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SXSW Film Festival Unveils 2013 Competitions, Premieres And More

The South by Southwest (SXSW) Film Conference and Festival unveiled its lineup of 109 features including 69 world premieres Thursday. The festival, which overlaps with SXSW’s music and interactive programs, also includes 14 North American and five U.S. premieres. SXSW will screen eight films each in its Narrative Feature and Documentary Competitions. [ Related: ‘The Incredible Burt Wonderstone’ To Open The SXSW Film Festival ] As previously announced, Steve Carell and Steve Buscemi starrer The Incredible Burt Wonderstone will open the festival, taking place in downtown Austin, TX. The film will screen as part of SXSW’s Headliners section along with Harmony Korine’s Toronto debut Spring Breakers with James Franco and Selena Gomez, Stephen Finningan’s Hawking and Fede Alvarez’s Evil Dead . SXSW veteran Joe Swanberg ‘s Drinking Buddies will screen in the festival’s Narrative Spotlight section along with fellow vet and Austin-based filmmaker Bryan Poyser’s The Bounceback and John Sayles ‘ Go For Sisters with Edward James Olmos. SXSW’s Festival Favorites section will have a good dose of Sundance offerings this year, including Austin’s Richard Linklater ‘s Before Midnight , Andrew Bujalski’s Computer Chess , Joseph Gordon-Levitt ‘s Don Jon’s Addiction , Yen Tan’s Pit Stop , David Gordon Green ‘s Prince Avalanche and Shane Carruth’s Upstream Color . “It’s an incredible privilege to sift through so much exciting work, and every year brings new surprises. Though trends emerge after the fact, not consciously while we’re programming, much of this year’s program embraces love and the need/search/desire for connection,” commented SXSW festival producer Janet Pierson in a statement. “Many films reflect importantly on our culture and include intimate looks at iconic figures, and we’re lucky to have a plethora of hugely entertaining and audience pleasing films. Even more thrilling is the opportunity to support so many filmmakers we’ve followed for years who’ve made enormous creative leaps in their work.” The 2013 SXSW Film Conference and Festival takes place March 8 – 16. Music takes place March 12 – 17 and the tech-laden Interactive component takes place March 8 – 12. For more information, visit their website . The 2013 SXSW Film Conference and Festival lineup follows with information provided by organizers). Narrative Feature Competition (This year’s 8 films were selected from 1,191 submissions. Each film is a World Premiere): Awful Nice Director/Screenwriter: Todd Sklar, Screenwriter: Alex Rennie Estranged brothers Jim and Dave must travel to Branson together when their father dies and leaves them the lake home. A series of hilarious mishaps and costly misadventures follow as they attempt to restore the house and rebuild their relationship. Cast: Alex Rennie, James Pumphrey, Christopher Meloni, Brett Gelman, Keeley Hazell (World Premiere) Burma Director/Screenwriter: Carlos Puga On the eve of an annual sibling reunion, a troubled young writer is sent reeling with the arrival of an unexpected guest. Cast: Christopher Abbott, Gaby Hoffmann, Chris McCann, Dan Bittner, Emily Fleischer (World Premiere) Improvement Club Director/Screenwriter: Dayna Hanson When their big gig falls through, a ragtag, avant-garde performance group with a political message struggles to find their audience—and the motivating force behind their work. Cast: Magge Brown, Dave Proscia, Wade Madsen, Jessie Smith, Pol Rosenthal (World Premiere) LICKS Director/Screenwriter: Jonathan Singer-Vine, Screenwriter: Justin “Hongry” Robinson The story of a young man, D, as he returns to his Oakland neighborhood after two years served in prison for a robbery gone wrong… Cast: Stanley “Doe” Hunt, Koran Jenkins, Tatiana Monet, Devon Libran, Les “DJ Upgrade” Aderibigbe (World Premiere) The Retrieval Director/Screenwriter: Chris Eska On the outskirts of the Civil War, a boy is sent north by a bounty hunter gang to retrieve a wanted man. Cast: Ashton Sanders, Tishuan Scott, Keston John, Bill Oberst, Jr., Christine Horn, Alfonso Freeman (World Premiere) Short Term 12 Director/Screenwriter: Destin Daniel Cretton The film follows Grace, a young supervisor at a foster-care facility, as she looks after the teens in her charge and reckons with her own troubled past. An unsparingly authentic film, full of both heart and surprising humor. Cast: Brie Larson, John Gallagher Jr., Kaitlyn Dever, Rami Malek, Keith Stanfield (World Premiere) Swim Little Fish Swim (USA, France) Director/Screenwriter: Ruben Amar, Lola Bessis Between surrealism, unusual characters, art and magic tricks, Swim Little Fish Swim is a dreamlike journey from childhood to adulthood. Cast: Dustin Guy Defa, Anne Consigny, Brooke Bloom, Lola Bessis, Olivia Durling Costello (World Premiere) This Is Where We Live Directors: Josh Barrett, Marc Menchaca, Screenwriter: Marc Menchaca A struggling family’s dynamics are challenged and a unique friendship is born when a small-town Texas handyman becomes caregiver to their son with cerebral palsy. Cast: Ron Hayden, CK McFarland, Marc Menchaca, Tobias Segal, Frankie Shaw (World Premiere) Documentary Feature Competition (This year’s 8 films were selected from 905 submissions. Each film is a World Premiere) 12 O’Clock Boys Director: Lotfy Nathan Pug, a young boy growing up on a combative West Baltimore block, finds solace in a gang of illegal dirt bike riders known as The 12 O’Clock Boys. (World Premiere) Big Joy: The Adventures of James Broughton Directors: Stephen Silha, Eric Slade A documentary about embracing your passions and becoming the person of your dreams, disguised as an inspiring biopic about pioneering filmmaker and poet James Broughton (1913-1999). (World Premiere) Hey Bartender Director: Douglas Tirola The story of the bartender in the era of the craft cocktail. (World Premiere) Los Wild Ones Director: Elise Salomon Wild Records is an indie label reminiscent of the early days of Sun Records. The label is based in LA and run by Reb Kennedy aka Mr. Wild Records and is comprised of young Latin musicians who write and perform 50s Rock n Roll. (World Premiere) The Short Game Director: Josh Greenbaum Each year, the world’s best 7-year-old golfers descend on Pinehurst, North Carolina to determine the next “world champion” and who might become golf’s next phenom. The Short Game follows 9 young golfers on their quest for greatness. (World Premiere) Touba Director: Elizabeth Chai Vasarhelyi With unprecedented access and dynamic 16mm cinematography, Touba reveals a different face of Islam by chronicling Sufi Muslims’ annual pilgrimage to the city of Touba.(World Premiere) We Always Lie To Strangers Directors: AJ Schnack, David Wilson A story of family, community, music and tradition set against the backdrop of Branson, Missouri, the remote Ozark Mountain town that is one of the biggest tourist destinations in America. (World Premiere) WILLIAM AND THE WINDMILL Director: Ben Nabors William Kamkwamba builds a windmill from scrap to rescue his family from famine, transforming his life and launching him onto the world stage. His success leads to new opportunities and complex choices, distancing him from the life he once knew. (World Premiere) Headliners (The section features red carpet premieres and gala film events with some major and rising names in cinema.) Evil Dead Director/Screenwriter: Fede Alvarez, Screenwriter: Rodo Sayagues Five friends, holed up in a remote cabin, discover a Book of the Dead that unwittingly summons up dormant demons which possess the youngsters in succession until only one is left to fight for survival. Cast: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore (World Premiere) Hawking (UK) Director: Stephen Finnigan A brief history of mine: a look at the life of Stephen Hawking (World Premiere) The Incredible Burt Wonderstone Director: Don Scardino, Story by Chad Kultgen & Tyler Mitchell and Jonathan Goldstein & John Francis Daley. Screenplay by Jonathan Goldstein & John Francis Daley As superstar Vegas magicians and former best friends Burt and Anton grow to secretly loathe each other, their long-time act implodes, allowing an ambitious rival street performer the big break he’s been waiting for.  Cast: Steve Carell, Steve Buscemi, Olivia Wilde, with Alan Arkin, James Gandolfini and Jim Carrey (World Premiere) Spring Breakers Director/Screenwriter: Harmony Korine Four college girls who land in jail after robbing a restaurant in order to fund their spring break vacation find themselves bailed out by a drug and arms dealer who wants them to do some dirty work. Cast: James Franco, Selena Gomez, Vanessa Hudgens, Ashley Benson, Rachel Korine, Gucci Mane (U.S. Premiere) When Angels Sing Director: Tim Mccanlies, Screenwriter: Lou Berney Michael despises Christmas. Now Christmas is getting even. Cast: Harry Connick Jr., Connie Britton, Chandler Canterbury, Fionnula Flanagan, Lyle Lovett, Dana Wheeler-Nicholson, Eloise DeJoria, Willie Nelson, Kris Kristofferson (World Premiere) [More World, North American and U.S. Premieres in following pages.] —

