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‘The Other Guys’: Five Things You Didn’t Know

Director Adam McKay explains how he recruited Derek Jeter for the film, why Paris Hilton’s scene was cut and more. By Eric Ditzian Mark Wahlberg, Will Ferrell and Steve Coogan in “The Other Guys” Photo: Sony Pictures Over the last few weeks, MTV News has taken you inside some of the summer’s coolest flicks. With secrets revealed straight from the filmmakers themselves, we’ve walked you through the creation of buzzworthy “Inception” scenes , the coolest “Last Airbender” weapons , the CGI “Eclipse” wolves , and much more. Today we turn our attention to “The Other Guys,” the Will Ferrell- and Mark Wahlberg-starring action comedy that just opened in theaters. Co-writer and director Adam McKay gave us a call to discuss some of the key decisions he and his team made as they put together their new film. Check out these five secrets he revealed for us, and check back on Monday to hear five spoiler-heavy secrets that are simply too juicy to drop today. How the Curse-Heavy Flick Got a PG-13 Rating It’s hard to believe that “Other Guys” isn’t rated R, based on all the foulmouthed dialogue the cast spouts. As McKay told us, they worked hard to get the dirtiest PG-13 film they possibly could. “We became masters of the family-friendly cursing from writing on ‘Saturday Night Live,’ ” he said. “We found every possible way to say something awful. We don’t say ‘f—‘ in the movie, but I love that it feels like we do. We say ‘s–t’ a lot. In PG-13, you’re allowed to say ‘sh–‘ a lot. Endless ‘sh–s.’ ” “In one scene, we had a character say ‘lick the sex off each other.’ We had to change that just to ‘lick the sweat.’ There was one time someone says, ‘I hope you like prison food and penis.’ Originally it was, ‘I hope you like the taste of prison food and penis.’ We had to lose ‘taste.’ You want to get as close to R as you possibly can.” Why Paris Hilton’s Cameo Is Missing We’ve long known that Paris Hilton shot a cameo for the movie, but her scene didn’t make it into the final cut. So what happened? “The joke was that Mark’s character shot Derek Jeter, so you’re looking for a redemptive moment for him. During this helicopter crash, a piece of the helicopter shoots at this unknown blonde woman and Mark dives and saves her. It’s Paris, and he doesn’t know who she is. We cut to a spinning headline that says, ‘Cop Who Shot Jeter Saves Paris Hilton,’ and then you pan below that and it says, ‘City Hates Him Even More.’ ” “I thought it was really funny,” he continued. “But she’s such a figure unto herself, it just threw the rhythm off somehow. She was a champion. She was totally making fun of herself. That scene will be on the DVD.” How They Recruited Derek Jeter While Paris’ cameo didn’t make the finished flick, Jeter’s most certainly did. How did McKay convince the Yankee captain to agree to a cameo that has him getting shot in the leg? McKay gave us the inside scoop. “Of all the cast we got for this movie — and we got some pretty tremendous people — Derek Jeter was the most essential get for the whole movie,” he said. “We wrote it into the script that he was a major part of the story. He’s a fan of Will and the movies we’ve done in the past. He’s a fan of Mark.” “The crazy thing is [the Yankees] won the World Series, and we’re shooting a scene about 10 days afterward,” he added. “I’m like, ‘How does this guy come off that — there must be crazy parties, he must be exhausted — and then show up and have his lines memorized?’ Sure enough, he was there and he was game. Professional athletes tend to fall into one of two categories. They’re either super-conceited and standoffish, or they can be sweet and nice. He’s definitely a sweet guy, very unpretentious. His girlfriend [Minka Kelly] is beautiful and just goofy and nice. He’s a fan. He’s hosted ‘SNL.’ He’s got that sincerity that just works if he’s delivering a line straight. He’s an old-fashioned baseball star.” Why Mark Wahlberg Is Funnier Than You Ever Realized Wahlberg has done the comedy thing a bit before, whether on “SNL” or this year’s “Date Night,” but he’s never so fully embraced a comedic role. Perhaps the most pleasant surprise of “Other Guys” is that the Oscar-nominated actor is damn funny. “The second I saw Will and Mark together, it was just a completely different energy,” McKay said. “In a weird way, almost the last two guys in the world you’d expect to see together. That’s what made it so fascinating. Mark has the confidence of someone who could kick anyone’s ass in the room. And Will has the confidence of someone who doesn’t want to kick anyone’s ass in the room. The two of them together are instantly interesting. The big secret we knew is that Mark’s really, really funny.” “So it wasn’t as risky as it might have seemed from the outside, because people associate him with dramatic roles or action stuff,” he continued. “I loved him in ‘I Heart Huckabees.’ I thought he was hilarious in ‘The Departed,’ and I thought he was really funny in ‘Boogie Nights’ … he gets the joke. He knows what he’s messing around with. I think his theory is that anything that can be parodied about you should be shaved away anyway. I don’t think he minds going after the fluffy parts of his own image. We had him do some crazy sh– in this. He danced ballet. We got him a ballet coach and he learned moves. There wasn’t one moment where he was like, “Come on guys, I can’t do this.” He would do anything.” Why the Credits Are So Fact-Filled At the end of the movie — which centers on a Madoff-esque Ponzi scheme — McKay goes all Morgan Spurlock on us, introducing a series of wacky, graphic-heavy factoids about the financial crisis. Turns out that the credits idea came about after production wrapped and McKay got into the edit room. “It came out of the fact that we wanted to do something different for the credits,” he told us. “Playing alternative improv takes has been done to death. I actually love ‘Harper’s Index.’ It’s wildly entertaining to read, as well as educational. We contacted [visual effects firm] Picture Mill and said, ‘Can we do a “Harper’s Index” thing with the credits but do it fun and poppy and colorful?’ We wanted a ‘Pink Panther’ feel to it.’ ” Check out everything we’ve got on “The Other Guys.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘The Other Guys’ ‘The Other Guys’ Clips

