Tag Archives: tarantino

Why Spike Lee Won’t See “Django Unchained” [VIDEO]

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Quentin Tarantino’s slave western has been drawing criticism from the day the trailer was released and comments from the controversial director have not helped. RELATED: Samuel…

Why Spike Lee Won’t See “Django Unchained” [VIDEO]

Quentin Tarantino Says Nothing “Rings True” About “Roots”

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In another example of White Privilege run amuck, Director Quentin Tarantino put the 1977  TV film “Roots” in his crosshairs for not being an accurate…

Quentin Tarantino Says Nothing “Rings True” About “Roots”

WATCH: Japanese ‘Iron Man 3’ Trailer Shows Stark Residence, Gwyneth Paltrow Getting Blowed Up Real Good

This Japanese Iron Man 3 trailer has surfaced, and though it doesn’t offer much in the way of new footage, you do get an added glimpse of Pepper Potts ( Gwyneth Paltrow ) getting blown back by the blast of the helicopter attack on Tony Stark’s U.S.S. Enterprise-like home. Although Movies.com points out that that Marvel Studios President Kevin Feige  recently went on record saying  Iron Man 3  isn’t so much a “serious” film as a serious exploration of Tony Stark’s character, I still think that based upon this new image and the shot of a tortured-looking Pepper in the last trailer,  the arc of Paltrow’s character is going to be crucial to the plot . There’s also that moment in the last trailer where Stark ( Robert Downey Jr .) says: “I hope I can protect the one thing I can’t live without.”  Even though his use of the word “thing” is unfortunate, you know that’s a speech about Pepper. Oh, and one last non-Pepper point:  Unless Marvel is trying to make Ben Kingsley’s indeterminately international   Mandarin character intentionally cheesy, it needs to lose that “Heroes–there is no such thing” line from future promotional clips. That’s dialogue more befitting of Austin Powers than Iron Man.  More on Iron Man 3:  ‘Iron Man 3′ Teaser-palooza! Trailer Foreshadows Pepper Potts’ Peril Marvel Studios Says Iron Man 3 Villain The Mandarin Isn’t Chinese, He’s International Marvel Unmasks New ‘Iron Man 3’ Images [ Movies.com ] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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WATCH: Japanese ‘Iron Man 3’ Trailer Shows Stark Residence, Gwyneth Paltrow Getting Blowed Up Real Good

Mimes, Monkeys, And The Ghost Of ‘Fitzcarraldo’: Inside Brazil’s Amazonas Film Festival

