I’ve had a ton of pictures of Kristen Stewart on the site of the last little while, most of the time she’s giving us some pissy looks or wearing some sort of annoying, not at all flattering hipster costume, but it looks like she’s finally stepped up to the plate. Finally is right! Here she is dropping some amazing cleavage on the red carpet at the Cannes Film Festival over the weekend. This is beyond cleavage, it’s like inner sideboob. That’s impressive. She’s still giving those pissy look though. Hot.
I’ve had a ton of pictures of Kristen Stewart on the site of the last little while, most of the time she’s giving us some pissy looks or wearing some sort of annoying, not at all flattering hipster costume, but it looks like she’s finally stepped up to the plate. Finally is right! Here she is dropping some amazing cleavage on the red carpet at the Cannes Film Festival over the weekend. This is beyond cleavage, it’s like inner sideboob. That’s impressive. She’s still giving those pissy look though. Hot.
U.K. pop sensations hit New Jersey’s IZOD Center for a sell-out show on Friday packed with hits and rocking covers. By Sarah Brotherton One Direction perform in East Rutherford, NJ Photo: Uptin Saiidi/MTV News EAST RUTHERFORD, New Jersey — Maybe you’ve heard their songs on the radio or caught their TV performances on the “Today” show or “Saturday Night Live” , but nothing quite captures the success of One Direction like the screams. On Friday night, thousands of fans from across the tri-state area hit the IZOD Center, filling the 19,000-capacity arena for the U.K. pop sensation’s latest stop on their headlining Stateside tour. They were there to experience a new wave of a British Invasion, and they weren’t disappointed. Even before the show started, there was an excitement and energy in the air as Directioners — young and old alike — rushed into the building wearing homemade T-shirts, carrying posters and sporting body paint declaring their love for their favorite 1D members, be it Niall Horan, Zayn Malik, Liam Payne, Louis Tomlinson or Harry Styles. After two opening acts and a few warm-up songs, including Busta Rhymes and RUN DMC classics, One Direction finally hit the stage as the crowd jumped to its feet. Opening with ” Na Na Na,” the boys — dressed in the matching theme of red, white and blue, but each with their own signature touch — hit the harmonies hard. The concert followed a seasonal theme with corresponding video and costumes to match. A few songs in, Harry told the sell-out crowd, “I think this is our “biggest show” as a band!” which sent fans screaming all over again. Veering from their chart-topping debut album, Up All Night, each 1D member took a shot at a solo cover of some of their favorite songs, including the Black Eyed Peas’ “I Got a Feeling” and the Gym Class Heroes hit “Stereo Hearts.” The boys then sat on stools as they serenaded fans with “Moments.” Cell phone lights took the place of lighters as the audience sang every word of the ballad. After a quick change into the next outfit (and the next season), 1D proceeded with some of their more popular hits, including “More Than This” and the album’s title track, “Up All Night.” The set soon moved onto the live-tweeting portion of the show, where fans tweeted questions from the audience to their favorite bandmember. Then Liam showed off some beat-boxing skills and Harry attempted to do the worm before the guys were back at it with another cover, this time the hit Kings of Leon song “Use Somebody.” To end the night, 1D gave a shout-out to their impressive backing band and closed with singles “One Thing” and, of course, their #1 hit “What Makes You Beautiful.” But a perfect evening of hearty pop wouldn’t be complete without an encore! So the boys returned to perform “I Want” to the delight of their devoted fans. If you missed the 1D performance on Friday, fear not Directioners, a full list of U.S. tour dates is available on their official website . Full Set List : 1. “Na Na Na” 2. “Stand Up” 3. “I Wish” 4. “I Got a Feeling”; “Stereo Hearts”; “Valerie”; “Torn” 5. “Moments” 6. “Gotta Be You” 7. “More Than This” 8. “Up All night” 9. “Tell Me a Lie” 10. “Everything About You” 11. “Use Somebody” 12. “One Thing” 13. “Save You Tonight” 14. “What Makes You Beautiful” 15: “I Want” (Encore) Are you going to check out 1D on tour? Tell us in the comments! Related Artists One Direction
Joe Gendreau’s time to impress Emily Maynard expired this week. Reflecting on the non-love connection that earned him a rare one-on-one date boot on The Bachelorette Monday, he said it just didn’t work out. Nothing scandalous or incendiary about it. Just didn’t click. “I tried to keep the rose out of mind. I didn’t want to look at it as a challenge and be like, ‘I really want that rose,'” Gendreau said. “I wanted to see how my time was with her and entertain the idea of being able to hit it off with her.” “I thought it was going well, but ultimately didn’t work out. We really didn’t hit it off with each other. We are in different places in our lives.” “I’m a single, free-spirited individual. Emily, she is looking for someone more settled and committed to family and work.” To that effect, Joe’s “five-year-plan” seemed to be his undoing. “I said, ‘I want to be happy with no regrets’ in five years … I think she was more looking for more detail like, ‘I want to be here with these many kids.'” “I didn’t take offense. She’s determined in what she wants and she didn’t see that in me. I answered truthfully. That’s me being myself.” “I was not closed-minded about it. I want to have kids and marriage in my life one day, [but] I’ll cross that bridge when I get there.” “Whether she made the right decision is on her. After she made her mind up, I was content to move on. I was really happy with everything.” “We just didn’t click. She was very sweet, and I wish her the best.” As for who he thinks Emily Maynard’s ends up with in the end? “My money’s on Jef. He seems like a great guy, a caring individual, and he’s got some money. I’m sure that’s going to put me in a doghouse,” he said. “Arie and Sean will stick around too. And maybe Doug, the guy who got the first impression rose. They’re solid good guys, good character.” Sounds like someone’s been reading The Bachelorette spoilers … or watching the first two episodes on TV. That’s all we’ll say for now.
