Anna Kendrick has always been ugly to me, sure she’s skinny, but that face, mainly her mouth just annoys the fuck out of me, and makes me feel like I would probably throw up if I had to watch it eat, pretty much anything, including pussy, and I love watching girls eat pussy. That said, I read, yes, despite my broken english, and horrible spelling, I do in fact read, and I read recently that Anna Kendrick has no time to take nude selfies, and that she finds them dumb, so that there will never be any Anna Kendrick leaked spread asshole pics…with her vagina dripping all over her inner thigh… However, I would argue, that every girl has taken nude pics, even if was deleted right after, and that she’s lying to us, because if there is one thing actors have, it’s all the time in the fucking world. They work 6-8 weeks per movie, maybe if their lucky 6 months a year in actual on set work, where they do absolutely nothing for hours at a time. So nude pics would only make sense. Either way here she is for the edit, not nude, but nude enough…now if only they put a mask on her, I could probably jerk off to it. I’ve got standards like that, even though I have absolutely no standards. The post Anna Kendrick for The Edit of the Day appeared first on DrunkenStepfather .
All anyone’s talking about this weekend is Spider-Man, which means there aren’t any new releases with nudity in them. It wasn’t all that long ago, 1997 in fact, that there used to be several movies released on the same day featuring nudity, so let’s turn back the cock and take a look at five films featuring flesh, all of which were released on May 2, 1997. More pics and info after the jump!
What, ya didn’t know rapper/personality Ed Lover was a closet cinephile-slash-Oscar pundit? To borrow from the man himself: “C’mon, son!” In a searing video rant over at NextMovie, he reacts to this year’s batch of Oscar nominees and glaring snubs (what, no Drive , Harry Potter , or “Dame Julie Dench?”) and pretty much takes the words out of my mouth. “They had the Academy Award nominations the other day at like 7 o’clock in the damn morning… C’mon, son!” Among the salient points from Lover: – The three nominees of color this year (Octavia Spencer, Viola Davis, and Demián Bechir) played minorities in servitude of some sort or another. – “Janet McWho?” – What about Ryan Gosling in Drive ? – “So, Academy: You’ve got 9 mothaf***in’ nominees, and you can’t find room for Harry Potter ?!” Props to NextMovie for this bit of Oscar race brilliance. Ed Lover drops his “C’mon Son” knowledge here . Meanwhile, check out S.T. VanAirsdale’s ongoing Oscar musings in Movieline’s Oscar Index . [ NextMovie ]
Critics will argue over whether or not Joe Carnahan ’s latest, The Grey (currently holding at 76 percent at Rotten Tomatoes ), succeeds as the latest nature-as-killer yarn to hit the action genre, but it’s worth taking a closer look at what Joe Carnahan is attempting beyond the survivalist thrills and chills. In the age of the metrosexual, and in an industry inundated with juvenile comedies and mind-numbing blockbusters, what does this Liam Neeson vs. the wolves pics have to say about modern masculinity? The Grey sees its heroes endure viscera-spilling skirmishes with wolves and ego-driven clashes with one another, but in its quiet moments it explores more existential, even spiritual ground. Chest-puffing toughs like Grillo’s ex-con Diaz are reduced to their true vulnerable selves as the elements strip away the armor of macho posturing, leaving these men feeling their susceptibility as death stalks nearer by the hour. For Neeson’s Ottway – a prototypical strong and silent hero, with a stoicism and resolve of another era – that vulnerability leads to soul-searching, and ultimately self-resolve: If God can’t help him, he thinks aloud, “Fuck – I’ll do it myself.” Neeson, director Carnahan, and actors Frank Grillo, James Badge Dale, Dermot Mulroney , and Dallas Roberts discussed the film and its themes in Los Angeles. ON THE SCRIPT Liam Neeson: “The script read like a 19th-century epic poem for me, something like The Ancient Mariner or something. And also [it appealed to] the little boy in myself; I just thought it would be great to be out with a bunch of guys on a cliff face or a rock face and doing manly things.” Dermot Mulroney: “I loved Jaws and Aliens and… Deliverance . So to me it read like those, I thought I’d like to be in a movie like that once, that’d be amazing. I’ve made a lot of movies that had both men and women in them, a lot of movies that were dominated by the woman’s storyline. And in this case it was a very different experience making the movie and enjoying the movie, when it was completed, because of the fact that there are no women in it… It was like thank God, I get to do a movie with just guys.” Joe Carnahan: “Mature isn’t the right word; it has the most me in it, I guess – how I think and how I feel, and all my fears, which are considerable, and all my insecurities, which are even more considerable.” ON RELATING TO THE MEN OF THE GREY Neeson: “When you reach the age of 59 and a half, you do reflect a lot on why you’re on this planet, and what we’re doing, you know? It’s a constant – it is with me, anyway… I wasn’t consciously, but I knew certainly the emotional range of this guy, I could access [it] with a certain amount of ease. And I don’t say that as a brag, it just was a comfortable fit.” James Badge Dale: “We struggle trying to do the best we can, but we continually mess up and the fascinating thing to me about this film was the regret and the pain and you’re faced with this moment where I’m going, I’m leaving, I’m dying. You’re going to die, I’m going to die, it’s over. Wow, look at all the people I’ve hurt. Look at all the times I’ve messed up. What would I do differently? You know? And we’re not perfect. We fall down, but it’s that effort to try to get back up.” ON ‘PAPA BEAR’/’ALPHA MALE’ DIRECTOR CARNAHAN Neeson: “He’s an