Tag Archives: Street

Orange You Glad To See Us Leo?

Leonardo DiCaprio might not like being pap’ed on the street. But the Shutter Island star turned it on for the movie’s premiere in NYC. And when we say turned it on…we really mean it! Leo looked like he might have spent a little too much time in the tanner. He doesn’t look as bad as Bradley … But we still don’t know how we feel about guys going orange.

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Orange You Glad To See Us Leo?

What Steve Jobs Said During His Wall Street Journal iPad Demo

We know that Apple’s CEO is no fan of Flash, the Web animation software. But it sounds like Steve Jobs really unleashed on the Adobe system to try and convince the Wall Street Journal to ditch it for the iPad. Welcome to the nasty side of Jobs’s famous Reality Distortion Field. The fun side had its turn when Jobs unveiled the iPad tablet computer in San Francisco last month. The dark side came several days later, when Jobs sat down with select Journal staff on the third floor of the News Corporation building in New York as part of a broader media tour . Like other newspapers, the Journal is heavily invested in Flash as a way to deploy not only video but also slide shows and other interactive infographics and news applications. So when Jobs showed off his iPad, editors were sure to ask him about the device’s lack of Flash, at least when they weren’t pissing him off by posting to Twitter from the device . Jobs was brazen in his dismissal of Flash, people familiar with the meeting tell us. He repeated what he said at an Apple Town Hall recently, that Flash crashes Macs and is buggy. But he also called Flash a “CPU hog,” a source of “security holes” and, in perhaps the most grevious insult an famous innovator can utter, a dying technology. Jobs said of Flash, “We don’t spend a lot of energy on old technology.” He then compared Flash to other obsolete systems Apple got people to ditch…. … like the floppy drive, famously absent in iMac, …. old data ports, including even Apple’s own FireWire 400, gone from iPods and now all Macbooks , …. CCFL backlit LCD screens, now entirely replaced in Apple’s lineup by LED-powered screens ( except for this ). (Correction: We originally said Apple replaced LCDs with LEDs; LEDs are a type of LCD backlighting.) …and even the CD, with Jobs apparently crediting Apple’s iPod, iTunes Store, CD-ripping software and ” Rip, Mix, Burn ” campaign with doing in the old music medium (sort of: though CD sales are in free fall, around 300 million were sold last year in the U.S. alone, 80 percent of all albums). Jobs even claimed the iPad’s battery performance would be degraded from 10 hours to 1.5 hours if it had to spend its CPU cycles decoding Flash, we’re told. That sounds like an unfair comparison; the iPad would unlikely achieve its advertised 10 hours of maximum battery life while continuously playing video of any sort, iPad optimized or not. And Adobe has argued that its software would be more efficient if it had the same access to Apple graphics processors as Apple’s own software. But Jobs offered more than a thorough evisceration of Flash; he also used his Reality Distortion Field to sell the Journal on alternatives to the technology. Ditching Flash would be “trivial,” he suggested For one, he suggested the newspaper use the H.264 video compression system (“codec” in geek), which is compatible with both the iPad and the Flash Player installed on most Web browsers. Jobs reportedly said the Journal would find “It’s trivial to create video in H.264” instead of Flash.We assume he didn’t mention that H. 264 is patented, privately licensed and could get expensive fast . Even setting that aside, H. 264 does not fully replace Flash. While it can handle video, it does not comprise a system for the rapid development of interactive graphics, as Flash does. Yet Jobs also reportedly said Flash would be “trivial” in this sense, as well — that it would be “trivial” to make an entire copy of the Journal website with the non-video Flash content also redone. That’s just not right; even assuming the Journal could duplicate its Flash slideshows, infographics and other news apps using iPad-friendly technologies like Javascript, it would take a decidedly nontrivial amount of time and effort to create or acquire such a system, hire staff who understand it as well as Flash, train staff on how to use it, and integrate it into the Journal ‘s editorial workflow. It’s not clear to us how assembled Journal honchos collectively reacted to these statements, but its worth noting that shortly after the meeting, on Feb. 10, editorial board member Holman Jenkins issued a WSJ op-ed comparing Apple to Microsoft and saying the company “is in danger of becoming preoccupied with zero-sum maneuvering versus hated rivals.” His primary and lead example of this sort of “maneuvering” was Jobs’ decision to keep Flash off the iPad. Jobs’ Reality Distortion Field may need a bit of fine tuning, then. But we have a feeling the Journal will swallow its objections and hop on the iPad gravy train. The Wall Street Journal editorial page has had its impressive moments of influence in the history of American conservatism, but these days that’s little match for the power of Steve Jobs when he puts on a black turtleneck and strides onto a stage. (Power aside, if you’ve got any informed opinions on how difficult it would be to replace Flash in the editorial workflow of a large newspaper or magazine, we’d love to hear them .) (Pic: Jobs speaking at Yerba Buna Center in San Francisco, Jan. 27. Getty Images.)