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SXSW Film Festival Unveils 2013 Competitions, Premieres And More

Jessica Chastain Eyes Liv Ullmann ‘Miss Julie’

Jessica Chastain is riding high with her critically acclaimed Oscar-nominated performance in Zero Dark Thirty , but her next gig may be a bit of an about-face from her role at the center of covert operations to snuff out Bin Laden. Chastain will star in a film adaptation of August Strindberg’s play Miss Julie , which will be directed by Swedish actor-director Liv Ullmann . Colin Farrell and Samantha Morton will also star in the film, according to The Guardian. Written in 1888, Miss Julie helped pave the way in utilizing theatrical naturalism in telling its story of class and power. The story revolves around the daughter of a count who falls for her father’s footman. Originally set at a Swedish country house in 1874, it is unclear if Ullmann will set the movie version of the story there or if she’ll pick a different period and locale. The last major adaptation of the play was a Mike Figgis-directed version which starred Saffron Burrows and Peter Mullan as the leads. Ullmann starred in ten of legendary filmmaker Ingmar Bergman’s movies and took up directing in the 1992 family drama Sophie . Miss Julie will be her fourth feature, though her last film, Faithless was released in 2000. [Source: The Guardian ]

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Jessica Chastain Eyes Liv Ullmann ‘Miss Julie’

Hate Crimes: 3 Men Prosecuted In California For Attack On Interracial Couple Because “A White Man Was With A Black Woman”

This is sad, but unfortunately a reality that we still deal with daily in America’s society… According to Sacramento Bee: Federal prosecutors in Sacramento are once again taking on what they describe as a particularly flagrant hate crime. An indictment returned Jan. 16 by a grand jury and unsealed last week accuses three Yuba County men of an unprovoked attack on a couple because the man is white and the woman is black. The indictment charges Perry Sylvester Jackson, 27, Billy James Hammett, 28, and Anthony Merrell Tyler, 32, all of Olivehurst, with one count of conspiracy and two counts of beating the couple in 2011. The charges are grounded in the Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act, a 2009 amendment to a statute that criminalizes violence motivated by race, color, national origin, religion, sexual orientation, gender or gender identity. Jackson, Hammett and Tyler were arrested by FBI agents last week and pleaded not guilty before U.S. Magistrate Judge Dale A. Drozd. Heading the case for the government is Assistant U.S. Attorney R. Steven Lapham, a supervisor in the U.S. attorney’s office and one of its top prosecutors. At a hearing Friday, Lapham clashed with defense lawyer Mark Reichel over whether Jackson should be free on bail pending trial. After a protracted hearing, Drozd ordered Jackson held without bail to “ensure the safety of the community.” The strictures of the federal Bail Reform Act of 1984, juxtaposed with Jackson’s history of violence, made it “a difficult call,” the judge said. Hammett’s attorney did not challenge Lapham’s request for detention without bail, and Drozd granted it. He ordered Tyler released on a $150,000 unsecured appearance bond. Hate crimes have been a priority of U.S. Attorney Benjamin Wagner going back to his days as a line prosecutor who handled a number of them and who was the office’s hate-crimes coordinator. Hate crimes, Wagner said Monday, “are intended to send a message of intolerance and instill fear in a larger community. Consequently, it is important that they be aggressively prosecuted and people in the community see that something is being done.” As to the Yuba County case, Wagner said, “In our view this is a pretty egregious incident, and the district attorney up there agreed that a federal prosecution may have a greater impact. “Depending on the circumstances, punishment is generally more severe in federal court,” he explained. In his bid to keep Jackson locked up, Lapham told the judge that a hate crime is random, spontaneous and often occurs so suddenly that a victim is overwhelmed without warning, the prosecutor said. Hate crimes tend to be more violent, Lapham said, because they are not meant to temporarily incapacitate. More often than not, he said, they brutally inflict serious, sometimes lasting injuries. SMH. We must stop this unnecessary violence.

