Her name is Sofija Milosevic and she looks like a mail order Russian hooker, as her name would imply, but she’s so much more than that…she’s a TRUMP model, your president has his hand in on 20% of her earnings, his team is responsible for her career, and since he created her think of all the good he can do for your country…. I mean in her defense, all women – especially, vapid, vain, superficial model type women…are prostitutes…and model agencies are really a loop hole to get hookers into the country….and Trump was well aware of that…it’s how he got your First Lady…. Here are some pics from her instagram…I love her…Sofija Milosevic…amazing…too bad I can’t buy you – I mean I know she can be bought – but well out of my budget… The post Sofija Milosevic Bikini Shoot for Some Magazine of the Day appeared first on DrunkenStepfather .
Amber Heard is Mera in Justice League. I don’t read Comic Books, I never read Comic Books, and I hate that all this budget goes into these blockbuster movies that just fucking suck, but that happen anyway…so the whole thing just annoys me…but clearly it excites everyone who is into comic books which is pretty much everyone…or anyone who happens to be on this site… I am sure I don’t hate Comic Books as much as Johnny Depp hates Amber Heard, or as much as Elon Musk will hate Amber Heard, once she uses her evil, manipulative, strategic and cunning cunt to rape and pillage him, like these man hating women do….as there’s never been a doubt in my mind, from the first time I saw her in a movie, or in the media pretending to be bi-sexual, that I didnt think “this chick is dark, evil and angling to get where she needs to go”… But you don’t care about any of that…you just want to see her in a costume…because you are fucking odd.. The post Elon Musk and Johnny Depp’s Evil Pussy Amber Heard in Cosplay of the Day appeared first on DrunkenStepfather .
A video posted by Selena Gomez (@selenagomez) on Oct 1, 2015 at 11:59am PDT Selena Gomez released this video of how excited she is to announce her North American tour for her shitty new album that I assume she just released, when she found the time, since she’s been busy sucking Taylor Swift’s dick…because as Taylor Swift’s career will prove…she’s a master manipulator…and as Selena Gomez’s recent interview in some magazine where she was quoted saying she idolizes Taylor Swift…because I guess Taylor Swift made it without being a product of Disney…and is her new Walt…or Mickey to idolize and to follow….to get through this hard, entertainer life…because she’s a puppet and every puppet needs a puppet master… Speaking of Puppet Master, this video would be so good if it was the opening scene of a horror movie..where’t the masked dude who creeps up on her to slit her throat when she spews her garbage self promotion shit all over us…like the little self promoting pig she is…or her belly would imply she is… The post Selena Gomez Creepy Announcement of the Day appeared first on DrunkenStepfather .
I don’t know who Elina Vasilyevna is… But she sounds Eastern European enough to have had to decide whether to pursue porn, like the other Eastern European girls, because it pays more than being lawyers in their poor, still beat up from communism, where even lawyers make less money than dick sucking babes…..or mainstream nudity, like this, in the “fashion” industry…with magazines that are pretty much just Playboy without the budget, but that present themselves as Vogue, but for the next generation, even though the only people into shoots of naked girls, even when they pretend to be editorial, is pervert dudes jerking off like you…. I guess she chose mainstream…and here are her nipples…for mainstream…so don’t sexualize her…this is art people…encourage it, so dumb girls partake in it….and we get to look at it…right! VIA P Magazine The post Elina Vasilyevna Nipples of the Day appeared first on DrunkenStepfather .
Here is my future ex-Russian bride Daria Protsenko posing for that fictional water company again. How many shoots are they going to do until their budget dries up? Hopefully, many more considering they are importing cheap foreign talent. Anyway, if any of you can find me the agency that Daria works with, I’d like to get in contact with them and get some arm candy at a discounted price.
