I think you know there’s violence in the world, tragedies happen, blame the playmakers,” he said according to BBC, adding, “It’s a Western. Give me a break.” Django Unchained received five Golden Globe nominations last week and is a strong contender for Oscar nominations next month. Still, Django star Jamie Foxx did say he believes the big screen can influence people’s actions. “We cannot turn our back and say that violence in films or anything that we do doesn’t have a sort of influence. It does,” he said. In the spaghetti-western style feature, Foxx pays a freed slave who sets out to rescue his wife from a ruthless plantation owner, played by Leonardo DiCaprio. Representing more divide among the Django crew that is perhaps a microcosm of society generally, Christoph Waltz said he didn’t believe films provoke violence, adding that the film contained violence because it was in fact part of American history. “The media’s responsibility is greater than the story teller is because… Django is violent, but it’s not inspiring violence,” said Waltz. Kerry Washington offered up that violence in film can serve as an important learning vehicle, educating audiences about historical atrocities such as slavery. “I do think that it’s important when we have the opportunity to talk about violence and not just kind of have it as entertainment, but connect it to the wrongs, the injustices, the social ills,” said Washington. Meanwhile, Paramount decided to move premiere events in Los Angeles and Pittsburgh for Tom Cruise’s new action pic Jack Reacher “out of honor and respect for the families of the victims whose lives were senselessly taken.” The feature opens with sniper shooting several people. And Sunday night, new episodes of Family Guy and American Dad were dropped, with Fox network opting for repeats of the shows in order to avoid showing any potentially sensitive content. A scheduled repeat of The Cleveland Show was also swapped out. Twenty six children and six adults died at Sandy Hook school in Newton, CT. The gunman is identified as Adam Lanza, 20. He killed his mother before heading to the school Friday. [ Source: BBC ]

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Quentin Tarantino Defends Violence in ‘Django Unchained’

Exclusive: ‘Spider-Man’ Villain Jamie Foxx Reveals Major Origin Details

‘Amazing’ villain Electro thinks ‘that somehow, he’s Spider-Man’s partner,’ Foxx tells MTV News. By Josh Wigler, with reporting by Josh Horowitz Jamie Foxx Photo: MTV News

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Exclusive: ‘Spider-Man’ Villain Jamie Foxx Reveals Major Origin Details

Quentin Tarantino Reveals Onetime Plans For ‘Luke Cage’ — With Laurence Fishburne

‘Django Unchained’ director tells MTV News how he nearly made a Marvel superhero movie. By Kevin P. Sullivan, with reporting by Josh Horowitz Quentin Tarantino Photo: MTV News

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Quentin Tarantino Reveals Onetime Plans For ‘Luke Cage’ — With Laurence Fishburne