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Chastain Rules, Schwarzenegger Drools As ‘Mama,’ ‘Zero Dark Thirty’ Rule Box Office

The box office has spoken! Jessica Chastain scored the top two weekend spots over Arnold Schwarzenegger ( The Last Stand ) and the double-whammy of Mark Wahlberg and Russell Crowe ( Broken City ) as the Guillermo del Toro -produced fantasy horror Mama scored a #1 debut with $28.1 million and Zero Dark Thirty stepped into second place. (Oscar rival Jennifer Lawrence didn’t come out so bad herself as Silver Linings Playbook expanded to #3 in wide release the same weekend she tenderly slammed her fellow Best Actress contenders on Saturday Night Live .) More power to the ladies! But where, oh where, did Arnold land in his big action comeback? Schwarzenegger’s breezy actioner The Last Stand showed a surprising lack of muscle over the MLK holiday weekend, raking in just $6.7 million over three days and calling into question the potency of the ex-Governator’s screen appeal as it shuffled into tenth place at the box office. Tenth place. Ouch. Broken City , Fox’s Wahlberg-Crowe mano-a-mano crime pic, also debuted to rather limp returns, with a $9.5 million estimated weekend take (numbers via Deadline ). But if Arnie’s box office cache was proven less brawny than expected, the Best Actress-nominated duo of Chastain and Lawrence reflected strong appeal for both Oscar contenders, both of whom notched Golden Globes wins last weekend. For Chastain’s part, the genre gamble that is the feral child-ghost mother pic Mama could have thrown a wrench into her awards campaign but paid off; it currently sits at a better-than-most-horror-pics 62 percent rating at Rotten Tomatoes, but had some pundits wondering if Universal’s timing of the film’s release was part of a crafty plot to ruin the awards season momentum of her campaign for Sony’s Zero Dark Thirty . But audiences came for a double dose of Chastain in two very different roles — one in a prestige pic that underscored Chastain’s steely strength in a man’s world ( ZDT ), the other a genre pic built around an emotionally distant character gradually embracing her latent maternal instincts ( Mama ). Meanwhile, Silver Linings Playbook and its swelling Oscar momentum continues to be owned by Lawrence, whose audience appeal was solidified by SNL ‘s solid ratings Saturday night. With almost exactly a month left before Oscar ballots are due, this race is just starting to get good. Read more on the Oscars : After Golden Globes Win, Is ‘Argo’ The People’s Film? ‘Argo’ & ‘Les Misérables’ Take Top Movie Prizes At Golden Globes High Five! The Best GIFs Of The 2013 Golden Globes Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Chastain Rules, Schwarzenegger Drools As ‘Mama,’ ‘Zero Dark Thirty’ Rule Box Office