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Hate Crimes: 3 Men Prosecuted In California For Attack On Interracial Couple Because “A White Man Was With A Black Woman”

Race Matters: Historical Black Cemeteries In The Deep South Neglected, While “Whites Only” Burial Sites Remain Manicured And Beautiful

SMH at ‘Are you referring to the white or black cemetery? ‘ Really???? According to USA Today: The chain-link fence slices through the Hamilton City Cemetery, splitting it into two clearly defined sections. On one side are beautiful, grassy vistas with well-tended plots where rest some of the city’s most esteemed citizens. On the other are hundreds of abandoned, overgrown graves, some thought to contain the remains of slaves. Many are unmarked; some are inaccessible in the thick undergrowth. At first glance, that fence seems as defiant and forbidding as the “Whites Only” signs that once defined life in this city of 1,021 about 90 miles southwest of Atlanta. But the situation at the Hamilton City Cemetery, which was established in 1828, is not uncommon in cities and towns across the Southeast. The fence represents not so much the grip of the region’s segregationist past as a disturbing dilemma in the nation’s present: Just who owns African-American history, whether the lost stories from a worn graveyard or the very events or poetic moments that have shaped this nation? Perhaps more troubling: Who wants it and will cultivate it for future generations? It’s a question that resonates as we leave a month swelling with African-American achievement — the 150th anniversary of the Emancipation Proclamation, the Martin Luther King Jr. federal holiday, the second inauguration of the nation’s first black president — and usher in Black History Month. Yet those hard-won gains toward a post-racial society for the living seem to fade amid the forgotten souls in places such as the Hamilton City Cemetery. Andrea McNally, an amateur historian who’s leading an effort to have the city or Harris County clean and maintain the “black side” of the cemetery, has been repeatedly frustrated by the fact that no one here seems to know just who owns that part of the burial ground. “Everyone I approached, when I asked about it, they said, ‘Are you referring to the white or black cemetery?’” she says. “I went to the tax office, went to the deed office. Nobody knows who owns it.” These neglected black cemeteries are most common in the Deep South but also are seen in other parts of the country. Mansfield, Texas, near Fort Worth, faces a situation nearly identical to Hamilton’s: a fence separating a white cemetery near downtown from a black one containing the anonymous graves of former slaves. A black church there took over ownership of that cemetery. In many instances, African-American cemeteries in the South were started by small associations of a dozen or so black community leaders around the turn of the century. As those people died off, and as 6 million black people moved North during the Great Migration of 1910-70, ownership of the cemeteries became muddled, Trinkley says. Wow we guess black life (or death for that matter) really ain’t worth spit. This is really sad. Hopefully more people will educate themselves and reach out to help these cemeteries.