There are no movie stars in Brazil. When a local comedy show asked people to list the most famous Brazilians, the top three were Gisele Bundchen, Pele, and Blanka — the green ogre from Street Fighter 2 who got his powers from the bite of an Amazonian electric eel. So far in 2012, not a single Brazilian-made movie has cracked the top ten in the country’s own box office—in fact, to find a domestic hit, you have to go all the way down to the romantic comedy E Ai…Comeu? , which to date has made about half of as many reals as Alvin and the Chipmunks: Chipwrecked . But Brazil does have soap stars. And at the Amazonas Film Festival in Manaus, Brazil — the heart of the Amazon — soap stars, dozens and dozens of them, all handsome and cheerful and thrilled by their own fame, were the main event. That a film festival celebrates soap stars makes no sense, until it does. One of the major reasons for trekking these TV celebrities out to Manaus is to lure schoolchildren to attend the free festival where, between hooting hellos at their idols, they watch a movie, fall in love with film and kickstart the next generation of Brazilian cinema. The second reason for the soap star deluge is to make the rest of the country pay attention to Manaus. Until very recently, the 2.2 million capital city of the Amazon was only accessible by plane and boat; most of the celebrities in attendance from the southern metropolises of Rio and Sao Paulo had never been there at all. It takes longer to drive from Rio to Manaus than it does to drive from Los Angeles to New York, and the cultural distance between the two is so vast that the TV actors kept insisting to us gringo journalists that Manaus wasn’t even really Brazil, but more like how we think of Alaska. But if Manaus has a lot to prove, they’ve also got the money to do it. In case you haven’t heard: Brazil is rich. And Brazil sets aside .85% of the federal budget to support the arts, while the United States manages a meager .066% — and Mitt Romney still wanted to kill Big Bird. The 2012 Amazonas Film Festival was a lavish spare-no-expenses wonder: Every night one to two movies screened for attendees sitting in the velvet chairs of the Teatro Amazonas, an opera house built in 1896, and every day, the festival hosted trips to waterfalls and rainforests and palaces. One afternoon, everyone trekked to a nature reserve to celebrate as Elizabeth the sloth was rechristened a native name meaning “Beloved by Humans.” There was a fireworks salute, the clinking of goblets filled with Coca-Cola and Guarana soda, and then the DJ spun “Jungle Boogie.” Meanwhile, a concession stand employee fed stray marmoset monkeys like they were pigeons. And unlike Sundance in Park City, Utah, the film festival isn’t even the town’s high point of the year: Manaus hosts a big cultural festival every month for rock, opera, folklore, carnival, jazz, theater, dance, pop music, and even Christmas, which this year will be produced by Disney and aired on national TV. Americans have seen Manaus before, even if they don’t realize it. The Ice Cube and Jennifer Lopez masterpiece Anaconda claims to have been shot there, although none of the locals would admit it. (They should.) So few feature films have been shot in the region that when the fest played A Floresta De Jonathas (aka Jonathas’ Forest — “Jonathas” is not a typo), a trippy slow burn about a teenager lost in the jungle, it was heralded as the first flick filmed there in 10 years. Film nerds can name a third flick from Manaus: Werner Herzog’s Fitzcarraldo , which opens with Klaus Kinksi and Claudia Cardinale leaping from a canoe to dash up the stairs of the grand old Teatro Amazonas, desperate to see Enrico Caruso. But most Brazilians haven’t heard of that movie either, though if you believe a word Kinski wrote in his sex-mad autobiography All I Need is Love , he had to have left behind at least a half-dozen half-Brazilian children. The Teatro Amazonas (pictured at top), where the seven-day film festival was held, looks almost the same as it did when Herzog filmed there in 1982, except for the mime dressed like Charlie Chaplin who stalked the red carpet each night and eagerly leaped in front of every camera. At the opening of the Amazonas Film Festival, the old marble walls — imported from Italy back when the rubber barons of Manaus made it the richest city in the world — buzzed with energy. We American journalists were given headsets that translated the introductory speeches from Portuguese to English, not that they helped us make any sense of the moment when a soap star named Igor, a dead-ringer for Benicio del Toro, stormed the stage uninvited and shouted something loosely paraphrased as, “Thanks for letting me have sex with my girlfriend under a waterfall!” to the Minister of Culture. Then he pulled a pair of sheer black pantyhose over his head like he was about to rob a convenience store, and fled the stage to massive applause. Lost in translation, I suppose. The opening night film, Colegas ( Buddies ) has been sweeping up awards in Brazil. It’s comedy version of Natural Born Killers with a twist — the two gun-toting lovebirds on the run with their best friend all have Downs Syndrome. Plus, the trio, headed by de facto leader Stallone (whose parents named him after their favorite actor) were so bored at their institution for the mentally handicapped that they spent their days memorizing old Hollywood movies on VHS. It’s a Brazilian movie about American movies — even the credits riff off old posters for Raiders of the Lost Ark and The Godfather . When girlfriend Aniha waves a pistol in a fancy Buenos Aires restaurant, she hollers, “Everybody be cool — this is a robbery!” and when she and Stallone snuggle up, he whispers, “Are you trying to seduce me, Mrs. Robinson?” The inevitable Fox Searchlight remake will rake in millions, especially with the built-in controversy of a cast that’s half-disabled. But there was no frisson of exploitation here, though when lead ingenue Rita Pokk literally lowered to her knees onstage to thank the director for allowing her to act, he hastily joined her on the ground. Continued…

