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Apatow’s ‘This Is 40’ Is ‘Scenes From A Marriage’ With Laughs − And Viagra

Movieline  would like to welcome Pete Hammond to the pages of this site with a new column that we’re calling Hammond on Film.  If you love movies, then you’re probably familiar with Pete’s byline. He’s the Awards columnist for our sister site,  Deadline Hollywood,  as well as a veteran movie critic who has written more than 600 reviews for the best-selling  Leonard Maltin’s Movie Guide  and, most recently, was the film critic for Boxoffice Magazine and Boxoffice.com.  He has also reviewed features for  CNN.  For his first column, Pete takes a close look at Judd Apatow ‘s   This Is 40 , which opens Dec. 21. ‘This is 40’: The Sort-of-Sequel to ‘Knocked Up’ Revisiting the married supporting characters Pete and Debbie of his 2007 comedy hit,  Knocked Up , writer/director Judd Apatow has crafted his most personal and affecting film to date. In some respects,  This Is 40 is an Apatow home movie with Paul Rudd , returning as Pete, subbing for the director. Real-life wife Leslie Mann and daughters Iris and Maude Apatow taking on the same roles here, and it isn’t a stretch to think we’re watching the filmmaker’s life unfold  onscreen. Smart, funny and truthful in too many ways to count, Apatow, who’s actually 45,  picks up the story of Pete and Debbie’s marriage five years after we first met them. Both are facing 40th birthdays — although Debbie is fudging the truth — and Apatow uses this conceit to build an episodic look at their marital and familial ups and downs over the course of a month. This Is 40 is the most sharply observed and cutting edge of all four Apatow-directed efforts to date, and I suspect that’s because he’s really writing what he knows here. Yes, there is still plenty of Apatow’s trademark raunch, including an opening shower sex scene in which Pete reveals he has taken Viagra, much to Debbie’s chagrin. There’s also a self-inflicted prostate exam and a wild weekend in a hotel room, but  these scenes add up to more than just a collection of outlandish comic moments: This is 40 is such an honest, piercing look at middle-aged marriage that it recalls Ingmar Bergman’s Scenes From A Marriage in unexpected ways. Comparing the commercially successful Apatow to the critically revered Bergman is not something I’d ever thought possible but it is to the credit of a wise , if overlong , screenplay that his film enters that arena. Rather than heavy plotting we meet the family: There’s the overbearing older daughter Sadie, who’s embarrassed by her parents and married to everything wired , and her sweet younger sister Charlotte. There’s also Pete’s needy father ( Albert Brooks ) ,who is dependent on his son for money infusions, as well as Debbie’s aloof dad (John Lithgow), who reluctantly attends a family party that turns extremely awkward in terms of his attempts to renew his relationship with his daughter. Debbie also has a know-it-all trainer ( Jason Segel ) and co-workers in her clothing store business ( Megan Fox , Charlyne Yi) that she suspects of stealing from the cash register. From Pete’s fledgling business — he’s the owner of an indie record label that specializes in reviving moribund musical artists (like the proto-punk god Graham Parker, who plays himself) — we meet his associates. Chief among them is Ronnie, who’s nicely played by Chris O’Dowd ( Bridesmaids ). There’s also a very funny, if over-the-top encounter with a mother at the kids’ school that Melissa McCarthy plays to the hilt with her combustible comic style. But at the heart of This Is 40 is Pete and Debbie’s struggle to keep alive the family unit and the spark in a marriage that’s faded a bit. It’s this very relatable pair that makes the movie work so well. Just as Apatow does with his pungent script , Mann and Rudd manage to hit the exact right tone, walking a narrow line between comedy and drama and nailing it. Special kudos go to Mann, in her first genuine leading role, who has never been this appealing or real.She proves she not only has great comic instincts but real dramatic chops. Yes, these are scenes from the marriage of an upper, upper middle-class Brentwood family, but anyone in the delicate game of ongoing relationships should find plenty amusing, revealing and familiar in this movie. Apatow and family have provided a comedy for adults that is welcome relief this holiday season. Related:  Review: Apatow Grows Up, Takes A Step Back With Messy ‘This Is 40’ Follow Pete Hammond on Twitter. Follow Movieline on Twitter. 