‘The Hobbit’ Sprints To December Record At The Box Office

No surprise, it was a Hobbit weekend with the title, accounting for over half of the overall box office and even setting a December record. It did not match the highest estimates of some box office prognosticators, but nevertheless a solid showing considering its expectations. The top 10 grossed over $122.6 million. 1. The Hobbit: An Unexpected Journey Gross: $84,775,000 Screens: 4,045 (PSA: $20,958) Week: 1 As expected, Middle Earth proved highly lucrative at the box office, even setting a December record. With 4,045 theaters, The Hobbit ‘s gross outpaced the previous December record-holder, I Am Legend with $77.2 million. It also performed above the start of The Lord of the Rings: The Return of the King at $73.3 million. Still, the Lord of the Rings prequel did not match the lofty expectations of $100 million some had predicted. The feature accounted for over half of the b.o. over the weekend. 2. Rise of the Guardians Gross: $7,420,000 (Cume: $71,361,823) Screens: 3,387 (PSA: $2,191) Week: 4 (Change: – 28.7%) Rise of the Guardians placed second again and the title only fell about 29% maintaining momentum that should continue with its holiday theme. The pic will have to contend with a number of new releases headed to theaters between now and Christmas, so reaching the $100 million mark may still be tough. 3. Lincoln Gross: $7,244,000 (Cume: $107,898,000) Screens: 2,285 (PSA: 3,170) Week: 6 (Change: – 18.8%) After its big Golden Globe nomination haul, Steven Spielberg’s pic on the 16th U.S. President held strong, only dropping under 19% as the title added 271 theaters. Among the Oscar contenders, it is the highest grossing, at nearly $107.9 million, ahead of Argo ‘s $104.9 million. 4. Skyfall Gross: $7 million (Cume: $272,366,000) Screens: 2,924 (PSA: $2,394) Week: 6 (Change: – 35.1%) The latest Bond hit number one last weekend in a generally slow box office, but displayed bravado nonetheless. The pic continued to show strength over the weekend, placing fourth in its sixth week with only a 35% drop despite losing 477 theaters from the previous week. 5. Life of Pi Gross: $5.4 million (Cume: $69,559,406) Screens: 2,548 (PSA: $2,119) Week: 4 (Change: – 35.2%) Ang Lee’s 3-D spectacle held decently with a 35% drop as it lost 398 theaters over the previous weekend. Life of Pi again placed 5th in the box office rankings and it continues to be a tiger at the box office overseas where it has grossed an additional $128.5 million. Still it will have a tough time hitting $100 million domestically. 6. Twilight Saga: Breaking Dawn Part 2 Gross: $5,175,000 (Cume: $276,865,000) Screens: 3,042 (PSA: $1,701) Week: 5 (Change: – 43.5%) The Twilight finale lost 604 theaters in its 5th weekend, placing sixth on the chart, dropping three spots from the previous weekend. Worldwide it has grossed a cool $778,265,000 worldwide. 7. Wreck-It Ralph Gross: $3,273,000 (Cume: $168,779,000) Screens: 2,249 (PSA: $1,455) Week: 7 (Change: – 32.6%) In its seventh weekend of release, the animated Disney pic only dropped 32.6 per cent after losing 497 theaters. It again placed seventh in the chart. Abroad the pic has cumed $57.7 million. 8. Playing for Keeps Gross: $3,247,000 (Cume: $10,838,092) Screens: 2,840 (PSA: $1,143) Week: 2 (Change: – 43.5%) Opening in sixth place, the pic added three venues and dropped two slots to eighth. The pic will struggle to stay in the top 10 and will likely not stay in theaters in a significant way as new offerings open. 9. Red Dawn Gross: $2,394,000 (Cume: $40,889,423) Screens: 2,250 (PSA: $1,064) Week: 4 (Change: – 43.5%) One month out, Red Dawn lost 504 theaters and dropped one spot to 9th place. The pic will struggle to pass $45 million domestically which marks a likely loss considering its $65 million production budget. 10. Silver Linings Playbook Gross: $2,084,000 (Cume: $16,954,049 Screens: 371 (PSA: $5,617) Week: 5 (Change: – 4%) The Oscar hopeful broke the top 10 after flirting with it for a number of weeks. The feature is in comparatively far fewer theaters than its other top 10 brethren and its $5,617 per screen average is only outpaced by The Hobbit , which bowed this weekend. After dropping nearly 30% in each of the last couple weeks, the film only fell a very slight 4% this weekend, showing the title has some solid footing as it heads into the thick of the holidays and a wider expansion likely in the New Year.

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‘The Hobbit’ Sprints To December Record At The Box Office