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‘The Other Guys’: Five Things You Didn’t Know

Mammalampa Lamps: Naturally Poetic Lighting from Latvia

Images: Mammalampa Latvia may be a little off the beaten track in terms of tourist destinations, but it’s evident that its newfound psyche has a bit of old-world charm merging with a modern muscularity. Case in point: take a look at these lamps by Mammalampa , a design firm based in the capital of Riga. Their mission: “[to declare] a gentle war [by] making lamps differently without adapting, killing or violently beautifying materials. Our lamps are created in the image of living materials touched by the… Read the full story on TreeHugger

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Mammalampa Lamps: Naturally Poetic Lighting from Latvia

Titty in Some Kanye West Weirdness of the Day

I accidentally listened to Kanye’s first album last night. Not because I like Kanye and want to reflect on his work and contribution to the world of music, but because I was hanging out with a group of 20 year olds and they thought it would be fun to listen to old school rap…I just kept on drinking and got to thinking that life probably woulda been better if that accident that got him press back when he was starting out, the world wouldn’t be polluted to these bullshit Lady Gaga inspired videos that only really make me happy cuz there’s some titty in it and titties should always be in music videos…but that’s just cuz I like titty everywhere…just last night at dinner I made a breast out of my mash potatos which woulda gone a lot better if I decided to titty fuck it after I left the restaurant. To See The Video Follow This Link – And No This Site is Not a Hip Hop Site GO

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Titty in Some Kanye West Weirdness of the Day

Jackass 3D is the Biggest Thing in 3D Movies Ever of the Day

Part of me find the Jackass guys irritating as fuck, another part of me remembers reading how to make LSD in a bathtub thanks to Big Brother magazine back in 1994, and realizes these motherfuckers are innovators. They live the good life. They are pushing 45 and still pulling crazy stunts bored teenagers do in suburbia only they take it to the next level, and this time around it happens to be in 3D and despite them not paying me to plug this, I find the whole thing pretty genius…. I want to thank hot pussy Bridget Tobin from Facebook and her hot pussy for posting this on Facebook to keep me in the loop of what’s going on in pop culture. I wanna fuck your face, pussy and ass equally, momma.