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Apatow’s ‘This Is 40’ Is ‘Scenes From A Marriage’ With Laughs − And Viagra

First Look: Still From ‘Mad Max: Fury Road’ Confirms Tom Hardy Is Handsome Even After Nuclear War

After several hours during which it was assumed to be a very competent fake, Warner Bros . has confirmed that the autographed photo originally posted this morning on Ain’t It Cool News is indeed our first glimpse of Tom Hardy as Max Rockatansky in Mad Max: Fury Road . The photo, part of a signed set given to the crew by Hardy on the last day of filming — Fury Road wrapped on Monday — reveals little about the movie, aside from the slightly more modern look of Hardy’s take on the character, and the fact that Hardy is extremely handsome even when you factor for the post-apocalyptic wastes of Australia. Gone is Max’s trademark police-issue black leather jacket with a single oversized spaulder on the right shoulder. In its place is what appears to be a rough-cut leather jacket with a more contemporary military look. Obviously, it should be assumed that years have passed since we last saw Max and that he’s long since run out of black polish, but it gives Max a subtle update that suggests the apocalypse happened more recently than the later years of the cold war. It’s unwise to make predictions based on a single image, but to my eyes the most interesting thing about the picture is that you can kind of see a hint of the original plan for Mad Max 4. First conceived as an animated 3D film to be co-written and co-designed by cartoonist Brendan McCarthy, who’s known for his long run on  Judge Dredd in the anthology comic 2000AD ,  Max’s uniform as seen here is definitely reminiscent of the kind of post-civilized militarism you see dripping from the pages of that book.  As McCarthy is still credited as cowriter of the live-action  Fury Road s cript, I look forward to seeing how much of his aesthetic vision made it into the finished film. Considering Fury Road is packed with Characters like Charlize Theron’s Imperator Furiosa and Nathan Jones’ Rictus Erectus, my guess is ‘a lot. [ Ain’t It Cool News ] Follow Ross Lincoln on Twitter. Follow Movieline on Twitter.

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First Look: Still From ‘Mad Max: Fury Road’ Confirms Tom Hardy Is Handsome Even After Nuclear War

E! Online Names 20 Stars Who Got Naked for Good Movies [PICS]

E! Online has put together a list of 20 Stars Who Got Naked for Good Movies , weeding out the b-movie lineup for a robust array of former and future Oscar contenders. While the definition of “good” movies is always up for debate, there is no denying the veracity of primo female nudity. Their gallery is SFW, but here at Skin Central we’ve helpfully provided the full nude shots (and edited out the sausage) for your viewing pleasure. See pics after the jump!

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E! Online Names 20 Stars Who Got Naked for Good Movies [PICS]

High and Low: ‘Qatsi’ Trilogy Is Hypnotic While Michael Caine Is Amusingly Idiotic In ‘The Island’