‘The Hobbit’ Sprints To December Record At The Box Office

No surprise, it was a Hobbit weekend with the title, accounting for over half of the overall box office and even setting a December record. It did not match the highest estimates of some box office prognosticators, but nevertheless a solid showing considering its expectations. The top 10 grossed over $122.6 million. 1. The Hobbit: An Unexpected Journey Gross: $84,775,000 Screens: 4,045 (PSA: $20,958) Week: 1 As expected, Middle Earth proved highly lucrative at the box office, even setting a December record. With 4,045 theaters, The Hobbit ‘s gross outpaced the previous December record-holder, I Am Legend with $77.2 million. It also performed above the start of The Lord of the Rings: The Return of the King at $73.3 million. Still, the Lord of the Rings prequel did not match the lofty expectations of $100 million some had predicted. The feature accounted for over half of the b.o. over the weekend. 2. Rise of the Guardians Gross: $7,420,000 (Cume: $71,361,823) Screens: 3,387 (PSA: $2,191) Week: 4 (Change: – 28.7%) Rise of the Guardians placed second again and the title only fell about 29% maintaining momentum that should continue with its holiday theme. The pic will have to contend with a number of new releases headed to theaters between now and Christmas, so reaching the $100 million mark may still be tough. 3. Lincoln Gross: $7,244,000 (Cume: $107,898,000) Screens: 2,285 (PSA: 3,170) Week: 6 (Change: – 18.8%) After its big Golden Globe nomination haul, Steven Spielberg’s pic on the 16th U.S. President held strong, only dropping under 19% as the title added 271 theaters. Among the Oscar contenders, it is the highest grossing, at nearly $107.9 million, ahead of Argo ‘s $104.9 million. 4. Skyfall Gross: $7 million (Cume: $272,366,000) Screens: 2,924 (PSA: $2,394) Week: 6 (Change: – 35.1%) The latest Bond hit number one last weekend in a generally slow box office, but displayed bravado nonetheless. The pic continued to show strength over the weekend, placing fourth in its sixth week with only a 35% drop despite losing 477 theaters from the previous week. 5. Life of Pi Gross: $5.4 million (Cume: $69,559,406) Screens: 2,548 (PSA: $2,119) Week: 4 (Change: – 35.2%) Ang Lee’s 3-D spectacle held decently with a 35% drop as it lost 398 theaters over the previous weekend. Life of Pi again placed 5th in the box office rankings and it continues to be a tiger at the box office overseas where it has grossed an additional $128.5 million. Still it will have a tough time hitting $100 million domestically. 6. Twilight Saga: Breaking Dawn Part 2 Gross: $5,175,000 (Cume: $276,865,000) Screens: 3,042 (PSA: $1,701) Week: 5 (Change: – 43.5%) The Twilight finale lost 604 theaters in its 5th weekend, placing sixth on the chart, dropping three spots from the previous weekend. Worldwide it has grossed a cool $778,265,000 worldwide. 7. Wreck-It Ralph Gross: $3,273,000 (Cume: $168,779,000) Screens: 2,249 (PSA: $1,455) Week: 7 (Change: – 32.6%) In its seventh weekend of release, the animated Disney pic only dropped 32.6 per cent after losing 497 theaters. It again placed seventh in the chart. Abroad the pic has cumed $57.7 million. 8. Playing for Keeps Gross: $3,247,000 (Cume: $10,838,092) Screens: 2,840 (PSA: $1,143) Week: 2 (Change: – 43.5%) Opening in sixth place, the pic added three venues and dropped two slots to eighth. The pic will struggle to stay in the top 10 and will likely not stay in theaters in a significant way as new offerings open. 9. Red Dawn Gross: $2,394,000 (Cume: $40,889,423) Screens: 2,250 (PSA: $1,064) Week: 4 (Change: – 43.5%) One month out, Red Dawn lost 504 theaters and dropped one spot to 9th place. The pic will struggle to pass $45 million domestically which marks a likely loss considering its $65 million production budget. 10. Silver Linings Playbook Gross: $2,084,000 (Cume: $16,954,049 Screens: 371 (PSA: $5,617) Week: 5 (Change: – 4%) The Oscar hopeful broke the top 10 after flirting with it for a number of weeks. The feature is in comparatively far fewer theaters than its other top 10 brethren and its $5,617 per screen average is only outpaced by The Hobbit , which bowed this weekend. After dropping nearly 30% in each of the last couple weeks, the film only fell a very slight 4% this weekend, showing the title has some solid footing as it heads into the thick of the holidays and a wider expansion likely in the New Year.

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‘The Hobbit’ Sprints To December Record At The Box Office

‘Silver Linings Playbook’ Wins Four Satellite Awards: Biz Break

The film won a number of prizes including Best Picture. Also in Monday’s round-up of news, seven films made the Academy’s Shortlist of titles competing in the hair and makeup category; Lili Taylor’s latest is set for a Berlin premiere; newcomers in the Specialty Box Office opened weak over the weekend; and film critic Karina Longworth is leaving L.A. Weekly. Silver Linings Playbook Wins 4 Satellite Awards Including Best Picture David O. Russell’s Silver Linings Playbook took five prizes at the 17th annual Satellite Awards Sunday including Best Picture and best director for Russell and best actor prizes for Bradley Cooper and Jennifer Lawrence, THR reports . 7 Movies On Makeup Short List Seven films remain in competition for the Makeup and Hairstyling category for the 85th Academy Awards. Hitchcock , The Hobbit: An Unexpected Journey , Les Misérables , Lincoln , Looper , Men in Black 3 and Snow White and the Huntsman made the short list. Three nominees will lead into the Oscar ceremony. Lili Taylor’s The Cold Lands Set for Berlin Premiere The film by Tom Gilroy will have its world premiere at the Berlin International Film Festival in February. Also starring John Ventimiglia, the pic revolves around Atticus who flees from authorities after his mother’s sudden death into the rugged mountains and dense forests of upstate New York. The feature is part of the initial films announced in the Berlinale’s Generation Programme. See the full list of announced titles here . Any Day Now Soft as Holdovers Hyde Park On Hudson and Silver Linings Playbook Stay Solid Any Day Now bowed in 16 theaters a brave story starring Alan Cumming about a gay couple fighting to retain custody of special needs child they reared. Any Day Now is a brave film and story that earned audience prizes at festivals throughout the year. Unfortunately it did not connect fully with paying audiences in its debut but hopefully its audience will build through word-of-mouth. It averaged only $2,563 per location. More specialty results at Deadline. Film Critic Karina Longworth Leaves L.A. Weekly Longworth began at L.A. Weekly replacing Scott Foundas who headed to the Film Society of Lincoln Center. He’s returning to Village Voice Media as its critic. She is writing a book about Meryl Streep for Cahiers du Cinema and will freelance, TOH reports .