alpha male, you know? He’s a throwback to those directors from the 30s and 40s, I think – Hathaway, Howard Hawks, John Ford. He’s a real throwback to those guys, you know, and I love that in a director. And Katherine Bigelow is the same; she’s the governor. I love having a leader. And especially on a shoot like this, these conditions; you need someone who’s in charge and knows what they’re doing.” Frank Grillo: “He’s like Hemingway, he’s Papa Bear. It’s crazy. He lives life fast. It’s 100mph all the time. ON MACHISMO AND VULNERABILITY IN THE GREY Neeson: “I think in general it does touch on man’s general fear – I don’t think for this generation, but for my generation and my father’s generation, of difficulty in accessing emotion and then being able to talk about it. I think it certainly touches on that, and these guys, these characters in this film find it very, very hard to relate certainly to themselves and to one another. Which is one of the nice things about the film, that they do, in a way, they do share in a very primitive, basic way.” Carnahan: “The very basic thesis is, ‘As important as it is how you live, it’s equally important how you die.’ Whatever you want to take. People say, ‘What does the title mean?’ That’s it, it’s the grey. It’s the grey area. It’s between life and death, this nebulous thing that you don’t really understand. Grillo: “What I think that it has to say is that men are as afraid as when they were children. It’s tough being a man. It really is tough being a man. To define yourself and what do you believe in as a man and what are you willing to do to survive and live and protect your family, whatever those things are. How far will I go before I quit? Because we asked ourselves, ‘If I was in this situation would I actually be able to do this?’ No. I don’t think I would. If my kids were in danger I’m sure I’d be capable of doing some extraordinary things, but I’m not that guy. I’m just not that guy, it’s easier for me to lay down… So I think that it shows people how confusing it is sometimes to be a guy, what is defined, society’s defined to be a man.” Dallas Roberts: “If you take as read the notion that sort of care might fall on the feminine side of all of us, and that love might fall more on that side, then, you know what I mean, then that stuff is very much in play. That stuff is very much a part of these guys’ experience.” ON MACHISMO AND CAMERADERIE ON SET Neeson: “We’d talk about – a lot of dirty jokes, we’re a bunch of guys. But occasionally we’d dip into the metaphysics and we became very close – very good friends.” Roberts: “I mean, women were discussed in very, alternatingly respectful and horrific terms. Amongst the privacy of us, the way you would imagine dudes in a locker room. But that’s the problem with discussing modern masculinity, isn’t it, because you’re a moron as soon as you open your mouth and there’s nothing you can do about it. The best thing that you can do is shut up, and I’ve been unable to do that.” Mulroney: “I’ve heard that shutting up is very masculine. I haven’t tried it out yet.” Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
“I’m trying to work in studio movies, but they won’t hire me. I get feedback from my agent saying, ‘She’s too much of an indie queen.’ And then on the other side, my name doesn’t get the financing to do a movie over $1 million. And I’m called ‘the indie queen.’ So it’s really a challenging path because I know so much about the indie side of the business. Because I grew up in it. It’s like I’m back in junior high here at Sundance . There’s John Cooper and Trevor Groth and we all grew up together, you know? But it’s different times. And this stuff gets projected onto me. People are like, ‘You’re here every year, you do so many indie movies.’ And I’m like, ‘No, I did Broken English five years ago.'” [ indieWIRE ]
My gay friend loves the show Mad Men. He watches the shit all the fucking time and is obsessed with the concept of smoking on drinking on the job, except when it comes to me telling him stories about me smoking and drinking on the job, which triggers him to take a motherly approach and lecture me about how I am killing myself because I don’t get a enough hugs leading him to start hugging me to which I reply “you’re killing yourself because you had too many hugs, and by hugs I mean unprotected anal with strangers that gave you AIDS so stop hugging me, because I don’t want to get AIDS like this and if I need to get it any way, it’ll be by fucking a dirty, hot pussy, not by accidentally drinking some of the tears of the overbearing gay man in my life crying over my self destructive ways”….and I am sure he doesn’t watch the show because of this January Jones bitch and her stupid calendar name, or her tits that are in GQ this month…
When I was in elementary school, the only pussy I remember was one of the girls in my class asking me to watch her pee in the woods behind the school, and then there was lookin onto the stripclub beside the school that eventually burnt down, but before it did, we’d spend our lunch hours watching the strippers on smoke breaks in the parking lot, then there was the mother of one of the kids who was a total fucking whore, who doubled as our lunch monitor and wore all tight denim and leather in fuck me boots, with ridiculous bleached hair extensions before the world even knew what hair extensions were, and there was that one teacher who took an interest in the less fortunate male kids who taught us about sex using his ass as the vagina, but that’s not really where I wanted to go with this story, I wanted to say that no kid had a mom who looked like Elle Macpherson in these pics come pick them up, and if they did, I would have befriended them, provided they didn’t mind having a weird immigrant who spoke broken english as a friend, so that I could sneak in the mom’s room and play with her panties, I mean when I wasn’t getting molested by my teacher. Pics via Bauer