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Mimes, Monkeys, And The Ghost Of ‘Fitzcarraldo’: Inside Brazil’s Amazonas Film Festival

Quentin Tarantino Wants You To Feel The Inhumanity Of Slavery In ‘Django Unchained’

Quentin Tarantino wants you to know that if his depiction of slavery in Django Unchained disturbs you, the reality was much grislier.  “I’m here to tell you, that however bad things get in the movie, a lot worse shit happened,” the filmmaker told a British Academy of Film and Television Arts crowd after screening his hotly anticipated spaghetti western in London. Judging from a report in London’s Guardian newspaper,  Tarantino intends  Django Unchained  to be a visceral, in-your-face depiction of slavery in America.  “We all intellectually ‘know’ the brutality and inhumanity of slavery, but after you do the research it’s no longer intellectual any more, no longer just historical record — you feel it in your bones,” Tarantino said. “It makes you angry, and you want to do something.” As was the case with Tarantino’s Nazi revenge fantasy, Inglourious Basterds , the title character of Django Unchained , who’s played by Jamie Foxx , gets to exact a great deal of cinematic retribution against the movie’s slave owners and their accomplices. But Tarantino told the BAFTA crowd that his movie is about more than payback: “When slave narratives are done on film, they tend to be historical with a capital H, with an arms-length quality to them,” he said. “I wanted to break that history-under-glass aspect, I wanted to throw a rock through that glass and shatter it for all times, and take you into it.” “I did a lot of research particularly in how the business of slavery worked, and what exactly was the social breakdown inside a plantation: the white families that owned the houses, the black servants who worked inside the house, the black servants that were in the fields, and the white overseers and workers that were hired to work there.” Of special interest to Tarantino was the southern aristocracy which he called “an absurd, grotesque parody of European aristocracy.” From that same Q&A session, the website Bleeding Cool is reporting that Tarantino told the audience “I could conceive maybe someday doing a 30′s gangster picture, or something like that.”  He also said that he could do “another Western, actually.” [ The Guardian , Bleeding Cool ] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Quentin Tarantino Wants You To Feel The Inhumanity Of Slavery In ‘Django Unchained’

Oscar Index: Everything’s ‘Dark’ And ‘Miserables,’ Until We Get ‘Unchained’

Welcome back to Movieline’s Oscar Index, where each week we take the pulse of the awards chatter en route to Hollywood’s big day. This week both Tom Hooper’s Les Miserables and Kathryn Bigelow’s Zero Dark Thirty surged through the ranks after debuting in their first, successful, awards screenings, though Spielberg’s Lincoln still reigns supreme — but Peter Jackson ‘s 48fps gamble The Hobbit and Quentin Tarantino ‘s Django Unchained are right around the corner, gunning for the spotlight… The Leading 10 1. Lincoln 2. Les Miserables 3. Zero Dark Thirty 4. Argo 5. Silver Linings Playbook 6. Life of Pi 7. Django Unchained 8. Beasts of the Southern Wild 9. The Hobbit: An Unexpected Journey 10. Anna Karenina Outsiders: Skyfall , Moonrise Kingdom , Flight , The Dark Knight Rises , The Master Despite strong guild and critic screening debuts for Les Miserables and Zero Dark Thirty , which absolutely sealed their positions as Best Picture top dogs, Spielberg’s Lincoln is still holding onto its momentum and #1 spot in the race in the hearts and minds of pundits. Meanwhile, David O. Russell’s Silver Linings Playbook searches for a way to keep up, while Fox Searchlight’s Beasts of the Southern Wild is making its surge, trotting out Spirit Award-nominated star (and Best Actress hopeful) Quvenzhané Wallis for awards events this week. Best Director 1. Steven Spielberg ( Lincoln ) 2. Kathryn Bigelow ( Zero Dark Thirty ) 3. David O. Russell ( Silver Linings Playbook ) 4. Ben Affleck ( Argo ) 5. Quentin Tarantino ( Django Unchained ) Spielberg still reigns atop the race, but this week’s Zero Dark Thirty splash should boost Bigelow above the ranks of Affleck, whose popular Argo treads similar true history ground but doesn’t match ZDT ‘s weightiness or relevancy. Russell’s staying in the game as well thanks to lingering Silver Linings love, but the Django curiosity factor props Tarantino up even though critics have yet to see it. Next: Who leads the pack for Best Actor & Actress?