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‘Silver Linings Playbook’ Wins Four Satellite Awards: Biz Break

‘Silver Linings Playbook’ Wins Four Satellite Awards: Biz Break

The film won a number of prizes including Best Picture. Also in Monday’s round-up of news, seven films made the Academy’s Shortlist of titles competing in the hair and makeup category; Lili Taylor’s latest is set for a Berlin premiere; newcomers in the Specialty Box Office opened weak over the weekend; and film critic Karina Longworth is leaving L.A. Weekly. Silver Linings Playbook Wins 4 Satellite Awards Including Best Picture David O. Russell’s Silver Linings Playbook took five prizes at the 17th annual Satellite Awards Sunday including Best Picture and best director for Russell and best actor prizes for Bradley Cooper and Jennifer Lawrence, THR reports . 7 Movies On Makeup Short List Seven films remain in competition for the Makeup and Hairstyling category for the 85th Academy Awards. Hitchcock , The Hobbit: An Unexpected Journey , Les Misérables , Lincoln , Looper , Men in Black 3 and Snow White and the Huntsman made the short list. Three nominees will lead into the Oscar ceremony. Lili Taylor’s The Cold Lands Set for Berlin Premiere The film by Tom Gilroy will have its world premiere at the Berlin International Film Festival in February. Also starring John Ventimiglia, the pic revolves around Atticus who flees from authorities after his mother’s sudden death into the rugged mountains and dense forests of upstate New York. The feature is part of the initial films announced in the Berlinale’s Generation Programme. See the full list of announced titles here . Any Day Now Soft as Holdovers Hyde Park On Hudson and Silver Linings Playbook Stay Solid Any Day Now bowed in 16 theaters a brave story starring Alan Cumming about a gay couple fighting to retain custody of special needs child they reared. Any Day Now is a brave film and story that earned audience prizes at festivals throughout the year. Unfortunately it did not connect fully with paying audiences in its debut but hopefully its audience will build through word-of-mouth. It averaged only $2,563 per location. More specialty results at Deadline. Film Critic Karina Longworth Leaves L.A. Weekly Longworth began at L.A. Weekly replacing Scott Foundas who headed to the Film Society of Lincoln Center. He’s returning to Village Voice Media as its critic. She is writing a book about Meryl Streep for Cahiers du Cinema and will freelance, TOH reports .

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‘Silver Linings Playbook’ Wins Four Satellite Awards: Biz Break

Screen Actors Guild Unveils 19th Annual Award Nominees

The Screen Actors Guild unveiled its nominees for outstanding performances in 2012 in film and television Wednesday morning. Nominees were named in five film and eight primetime television categories in Los Angeles. Les Misérables , Lincoln and Silver Linings Playbook lead the theatrical motion picture nominations with four each, while Argo , The Best Exotic Marigold Hotel , The Sessions and Skyfall followed with two each. [ Related: ‘Lincoln’ And ‘Les Misérables’ Lead Critics Choice Award Nominees ] The Screen Actors Guild Awards styles themselves as the only ones “selected solely by actor’ peers in SAG-AFTRA.” Two nominating panels — one for television and one for film — each composed of 2,100 randomly selected union members from across the United States chose this year’s actor and stunt ensemble honors nominees. Final voting information will be mailed via postcard on Friday, Dec. 31, 2012. The eligible SAG-AFTRA membership across the country, numbering approximately 100,000 actors, may vote on all categories. [ Related: Oscar Index: ‘Zero Dark’ Domination & McConaughey’s ‘Magic’ Moves ] The following nominations include information provided by SAG-AFTRA. 19th Annual Screen Actors Guild Theatrical Motion Pictures Nominations: Outstanding Performance by a Male Actor in a Leading Role
 BRADLEY COOPER / Pat – “SILVER LININGS PLAYBOOK” (The Weinstein Company)
 DANIEL DAY-LEWIS / Abraham Lincoln – “LINCOLN” (Touchstone Pictures)
 JOHN HAWKES / Mark – “THE SESSIONS” (Fox Searchlight)
 HUGH JACKMAN / Jean Valjean – “LES MISÉRABLES” (Universal Pictures) 
DENZEL WASHINGTON / Whip Whitaker – “FLIGHT” (Paramount Pictures) 