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What Steve Jobs Said During His Wall Street Journal iPad Demo

Marc Jacobs Is the Best Thing Ever to Happen for Gay Liberation

The power gays are always trying to whitewash the gay world to convince mainstream culture we’re “normal.” What they really need is a poster boy like Marc Jacobs . He is attractive, successful, talented, and gayer than a lube-stained bathhouse. Yes, gay men and women are still second class citizens in this country, and to try to get our marriage rights, the Human Rights Campaign and the other gay organizations are always trying to make America comfortable with people of the same gender getting married and raising a test-tube baby. They think that if middle America sees that all gays are as boring as Uncle Boyd going to a church pancake breakfast that they will accept the culture at large and embrace our issues. This is wrong. The problem isn’t getting everyone to like the Uncle Boyds, it’s trying to get them to love the glitter-throwing, thong-wearing, show-tune lisping fabulousness of Aunt Martin. How are we going to do this? With Marc Jacobs. Everyone loves his clothes and his handbags, and we know this because fat ladies from Florida buy up his knock-offs in Chinatown. They love him so much that they put up with all of his crazy tomfoolery. Sure, he may be wrong about banning celebrities from his fashion show but he is totally right about running around in a skirt , posing like a pretty princess on vacation, and standing by his husbear when he poses naked and talks about his penis size in a smutty gay magazine. The latest dust up is over a picture of a naked male go-go boy dancing at the afterparty for Jacob’s fashion week presentation. Robert Duffy , the CEO of Marc Jacobs (the company, not the man) tweeted it to the world and then had to take it down. It wasn’t because he was worried that everyone would find out Marc was chillin’ with strippers, but because the dancer’s wife wasn’t happy about it. That’s because no one cares that gay ass Marc Jacobs got teabagged after showing the world his latest batch of gorgeous frocks. The great sham of the gay movement is that it is trying to convince the hetero society that we are just like them. Sure, there are many gay men and women living boring lives in the suburbs trying to raise some babies, but still, we are not like them. We will never be like them, and trying to hide it is only going to make them suspect us and hate us even more. So, instead of putting on a stuffed suit, let’s all grab one of Jacobs’ skirts and head out on the town. When the world gets used to the faggiest of the tribe, getting them to vote for the rights of Uncle Boyd down the street is going to be a snap.

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Marc Jacobs Is the Best Thing Ever to Happen for Gay Liberation

Neda video wins Polk journalism award

It's the first time the prestigious Polk award has been given in anonymity and the first award for videography. From their site ( http://www.brooklyn.liu.edu/polk/press/2009.html ): “The George Polk Award for Videography will recognize the efforts of the people responsible for recording the death of 26-year-old Neda Agha-Soltan at a June protest in Tehran, Iran, and uploading the video to the Internet. Ms. Agha-Soltan reportedly was shot by a pro-government militiaman. The video, which shows the woman collapsing to the ground and being attended to by several men as she lay dying on the street, became a rallying point for the reformist opposition in Iran after it was broadcast over the Internet. Seen by millions as it spread virally across the Web, the images quickly gained the attention of international media.” Is it representative of the death of professional journalism? I don't think so. It was professional journalists who put this video clip into context for us. Who told Neda Agha Soltan's story. Who have done exemplary and dogged work documenting on-going brutality from the Iranian regime. This award, however, is a recognition of how many of the most powerful and influential moments and images in journalism today come not from professional journalists but from ordinary people in extraordinary situations. Warning: This video is extremely graphic. added by: afitzgerald

30 Seconds To Mars Recount Harrowing Bomb Scare

‘It’s kind of bizarre and easy to find some humor in the situation now, but it was very serious,’ Jared Leto tells MTV News. By Kyle Anderson 30 Seconds To Mars’ Jared Leto Photo: MTV News A few weeks ago, 30 Seconds To Mars frontman Jared Leto hosted a screening of “Artifact,” the documentary about the band and the creation of their latest album, This Is War. But the gathering of hundreds of fans was broken up by a bomb scare , which Leto is still trying to process. “It’s kind of bizarre and easy to find some humor in the situation now, but it was very serious,” Leto told MTV News last week. “Last I heard, the LAPD was investigating and he was in jail, though I don’t know if he’s still there.” The incident in question began when the unidentified man interrupted the screening. After Leto managed to shuffle him out the door, the man’s car — which was parked outside in the middle of the street and playing extremely loud music — became a nuisance and the police were called. The resulting scene quickly unraveled. “It was such a surreal setting,” Leto said. “They shut down five blocks in every direction. They shut down the street. People weren’t allowed to walk anywhere. People were asked to leave their stores.” Ironically, the man was finally apprehended later while Leto was talking to the LAPD. “I was being interviewed by the police, and I see the guy walk right back up to me,” he said. “They were looking for him, and I said, ‘Well, that’s the guy right there.’ He walked up to the police and said something to me, and they put him in handcuffs and asked him what was in the package. That’s when he talked about explosives. It was surreal.” Despite the disruptions, the band finished the screening of the hotly anticipated film “Artifact,” which Leto said should be available for public consumption later this year. The documentary, which follows 30 Seconds to Mars during the recording of This Is War, will provide a revealing look at the band and its inner workings. “We have a lot of material from over two years of shooting. It’s something like 3,500 hours,” Leto said. The frontman said the most revealing thing in the film might involve Leto’s sense of fashion. “I think half the film I’m in my pajamas, because I didn’t leave the house very often while we were recording,” he said. “There were days we felt like we were all in the hospital together, on some sort of rehab trip.” Related Artists 30 Seconds To Mars

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30 Seconds To Mars Recount Harrowing Bomb Scare