You probably don’t know who Jeff Barth is. But you’ll know more than you ever wanted to know about him by the time you’re done watching his latest ad. For example: he once rode an ostrich; he lived in Washington, D.C. during MLK’s “I have a dream” speech; he lived in Germany while the Berlin wall was going up; he “learned chess in Iceland;” he went to five grade schools, five high schools, and four… Broadcasting platform : YouTube Source : The Blaze Discovery Date : 24/05/2012 16:05 Number of articles : 3
Kim Kardashian may be a garbage whore of a person…but the great thing about whores is that they do whore things…and without whores doing whore things….the world would be a very dull place….from Sex Tape to Rapper Pussy With a Fat Ass…To Nipple Slips all to make a dollar…..all whoring all the time…and I’ll keep watching….hoping one day, like all whores at their peak, it all crashes down in one big horrible drug overdose….because lets face it…garbage people…especially garbage whores…don’t deserve this attention or success…no whore…especially not a fat one…should be this powerful….even if I like seeing their horrible nipples. TO SEE THE REST OF THE PICS FOLLOW THIS LINK
A week and a half after its world premiere kicked off the 65th Cannes Film Festival, Wes Anderson’s Moonrise Kingdom arrives Stateside this weekend in limited release. Starring Edward Norton, Bruce Willis, Bill Murray, Tilda Swinton, Frances McDormand, Jason Schwartzman and Bob Balaban, acting novices Jared Gilman and Kara Hayward steal the show kids on the cusp of their teens who fall in love on an island off New England in 1965. To stay together, the couple make a pact to make a dash for the wilderness, but the authorities are on their trail. Movieline caught up with Anderson, who gave his insight on young love, how he cast two newcomers in the lead roles, not rehearsing a first kiss and why he wishes Moonrise Kingdom had been like his adolescence. You’ve worked with Bill Murray and Jason Schwartzman before, while Edward Norton, Frances McDormand and Bruce Willis are new to Wes Anderson movies. What made you decide which characters they should play in this film? Yes, yes, Bill I’ve worked with so many times. If I can convince him to be in a movie, it always makes me happy. I liked the idea of him and Frances McDormand together. I thought that they seemed like they’d have great chemistry, you know? She’s great. And Edward Norton, I had this feeling he could be like somebody in a Norman Rockwell painting. Bruce Willis, I thought that it would be nice to use his persona a bit, and the character is itself sort of unlike what he usually is [in his roles], but he’s still a policeman. And Tilda Swinton is someone who I have loved since the very beginning of her career in movies, and so this was my chance to have her. I also thought she seemed like she could be Deborah Kerr or something in this part. Did Norman Rockwell inform your aesthetic for Moonrise Kingdom ? Yes, sort of. I mean, I guess I didn’t spend a lot of time looking at Norman Rockwell pictures, but I had this feeling about the world of scouting. There are a lot of Norman Rockwell scouting images. You mentioned that this film isn’t autobiographical, but you said something along the lines that it’s what you wish your adolescence had been like. Can you elaborate a bit? I think it was just sort of… Well, someone asked me if the movie was a fantasy, and yeah. I think that’s right. I think that’s exactly what it is. So, it’s an autobiography about something that didn’t happen. Why did you decide to go with newcomers to acting for the main two roles of the children who fall in love? Well, I didn’t make a conscious decision about it. I just sort of said, “Well, let’s see what happens.” It wasn’t like there was some kid out there who I specifically wanted for this, but I said “Let’s look at everybody.” And these ended up being the ones who just seemed right for the characters. Did you have an image in your mind of what you wanted the kids personas to be like? Perhaps a nerdish or alpha-male or anything that fit an image in your mind about the kids? Not really. I knew the Sam character would need to be an outsider and that Suzie would need express an anger. The kid in the Scout troop who is sort of the bully of the group, his name is Redford. And I thought that he needs to look like [Robert] Redford. But many of the other kids could have been anyone. How did you work with the kids in helping them to get to know their characters? I rehearsed for a long time. By doing that a lot they really got to know the script and to feel comfortable with their characters. Whatever happened [along the way] if there were distractions going on around them, they’d still be able to do their scenes — they wouldn’t be thrown off. I read that there was one particular scene, however, that you purposely didn’t want (Jared Gilman) and (Kara Hayward) to rehearse. They hadn’t met before this