Outstanding Performance by a Female Actor in a Leading Role
 JESSICA CHASTAIN / Maya – “ZERO DARK THIRTY” (Columbia Pictures) 
MARION COTILLARD / Stephanie – “RUST AND BONE” (Sony Pictures Classics)
 JENNIFER LAWRENCE / Tiffany – “SILVER LININGS PLAYBOOK” (The Weinstein Company)
 HELEN MIRREN / Alma Reville – “HITCHCOCK” (Fox Searchlight)
 NAOMI WATTS / Maria – “THE IMPOSSIBLE” (Summit Entertainment) [ Related: ‘Zero Dark Thirty’ Takes Top National Board Of Review Honors ] 

Outstanding Performance by a Male Actor in a Supporting Role
 ALAN ARKIN / Lester Siegel – “ARGO” (Warner Bros. Pictures)
 JAVIER BARDEM / Silva – “SKYFALL” (Columbia Pictures) 
ROBERT DE NIRO / Pat, Sr. – “SILVER LININGS PLAYBOOK” (The Weinstein Company)
 PHILIP SEYMOUR HOFFMAN / Lancaster Dodd – “THE MASTER” (The Weinstein Company)
 TOMMY LEE JONES / Thaddeus Stevens – “LINCOLN” (Touchstone Pictures)

 Outstanding Performance by a Female Actor in a Supporting Role
 SALLY FIELD / Mary Todd Lincoln – “LINCOLN” (Touchstone Pictures)
 ANNE HATHAWAY / Fantine – “LES MISÉRABLES” (Universal Pictures)
 HELEN HUNT / Cheryl – “THE SESSIONS” (Fox Searchlight)
 NICOLE KIDMAN / Charlotte Bless – “THE PAPERBOY” (Millennium Entertainment)
 MAGGIE SMITH / Muriel Donnelly – “THE BEST EXOTIC MARIGOLD HOTEL” (Fox Searchlight)

 Outstanding Performance by a Cast in a Motion Picture 
ARGO (Warner Bros. Pictures) 
BEN AFFLECK / Tony Mendez 
ALAN ARKIN / Lester Siegel 
KERRY BISHÉ / Kathy Stafford
 KYLE CHANDLER / Hamilton Jordan 
RORY COCHRANE / Lee Schatz
 BRYAN CRANSTON / Jack O’Donnell 
CHRISTOPHER DENHAM / Mark Lijek 
TATE DONOVAN / Bob Anders 
CLEA DUVALL / Cora Lijek
 VICTOR GARBER / Ken Taylor
 JOHN GOODMAN / John Chambers
 SCOOT McNAIRY / Joe Stafford
 CHRIS MESSINA / Malinov

 [ Related: LA Film Critics Name ‘Amour’ Best Picture, Boost ‘The Master,’ Jazz Up Oscar Race ] THE BEST EXOTIC MARIGOLD HOTEL (Fox Searchlight) 
JUDI DENCH / Evelyn Greenslade
 CELIA IMRIE / Madge Hardcastle
 BILL NIGHY / Douglas Ainslie
 DEV PATEL / Sonny Kapoor 
RONALD PICKUP / Norman Cousins
 MAGGIE SMITH / Muriel Donnelly
 TOM WILKINSON / Graham Dashwood 
PENELOPE WILTON / Jean Ainslie 

LES MISÉRABLES (Universal Pictures) 
ISABELLE ALLEN / Young Cosette
 SAMANTHA BARKS / Eponine
 SACHA BARON COHEN / Thénardier 
HELENA BONHAM CARTER / Madame Thénardier
 RUSSELL CROWE / Javert
 ANNE HATHAWAY / Fantine 
DANIEL HUTTLESTONE / Gavroche 
HUGH JACKMAN / Jean Valjean 
EDDIE REDMAYNE / Marius
 AMANDA SEYFRIED / Cosette 
AARON TVEIT / Enjolras
 COLM WILKINSON / Bishop 

LINCOLN (Touchstone Pictures) 
DANIEL DAY-LEWIS / Abraham Lincoln
 SALLY FIELD / Mary Todd Lincoln 
JOSEPH GORDON-LEVITT / Robert Todd Lincoln 
HAL HOLBROOK / Preston Blair
 TOMMY LEE JONES / Thaddeus Stevens
 JAMES SPADER / W.N. Bilbo
 DAVID STRATHAIRN / William Seward 

SILVER LININGS PLAYBOOK (The Weinstein Company)
 BRADLEY COOPER / Pat
 ROBERT DE NIRO / Pat, Sr.
 ANUPAM KHER / Dr. Cliff Patel 
JENNIFER LAWRENCE / Tiffany
 CHRIS TUCKER / Danny
 JACKI WEAVER / Dolores   [ Related: NY Film Critics Circle Spices Up Oscar Race With ‘Zero Dark Thirty’ Best Picture Pick ] SAG AWARDS HONORS FOR STUNT ENSEMBLES   Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
 THE AMAZING SPIDER-MAN (Columbia Pictures)
 THE BOURNE LEGACY (Universal Pictures) 
THE DARK KNIGHT RISES (Warner Bros. Pictures)
 LES MISÉRABLES (Universal Pictures)
 SKYFALL (Columbia Pictures)   LIFE ACHIEVEMENT AWARD
  (Screen Actors Guild 49th Annual Life Achievement Award) DICK VAN DYKE
  (Television nominees follow on the next page)