Real Housewives: With Flowers In Our Hair

Housewives! Everywhere you look there are Housewives. Under the bed, skittering around in the walls, creeping and creaking under the stairs. And worst of all, they’re migrating , they’re expanding. Last night the Orange County wraiths headed North. No, not to the frozen wilds of Nunavut, where they would have enough space and crabby tundra grass to graze for years unmolested. No sadly the Housewives don’t know much of Canada — they think it’s simply the town where ginger ale is harvested and dried (“Wait… but how does it get wet again?”) — so they shan’t be heading across the border anytime soon. Rather the girls hopped aboard a Virgin America (oh were America actually virgin — innocent and untouched, still young and dreamy, instead of the worked-over mess of a nearing-middle-aged thing it is now, tired and fat and smoky, pleasuring itself with grim abandon) aeroplane flight and went up up up to San Francisco , descended upon California’s taut, brown midsection like the creeping fog. But before we get to that, we have to go back. Down the highway called five, all the way to the curdled grundle between Los Angeles and San Diego (why must every city in California have two names?). This is a magical place called Orange County, where these hissing shebeasts live. Where they spend their days bobbing for limes in giant vats of sticky-sour booze potions. Where they are often tangled up and snared in plastic-slatted chaise lounges, left to lie awkward and stranded on the patio, calling plaintively for their husbands. It is a place where they are losing their houses. Mostly I am speaking of poor Lynne. Old Lynne. Stuck, muddled Lynne. Poor stinkhat Lynne, just sittin’ there all frustrated, diggin’ at the dirt with a stick, sayin’ “Aw shucks,” and kickin’ at pebbles. Squinting her eyes and covering her brow with her hand and looking out over the hilly expanse and just feelin’ sorta small and swallowed-up, just tryin’ to dimly comprehend all the big, groaning mysteries that exist in this rotten old world. You see, Lynne has become something of a hobo. At the thrilling conclusion of last week’s potboiler episode, a mean old Money Man came stomping up to Castle Greylynne and issued her sleepy daughter an eviction notice. Yes, eviction. The sun looked hard and burnished in the sky, like the bottom of a tin can, and everyone gasped and the curtain fell. Act Two began last night, curtain up and lights on Lynne, standing like a little dustbowl bride at the edge of the stage, wringing her hands in worry. How had this happened? How could her beautiful husband not tell her that they were in danger of losing their rental house? It was all so confusing. Lynne decided to confront her husband in a public park, because that is where Lynne feels most comfortable, near the ducks and the grasshoppers, her aunts and uncles tweeting in their nests in the trees, her cousins blind and wriggling through the earth. And one should always feel comfortable when talking about Money, all-important evil Money. Lynne wanted answers, mister. Give ’em here, buster brown. Her husband shrugged his shoulders and said “I didn’t pay a deposit.” He really seemed to have thought that he could keep the whole money issue from Lynne, that she’d just trudge on in her oblivious way like always and he’d work his backstage magic and all would be well. But that’s not the way this cookie crumbled, and now they’ve got a big old horking stupid smelly mess on their hands. But enough about their daughter. She’s not the focus (although, “I’m so hungoverrrrr, is this a dream?” did not indicate that good things are going on in her life). The house is. Hubby said he missed the deposit payment and that’s why the Kool-Aid man burst through the wall and handed Drunky the walking papers. But doesn’t that seem a little suspicious? I mean, do you really get evicted from your rental house after missing one payment? I don’t know. If yes, then it must be a really important payment, not just like a late rent or something. I dunno. The whole thing seems a little fishy. The whole thing seemed a lot befuddling to Lynne. There in the park she sputtered and moaned and demanded to know just what the sam hill was going on and hubby tried to explain it to her in as small of words as he could, but she still wasn’t getting it. So finally he took out a piece of paper and a crayon and drew a little picture of a house, square base and traingle top, a little pig’s tail curlicue of smoke coming from the upended top hat chimney. Lynne smiled. She looked at her husband and then back and the paper and quietly said “House.” Hubby nodded and said “Yes,” pointing to the picture. “House.” Lynne said it again, this time a little more sure. “House.” Hubby nodded his head. “Yes, yes. Good, good.” He then pointed to the house and then shook his head. He did it again. And again. And again. Finally Lynne looked in his eyes and he saw her face crumble and she said “No… house?” Hubby nodded his head sadly. “No house. No money, no house.” Lynne let out a whimper that turned into a wail. She was so confused. Hubby felt bad for her, but he was mad because Lynne’s is a kind of willful confusion. She just liked to spend and spend and let him deal with the money and if she never heard about their financial woes, then they weren’t really real. Sometimes if she’s being chased by neighborhood dogs (which happens often) she’ll hide behind a street sign and press her face up against the pole and figure that if she can’t see the dog, it can’t see her. The nurses who do the stitches at the hospital call her Cujo on account of all the dog bites. So this is a mess. A total shitfuck of a mess. Lynne was just furious at her husband for not telling her about their money problems when she had expressly asked him to not tell her about their money problems. She shook her head and shuddered her body and said “Nunh unh, ohhhh no. Nunh unh. I need to… I’m not going to get over this. Whatever, I’m over it.” Did you catch that there at the end? Lynne really said that last night. She will never get over it. Whatever, she’s over it. This woman can’t speak. This woman is so touched in the head — painkillers? my sister thinks maybe she dropped too much acid in her wayward youth — that she doesn’t know what she’s saying. Lynne says gobbledygook and then contradicts her own gobbledygook. As a final kiss-off before storming right into the flock of geese that lives in the park (and are Lynne’s nieces and nephews), she turned to her husband and icily said “Chicken bone finger dance, husband. Chicken bone. Finger dance.” She looked satisfied and Hubby just shrugged his shoulders and turned out his pockets and a little moth flew out and flitted around and somewhere, far off in the distance, a lone accordion began to play, an ancient and mournful gypsy hymn. Hubby sighed. The sun twirled and burned. Let’s move on. Enough about Lynne. ALEXIS. We’re always loving to talk about Alexis. She’s the one who goes by the street handle of Funbags Jackson, and she is a very lovely and pious person who everyone loves and is beautiful. This week she and Gretchen decided to go for drinks so they could be perky and blonde together and discuss the other Wives. There’s so much to be discussed! About how Vicki has a cobweb face and smells bad. About how teacher says that every time Tamra farts an angel dies. About whether they should ever have taken that scarecrow named Lynne to that off-brand Mexican Wizard of Oz in the first place, because the pig’s brain he gave her isn’t really doing any good (“We should have known then. I mean who follows The Corrugated Tin Road?”). These are all important matters, but none more important than alcomohol. Sweet, sweet luscious booze. Giver of fun and good times, deliverer of evil and joy, the only friend you’ll ever need and