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Race Matters: Historical Black Cemeteries In The Deep South Neglected, While “Whites Only” Burial Sites Remain Manicured And Beautiful

School Bus Driver Shot in Alabama, Hostage Situation Continues

A horrific scene went down yesterday near Midland City, Alabama, as a shooter opened fire inside an elementary school bus, killing the driver and kidnapping a six-year old passenger. According to a local ABC affiliate, the incident took place around 3:30 p.m. when the culprit demanded the driver release the child into his custody. When the driver refused, the suspect – later identified as Jimmy Lee Dykes – shot him, grabbed the kid and fled the scene. He then took the six-year old hostage behind a local church. As of 11:50 p.m. last night, Dykes had yet to surrender or release the child, leading to the following statement from the Dale County Sheriff’s Office: “The Dale County Sheriff’s Department has established a command post location at the intersection of 231 North and Private Road 1539 in Dale County, Alabama following a shooting. Multiple agencies are present assisting with the incident. Authorities say a call was received regarding a shooting involving a Dale County School Bus at 3:36 p.m. “At this time limited details are being released however the Sheriff’s Department has confirmed one adult male was shot and the suspect is not in custody. Further details will be released as they become available. Dykes, 65, was arrested on December 22 for pulling a gun on a man and charged with menacing.

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School Bus Driver Shot in Alabama, Hostage Situation Continues

TV Nudity Report: Californication, Spartacus, Shameless, Girls, Banshee, House of Lies, [PICS]

Our fevered hopes for the brand spanking new year are all coming true, because lucky ’13 is delivering the boob tube nudes fast and furious. Maggie Grace broke out her boobage for last week’s episode of Californication , and this week she’s offering up her heavenly heinie while stripping for a skinny-dip. The backburger shot may be the work of a body double, but former Lost star has castaway her clothes, and we hope she never finds them again! Spartacus is back with vengeance on Starz, and the premiere provided a peek at Ellen Hollman ’s aqueducts and ass during a great group sex scene. Plenty of reasons to grab hold of your family Julius! Shameless showed skin for the third week straight with Brazilian boobage from Stephanie Fantauzzi getting felt up in a car, and T&A from Emma Greenwell while getting her cabbage patch munched. Over on Girls , Lena Dunham directed herself to bare dainty dumplings again, this time while switching shirts in a nightclub, and Banshee provided the howlingly hot hoots of two blonde babes, Leslea Fisher and Erin Estelle McQuatters . Finally, House of Lies hired soft-core stars Erika Jordan , Christine Nguyen , and Tiffany Tynes to bare it all for a hotel room orgy. Christine even shows her House of Pies! See pics after the jump!

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TV Nudity Report: Californication, Spartacus, Shameless, Girls, Banshee, House of Lies, [PICS]

Lucy Mecklenburgh in Her Bikini of the Day

Lucy Mecklenburgh is a UK Reality TV show star and I know what you’re thinking…why the fuck do you care about a UK Reality TV show star….and I don’t have the answer for you…I never have the answer…I just see the bikini or suspender bikini or whatever the fuck this is…and I post it…cuz what is a name, or a job, or really anything that identifies a girl….when the girl is half naked…you see who she is, how irrelevant she is just doesn’t fucking matter…what matters is her walking on the beach in a way that makes me want to hump her leg like I was a stray dog….

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Lucy Mecklenburgh in Her Bikini of the Day

Cara Delevingne is Babe for DKNY of the Day

Cara Delevingne is some young hot model….who I follow on instagram…and who ignores me on instagram….even when I write her beautiful prose that would get me published if I had any command of the English language…and if the publishing industry weren’t racist….devoting their immigrant retard budget to the cast of Jersey Shore…instead of to my romantic letters on instagram to Cara Delvingne….but this isn’t about me..or my sweet nothings I whisper over captions on social media…this is about a new model…who is doing a campaign for DKNY fully clothed…making you probably wonder why I’m posting it…without realizing…that following DKNY’s ready to wear collection and the campaign that goes along with it is one of my hobbies…along with masturbating…hookers and drinking until I shit blood….I like to keep things well rounded…I’m not a one trick pony…I got all kinds of tricks…equally disgusting that combined probably add up to 7/8ths of a trick…. This is my favorite post of the year….and possibly my new favorite model…

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Cara Delevingne is Babe for DKNY of the Day

REVIEW: Jeremy Renner’s Disdain Curses Overplotted, Underwritten ‘Hansel & Gretel: Witch Hunters’