He works in mysterious ways … Woman Believes God Saved Her From Burglar Via HuffPo reports: A Seattle woman believes God saved her from a burglar, so she didn’t even bother calling police, KOMO News reports. The woman, whose name has not been released, told officers she was praying in her kitchen Feb. 1 when she felt someone tugging at her hair, according to a police report obtained by the station. At first she thought it was just her husband, but when she opened her eyes she saw a strange man standing in the room. She says she shouted, “Lord, help me!” and the stranger fell down and hit his head on the refrigerator, then left the residence, taking only a $20 bill he had picked up off the table. The woman did not report the incident, she said, because she felt God saved her from harm. Her husband ended up calling 911 when a strange car pulled into their driveway a week later, which concerned him because of what had happened the previous week. While God may be getting credit for saving this women, he has also been accused of promoting some not-so-holy behavior in the past. In November, God allegedly told Florida woman Melissa Miller to drive 100 mph in a 30 mph zone. Police say Miller also claims she repeatedly banged on her car horn because of “the Lord telling me to do it.” And in August, James Crittenden of Kentucky allegedly set a gas station toilet on fire, citing “religious reasons” for the act. Crittenden was also once previously arrested after cops said they caught him huffing cans of Reddi-wip inside a store. We’re glad He took some time from his busy day to help this woman. Too bad he was too busy to save the thousands of children that died of hunger today. Guess this was more important.
Thoughts on Congress possibly cutting the WIC program?? Via CBS News: “I was scared out of my mind, I was scared out of my mind about his not getting enough,” said Kayden’s mother, Cierra Kelley. “He was two days old when I took him to the hospital. He was only two days old, I didn’t know what was going on. So he went to see a lactation specialist at Piedmont health.” The lactation specialist is just one of the services available through the Women, Infants, and Children (WIC) Supplemental Nutrition Program also known as WIC. Kelley is one of nine million WIC participants in the United States. “My mother didn’t breastfeed so she didn’t know much about breastfeeding,” Kelley said. “Any questions that I had she was always able to answer them. I was scared for the first week about breastfeeding, you never know if you are doing it right unless someone tells you.” In addition to breast feeding counseling, WIC also offers food vouchers which average between $60-70 per person, per month “I am young, so with WIC you get food support, milk cheese, things like that,” Kelley said. “You need to keep your body healthy. You have to keep nutrients in your body so you can pass it on.” But impending budget cuts could cut WIC benefits for hundreds of thousands. “There are different things that could happen but in short $600,000 could be cut there are different options trying to run the program as long as possible and then making cuts as we get closer to the fiscal year,” said Heather Miranda, a WIC supervisor. Kelley, 21, is in her third year of online classes to become a social worker, but she does not work outside the home. With almost 60 percent of infants born in the US enrolling in WIC, some argue that the program needs to be scaled back.” “I think it is hard because I don’t think a lot of folks don’t understand at the grassroots level what will happen to these families,” Miranda said. “As being someone who works with these families regularly — I had a woman who had to stop breastfeeding because she did not have enough food to feed herself. It’s devastating to hear that and to know there will be cuts that will make it even worse … it makes me incredibly sad that we would balance the budget on the backs of infants women and children.” If Congress does not act, half of the proposed federal spending cuts will come from defense and half will come from discretionary spending which will impact social safety net programs like WIC. “Nobody wants to see their child suffer or go through anything,” said Kelley. “If they cut the budget short and took away the opportunity to call down there and see what is going on with him, if something is going on with my breast milk, and something is going wrong and I am not able to get the support that I need, that means my son would suffer and that would break my heart.” Discuss….
Wisconsin Gov. Scott Walker (R) didn’t campaign on union busting, and claimed that his now-infamous bill stripping collective bargaining rights from public sector unions was about fixing the state’s finances, not attacking organized labor. Indeed, it was called the Budget Repair Bill and Walker and his allies said it was a purely fiscal issue. “You Broadcasting platform : Vimeo Source : Think Progress Discovery Date : 11/05/2012 18:31 Number of articles : 3
How did the film do so much with so little? Simon Hansen tells MTV News. By Kevin P. Sullivan Alex Russell in “Chronicle” Photo: 20th Century Fox This weekend, the teenage superheroes of “Chronicle” edged out Harry Potter himself at the box office with their amazing abilities. Made on a relatively tight budget of $12 million, the found-footage superhero movie made almost twice its budget back in domestic ticket sales alone. Part of the reason for the success, no doubt, was due to the work of visual-effects supervisor Simon Hansen and his team in South Africa. They created all the usual sights of a superhero flick but with a fraction of the budget. MTV News spoke with Hansen to find out how he did so much with so little. ( There are minor spoilers ahead. ) MTV : Where does work begin when trying to tackle something like “Chronicle” on such a low budget? Simon Hansen : That was obviously the challenge of the