Get out your passports, kids, because we’re seeing the world. Director Godfrey Reggio’s epic Qatsi Trilogy, filmed around the world, will kick your home theater to the next level with its stunning visuals and complex soundtracks. Then it’s off to the Caribbean, where Michael Caine embarrassed himself in a Peter Benchley adaptation several years before starring in that really terrible Jaws sequel. Some people never learn. HIGH: The Qatsi Trilogy (The Criterion Collection; DVD or Blu-Ray, $79.95) WHO’S RESPONSIBLE: Three films from screen artist and environmental activist Godfrey Reggio: The legendary Koyaanisqatsi (1983), and its equally impressive follow-ups Powaqqatsi (1988) and Naqoyqatsi (2002). (All three titles are words from the Hopi language; respectively, they mean “life out of balance,” “life in transformation,” and “life as war,” so basically this set is “The Life Trilogy.”) WHAT’S IT ALL ABOUT: All three of these films defy easy synopsis, but here goes: Reggio uses compelling imagery and the music of Philip Glass to portray the stark contrast between the natural order and man’s inflicting of industry upon the planet (and upon his fellow men). A slow pan across a desert plain or along the face of a cliff might be contrasted with sped-up footage of cars driving through cities or hot dogs and Twinkies being processed in factories. One of the signature moments of Powaqqatsi shows a small child walking along the road, only to be engulfed in the sand cloud kicked up by a passing 18-wheeler. There’s no narration or dialogue, so what you take from these film is purely up to you. WHY IT’S SCHMANCY: This sort of non-verbal, non-narrative film generally gets relegated to museums and art installations, so for Reggio to have gotten mainstream theatrical (and DVD) distribution is something of a miracle. But even if you shy away from anything that even smacks of experimental, these movies are hypnotic and thought-provoking. (They may also play well in Washington and Colorado, if you get my drift.) WHY YOU SHOULD BUY IT (AGAIN): Just the fact that these films are being made available in Blu-Ray for the first time would be reason enough to plunk down for this set, but it’s a Criterion Collection release, which means it comes loaded with oodles of great extras. There are new and vintage interviews, TV spots, Reggio’s short film Anima Mundi , a demo version of Koyaanisqatsi with a scratch soundtrack featuring Allen Ginsberg , a chat with musicians Glass and Yo-Yo Ma, and a booklet featuring essays by film scholar Scott MacDonald, music critic John Rockwell and environmentalist Bill McKibben of 350.org. LOW: The Island (Scream Factory; $26.99 DVD+Blu-Ray Combo) WHO’S RESPONSIBLE: Written by Peter Benchley, based on his novel; directed by Michael Ritchie; starring Michael Caine and David Warner. WHAT’S IT ALL ABOUT: Caine stars as a journalist investigating the disappearance of ships in the Bermuda Triangle. Traveling to the Caribbean with his estranged son (Jeffrey Frank), Caine discovers a hidden colony of pirates, descended from French marauders of centuries ago, raiding pleasure boats to stay alive. Caine gets raped by one of the lady pirates (they’re excited to get some non-inbred DNA into the pool) while Caine’s son is won over by the scalawags (led by Warner). Can our hero escape — and will he be able to convince his son to go with him? WHY IT’S FUN: Something of a legendary dud upon its original release (particularly since this marked a reunion of Benchley with Jaws producers Richard D. Zanuck and David Brown), The Island has become a cult fave in the ensuing decades among Benchley fans and bad-movie lovers alike. I think the film’s strengths lie with director Ritchie, one of the more underrated American auteurs of the 1970s and ’80s. (His films include Fletch , Smile , The Candidate and The Bad News Bears .) While this isn’t anywhere near his best work, Ritchie does what he can with the often risible source material — don’t ask too many questions about how this cabal of hidden pirates has survived for three centuries — and keeps things moving at a brisk clip. WHY YOU SHOULD BUY IT (AGAIN): Previously available only via Universal’s movies-on-demand label, this marks the first Blu-Ray release of the film. There’s not a single extra to be found, alas, and you you just know Caine would have some hilarious things to say about the experience if Scream Factory could have convinced him to do a commentary. Alonso Duralde has written about film for The Wrap, Salon  and MSNBC.com . He also co-hosts the Linoleum Knife  podcast and regularly appears on  What the Flick?! (The Young Turks Network) .  He is a senior programmer for the Outfest Film Festival in Los Angeles and a pre-screener for the Sundance Film Festival. He also the author of two books:  Have Yourself a Movie Little Christmas  (Limelight Editions) and  101 Must-See Movies for Gay Men  (Advocate Books). Follow Alonso Duralde on Twitter. Follow Movieline on Twitter. 

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High and Low: ‘Qatsi’ Trilogy Is Hypnotic While Michael Caine Is Amusingly Idiotic In ‘The Island’

Joseph Gordon-Levitt’s Directorial Debut ‘Don Jon’s Addiction’ Heads To Berlin International Film Festival