Hansel & Gretel: Witch Hunters  is not a good film — it’s inconsistently acted, and somehow both underwritten and overplotted — but it has some good things going for it. For one, it’s not outrageously dumber than its revisionist fairy-tale predecessors Van Helsing , Red Riding Hood or TV’s Once Upon a Time , and it’s far more goofily violent. It also boasts a nice title credit sequence and a brisk running time. But most importantly, the long-shelved pic is set to bow with little serious B.O. competition, ensuring suitable time for crumb gathering before it’s consigned to obscurity. To his credit, Hansel & Gretel writer-director Tommy Wirkola never takes the pic’s premise — the titular Grimm siblings grow into wisecracking, primitive-machine-gun-packing bounty hunters, thanks to that fateful spell in the gingerbread house — too seriously. Yet while the film rarely provokes any strenuous eye-rolling, it also can’t drum up even the slightest interest in the fate of its characters, let alone suspense. Cursing with anachronistic brio and decked out in Steampunkish frock coats and leather pants, Jeremy Renner and Gemma Arterton star as the sibling slayers, who have parlayed their childhood fame into a thriving witch-hunting business. Called upon to investigate disappearing children in a woodland village, the two run afoul of the local sheriff ( Peter Stormare ) when they interrupt a witch hunt in progress. The woman in question (Pihla Viitala) turns out to be a “white witch” with a thing for Hansel (her pretense for skinny-dipping makes Prince’s Lake Minnetonka line seem like the height of subtle seduction), while Gretel is stalked by a sort of medieval fanboy ( Thomas Mann) who tirelessly follows her exploits in newspapers. Meanwhile, a particularly vindictive witch ( Famke Janssen ) from the surrounding forest redoubles her efforts to terrorize the townsfolk. Wirkola introduces some moderately clever touches here and there; the missing-children posters strapped to medieval milk bottles are worth a laugh, and making Hansel a diabetic thanks to his childhood sugar trauma is a smart idea that the film unceremoniously abandons. But these are few and far between. A film with a concept this strange has no right to be so dully formulaic, yet after 15 minutes, the script has entirely exhausted its sparks of real invention. The action is frequent and competently staged. All the same, a distressing feeling of sameness takes over midway through, and viewers may be surprised to find themselves yawning as yet another witch is ripped apart limb from limb, sending yet another wave of viscera sluicing toward the camera. On that note, the pic isn’t helped by Renner’s apparent disdain for the material; his Hansel may be a bit of a jaded ruffian, but the weary groan he seems to keep stifling has nothing to do with the character as written. Janssen is likewise unconvincing, meaning that Arterton registers as the film’s standout thesp simply by being its most willing participant, spunkily bouncing up after numerous beatings (of which she is far more likely to be the recipient than her sibling, curiously) and sparring semi-cutely with Mann. While visual effects and production design are solid, Hansel and Gretel ‘s 3D work is surprisingly shoddy and distracting, for reasons both creative (the frequency of protrusive blades and flying debris) and technical (a fuzzy gray sheen that appears during the film’s numerous night scenes). Germany’s Studio Babelsberg lot provides some attractively picturesque village grime. Follow Movieline on Twitter. 

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REVIEW: Jeremy Renner’s Disdain Curses Overplotted, Underwritten ‘Hansel & Gretel: Witch Hunters’

Red Carpet Cakes: J.Lo Leaves Her Panties At Home And Hits Up “Parker” Premiere With Her Pretty Young Thang

Cue the Big Sean… A$$ A$$ A$$! Jennifer Lopez showed up on the red carpet for the premiere of her latest flick “Parker” At Planet Hollywood with her cakes on full blizzy blast. She was stuntin’ that thang in a white Kaufman Franco gown, which featured a number of strategically placed slits, leaving no question about her not wearing no drawls… You likey? She brought her lil young dancer boo Casper with her, probably to make up for cheating on him with Marc Anthony last week. Check out more photos of her, poor Coco trying to keep up and a few other folks below: WENN

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Red Carpet Cakes: J.Lo Leaves Her Panties At Home And Hits Up “Parker” Premiere With Her Pretty Young Thang