film. They’d never had their first kiss – literally in their lives [as well]. So I decided to put that aside and we made that our last scene filming. We didn’t want to think about it too much and let it just happen naturally even if it was awkward, you know? That’s OK. Do you think children have a certain wisdom that is somehow lost as they get older? Well, I think they have — or often have — a certain clarity. They often know what they want. They don’t have wisdom, but have a purity with how they express themselves and how they proceed that can be an advantage — a big advantage. In Moonrise Kingdom , they’re not really making great decisions but they do know what they want. And for all the adults around them, it’s much more murky territory. I think sometimes having wisdom makes things more confusing. If you start to say, “I can picture what the other guy feels about this,” and then you might say, “Man, I’m not so sure if I’m right. And do I want what I want and how am I going to feel when this happens?” In the past I’ve been through this, and kids aren’t thinking like that. These kids, I don’t think they have given much thought to what their next step will be. They know the one step they’re going to take now, but they don’t really necessarily know the two steps. Discussing your film with someone, that person said he thought there were symbols in Moonrise Kingdom that perhaps signified a new direction for you – or that you are perhaps gearing up to move into a new direction vs the style you’ve developed in your previous work. Is there any truth to that? The thing is for me, I don’t really see what my MO is. But I know that every time I start on a movie I feel like I’m doing something different. I mean, I feel like [perhaps] now I’m in India doing a movie on a train about two brothers, and then I’m doing an animated movie with little puppets and you know, and then I made a movie in America for the first time in 10 years and it’s about first love. And for me this movie is different — it has its own MO. I am certainly aware that there are links between my movies, and I have a kind of something that is consistent and people can recognize these things. But really, for me, that’s like my handwriting and it’s not something that I contemplate so much. It’s just my sort of own way that I developed, how I feel I can do movies. I would doubt that a movie I’m making contains a suggestion of what I’m going to do next or contains a deliberate statement or link to anything else I’ve ever done before. So tell me about the time period in Moonrise Kingdom . You picked 1965, but could this have taken place in 1995 or 2005? I think it might have, yeah. But I picked that time because, you know, I think it feels like a more innocent time. And then these kids are going to be 18 in five or so years and they’ll be living in a very different world. Yeah, yes. How have you found audiences approach your films on this side of the Atlantic vs the U.S.? An audience is really a whole bunch of different people who are wanting something different. But I know you can observe different things. I would relate French moviegoers close to Canadian moviegoers. They have a particularly avid sort of old-fashioned approach to movies in which they go to often. There’s this public belief and respect for movies that I Iove and I share. In America, everything is sort of faster and much bigger. The machine of promotion for films is giant, so there’s a different energy to it. But in places like New York, you can go to the Walter Reade Theatre or Film Forum and they’re also filled with movie lovers. Read more of Movieline’s Cannes 2012 coverage here .
“Miss Jackson If Ya Nasty” takes the front and center position of this month’s issue of Prevention Magazine to let people in on what is going on in her world. Janet Jackson Covers Prevention Magazine Here is some of what she had to say. On being the spokeswoman for Nutrisystem: “I think people really connect with the idea of someone who’s gained and lost weight in a very public way, and also someone who’s an emotional eater.” On being an example to her niece Paris, Michael’s 14-year-old daughter who landed her first film role in Lundon’s Bridge and the Three Keys: “We’ve spoken about the fact that you’re only a child once. I think there’s a time for everything, and now is not the time [to act in films]. I told her I thought she should enjoy being a kid, possibly go to college—or not—but wait till she turns 18. She’s a very tough, smart girl. But it’s a cutthroat industry. I wouldn’t want my child to do it.” On the dichotomy of being 5’4, sweet and soft-spoken and her identity as a five-time Grammy Award-winning artist who’s sold more than 100 million records: “My songs are normally about what’s going on in my life at the moment. I don’t need to keep a diary.” Hit the flipper to see what Janet says about her weight issues, and whether or not her rich new boo-thang is a keeper for LIFE!