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Jackass 3D is the Biggest Thing in 3D Movies Ever of the Day

Kanye West’s ‘Power’ Video: A Cultural Cheat Sheet

Clip pays homage to Renaissance painting, M.C. Escher, ‘House Of Flying Daggers.’ By Gil Kaufman Kanye West (file) Photo: Kevin Mazur/ WireImage Most music videos aim to overwhelm you with quick cuts, big explosions, clever editing tricks and flashy sets that look really expensive. Then there’s Kanye West’s clip for “Power.” Never one to follow trends — peep how he’s already reinvented the art of Tweeting in just a week — West’s 90-second clip is less a video and more a moving painting in which a grim-faced ‘Ye stands center stage while a galaxy of saintly and devilish female figures surround him. Director Marco Brambilla said his intention was to create a video “portrait” that would “visualize power … to do a portrait of what power would look like in a sort of timeless way.” We spent way too much time studying what feels like a trailer for a larger piece of conceptual art and broke down the imagery in the video. If it’s been a while since your last art history class, get ready to go to school: Dragonlance: An image of a sword descending into a crown hovers over Kanye’s head, bringing to mind Volume Two of Douglas Niles’ series “The Crown and the Sword: The Rise of Solamnia,” in which Sir Jaymes Markham commands the orders of the Rose, Sword and Crown. M.C. Escher’s “Waterfall”: The Dutch artist famous for making eye-popping images in which gravity and space were twisted into pretzels sketched an image in 1961 in which the water at the base of a waterfall appears to be flowing uphill against gravity before reaching the top of the fall, much as the water pours towards the sky out of two urns held by maidens in the Kanye clip. Chiaroscuro: The monochromatic clip plays with this Renaissance style of painting, in which the artist used sharp contrasts between light and dark to highlight the drama on the canvas. Often, unseen sources of light would illuminate the subjects; in the clip, Kanye appears to have an inner glow that manifests in his eyes and the sword and crown above him cast a light on the entire scene. Jean-Leon Gerome: The French painter known for his love of historical painting with Greek mythological themes created an image entitled “Head of a Woman with the Horns of a Ram,” which is not unlike the albino-like female figures sprouting long, pointy horns who frame ‘Ye. “House of Flying Daggers”: Though he’s transposed the action from China to ancient Greece, Brambilla might be paying homage to the 2004 action-romance “House of Flying Daggers” with the scene at the end of the video, in which two combatants are flying through the air in mid-sword fight as white bursts of light fill the screen. Ed Moses’ “HOLA”: This features a haunting single eye glowing behind a swirl of heavy brush marks that some have compared to the mask of a superhero. In “Power,” Kanye’s eyes have an eerie glow as he stares unblinkingly, also not unlike actor Idris Elba’s Heimdall in the upcoming movie “Thor.” Michelangelo: From the rows of Ionic columns surrounding him to the floating parade of gauzy-shift wearing Greek men and women who drift into the frame, Brambilla is clearly taking some inspiration from the classic frescoes painted by Italian Renaissance painter and architect Michelangelo. Q-Tip: The legendary rapper and member of A Tribe Called Quest released an album called The Renaissance in 2008. He said the reference to that period was more than just an album title and a sign of his unwavering commitment to keeping his art pure. Ancient Egypt: Yeezy once again rocks the unbelievably fat chain he wore at the BET Awards earlier this year. Its giant pendant is an image of Horus — the Egyptian god of the sky, war and protection. What images do you see in Kanye’s “Power” video? Let us know by below. Related Artists Kanye West

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Kanye West’s ‘Power’ Video: A Cultural Cheat Sheet

Is 3-D filmmaking really the next evolution for cinema, or is it just another passing fad?