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Oscar Index: Everything’s ‘Dark’ And ‘Miserables,’ Until We Get ‘Unchained’

‘Django Unchained’ Trailer: Five Key Scenes

Sneak peek gives us a closer look at Quentin Tarantino’s wholly original next film. By Kevin P. Sullivan Jamie Foxx in “Django Unchained” Photo: The Weinstein Company You have never seen a cowboy movie quite like this. Quentin Tarantino ‘s ” Django Unchained ” is a western unlike any other. For starters, it doesn’t take place in the Old West, but in the pre-Civil War South. Secondly, it stars Jamie Foxx as a freed slave, out to save his wife from servitude. But what else would you expect from Tarantino? The first trailer from “Django Unchained” hit the Web on Wednesday (June 6), and we’ve taken the opportunity to break it down for you into our five key scenes. Django Is Off The Chain Right from the start of the first trailer, Tarantino lets us know how “Django Unchained” is going to handle slavery. While the auteur will obviously bring his own irreverent spin to the subject, he is not shying away from showing the ugliest parts of slavery. Once freed, Django stylishly throws off his worn-down blanket in ultra-cool slow-mo, but he reveals the scars and the reality of his captivity. The image perfectly captures how Tarantino strikes the balance between truth and style in what’s sure to be a controversial film. It’s Good to Be King But Django is only one half of a dynamic duo. His liberator, the dentist-turned-bounty hunter Dr. King Schultz (notice the wordplay), is played by none other than Christoph Waltz , the scene stealer from Tarantino’s last film, “Inglourious Basterds.” Where Colonel Hans Landa was a merciless, if not reasonable, evildoer, Schultz is a simple-minded (but not dumb) kind soul, whose unfamiliarity with slavery makes him sympathetic to Django’s struggle to save his wife. He is an ally to Django, and — like Landa — gets many of the film’s best lines. The Bloody Cotton If one image had to capture what Tarantino is attempting to do with “Django Unchained,” this would be it. This movie is the first of its kind, a “bloody Southern,” Tarantino’s own genre of sub-Mason-Dixon Western action. He’s taking the look of the spaghetti Western — something he experimented with in “Kill Bill” and “Inglourious Basterds” — and transplanting it to the South during the time before the Civil War. It’s an entirely original mash-up, the kind we’ve come to expect from Tarantino. Leo Has Our Attention Perhaps the biggest attention grabber of this whole affair is former teen heartthrob Leonardo DiCaprio as an egotistical plantation owner. For all his great roles, DiCaprio has never played such a clear-cut villain, and it’s clear he’s having one hell of a time in the role of Calvin Candie, who owns slaves and uses them for prize fights to the death. Yeah, that doesn’t sound like the Leo we know, and that’s exactly why we can’t wait. The “D” Is Silent Just in case you were wondering, you don’t pronounce the “D.” Jamie Foxx has only appeared in a handful of movies in the years following his Oscar win, but Tarantino has handed him a meaty and thrilling role that could very well lead to a comeback. His portrayal of Django is drastically toned down from Foxx’s usual roles, as Django is a relatively quiet character. Needless to say, he does get his share of badass one-liners in the trailer, and we’re just dying to hear more. A fun fact about that last shot: it actually contains two Djangos. The man to the right of Foxx is Franco Nero, the man who starred in the spaghetti Western “Django,” Tarantino’s inspiration for the title. Check out everything we’ve got on “Django Unchained.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Django Unchained’ Trailer: Five Key Scenes