the best enemy you’ll ever have. The girls started talking about the Mai Tais at the Oceanside Grille or whatever Grille they were at (they are always at Grilles, everyone is always at a Grille. They should add the world Grille to everything to make it sound fancier. “Have you had the roast beef at Arby’s Grille? I literally wrote home about it. Sat down and wrote a letter to my parents. Who are dead. … I’m so very sad, Jill. I’m so very sad. But that roast beef!”). Both Gretchen and Tuggles agreed that the Mai Tais are delish, but that’s not what they ordered. Do you know what these two brilliant Bravo bitches done ordered? Skinngirl Margaritas. Like what’s from that other show that Bravo done air. Two iterations of Housewives converged and it was surprising and sad and wonderful and I’m pretty sure that Jerry O’Connell and Sallah from Indiana Jones finally found their home dimension. Oh, hey! Speaking of San Francisco! (The show Sliders that I just referenced took place in San Francisco, so now you don’t have to go back in time and spend your Friday nights watching mid-’90s Fox sci-fi programming.) The gals always like to have fun activities arranged for them by the producers, and this one was a biggun! They were getting in that horseless air carriage and zooming out of Orange County! This is a big deal. One Housewife will often take a little trip — to one of the Turks or the Caicos, they can never decide which, or to Italy (and, actually, both of those were lil’ traveler Vicki) — but all together? Oh man must the rest of Orange County have breathed a huge sigh of relief. Just iinnnnnnnnn and outttttttt. The whole region pulsating with a big satisfied breath. From space it looked like a volcano or an earthquake, but really it was just beautiful joy borne on the back of the wind. The Housewives were gone, if only for a weekend. Though they’re not gone yet! First some things must be attended to. Vicki’s daughter was having a health scare and there’s nothing funny to say about that so I’m not going to say much, other than that Vicki was just like such a crazy monsterperson when the girl told her. She was like “Oh… I’ve got a bunch of clients coming in…” when the girl gave her the date of her biopsy. Vicki! Vicki!!!!!!! What’re you doing, hon? Why are you doing this? You don’t say that. You know what you also don’t say to someone who is worried they might have cancer? You don’t say “Don’t make me cry.” You don’t make the conversation about you not crying. You just don’t. But Vicki and all of these other women are incapable of talking about anything but themselves, especially when those beautiful cameras are whirring in their faces and that blessed furry boom mic is swinging low like a tufted angelic Tribble. Then it is really hard to not talk alllllll about your glorious self and how you don’t want to cry! So: Fuck off, Vicki. That’s that. Also happening vis a vis trip preparation is that Bulbous Baggins has to get permission from Earth Jesus, who is her husband Jim. Space Jesus is higher on the religio-scale than Jim, but Space Jesus has been in a meeting in space for two thousand years now, so Earth Jesus Jim will have to suffice. And he does. So Lumps slowly backed into his office on all fours, as she’s been instructed to do, carrying a silver tray of sweet meats and nudie mags on her back. Jim nodded lazily. “Earth Jesus is… pleased. He will speak to you. Rise.” Tits stood and bowed her head. “Oh thank you, Earth Jesus. Thank you so much. I do hope you’ll put in a good word with Space Jesus for me.” Jim shook his leathery meat-sack of a head. “Don’t worry your pretty empty walnut head about Space Jesus. What is it you want?” And so Jiggles told him all about this wonderful city in the clouds called Sands Francesco and how you can do all sorts of things like ride a trolley cart over the Golden Arches bridge and see the famous confirmed bachelors that roam the Castor and you can go to the top of Telephone Hill and from there you can stare down at all the people who speak Latin that live in Mission Impossible. Oh, Sam Flamingo, you wonderful city. Earth Jesus fondled his considerable jowls and heaved his gut around the room several times, which is what he does when he’s pondering letting the womancreature out of the house. “Wellllllll,” he bellowed, gravy tumbling out of every orifice. “I suppose you can go unattended.” He then unleashed a great belch and macaroni and cheese went spraying all over Alexis’ face and she said “Oh thank you Earth Jesus! Thank you!!!” And then Earth Jesus coughed and an entire honey-glazed ham popped out and he sneezed and it was milkshakes and Earth Jesus bellowed once more, “Now leave me be!!! It’s time for my Engorgening!!!” Sacks dutifully backed out of the room, macaroni and cheese dripping off her hair and face, weeping joyfully that Earth Jesus was such a kind god/husband. So wasn’t that nice? Even though Jim doesn’t know what to do with the kids and can’t be bothered to even learn their names and Alexis is a filthy womancreature who shouldn’t go anywhere unattended lest some other male belly up to her and claim her as his, he let her go on her fancy trip for girls. Marriage is all about compromise, guys. We can all learn something from them. Zooommmm! Whoooooosh! Hiiiiiiiiiiiii. That was the sound of the plane taking off and then that last one was the gay flight attendant. Ha. “Gay flight attendant” is redundant. But whatever! The girls are in the plane and they are flying so fast up to San Francisco and the whole city shudders and cowers in anticipation. Whiiiiiiiiiiiiiine! Broooooommmmmmm! Byeeeeeeeeee. That was the wheels coming down and then the plane landing and then the gay flight attendant wishing them a happy trip. On the plane mostly Vicki and Tamra jibber-jabbered about things and Lynne sat alone thinking about cheese and saying that she needed a break from Hubby and all this money stuff. Alexis was just shocked that this metal beast could fly without Earth Jesus, who had always told her that he was the one making the plane fly, not the pilot or any human mechanics. (Jim had forgotten this little detail. When he remembered it was too late, she was already gone, and he slapped his forehead with his hand a bratwurst shot out of his ear.) San Francisco glittered and shone like heaven and the girls whizzed by it all in their limo. There was the Embarcadero edging the water like a stern smile. The wealthy brown bulge of Bernal Hill. People standing at Haight and Ashbury, looking intensely at the air, trying to see something that disappeared long ago. It was strange to think of their crooked, knobby wraiths in a city like San Francisco — a storied and cold place, all wind and jaunty history. They stick out like orange thumbtacks and you realize that they can never go anywhere. There is no place in the world for them but the deep, deep burrow they’ve dug. They’re sad and out of place. They embarrass themselves. Oh how they embarrass themselves! After a little bit of sightseeing, and little more shopping (Lynne bought something! Lynne bought something that was very expensive and I thought about her two daughters and that sad gummy Hubby of hers back “home,” sitting on the curb in their tattered clothes trying in vain to send hobo mind-signals to their cousin on the East Coast, the McTattershanty girl), it was time for a big fancy five-star dinner. Ohhhhh. With delicious and interesting food that you will try even if you don’t really like the thing on principle because it ought to be very well-prepared and the best example of its kind, you know? Like just try the damn thing. Just try it. That’s not a lot to ask of someone who’s eating a free five-star dinner is it? Well apparently it is. Apparently it is. The first part of the dinner involved Lynn drawing pictograms and doing a strange lyrical dance in order