photo by Dominic's Pics

‘The Other Guys’: Idiots Delight, By Kurt Loder

Will Ferrell and Mark Wahlberg score a comic bull’s eye. Will Ferrell, Steve Coogan and Mark Wahlberg in “The Other Guys” Photo: Sony Pictures “The Other Guys” is that rare thing, a goofball summer buddy comedy that actually delivers. The movie is a return to form for Will Ferrell, who finally reins in the idiot frenzy he’s so often deployed in the past (most recently in last year’s dismal “Land of the Lost”) and — an added blessing — shows no skin, either. It’s also a breakthrough for Mark Wahlberg, who dipped a toe into the comedy waters of “Date Night,” but here makes a sizeable splash. Wahlberg isn’t an all-out clown in the Ferrell style, but his careful restraint in this picture — his comic simmering and his lag-timed reactions — is just as funny in a different way. The stars play Allen Gamble and Terry Hoitz, two New York City police detectives stuck in the paper-pushing backwaters of their department while a pair of more charismatic cops (Dwayne Johnson and Samuel L. Jackson in fleeting cameos) get all the action, and the headlines. Allen (Ferrell) is a forensic accountant — he loves paperwork. His partner Hoitz (Wahlberg) hates it — but his career was sidelined after he accidentally shot Yankees star Derek Jeter one night. (“You shoulda shot A-Rod,” another cop snipes.) Then these two stumble onto a big Wall Street financial scam — a Ponzi scheme being run by an English investment mogul named Ershon (Steve Coogan). If Allen and Terry can crack this case, career resuscitation will surely follow. This thicket of financial shenanigans is the movie’s most strained element — it’s essentially a platform for the filmmakers to lecture the audience about the evils of capitalism. (Addressing a business audience, Ershon cackles, “Live for excess — it is the American way.”) As always, though, this rote Hollywood moralizing sits awkwardly in a big-budget film, especially one starring a man who reportedly makes $20-million a picture. The high-finance plot is in any case a distraction that’s generally obscured by the laugh-bombs going off all around it. Allen is endlessly castigated by his fellow cops as an overgrown sissy (drives a Prius, loves the Little River Band), but he’s also, inexplicably, a major chick magnet. (Taking Terry to his home, he warns that his wife is something of a dog: “She’s a big old broad.” Then she turns out to be played by the definitively un-doglike Eva Mendes.) He has also written a downloadable app called Faceback — scan in the back of someone’s head and it shows you the face. The script, by director Adam McKay and Chris Henchy, also provides some nifty business for the boys’ boss, Chief Mauch (Michael Keaton), who moonlights as a sales clerk at Bed, Bath & Beyond, and is prone to converse in TLC lyrics (a joke that’s milked a little too much). It’s good to have Keaton back in the big-time, and in solid comic form; he’s been away too long. The movie is a full-throated parody of the urban action genre: many cars crash, many bullets fly, and a whole lot of stuff blows up. But even the pandemonium has a comic shape. (The sequence in which a helicopter attack is repelled by a blizzard of golf balls is explosively funny.) And the ricocheting one-liners rise above even the most clamorous mayhem. When Terry erupts in frustration over being a desk-job drone — “I’m a peacock! You gotta let me fly!” — the movie earns the highest possible praise for this sort of project: It’s a truly ridiculous picture. Check out everything we’ve got on “The Other Guys.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘The Other Guys’ ‘The Other Guys’ Clips

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‘The Other Guys’: Idiots Delight, By Kurt Loder

Emma Watson short hair

“Yes, I cut my hair off a few days ago!” Emma Watson Tweeted to fans Thursday, sharing another pic of the cut on Facebook. “I love it- feels incredible. Hope you like it!” (With longer locks, Watson made her modeling debut in ads for Burberry#39;s Autumn/Winter 2009 campaign.) The 20-year-old British star Emma Watson has played Hermione Granger in the Harry Potter films, cast as the title character#39;s best female pal at age 9. The second-to-last film in the saga, Harry Potter and the Deathly

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Emma Watson short hair

Buzz Break: Emma Watson, Scissor Sister

Heidi Montag to Lauren Conrad: I Miss You!

Heidi Montag wants to get in touch with her inner nature girl again. She also longs for her old BFF back, and nostalgically watches repeats of The Hills . The plastic princess, who was inexplicably booted off the show in its final season and recently filed for divorce from Spencer Pratt, is lost these days. Her family and what few friends she has left can’t get in touch with her, and she’s been oddly absent from her beloved celebrity sites’ photo galleries. What’s she been up to? “Watching old Hills [episodes],” the ‘Tag Tweeted at two of her former MTV co-stars. “I miss you @AudrinaPatridge and most of all @laurenconrad.” Neither Audrina Patridge nor Lauren Conrad responded to the Tweets. LC & HEIDI : Many moons and plastic surgeries ago . Former roommates and best friends, Heidi Montag and Conrad’s relationship famously cooled thanks to controlling boyfriend-turned husband Pratt. LC accused the gruesome twosome of leaking a rumor about a sex tape starring herself and Jason Wahler. When Heidi Montag attempted to mend fences with her, Conrad brushed her off, quipping, “I want to forgive you – and forget you.” Might they rekindle their friendship now that he’s out of the picture? We wouldn’t count on it, but separating from King Spencer can only help the cause. Citing irreconcilable differences, Montag filed for divorce from the mountain man in Santa Monica, Calif. Spencer Pratt didn’t seem too sad, saying: “Well, some say if you can’t handle the heat get out of the kitchen. Heidi couldn’t handle King Spencer’s fame so she got out of the marriage.” NOTE : Follow THG on Twitter ! We’ll actually Tweet back!

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Heidi Montag to Lauren Conrad: I Miss You!