Django Unchained Trailer Arrives: Get Ready For A Very Tarantino Spaghetti Western Christmas

At long last — since Quentin Tarantino fans have been dying for a glimpse since the first peek at that hand-scrawled script suggested that yes, this was really happening — comes the first trailer for Django Unchained , Tarantino’s December 2012 spaghetti western about a freed slave (Jamie Foxx) shooting his way across the South. Because nothing says Christmas like slavery and vengeance! UPDATE: Sorry folks, the trailer is set to officially debut on Fandango later today. Check back for updated video… Foxx plays Django, a slave taken under the wing of a German bounty hunter (Christoph Waltz, looking delightful). Together they journey from plantation to plantation shooting bad guys on their way to rescuing Django’s wife (Kerry Washington) from the evil, oily Leonardo DiCaprio. Between the contained ferocity in Foxx’s eyes, the character actors that line the cast, Tarantino’s use of classic genre zooms and camera moves, that swaggering sense of humor, and the promise of seeing Django get the ultimate historical-revisionist retribution in his quest for “life, love, and the pursuit of vengeance,” the trailer packs quite a punch. And that’s even before Foxx’s Django sidles up to the OG Django , Franco Nero, and explains to him how his name is pronounced. Oh, references! Verdict: Might be a bit too genre for mainstream audiences, but my inner exploitation nerd can’t wait. Django Unchained hits theaters December 25.

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Django Unchained Trailer Arrives: Get Ready For A Very Tarantino Spaghetti Western Christmas