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Screen Actors Guild Unveils 19th Annual Award Nominees

Ben Affleck’s ‘Argo’ Passes $100 Million; Star Wars Producer Exits Lucasfilm: Biz Break

Ben Affleck ‘s political thriller passed the milestone box office mark over the weekend not counting overseas grosses. Rick McCallum will pursue smaller indies after leaving Lucasfilm post-Disney sale. The Kennedy Center Honors welcomes inductees; Silver Linings Playbook solid among Specialty Releases as newcomers fizzle. And at the European Film Awards , Helen Mirren expresses uncertainty over reprising Queen role. Ben Affleck’s Argo Crosses $100 Million Mark in N. America The Oscar hopeful directed and starring Ben Affleck crossed the $100 million mark, a notable feat for a historical drama. The title took in $2 million over the weekend. Internationally it has grossed $56 million, THR reports . Rick McCallum Bolts from Lucasfilm The Star Wars producer said Saturday via Lucasfilm’s StarWars.com that he is leaving the company to produce a slate of smaller independent films including a Russian pic about the Babi Yar Massacre that Sergei Loznitsa will direct; a film by Laurence Bowen about the boy soldiers of Sierra Leone; and an action drama with Tomas Masin about two brothers who escaped Czechoslovakia during the Cold War while being pursued by thousands of Soviet soldiers, Variety reports . Dustin Hoffman, David Letterman and Led Zeppelin Honored at Kennedy Center The John F. Kennedy Center welcomed eight performing artists to its wall of fame Sunday at a festival Kennedy Center Honors event. Actor Dustin Hoffman, TV host David Letterman, blues singer Buddy Guy, ballerina Natalia Makarova and the rock group Led Zeppelin (John Paul Jones, Jimmy Page and Robert Plant) were saluted during the affair’s 35th annual installment attended by the President and Mrs. Obama, Variety reports . Holdovers Solid As Newcomers Bow Tepid in Specialty Box Office Oscar contenders Silver Linings Playbook and Rust and Bone held solid in the specialty realm as they expanded. The overall box office had dreadful debuts from TWC’s Killing Me Softly and LD Entertainment’s The Collection . But Weinstein’s David O. Russell-directed Silver Linings held nicely with a per-theater average of just over $9K as the movie added four cinemas in its third weekend, Deadline reports . Helen Mirren ‘Unsure’ Over Reprising Queen Role Helen Mirren has admitted she felt “very unsure” about reprising her Oscar-winning role as The Queen in an upcoming London play. “I don’t like going back to things,” the 67-year-old said. “I like to go forward.” But she was won over, she went on, by the “extraordinary team of artists who are putting the play together”. The actress was speaking at the European Film Awards in Malta, where she received an honorary award, BBC reports .

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Ben Affleck’s ‘Argo’ Passes $100 Million; Star Wars Producer Exits Lucasfilm: Biz Break

Oscar Index: Everything’s ‘Dark’ And ‘Miserables,’ Until We Get ‘Unchained’

Welcome back to Movieline’s Oscar Index, where each week we take the pulse of the awards chatter en route to Hollywood’s big day. This week both Tom Hooper’s Les Miserables and Kathryn Bigelow’s Zero Dark Thirty surged through the ranks after debuting in their first, successful, awards screenings, though Spielberg’s Lincoln still reigns supreme — but Peter Jackson ‘s 48fps gamble The Hobbit and Quentin Tarantino ‘s Django Unchained are right around the corner, gunning for the spotlight… The Leading 10 1. Lincoln 2. Les Miserables 3. Zero Dark Thirty 4. Argo 5. Silver Linings Playbook 6. Life of Pi 7. Django Unchained 8. Beasts of the Southern Wild 9. The Hobbit: An Unexpected Journey 10. Anna Karenina Outsiders: Skyfall , Moonrise Kingdom , Flight , The Dark Knight Rises , The Master Despite strong guild and critic screening debuts for Les Miserables and Zero Dark Thirty , which absolutely sealed their positions as Best Picture top dogs, Spielberg’s Lincoln is still holding onto its momentum and #1 spot in the race in the hearts and minds of pundits. Meanwhile, David O. Russell’s Silver Linings Playbook searches for a way to keep up, while Fox Searchlight’s Beasts of the Southern Wild is making its surge, trotting out Spirit Award-nominated star (and Best Actress hopeful) Quvenzhané Wallis for awards events this week. Best Director 1. Steven Spielberg ( Lincoln ) 2. Kathryn Bigelow ( Zero Dark Thirty ) 3. David O. Russell ( Silver Linings Playbook ) 4. Ben Affleck ( Argo ) 5. Quentin Tarantino ( Django Unchained ) Spielberg still reigns atop the race, but this week’s Zero Dark Thirty splash should boost Bigelow above the ranks of Affleck, whose popular Argo treads similar true history ground but doesn’t match ZDT ‘s weightiness or relevancy. Russell’s staying in the game as well thanks to lingering Silver Linings love, but the Django curiosity factor props Tarantino up even though critics have yet to see it. Next: Who leads the pack for Best Actor & Actress?