to tell the girls that she was a hobo. They were all shocked, except not shocked at all, and they bobbed their heads up and down and slurped their drinks and then Brrrrrringggggggg, Alexis’ phone went off. It was Earth Jesus! He was just calling to say hi, to make sure she wasn’t currently stuffed under some sweaty man with a gut and a bank account, to tell her that the kids were all either dead or on fire. Alexis smiled as mysterious Hollandaise came burbling out of the phone. The other girls were all “OK, ‘evs. He called. No big.” But then Brinnnnggggggg. And Briiiiingggggg again! Earth Jesus is so insecure ! What a sad twit. What sad twits everyone is. In one of those short, mid-commercial mini segments they showed Jim at home in the backyard with the kids and a nanny. The nanny was just looking frustrated while Jim was “playing” with the kids. He was trying to shove something stubby and pink into some sort of hole and we all sort of nodded our heads and yet another piece of our soul grabbed its hat and coat and walked out and left us forever and we thought “It’s a metaphor for their sex life.” Back at dinner, everyone was crying. Vicki was talking about how her daughter having cancer is really hard on her career and sometimes makes her cry and everyone said “There, there. There, there.” And they fed her a martini olive stuffed with blue cheese and she sucked on it and gobbled it like a baby with a pacifier and they all said “There you go, there you go. Olive makes it better, huh? Olive makes it better.” Vicki smiled a watery smile and nodded her head and things were OK again. But only for a second! Man oh man these bitches can’t go five minutes without crying or screaming, it’s really unbelievable. So next Gretchen was eating a delicious cut of poopmeat, a rare San Francisco delicacy (especially in the Castro — hi-o bingo bango horrorshow!), and Alexis said “Hey let me try that,” and she put it in her mouth and then was all “Ewwwwwwwwwww poopmeat!” and spit it out with a great gooey slop into her napkin. Vicki was horrified. Absolutely horrified. She started making wretching, horking noises because she thought she was going to vomit and then Alexis was like “Stop now I’m going to vomit!” and they both sat there at this five-star restaurant hacking up hairballs and Gretchen put her head in her hands and said “I’m so fucking embarrassed” and then her chair broke and she fell down on the floor and lolled about and then Tamra was like “What a mess” and then she farted and Clarence the Angel dropped out of the sky, dead as parsnips, and then Lynne stood up and said “Ham salad adventurers club!” and then she just fell asleep standing up, like a common horse, and the rest of the restaurant all stood up in scared silence and then slowly walked out of the place, like Tippi Hedren stepping gingerly through a flock of birds in Bodega Bay. Actually what happened was that Vicki didn’t throw up but in the confessional interview or whatever that is, she was like “Alexis is a disaster, you can’t take her anywhere” and that was true, but really you can’t take any of these ladies anywhere. There should be a spin-off show that’s just taking them in a group to various fancy places. “Ladies, welcome to the Harvard Club!” “Ladies, this is a library!” And then two minutes later Lynne is face down dead on the floor and Alexis has somehow managed to get tangled in the chandelier and Tamra’s stuffing pens and staplers and anything that’s not bolted to the desks down the front of her dress. I would watch that show in a heartbeat. Wait. I already watch that show. That show is this show. After the dinner everyone went to drinks, where Vicki’s daughter met them and seemed OK and Gretchen started crying because cancer makes her sad, and then they all went back to their rooms to vomit and weep and suck forlornly on cocktail olives. Tamra stood rigid and frowning in her room, wondering why she hadn’t been more prominently featured in this episode. Maybe I’ll kill Ryan , she thought. That’ll get me some airtime… Vicki mostly just did her olive-sucking and she thought about her daughter, her lovely (hrrmm…$%) precious daughter and what she would do if anything ever happened to her. She’d probably wear black. And she’d just look really sad all the time. And people would see her walking down the street and they’d say “Oh there goes Vicki Funderson-Gunderson. She’s always so sad. So sad.” And that would be a new kind of a life, a new identity. Vicki the Sad. That’s what Vicki would do. If anything were ever to happen. God forbid. Space Jesus forbid. Lynne was worried in her room, suddenly remembering the house back at home ( Tamyra! ) and how all was lost. All was terribly lost. Rags , she thought. I mean, she often thinks the word “rags.” But this time she was thinking of a person. A special hobo person with, some say, magical powers. Powers to change. Powers to heal. Oh she was giddy. So giddy that when she put on her big nightcap and blew out her candle, she just couldn’t fall asleep. She needed to calm down. So she went and stood in the toilet and counted her numbers, which always soothes her. “One. Shoe. Free. Door. Beehive. Biscuits. Heaven…” Alexis stood on her balcony and she sang “Somewhere Out There,” hoping that blessed Earth Jesus would hear her and know that she was always worshiping him, that he always was in her heart, that he was her heart. She said three Hail Jims and buttoned up her nightgown further, scared that the Man in the Moon might be staring at her special love bags. Oh what a world. What a life faith is. It’s so much work. So much to do. She heard music playing somewhere and looked down below to the street. There was some sort of bar patio there, full of men. Those famous bachelors perhaps. She wondered if she should say hello, if she should show them her beautiful saintly face and tell them that all this could be theirs if they just settled down with the right girl. She was about to say “Yooo hoo, boysss!” when she saw something horrifying and terrible. One of them leaned in toward another and kissed him . Not in an Italian sort of kiss-on-the-cheek that always makes Earth Jesus nervous when he’s meeting with “associates” way. In a romantic way. They were done kissing but now they had their arms around each other and as she looked closer she saw that many of the other men, the Famous Bachelors, were doing the same. What sort of horrible sinful place was this? What fresh hell? She was mesmerized, transfixed, couldn’t let go. She stood there for hours. Hating them, reviling them, thinking them gross and queer and ugly and strange. But she couldn’t stop watching, hearing them laugh and talk, the way they… well, each couple, each reed-like pair… They were almost equal . One would talk and then the other would and there was no bowing or kissing of feet or silent standing in the corner while men did their talking. It was just a conversation, just people in love or in like or in something talking. And then there was music. Music so loud and so wonderful and Alexis, without thinking, started to sway a bit. She unbuttoned her nightgown, just a few buttons, and she felt wild and free and illicit and devilish. She looked up and out at the night, bridges yawning over the bay, the dull twinkle of Oakland, the hushed cry of the freeway. She looked back down and the men were dancing. Jutting hips and bobbing heads and laughing and clapping and from her strange aerial angle it looked almost reverent, worshipful, like they were praying to something old and urgent and primal. Their elbows out their knees bent, a careless drunken dance, a wild and wonderful prayer. Alexis watched and felt something hard and dense inside her suddenly begin to thaw. The men laughed and hooted and stamped their feet and, the night humming and strange, threw their hands up toward heaven.