film and one of the reasons that I was keen to get involved with the project from the beginning. I get to play with commercially viable films that are also cost-effective to make. Having read the script, it was a small film. It’s supposed to be low-budget, relatively. I started making notes when we read the script, noting down all the effects. By the time I got to the third act, I put my pen down because it got so hectic that making notes at that point was a bit of a waste of time. There was clearly a hell of a lot more work that needed to be done. From that point of view, it was a really big film for a low budget, and that was what excited me and what excited everyone on the project. This was the little film that we were going to push further than smaller films normally go. MTV : What’s your approach for doing what the big-budget movies do but with a fraction of the money? Hansen : My background was actually pursuing that as a goal from a very early age in the industry, trying to make things that looked great but didn’t cost a lot. It wasn’t a new idea from that point of view. It wasn’t daunting or hindering; it was actually the most exhilarating part of the process. The superhero genre is a good comparison, which I think has too much money. Having these large budgets is removing the innovation from the project. Capping the budget is a way to force that ingenuity and innovation into the project, which I think does come across. I think “Chronicle” has that feel of being a higher-budget film than it is, but it always has a kind of edginess to it at the same time. MTV : Was there a question of “Can we do everything that’s in the script?” Hansen : Yes, the first question is, “Read the script and tell us how much of it we can do and what you think we can’t do.” My pitch that [producer] Adam [Schroeder] and [director] Josh [Trank] bought on “Chronicle” was that the first thing I was going to try to do was reduce the number of visual-effects shots in the film, because even though my background is visual effects, I like to think of myself as a filmmaker first. I’m not in love with CGI for its own sake. I’d rather do things in camera, and I think most directors would. I think audiences really appreciate the grittiness and edginess of stuff that’s real. If you’re forced to do CGI, try to do it in a way that’s really minimalist, where most of what you’re doing is real. MTV : What was the most challenging shot on the film? Hansen : The most important and the one I considered the biggest challenge was any kind of flying. What ended up happening was we ended up designing brand-new rigs to actually make people fly that worked out really well. It’s probably my favorite part of the process. It’s weird in effects how some shots start out one way and they don’t seem that difficult, and they end up being really difficult. The most difficult sequence was where Andrew beats up the thugs and tosses them around the street because we had to shoot that all in one day and all those different people were on wires and rigs. We had to do it in different parts and put it all together. You get tripped up by the sun moving during the day when you have to shoot it all in one day. The light’s changing all the time, and you’re shooting different elements together. For the level of complexity of that shot and the time we had to do it, that was definitely the most difficult. MTV : How did you come up with the solution for making the characters fly? Hansen : I’d been very frustrated, even with big-budget films and how they’ve done flying. Some of the bad examples, not to knock anyone, “Armageddon” ‘s weightless sequence, for example, was a movie that had a lot of money and didn’t get it right. Lots of films don’t get it right. I knew it wasn’t necessarily about the budget. It was about the technique to get flying to work. I spent a lot of time analyzing footage of sky diving and looking how bodies move in free motion. As a result, I ended up designing a big hamster-wheel rig that the subject would be strapped to in the center and he could be spun within this rig, which could turn itself. You’d get two axes out of it. The actors called it the Wheel of Death because you actually get strapped into this thing and a motor spins you around while the wheel is actually turning. You can do full-on McTwist-type movements. What I tried to get away from was a situation where you pick someone up on wires and move them from one side of a soundstage to another in front of a green screen. MTV : Was there anything you simply couldn’t accomplish with the budget? Hansen : I think we pretty much did just about everything that we wanted to in the script. There were some shots that didn’t work out the way that we wanted them to, where we had to reshoot them or come up with another way to do them. The closest we came to cutting things — we didn’t in the end — but the closest we came was not the kind of effect that you’d even be aware of. When Andrew films himself in the mirror and we’re using a considerably larger camera than the one he’s using, we needed to shoot with one camera and replace it and Andrew in the mirror with the smaller camera. Those turned out to be really difficult shots to plan and get right. No one will really pay them any attention. It’s amazing how that always happens. Check out everything we’ve got on “Chronicle.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos Talk Nerdy
The Ward , John Carpenter’s first directorial effort in 10 years, is not an ideal hiatus-buster. The premise itself — a psych ward for young women is the site of a killing spree — is somewhat pre-Carpenter, and the toe-dip into torture porn feels a little desperate. But his budget-blond lead, B-movie mistress Amber Heard, is well-chosen, and the combination of an excellent supporting cast and a pliable theme work to offset the sizable debits incurred by the often rote direction and seriously iffy ending.