‘Survivor: One World’ Is Kim’s Game To Lose

Troyzan goes and Kim falters in the latest episode, and MTV News is back with former player Rob Cesternino to recap it all. By Josh Wigler Kim Spradlin during the immunity challenge on “Survivor: One World” Photo: CBS Few people would have predicted Greg “Tarzan” Smith to be the last man standing on “Survivor: One World,” but that’s exactly what’s happened now that his similarly named competitor Troyzan is no longer in the game. After an astonishing drop in likability paired with an equally stunning win last week, Troyzan redeemed himself (to a degree) on a personal level in the latest episode, at the expense of his life in the game. Now, six women remain: wishy-washy Christina, foul-mouthed Alicia, dim-witted Kat, savvy Sabrina, the seemingly unbeatable Kim and her partner-in-crime Chelsea — with only Tarzan representing the men of “One World,” poop pants and all. As the season moves toward the end game, it’s bridal shop owner Kim who remains the player to beat. Not only the dominant strategist in her alliance, Kim also proved herself a serious challenge threat this week by winning both reward and immunity with little to no competition. Still, not even Kim is infallible: She made a controversial choice to share her reward with her clear-cut ally Chelsea, leaving another member of her alliance, Kat, feeling insecure about her place in the grand scheme of things. Will Kim’s biggest blunder to date come back to bite her down the line, or is it much ado about nothing? MTV News once again paired up with two-time “Survivor” contestant Rob Cesternino to cover the latest episode of “One World,” including the fall of Troyzan and Kim’s continued warpath. MTV : We were hard on Troyzan last week, understandably so. This week, even though he was voted off, I feel a lot better about the guy. He did what he could to survive without being overly obnoxious. What was your take on Troy this week? Rob Cesternino : He sort of went through the five stages of grief over the last two weeks. Last week was anger and denial. This week, he moved onto bargaining and acceptance. He had a really good week this week. I really wanted to believe — and maybe I’m like Kat, and I just want to believe — but I hoped that Troyzan would pull it off this week. But I kept doing the math in my head: He still needs one more vote. Who’s going to vote with him? The math just didn’t work out that way. MTV : Part of me thought that maybe, finally, Christina’s time was up. Somehow, she gets to survive another day. Cesternino : I don’t understand why people keep trying to take her out, though. Even for Troyzan, if he could have swung the vote against Christina, it wouldn’t have been a power move. It wouldn’t have changed anything. MTV : Well, in fairness, it would’ve changed a lot for Troyzan. Cesternino : Sure, for Troyzan, it’s important. But it’s basically just cutting the tail off the snake [for anybody else]. Nothing really fundamentally changes if she’s voted off. She’s not a part of anybody’s alliance, so getting rid of her wouldn’t have been a power move for anybody else in this game. I think she’s next though, and that’s good for Kim — it keeps up the status quo, and gives her another week before she has to start making hard decisions. It’s not looking good for Christina at all. MTV : Why Christina over Tarzan? He’s the last man on the beach, which makes him an easy vote. Cesternino : I don’t think they have a very strong preference either way between those two. They’re both pretty expendable to the overall plan. I actually think Tarzan has now become someone who could win the game, if you have a bitter jury of men saying, “Well, at least he has a penis!” MTV : Fair point! [Laughs] Sticking with Christina for a minute, I can’t believe Sabrina just flat-out told Christina that she was getting votes that night. Cesternino : It was so bizarre, Sabrina telling her, “We’re putting votes on Troyzan, and we’re also putting votes on you. Hope you’re on board with this plan!” And Christina was pretty much on board. And then she goes, “You know, I don’t know if I can trust the girls 100 percent.” Well, they just said they’re putting two votes on you! I don’t know what kind of wakeup call she really needs in this game, because, come on! MTV : You and I have been on the Kimsanity train for a while now, but she screwed up this week, picking Chelsea over Kat to come with her at the reward challenge. Cesternino : She really did make a big blunder. It reminded me of “Survivor: Nicaragua,” when Sash did the same thing with Fabio; he didn’t let Fabio see his mom. He got a very similar reaction. Also, for future reference, anytime they show you two people [striking a deal] before a reward challenge, you know that one of those two people is going to win, and they’re not going to do what they just said they’d do. It’s “Survivor” foreshadowing. MTV : How bad was Kim’s blunder? What kind of damage is that going to do down the line? Cesternino : On a scale of 1 to 10, with 1 being no big deal and 10 being Erik Reichenbach giving his immunity necklace away on “Fans vs. Favorites,” I’d give it about a 3. It’s not a big deal. Kat’s a little upset, but what’s Kat going to do? MTV : Kat was clearly very upset, though. Now she has those Russell seeds in there; she wants to be a power player. Cesternino : I think this whole episode was about perception and reality. For Kat, when she was confronted with what reality is and how different it is from what her perception of the game is — how people really see her — she really did need to wake up and smell the coffee. I don’t know which show Kat thinks she’s on, where she’s been the dominant player all season long, but I would like to watch that show. MTV : That show exists in the same universe where Kat has never failed at anything in her life. Cesternino : Right! [Laughs] This is so hard for her. She’s never failed at anything. It’s unfathomable! MTV : Troyzan tried to make it look like Kim, Chelsea and Alicia were the top dogs based on the results of the reward challenge. Do you think that’s the actual final three? Cesternino : With final threes instead of final twos now in place on “Survivor,” I think that everybody left really thinks that they’re in the final three with Kim. It’s like what Boston Rob was able to do a couple of seasons ago on “Redemption Island.” Alicia thinks she’s in the finals with Kim and Chelsea, Sabrina thinks she’s in the finals with Kim and Chelsea, and Kat thinks she’s in there too. We may not see how things really shake out until the final five, because you have all these people who think they’ll be in that third spot. Plus, somebody’s still working with Tarzan. Somebody’s telling him what he wants to hear to keep him from voting with Troyzan. And nobody tells Christina anything; she’ll vote however they want her to. But what’s going to happen is, these people on the bottom are going to scratch and claw their way for the top three. No one’s going to get together and take out Kim, saying, “We can be the new top three. Forget Kim and Chelsea.” If Alicia and Christina could just stop bickering with each other, they could do something. Troyzan laid it out so obviously: With seven people left in the game, it could very easily be Kat, Christina, Alicia and Tarzan as the final four of the game — but that’s not going to happen. MTV : Certainly not with Troyzan gone. Will you miss having him on the show? Cesternino : It’s sad to see him go, because it felt like he was the only one left who could give Kim a run for her money. It’s really just Kim and a bunch of also-rans now. We’ll see if a bitter jury just doesn’t give Kim her money. MTV : I would like to believe you’re right, because I want to see Kim win the game. But there’s an argument to be made for Chelsea, too. She’s playing a solid game: She’s vocal, she’s strong in challenges. I think Chelsea could beat Kim. Cesternino : Absolutely. Just like last season, where Coach dominated the game, brought his alliance to the finals, told everybody what they wanted to hear to get to that point, and the jury gave the money to Coach’s loyal sidekick who was more blunt, honest and won challenges. It could easily go down the same way. I think Kim is savvier about the game than Coach is, but you have a voting block on the jury of five guys who want to blame somebody for what happened to them. Will they blame Kim and not give her the win because they look at her as the person who engineered the idea to get the men out of the game? We’ll see. MTV : Kim said that winning the reward challenge was the worst thing to happen to her in the game so far. I have a feeling she’ll have worse days coming up. Cesternino : Wah, wah, wah. [Laughs] If your worst day on “Survivor,” you win a reward challenge and an immunity challenge, then you’re doing pretty damn good out there. Let’s start a new hashtag: #winnerproblems. Get more of Rob’s thoughts on “Survivor” by following him on Twitter . Previously on MTV’s “Survivor” coverage …