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Oscar Index: Everything’s ‘Dark’ And ‘Miserables,’ Until We Get ‘Unchained’

Did You Catch ‘The Midnight Meat Train’? Spotting The Best Movie In-Jokes

Bradley Cooper’s past comes back to haunt him in The Silver Linings Playbook . Check out what’s playing at the movie theatre that serves as a backdrop for an emotional confrontation between Cooper and co-star Jennifer Lawrence. It’s Midnight Meat Train , a pre-stardom cult curio in Cooper’s career. It’s a nifty visual in-joke — perpetrated by Silver Linings Playbook director David O. Russell — that may escape those unfamiliar with Cooper’s oeuvre or are too wrapped up in the intense scene to notice. After the jump you’ll find a representative sampling of some you may have missed and things to watch and listen for so you don’t. What’s Playing? Movie marquees and posters have long been handy props for filmmakers to sneak in a visual aside. In Lethal Weapon , a marquee displays the The Lost Boys , (“This summer’s hit”), which director Richard Donner executive produced. The Kiefer Sutherland vampire classic would not be release until four months after Lethal Weapon, however.  In Back to the Future Part II , the main attraction in 2015 at Hill Valley’s Holomax theatre is Jaws 19 (“This time, it’s really, really personal”) directed by Max Spielberg, the son of BTTF executive producer Steven. Richard Benjamin paid homage to his wife in Made in America with a theater marquee announcing a Paula Prentiss retrospective. For the “Thriller” music video, John Landis (more on him later) couldn’t resist displaying a poster for his first film, Schlock , at the theatre where Michael Jackson and his date see a horror movie.

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Did You Catch ‘The Midnight Meat Train’? Spotting The Best Movie In-Jokes

‘Breaking Dawn”s Nikki Reed On Rosalie Hate Mail And Life As A ‘Twilight’ Celebrity