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Real Housewives: With Flowers In Our Hair

Rihanna Shows Her True Colors In ‘Rude Boy’ Video

Video is a colorful romp in the world of pop art and Caribbean style by ‘Hard’ director Melina Matsoukas. By Jocelyn Vena Rihanna in “Rude Boy” Photo: Def Jam Rihanna ‘s new video for “Rude Boy” is a colorful departure from the dark fare previously released from her Rated R album, like “Russian Roulette” and “Hard.” In it, Rihanna writhes around in a kaleidoscope of prints and colors, embracing her Caribbean roots in Jamaican-inspired costumes. The singer told Carson Daly on his Amp Radio show that the pop-art-inspired video was shot by Melina Matsoukas, who also worked with the pop star on her equally sexy “Hard” music video . In it she goofs around and gets sexy with a male extra, a zebra, a motorcycle and a stuffed lion in between whaling away on a drum kit. The video, which premiered on PerezHilton.com on Wednesday night, appears aristically influenced Andy Warhol’s pop art vibe as well as Keith Haring, thanks to its funky graffiti room. Rihanna once again shows off her fashion sense in the video, with lots of tight-fitting hot pants, a gold catsuit paired with a long wig and another catsuit inspired by the print in the Haringesque room. While Rihanna keeps the sexy factor up in the video, she also manages to throw in a little humor when she sings the line “Babe, if I don’t feel it, I ain’t faking,” giving an all-telling wink to the camera about the song’s tongue-in-cheek lyrics. “[It’s] completely different from any other video I’ve shot before,” she told Daly, describing it as “pretty freakin’ cool.” “A lot of my videos are really dark and edgy and tough. ‘Rude Boy’ is more playing along the lines from my roots. We used a lot of color, but also the costumes were very Jamaican dance-hall-queen type,” the singer said. Have you seen Rihanna’s video for “Rude Boy”? What do you think of it? Let us know in the comments below, or upload a video to Your.MTV.com ! Related Artists Rihanna