‘Django Unchained’ First Look: Leonardo DiCaprio Heads South

Quentin Tarantino’s Western also stars Christoph Waltz. By Kevin P. Sullivan Leonardo DiCaprio in “Django Unchained” Photo: Columbia Pictures/EW For years, Quentin Tarantino has toyed with the Western, peppering homages to directors like Sergio Leone into ” Kill Bill ” and “,” but now the director is finally taking on the genre with ” Django Unchained ,” albeit in his own twisted way. Most of Tarantino’s secrets have stayed on the set, but Thursday (April 26) Entertainment Weekly debuted the first official look at just how far west Tarantino is going in “Django Unchained.” What separates the film from your usual Western is that it’s actually what Tarantino calls a “southern,” taking place primarily in the pre-Civil War South. The first photos show off the unique style of the film and reveal what Jamie Foxx , Leonardo DiCaprio and Christoph Waltz will look like when “Django Unchained” opens in theaters on December 25. The photo of Foxx and Waltz could be straight out of a traditional Western. Foxx, as title character Django, carries his saddle over his shoulder and wears a prototypical cowboy hat. His companion, Dr. King Schultz, played by Waltz, is a German dentist-turned-bounty-hunter, and his more sophisticated getup reflects that. It isn’t until we see DiCaprio’s evil plantation owner, Calvin Candie, that we find the connection to the Deep South. In the photo, DiCaprio is dressed up like a fine Southern gentleman, but he poses menacingly with a hammer in his hand. EW spoke with Foxx about working on the sure-to-be controversial film, which addresses slavery like never before. “There’s a beautiful way [Tarantino] found for the characters to talk to each other. It’s mind-blowing. You’ve never heard it this way,” Fox told the magazine. “You’ve seen movies deal with slavery — or Westerns that never dealt with slavery — do it the safe way. This way is like … wow.” Check out everything we’ve got on “Django Unchained.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Django Unchained’ First Look: Leonardo DiCaprio Heads South