Joseph Gordon-Levitt ‘s directorial debut Don Jon’s Addiction will be among the headliners at the Berlin International Film Festival ‘s Panorama program. Starring Gordon-Levitt along with Scarlett Johansson , Julianne Moore and Tony Danza, the feature revolves around a modern-day Don Juan who attempts to change his ways. The film will have its world premiere at the Sundance Film Festival next month. The film joins the lineup in Panorama along with fourteen other fiction titles and seven documentaries announced Tuesday. Also in the roster is Noah Baumbach’s acclaimed Frances Ha with Greta Gerwig and Rob Epstein’s Lovelace . Berlinale Panorama titles follow with information provided by the festival: Fictional films in the Main Programme and Panorama Special (15)   Baek Ya (White Night) – Republic of Korea 
By Hee-il LeeSong
With Tae-hee Won, Yi-kyung Yi 
European premiere   Chemi Sabnis Naketsi (A Fold in My Blanket) – Georgia
 By Zaza Rusadze
With Tornike Bziava, Tornike Gogrichiani, Zura Kipshidze, Avtandil Makharadze, Giorgi Nakashidze 
World premiere   Dduit-dam-hwa: Gam-dok-i-mi-cheot-eo-yo (Behind the Camera) – Republic of Korea
 By E J-Yong
With Yuh-jung Youn, Hee-soon Park, Hye-jung Gang, Jung-se Oh, Min-hee Kim
 International premiere   Deshora (Belated) – Argentina/Columbia/Norway
By Barbara Sarasola-Day
 With Luis Ziembrowski, Alejandro Buitrago, Maria Ucedo
 World premiere   Don Jon’s Addiction – USA 
By Joseph Gordon-Levitt
With Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore
 International premiere   Frances Ha – USA 
By Noah Baumbach 
With Greta Gerwig, Mickey Sumner, Charlotte D’Ambiose, Adam Driver 
European premiere   Habi, la extranjera (Habi, the Foreigner) – Argentina/Brazil 
By Maria Florencia Alvarez
With Martina Juncadella, Martin Slipak, Maria Luisa Mendonça, Lucia Alfonsin 
World premiere   Inch´Allah – Canada
 By Anaïs Barbeau-Lavalette
With Evelyne Brochu, Sabrina Ouazani, Yousef Sweid, Sivan Levy, Carlo Brandt 
International premiere   Kashi-ggot (Fatal) – Republic of Korea
 By Don-ku Lee
With Yeon-woo Nam, Jo-a Yang, Jeong-ho Hong, Ki-doong Kang 
European premiere   La Piscina (The Swimming Pool) – Cuba/Venezuela
 By Carlos Machado Quintela 
With Raul Capote, Monica Molinet, Felipe Garcia, Carlos Javier Martinez, Marcos Costa
 International premiere   Lovelace – USA
 With Rob Epstein, Jeffrey Friedman
By Amanda Seyfried, Peter Sarsgaard, Sharon Stone, Robert Patrick, Juno Temple 
 International premiere   Meine Schwestern (My Sisters) – Germany 
By Lars Kraume
With Jördis Triebel, Nina Kunzendorf, Lisa Hagmeister, Beatrice Dalle, Angela Winkler
 World premiere   Rock the Casbah – Israel
 By Yariv Horowitz
With Yon Tumarkin, Roy Nik, Yotam Ishay, Rave Iftach, Khawla Alhaj Debsi 
International premiere   Tanta Agua (So Much Water) – Uruguay/Mexico/Netherlands/ Germany
 By Ana Guevara Pose, Leticia Jorge Romero
With Malú Chouza, Néstor Guzzini, Joaquín Castiglioni 
World premiere   The Broken Circle Breakdown – Belgium
 By Felix van Groeningen
With Johan Heldenbergh, Veerle Baetens, Nell Cattrysse 
International premiere   
Panorama Dokumente (7)   Alam laysa lana (A World Not Ours) – Great Britain/Lebanon/Denmark 
By Mahdi Fleifel 
European premiere   Gut Renovation – USA
By Su Friedrich
 International premiere   Naked Opera – Luxemburg/Germany 
By Angela Christlieb 
World premiere   Roland Klick – The Heart Is a Hungry Hunter – Germany
 By Sandra Prechtel
 With Roland Klick, Otto Sander, Eva Mattes, David Hess, Hark Bohm
World premiere   Sing Me the Songs That Say I Love You – A Concert for Kate McGarrigle – USA 
By Lian Lunson 
With Rufus Wainwright, Martha Wainwright, Emmylou Harris, Norah Jones, Anna McGarrigle 
European premiere   State 194 – USA/Israel
By Dan Setton
With Yoram Millo, Daniel J. Chalfen, Ariel Setton, Margaret Yen
 European premiere   The Act of Killing – Denmark/Norway/Great Britain
 By Joshua Oppenheimer 
With Janus Billekov Jansen, Carlos Mariano Arango de Montis, Mariko Montpetit, Henrik Gugge Garnov, Charlotte Munch Bengtsen 
European premiere

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Joseph Gordon-Levitt’s Directorial Debut ‘Don Jon’s Addiction’ Heads To Berlin International Film Festival