Just about a month before hitting theaters (and right on the cusp of its theatrical marketing campaign), G.I. Joe: Retaliation has been pushed back by Paramount from June 29 to March 2013 to allow for a 3-D conversion. But director Jon M. Chu and the studio had deliberately opted for filming in 2-D before the 11th hour shift. So why opt for 3-D now? Last year, Chu was looking at his filming options but swore he’d rather go 2-D than do a post-conversion: “If we do it in 3-D, there’s no way in hell I am dimensionalizing it. I mean, dimensionalizing can work if you have the time and you have the money. But studios don’t want to put in the time or the money, so what’s the point? There always going to shortcut you, so why put yourself there?” A year later, Chu spoke with The Hollywood Reporter about the decision to forgo 3-D as a filming option: “It seemed like a natural thing, but I told them, ‘I know 3-D. This is what we need. If we’re going to do 3-D, we’re going to do it right.’ It had a certain price tag to it, and I was like, if you guys are down I’m down, but I do need more time to do it right. And they were about to do it but they cut it just a little bit short, and [I said,] “if you guys are going to cut it short there is no point. Let’s make a movie — let’s go for it and we’ll go all out. And we shot on film, super-35, and I thought this may be one of the last times I get to shoot on film, and it was actually kind of freeing.” Clearly someone somewhere rethought that choice, and now Chu has nine months ahead of him to complete a decent post-conversion on the film. Over at Deadline , Nikki Finke reports on why the 3-D landscape now might look a little more enticing than it did when Chu and Paramount were planning the G.I. Joe sequel. A studio source explained the move to Finke thusly: “We’re going to do a conscientious 3-D job because we’ve seen how it can better box office internationally… Jim Cameron did all of Titanic ‘s 3-D in post — and look how well that movie turned out.” Here’s the thing: Post-conversion detractors might still cite Clash of the Titans and its infamously muddied conversion job as reasons to avoid the added process just to squeeze out more profit in release, and until very recently I counted myself in that camp. But one upcoming film that I caught actually made me rethink this position: Men in Black 3 , a post-converted 3-D offering that might actually help turn the tide for non-native 3-D. That film’s director, Barry Sonnenfeld, did a surprisingly good job demonstrating how one could pull off the post-conversion process given enough time/the right approach; MIB3 features some of the best post-converted 3-D seen so far, shockingly enough. Granted, Sonnenfeld was able to shoot in 2-D with his eventual 3-D process in mind — featuring camera work and visual gags designed specifically to be enhanced with 3-D — whereas Chu’s G.I. Joe 2 likely was not. So Chu has a challenge ahead of him… but it could yet work. G.I. Joe: Retaliation will now open on March 29, 2013. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
Actor plays title role in Sam Raimi’s ‘Wizard of Oz’ prequel, which also stars Mila Kunis, Zach Braff. By Fallon Prinzivalli, with reporting by Josh Horowitz James Franco Photo: Neilson Barnard/ Getty Images At this point, we’re pretty sure there’s nothing that James Franco can’t do. He’s an Academy Award-nominated actor. He’s the author of a collection of short stories called “Palo Alto.” He directs, produces and writes his own films. He’s cast in project after project, including Harmony Korine’s “Spring Breakers” and the new Nick at Nite series “Hollywood Heights.” He’s even directing a documentary based on the world of pornography, all the while attending school in some fashion, as either a student or a teacher. We can hardly keep up! One of the most anticipated projects on his plate is the Disney film “Oz: The Great and Powerful,” in which Franco plays the title role alongside Mila Kunis, Rachel Weisz, Michelle Williams and Zach Braff. When MTV News caught up with the ever-talented actor, he told us that he enjoys being attached to a multitude of ventures, especially something as legendary as “Oz.” “I do like to do a lot of different things, and I think there is something really nice about being part of a bunch of institutions by being in this film,” he explained. “Disney is a place that’s been a big part of my life, and a lot of people’s lives, since I was a kid. ‘The Wizard of Oz’ has also been a huge part of my life. The [L. Frank] Baum books were some of the first books I read on my own, so I like being attached to something as iconic as this.” The film, directed by Sam Raimi , is a prequel to “The Wonderful Wizard of Oz” that explains how the wizard came to power in the land. And while the cast is tight-lipped about their roles in the movie, Mila Kunis offered up a tiny explanation about her character, Theodora, to MTV News’ Josh Horowitz. “She’s a good person who gets her heart broken,” the actress explained. “What happens to young ladies when their heart gets broken?” “They turn into horrible, evil witches,” Horowitz answered. With a smile, Kunis replied, “You said it, not me.” Check out everything we’ve got on “Oz: The Great and Powerful.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .
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