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Rihanna Shows Her True Colors In ‘Rude Boy’ Video

Watch Pink, Justin Bieber In ‘We Are The World’ Footage

Lionel Richie explains the need for ‘current’ stars in song’s re-recording. By Eric Ditzian Justin Bieber Photo: Kevin Mazur/ WireImage In 1985, it was Michael Jackson , Bruce Springsteen and Tina Turner leading the “We Are the World” charge to ease a devastating famine in Africa. Twenty-five years later, as the recording industry once again mobilizes to face an unspeakable crisis — the aftermath of the 7.0 earthquake in Haiti — a new generation of artists has risen up for a fresh spin on the iconic song. Lionel Richie, an original co-writer of the tune and organizer of the remake, says solving a 2010 crisis requires singers relevant to the 2010 public. “[I]t was time for a group of faces that this world knows now,” he said in a recent interview. “We have the standard group. I call them the Marines, the ones who went in first and charted the course. But for it to be current, you have to make it current.” Newly release footage from the recording session in early February, prominently shows those new faces, including Justin Bieber, Lil Wayne , Wyclef Jean, Miley Cyrus, Drake, T-Pain, Kanye West and Keri Hilson. They joined veterans such as Tony Bennett and Barbra Streisand in the studio, singing as photos of the Haitian devastation played on oversize screens behind them. Quincy Jones, a producer on the original song as well as the new one, stood in front of the group, listening to the proceedings via headphones. The video also gives us glimpses of some solo recording sessions by Bieber , Pink, Josh Groban, Mary J. Blige, Akon and Maroon 5’s Adam Levine. “You couldn’t get one person to recognize Haiti three months ago,” Richie said. “It was just business as usual before, and if you died on the street, you died on the street. Now, the whole world is forced on Haiti. We had to lose 250,000 people to do it. But now we can’t walk away from it. Now we have to pay attention to it.” All proceeds from sales of the “We Are the World” will go toward Haitian relief efforts . “Donate,” Jones urged viewers. “Give it up, whatever you got, to help people who cannot help themselves at this point and to rebuild the country.” Learn more about what you can do to help with earthquake-relief efforts in Haiti , and for more information, see Think MTV . Visit HopeForHaitiNow.org or call (877) 99-HAITI to make a donation now. Related Videos Behind The Scenes Of ‘We Are The World’ Related Photos ‘We Are The World 25 For Haiti’ Recording Session Related Artists P!nk Justin Bieber Lionel Richie

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Watch Pink, Justin Bieber In ‘We Are The World’ Footage

Caroline Barclay in Her Bikini of the Day

If you are wondering what happened to “Girl in Street” from Roxeanne or “Drunken Girl” from Species, then you’ll be happy to know she’s flaunting her ugly ass on the beaches for St Barth, proving that having an insignificant career in Hollywood still makes her enough money to have a more fullfilling life of luxury than we ever will….so these pictures are more depressing than I initially thought they were…. Pics via LFI

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Caroline Barclay in Her Bikini of the Day