WATCH: ‘Charlie’ Gives Louis C.K.’s Life To Charlie Brown For Christmas

Need something to help you get over the taste left by last weeks revelation that Charles Schulz was really bad at sending adulterous love letters to women half his age? Why not watch proof that the future for the neurotic, preternaturally mature children of Peanuts is as utterly bleak as you always pictured it would be! Charlie is A Charlie Brown Christmas re-imagined as an episode of Louie , and just like Louis C.K.’s weekly ode to mediocrity, it features a middle-aged Charlie Brown returning to the old neighborhood for Christmas amid constant reminders of age and lack of accomplishment. Well that was brill. I approve of Linus as a reclusive hoarder and Lucy as a bitter divorcee. Yeah, making Peppermint Patty and Marcie a lesbian couple is an old joke, but envisioning Schroeder as a Jake Shears-style house musician in a gay club more than makes up for it. Best of all, Charlie Brown finally tells Lucy off for her years of football-related bullying by taking the damn ball from her and kicking it, like a real bitter, middle-aged man would. Go team Chuck! Now of course, you know what this means: all other Peanuts parodies are now moot. Please update your schedule accordingly. [via ADHD ] Ross Lincoln is a LA-based freelance writer from Oklahoma with an unhealthy obsession with comics, movies, video games, ancient history, Gore Vidal, and wine. Follow him on twitter (@rossalincoln). Follow Movieline on Twitter .

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WATCH: ‘Charlie’ Gives Louis C.K.’s Life To Charlie Brown For Christmas

AARP Gives Its Top 10 ‘Movies For Grownups’

Popular culture may suffer from youth obsession and the movies may be front and central in perpetuating it all, but older folks have made strides this year in capturing the box office dollar with titles like The Best Exotic Marigold Hotel and Hope Springs . So, why not have the nation’s most prominent organization for people hitting their Golden Years weigh in on the year’s best movies? AARP — less popularly known as the American Association of Retired Persons — gave its Top Ten films of the year, joining a chorus of other groups this time of the year giving their lists. The interest group noted that 2012 was “hot for both older movie-goers and movie-makers,” citing Golden Globe nominations for Helen Mirren, Richard Gere, Denzel Washington, Bill Murray and Judi Dench. AARP’s picks include titles by directors such as Ben Affleck, David O. Russell and Kathryn Bigelow which feature stars that aren’t exactly on the cusp of receiving Social Security benefits, but their picks seem to indicate themes of maturity over age. AARP dubbed their 2012 best films list as a “Year-end Top Ten Movies for Grownups.” Their picks follow:          Argo         Amour        Best Exotic Marigold Hotel         Hitchcock        Les Miserables         Lincoln         Quartet         The Sessions         Silver Linings Playbook         Zero Dark Thirty Movies made for older audiences became an issue earlier this year after comments by an actress perfectly comfortable embracing senior citizenry in roles such as the Dowager Countess of Grantham on Downton Abbey and as Muriel Donnelly in box office hit The Best Exotic Marigold Hotel . Maggie Smith made waves criticizing Hollywood’s youth obsession, pointing out that films that portray older people have historically performed well. “It seems to me there is a change in what audiences want to see,” she said. “I can only hope that’s correct, because there’s an awful lot of people of my age around now and we outnumber the others. I don’t think films about elderly people have been made very much. But I think of [films like] Cocoon and Driving Miss Daisy and they always seem to be fairly successful, so it’s a bit baffling as to why everybody has to be treated as if they were five years old.”

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AARP Gives Its Top 10 ‘Movies For Grownups’

WATCH: Walton Goggins Talks ‘Django Unchained,’ Portraying Slavery And Understanding Revenge

With a turn as the sinister Billy Crash in Quentin Tarantino ‘s Django Unchained , Walton Goggins nails his second supporting appearance in a period Oscar contender this season. (His other 2012 prestige performance? Playing the meek Clay Hutchins in Steven Spielberg ‘s Lincoln .) Goggins sat down with Movieline/Behind the Trailer’s Grace Randolph to talk the necessary difficulties of depicting the brutality of slavery, why the need for retribution is utterly human, and how he feels about the path his career has taken during his two decades as a rising character actor. Get more on Django Unchained , in theaters Christmas Day. Follow Grace Randolph on Twitter . Follow Movieline on Twitter .