After spending four years and five movies playing Bella Swan’s vampire sister-in-law Rosalie Hale in the Twilight series, Nikki Reed understandably has a bittersweet perspective on the billion-dollar franchise coming to a close in this week’s Breaking Dawn Part 2 . On the one hand, she won’t miss the hate mail from fans who have taken her character’s onscreen iciness to Kristen Stewart ‘s heroine to heart for four films. But few of Twilight ‘s central figures have been as close to the saga as long as Reed has, dating back to even before director Catherine Hardwicke had cast Stewart and Robert Pattinson in the roles that would skyrocket them, the films, and all of their cast, to global fame. “Catherine called me seven or eight months before it was happening and she was like, ‘Hey, do you like the vampire genre? Because there’s this thing I’m thinking about and there are actually some books, and some fans — I don’t know if you’re into it…’ It was that sort of conversation,” said Reed, who at the time had acted in a handful of indie films including 2003’s Thirteen , which she co-wrote with director Hardwicke. Tempted by the role of Edward Cullen’s disapproving adopted sister Rosalie, Reed decided against early retirement from acting and took the gig, joining Stewart, Pattinson, and their fellow Twilight cast mates at the film’s Portland shoot — the first and last time the cast would be able to make a Twilight movie in relative anonymity. “We were just kids, and no one knew who anyone was,” Reed remembered. “There were no stars, there was no celebrity. We were just people together.” Fast forward to 2012: Reed has four non- Twilight films in the pipeline, including turns in Empire State with Liam Hemsworth and Dwayne Johnson and In Your Eyes , from producer Joss Whedon. She recently launched her own jewelry line, Mattlin Era , featuring designs inspired by her mother and grandmother. And with musician husband Paul McDonald — who she met on the red carpet for Hardwicke’s Red Riding Hood , another cosmically unpredictable byproduct of the Twilight saga’s success — Reed recently debuted her first album anchored by “All I’ve Ever Needed,” an original song they wrote for the Breaking Dawn soundtrack. PHOTOS: Kristen Stewart, Robert Pattinson & Co. Premiere ‘Breaking Dawn 2’ How do you feel right now about Twilight and your experience with this franchise now that it’s coming to a close? Having us all together is such a special thing. As the movies have gotten bigger it’s become more rare. In the beginning when there wasn’t this kind of success or fan base for the films, we were all together more. Now there’s more isolation and we don’t get to all hang out in the same room like we used to. It feels really sad, and there are not many moments in your life when you can consciously close a chapter. You reach a milestone like you’re graduating college, and you’re like, oh — I’m aware that this is going to completely change my life when this is done. You normally look back on things in hindsight, but with this we’ve known that it’s been coming to an end since the beginning. It’s really sad for me. I feel really sad. Everyone else is like, “No, it’s fun and exciting!” and it’s all those things, too. But it’s hard to know what an experience this has been, and be conscious of that, and still know that it’s done. And don’t get me wrong, I’m happy about this film and I want it to come out so that the fans can see it. It’s a lot of mixed feelings. Is that why you’ve been driving by Elizabeth Reaser’s house, sending her photos when she’s not home? Isn’t that funny! We both live outside of Hollywood on the same mountain, but I live one mountain over and she lives on the street that I take to get into town. So I drive by her house four times a day, and sometimes when I’m feeling goofy I’ll pull over and get out and take a picture of her license plate and I’ll go, “This is how close I was.” It’s just silly! I see her all the time. Rosalie finally gets some nice, warm moments in Breaking Dawn Part 2 – she’s become basically like a godmother to baby Renesmee, able to exercise her latent maternal instincts. How happy were you to bring Rosalie to this point as a character? I think one of the greatest challenges with this franchise for me has been knowing that Stephenie [Meyer] wrote such multifaceted, dynamic character but only getting to play one aspect of that person. It sort of makes everything look a lot more superficial than it is; there’s so much depth to all of the characters she wrote. They all have incredible back stories. If you sit down with her and ask her questions, she has answers to everything — this is her world. Also, even if the fans have read the books and know the character and connect with the character, what we bring to life is so different than what’s in the books sometimes, and it’s almost impossible to portray. So I think I’ve been waiting for this moment, not just for myself but for Rosalie. It’s been so hard defending her for so many years and defending who she is – No, she’s not that, and she’s not this, and there are all these feelings inside! Subconsciously people in general have a hard time disassociating an actor from a character; people who play the villain — you look at John Lithgow on Dexter , playing that character on that show has changed my whole perception of him. Every time I see him in something else now, I can only think of that, and you don’t even know you’re doing it. If I had known going in that playing the outcast and playing the least-liked character was going to… how you’re perceived by the fans is different from how the rest of the cast is perceived because of how they connect you with your character. So I’m happy I didn’t realize that going in, because that would have given me a lot of anxiety about the next four years of my life. It’s interesting to see how the fans will connect with you more now that Rosalie is on Bella’s side. Now you’re playing the hero. That’s an interesting, unexpected drawback to being a part of the Twilight franchise — especially considering how much the popularity of the franchise has changed your lives, with screaming fans at events and paparazzi out in public. It’s bizarre, but I can’t cry about that because my mother would kill me. I’m so blessed to be in the position I’m in, and this is today — I don’t know what tomorrow’s going to bring, but I can tell you that being in this series, there’s no golden ticket here. Any of us who think that are crazy, because you have to constantly work hard. You’re constantly proving yourself. And even when you’ve done a great job, you have to do something else to show people that you can do something great in some other role. We’re always trying to grow and better ourselves, and I feel like I can’t complain. There are so many perks and so many wonderful things about being a part of this. Any time I get down — which I do, by the way. When I get hate mail I get really down on myself and I read it to my mom and my mom is like, “So what? Who cares? These people don’t know you, so you can’t take the praise or the hate to heart.” All of it comes from a very distant place, so you have to receive all of it that way. Even the love, you have to appreciate it but from a distance, because you don’t want that to be absorbed either. People actually send you hate mail? People send everyone hate mail. That’s the way the world works right now, I’m nothing special. [Laughs] Trust me. It’s just the way that the world communicates now, the way that everyone functions. I love this quote, and it was a friend of mine who told me this and I think about it consciously whenever I’m feeling like this: “If it’s not personal, you don’t take it personally.” If that person doesn’t know me, it’s not personal. Whatever you have to say about me doesn’t actually exist because this relationship doesn’t exist. You don’t know me.

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‘Breaking Dawn”s Nikki Reed On Rosalie Hate Mail And Life As A ‘Twilight’ Celebrity