RuPaul’s Drag Race: Miss Tyra If You Nasty

Girrrrrrrrrl. Episode two of RuPaul’s beautiful gift from the thin slip of heaven that still remains has come and gone, and we still don’t know just what the hell we’re watching. But it’s OK. We’ll watch it anyway. No offense meant to the Logo network or anything, but is this the lowest-budget television show in the history of television shows? I think Robyn Bird has more to spend each week than this program does. There is a lady on public access in Newton, MA who literally puts kittens on an electric lazy Susan and talks about them as they spin around and around, and I’m pretty sure her budget is slightly higher than the few tarnished shekels that Ru is given every week to put her little carnival together. But maybe that’s kind of intentional? I mean, part of the extremely odd charm of the show — which is equal parts charm and strange sexual menace — is that it looks like it was filmed in some drag queen’s basement. Mostly because it was. And you just have like a heap of wigs in the corner and an old Sanyo boombox tinnily playing some old ’90s standards (En Vogue! Crystal Waters! Late/Mid-Career Annie Lennox!) and then RuPaul’s mom comes down with some laundry and is like “Oh, don’t mind me boys. Do you need anything? Ya hungry?” And all the drag queens say, in unison “No thank you, Mrs. Paul.” And then a few people smoke some meth and that’s the episode. It’s all pretty cute. Pretty strange, but pretty cute. Anyway! This episode was all about hooking. Hooking and stripping. Really! These drag queens adore the working girl, be she diva or disheveled. So in came RuPaul on one of those mechanized stair-chairs (I wish) and she told all them queens that it was time to do a makeover… on a Barbie doll! Well, OK, I don’t think it was actually a Mattel product, but it was some sort Barbie-esque figure modeled after RuPaul. There was a sad little pile of fabric and, in teams of two, the girls were to construct a ho outfit for this doll that was created for a very specific subset of adult males. There was a mad scramble of claws and fists and elbows as everyone lunged for the cloth, and then a feverish bout of very serious designing. With hot glue guns and glitter and I think some elbow macaroni and not but a few popsicle sticks. Seriously guys. One of the challenges on a reality show on television was to just do a doll makeover. A makeover, on a doll. My sister and I used to do that when we were eight and six years old. Chop off the doll’s hair and then regret it terribly, because it will never grow back. One time we had one of the black Barbies, Christy I think her name was, and my sister cut her hair sooo well. It looked like Oprah’s hair. We were very happy with that. But usually? It comes out gross and sad, and those mangled short-haired dolls become the scorned rejects in whatever story you’re imagining for them that day. (But none so scorned as the one we just called Legless, who had, in addition to a terrible haircut, one leg missing. A few years later, her hand was chewed off by the dog and a couple hours later, my mother tells me, there was a lone, grotesque doll hand poking up out of his poop, like someone trying to escape hell.) Anyway. The point is: This was on a television show last night. Doll makeovers. It’s wonderful! But it’s also sort of terrible. In the end only one team could emerge victorious and that was Pandora Boxx and Sahara Davenport (I think?) Though many of the dolls were bashed up, missing teeth and the like, theirs was the worst. They broke that poor plastic bitch’s heels and everything. I guess RuPaul appreciates a bashed-up ho. So, good for them. They then got to be team captains for the next big challenge, which involved stripper poles and burlesque and selling cherry pie coupons on the street. Yes, selling coupons like those kids who’d sign up for those ads in the back of Archie comics or something similar about how to sell oven mitts and steak knives door-to-door in order to win cash or points toward a new Huffy or Nintendo home entertainment system. Except these girls were just selling coupons for cherry pies at some random cafe down the corner. The girls were straight up yelling at people walking down the sidewalk, wrapping themselves unsexily around lampposts, and doing awkward splits. I don’t think they sold much cherry pie. While one team was hoofing it in full drag gear down on the strip, the other ladies were performing an afternoon “burlesque” show at a club. Earlier they’d learned how to do the stripper pole from two “burlesque” performers. Oh and the best part about the stripper poles? They had a sponsor. Ru was like “two poles, courtesy of Paul’s Pole Palace” or some shit. Logo, girl, you need to reassess your portfolio if you need a sponsor to pay for two raggedy stripper poles. But anyway. Everyone was pretty into this challenge, because it’s fun to pretend to be a hooker or stripper if you’re not actually a hooker or stripper, except for one person. Tyra is one of the prettiest queens, but, lady, she is also so nasty . Not like gross nasty. Plain old mean nasty. And lazy. She just stood there while things were sewn for her, choreographed for her, and, uh, poled for her. She wouldn’t even take a single lesson from the nice stripper, excuse me burlesque , ladies! Tyra was also snippy to all the other contestants. I mean, all the contestants are terribly snippy to each other, but Tyra is the worst by far. She know she pretty, she know she young , and that’s all that matters I suppose. But I do not like her attitude. She probably won’t get voted off any time soon, even though she’s mean and lazy (Ru caught her napping!), because she’s pretty and, I suppose, provides necessary entertainment value. But if I ever meet her in a dark alley… Well, I’ll probably run scared in the other direction. So after the girls had done their pole routines — writhing and jiggling and stretching and, I’ll admit, looking surprisingly competent for the most part — it was time for judgment. I do so love the judging parts because I’m pretty sure the girls are getting made up by professionals, or at least they have better lighting, so they all look wayyy better than they do in the challenges. Plus we get to hear Ru’s gonzo color commentary as the girls come strutting down the runway. I can’t remember any specifics, but her puns just get weirder and weirder, with stranger and more delightfully strained references. She’s like “Oohhh girl! Pandora Boxx is bringin’ tulips to Amsterdam tonight, honey!” Or, “Ohhh lawwwd no! Tatianna just signed the Treaty of Ver sigh with that number!” “The dingo sure didn’t eat Raven’s baby today, chile!” It’s just so weird and terrific. RuPaul should be the voice for so very many things. “Oh heavens girl, put in your damn pin number!” “Your balance is a raggedy three hundred dollars!” “Baby, I think this is 8th Street/NYU, but lady I don’t know for sure. Next stop is Prince Street. Heyyyyyyy. Watch them doors, girl!” My two favorites this week were: 1. Raven. Even though she is a straight up mean old crab, she looks so striking with her eagle-eye makeup and stern, chopped wigcuts. 2. Sonique! I was so surprised by Sonique this… wique. Last episode she didn’t stand out at all, but this go around she looked pretty and terrific. All cool beauty and pursed lips. Plus she’s definitely the best looking out of drag, so that doesn’t hurt. Alas because she had the second-lowest tips, Raven was forced to Lip-Sync for Her Life, alongside the kind of painfully sad Nicole Paige Brooks. Something about Nicole tells me that she was maybe something of a big, old fish in a small, also old pond? But out in the bigger world, matched up against some 21-year-old thang in a big bubble wig, her skinny minimalism just doesn’t do the trick. Plus she barely even seemed to try during the lip-sync. Raven was busting around with funny little bits and moves, while Nicole just sorta stood there and… lip-synced. Snoozer. Understandably, she went home. Which is good. She seemed nice, but her presence was just increasingly awkward. She seemed a little desperate in an unpleasant way. Who knows. At least now she can go back to her son. Yes, son. Again with another son on this show. Curiousssss! Girl, I think that’s it? Huh? What’s that Ru? “Fool, if you wanna make a call, please hang UP the damn phone and try that shit again. And don’t fuck it up!” Thanks, Ru.

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RuPaul’s Drag Race: Miss Tyra If You Nasty