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WATCH: Walton Goggins Talks ‘Django Unchained,’ Portraying Slavery And Understanding Revenge

‘Silver Linings Playbook’ Wins Four Satellite Awards: Biz Break

The film won a number of prizes including Best Picture. Also in Monday’s round-up of news, seven films made the Academy’s Shortlist of titles competing in the hair and makeup category; Lili Taylor’s latest is set for a Berlin premiere; newcomers in the Specialty Box Office opened weak over the weekend; and film critic Karina Longworth is leaving L.A. Weekly. Silver Linings Playbook Wins 4 Satellite Awards Including Best Picture David O. Russell’s Silver Linings Playbook took five prizes at the 17th annual Satellite Awards Sunday including Best Picture and best director for Russell and best actor prizes for Bradley Cooper and Jennifer Lawrence, THR reports . 7 Movies On Makeup Short List Seven films remain in competition for the Makeup and Hairstyling category for the 85th Academy Awards. Hitchcock , The Hobbit: An Unexpected Journey , Les Misérables , Lincoln , Looper , Men in Black 3 and Snow White and the Huntsman made the short list. Three nominees will lead into the Oscar ceremony. Lili Taylor’s The Cold Lands Set for Berlin Premiere The film by Tom Gilroy will have its world premiere at the Berlin International Film Festival in February. Also starring John Ventimiglia, the pic revolves around Atticus who flees from authorities after his mother’s sudden death into the rugged mountains and dense forests of upstate New York. The feature is part of the initial films announced in the Berlinale’s Generation Programme. See the full list of announced titles here . Any Day Now Soft as Holdovers Hyde Park On Hudson and Silver Linings Playbook Stay Solid Any Day Now bowed in 16 theaters a brave story starring Alan Cumming about a gay couple fighting to retain custody of special needs child they reared. Any Day Now is a brave film and story that earned audience prizes at festivals throughout the year. Unfortunately it did not connect fully with paying audiences in its debut but hopefully its audience will build through word-of-mouth. It averaged only $2,563 per location. More specialty results at Deadline. Film Critic Karina Longworth Leaves L.A. Weekly Longworth began at L.A. Weekly replacing Scott Foundas who headed to the Film Society of Lincoln Center. He’s returning to Village Voice Media as its critic. She is writing a book about Meryl Streep for Cahiers du Cinema and will freelance, TOH reports .

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‘Silver Linings Playbook’ Wins Four Satellite Awards: Biz Break

‘Silver Linings Playbook’ Wins Four Satellite Awards: Biz Break

The film won a number of prizes including Best Picture. Also in Monday’s round-up of news, seven films made the Academy’s Shortlist of titles competing in the hair and makeup category; Lili Taylor’s latest is set for a Berlin premiere; newcomers in the Specialty Box Office opened weak over the weekend; and film critic Karina Longworth is leaving L.A. Weekly. Silver Linings Playbook Wins 4 Satellite Awards Including Best Picture David O. Russell’s Silver Linings Playbook took five prizes at the 17th annual Satellite Awards Sunday including Best Picture and best director for Russell and best actor prizes for Bradley Cooper and Jennifer Lawrence, THR reports . 7 Movies On Makeup Short List Seven films remain in competition for the Makeup and Hairstyling category for the 85th Academy Awards. Hitchcock , The Hobbit: An Unexpected Journey , Les Misérables , Lincoln , Looper , Men in Black 3 and Snow White and the Huntsman made the short list. Three nominees will lead into the Oscar ceremony. Lili Taylor’s The Cold Lands Set for Berlin Premiere The film by Tom Gilroy will have its world premiere at the Berlin International Film Festival in February. Also starring John Ventimiglia, the pic revolves around Atticus who flees from authorities after his mother’s sudden death into the rugged mountains and dense forests of upstate New York. The feature is part of the initial films announced in the Berlinale’s Generation Programme. See the full list of announced titles here . Any Day Now Soft as Holdovers Hyde Park On Hudson and Silver Linings Playbook Stay Solid Any Day Now bowed in 16 theaters a brave story starring Alan Cumming about a gay couple fighting to retain custody of special needs child they reared. Any Day Now is a brave film and story that earned audience prizes at festivals throughout the year. Unfortunately it did not connect fully with paying audiences in its debut but hopefully its audience will build through word-of-mouth. It averaged only $2,563 per location. More specialty results at Deadline. Film Critic Karina Longworth Leaves L.A. Weekly Longworth began at L.A. Weekly replacing Scott Foundas who headed to the Film Society of Lincoln Center. He’s returning to Village Voice Media as its critic. She is writing a book about Meryl Streep for Cahiers du Cinema and will freelance, TOH reports .

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‘Silver Linings Playbook’ Wins Four Satellite Awards: Biz Break